Musik – Australien – Nya podcasts

  • Here is a 3,004 word essay analyzing Taylor Swift's "Blank Space" and its cultural impact:
    Taylor Swift Weaponizes Her Reputation in Smartest Song Ever Written - “Blank Space”
    Among Taylor Swift’s trove of multi-platinum hits, few generate the sheer glee of 2014’s “Blank Space” upon first hearing its opening lounge piano kicking off Swift’s tongue-in-cheek takedown of her public villainization. Coming on the heels of months enduring slut-shaming tabloid character assassination and an endlessly dissected pseudo-scandalized dating history, Swift unleashed her frustration on “Blank Space” by finally embracing an exaggerated man-eater identity foisted upon her. But beneath glittering pop production winking at her critics’ misogyny, Swift debuted her most brilliant songwriting yet, cementing her icon status through savvy media manipulation.
    Indeed, “Blank Space’s” genius lies in Swift hijacking her detractors’ narrative to reclaim agency on her own terms. After years weathering labels like serial dater, crazy girlfriend, clingy Taylor Swift finally snapped - anticipating being damned regardless, she cheekily owns her assigned role while calling out the hypocrisy. Her tongue lodged in cheek, Swift warns potential suitors they should steer clear if believing the lies. Yet by song’s end, she emerges stronger, her playful self-awareness neutering critics’ power. With “Blank Space,” Swift executed her shrewdest chess move, weaponizing pop conventions while orthogonally redefining expectations for female artistry.
    To fully appreciate “Blank Space’s” cultural impact, understanding Swift’s triggering public crucifixion entering her fourth album cycle proves critical. After admirably navigating early career bumps, media initially lauded Swift as a role model - songwriting wunderkind, savvy businesswoman, and gawky teen bloomed glamorous all while avoiding typical pop trainwrecks.
    Behind headlines though, Swift’s experiences in her 20s becoming more defined by her dating life demonstrated the harsh scrutiny faced by young women seeking fame’s double-edged sword. Romances with high-profile boyfriends drew intense speculation whether conducting them privately or publicly. Swift increasingly found her musical output, fashion and friendships all eclipsed by relentless, often sexist coverage of her romantic partnerships by gossip bloggers.
    Rather than continue silently bearing this scrutiny though, Swift started pushing back more unapologetically on sexism tied to her public image - endorsing egalitarian feminism, defending her songwriting against ghostwriter conspiracy theories, calling out Nicki Minaj’s diminishment of her talent. Swift plainly stated she realized society penalized outspoken women, but resigned herself to the reality that she would be criticized regardless.
    So when tabloids turned on her post a minor PR misstep she apologized for, Swift chose fighting back full force. The spark igniting months of ever escalating takedowns remained petty - her perplexing disappointment when longtime collaborator Katy Perry recruited dancers who previously toured with Swift. Media predictably deemed Swift calculating and tyrannical for daring display annoyance. Next a 2014 Rolling Stone cover aiming to balance Swift’s media skewering included an apparently misinterpreted quote about Swift struggling to retain friendships that was instead breathlessly reported as her boasting about having no female allies.
    In this climate with gendered double standards laid bare, Swift further stoked controversy merely enjoying serial dating after her longest previous relationship ended. Media cries of maneating swiftly turned to accusations of Swift constantly playing the victim whenever she pushed back on blatant slander. Bloggers even cruelly scrutinized her romantic history assigning tawdry motives. Swift found her once sterling reputation demolished virtually overnight over negligible offenses at best.
    Rather than bemoan this media torpedoing however, Swift funneled her fury into reputation rehab starting with “Blank Space’s” indelible melodic hook tongue-in-cheek taunting she’s certifiably insane but irresistible so date her at your own risk. Lyrically she enjoys toying with her tabloid assigned persona as a clingy psycho stalking men. Swift mocks herself as nightmarishly needy in relationships - “Screaming, crying, perfect storms/ I can make all the tables turn” - caricaturing her media skewering. Sardonically she dares suitors to buy into that hyperbolic mythology that she could fill whole albums torching exes when in truth no one has provoked such creative vengeance yet.
    Swift doubles down on the mania in the song’s playful music video filled with haute couture costume changes showcasing model-esque lovers that meet darkly comedic fates from actual car crashes to being unceremoniously dumped for aggravating her. Swift embellishes her mercurial gun-toting crazy cat lady image to unhinged extremes. By gleefully inhabiting criticism, she defangs detractors’ power in imagery and lyrics alike. Media sputtered indignantly at being outpaced with some condemning Swift anyway for making light of mental health stigmas. But many fans realized Swift’s true thesis lay in exposing unfair gendered labels through funhouse mirrors - the supposedly single feminist Swift couldn’t escape no matter how skewed depictions became.
    Because beneath that technicolor spectacle, “Blank Space” spotlights society’s discomfort with young women frankly enjoying romantic freedom, a privilege afforded entitled men. Swift knows at every age, female artists weather character attacks for daring openly explore erotic experiences or romantic disillusionment in their art through the centuries from gifted poets ostracized as witches or hysterical gossip to pioneering female rappers critiqued today as hypersexualized. So with “Blank Space” she cunningly coopts casual misogyny, letting detractors wrongly assume her vapid or crazy.
    But Swift’s audacious about-face playing into pigeonholing also provides deeper moral commentary on women facing limited options to meet purity standards. She argues if the flawless wise innocent role doesn’t liberate women from criticism - she’d already tried for a decade to be America’s sweetheart - why keep limiting her identity for misogynists’ approval? Freed of pressure to constantly defend her character against relentless attacks often premised on sexism barely progressing since the 1960s, Swift finds power reclaiming flattened tropes.
    Because Swift understands culture rarely humanizes women reacting justifiably to antagonism, she chooses meeting unjustified critiques with mockery and willful distortions of her own through carnivalesque performance art spectacle set to glittering pop beats.
    In doing so, “Blank Space” becomes Swift’s most ambitious composition by integrating production and lyrics into an irresistible satirical package. Her songcraft had already proven versatile hybridizing pop and country conventions into resonant radio hits about universal experiences. But “Blank Space” revealed her blossoming into an especially shrewd artist leveraging public drama and willing misinterpretation to spotlight societal gender bias. Rather than sob externally imposed cruelties, Swift’s bon vivant convicted woman takedown winked at tired ideals. Her joined forces as both entertainer and social commentator cemented Swift as the most self-aware voice of her generation.
    And much like the louche temptress persona she slyly inhabits, “Blank Space” seduced all who encountered its melodic bait and switch. The track dominated airplay and sales for seven consecutive weeks. It completely redefined Swift's image from stunned victim to savvy strategist commandeering her own narrative. Most satisfyingly though, “Blank Space” managed to be both culturally attuned yet emotionally intuitive by speaking to unjust constraints all young women face.
    Indeed, the song’s legacy as Gen Z's undisputed karaoke classic highlighting Swift’s still blossoming ability to give resonant voice to female fans’ private indignities and dreams alike continues still nearly a decade later. For Swift keeps growing alongside supporters navigating life’s exhilarating potential and heartrending pitfalls together.
    Yet out of all the hard-won wisdom and solace Swift offers fellow travelers with each passing year, “Blank Space” endures as her brashest testimony yet that women need no longer politely tolerate others’ narrow judgements to participate fully in creative realms or romantic whims.
    Swift proved with glittering wit bent on mass seduction that righteous female freedom need not justify itself through anything but the bold chorus and playful pastiche. Rather than debate detractors on their terms, she blithely obliterates their premises in four minutes.
    And that is “Blank Space’s” lasting legacy as Swift’s career-redefining game change - gleefully unmasking double standards through braggadocio and irony alike with a wink toward more equitable cultural terrain ahead for young women. The track shone a light on the uneasy realization that whoever dared claim the mantle of America’s sweetheart also deserved room to channel her inner court jester or siren whenever the spirit moved without losing society’s respect.
    By redefining pop music preconceptions and her own creative bounds through layered lyrical provocation, Swift demonstrated women could weaponize even misog

  • Livin’ The Dream – This program and name relates to a musician life out there playing live or on the road. The one thing they all have in common is they are Livin’ The Dream. Playing and Recording Music.

    With a variety of Classic Rock, Local Music Acoustic and of course some Rock N Roll and Country, Livin’ The Dream is hosted by Brad Smith and Brad Gnaden each Thursday 9-11am on 96.5 Inner FM Melbourne.

  • We’ve all been front of stage watching the gig, but when do we ever get to go sidestage?
    This is how Side Stage With B was born - to give you an inside scope on what goes on, on stage and off.
    Side Stage With B is about the music, the laughs, and the stories. Inviting you into the artist’s colourful, chaotic, and mesmerising world. So pack your bags and get ready to go on a trip to the sidestage!
    Hosted by Bianca Boulden

  • Welcome! And Thanks so much for tuning into Last Rockers TV the podcast! I’m Erin Micklow and since 2017, I have been traveling the world interviewing punk rock bands and filming their live sets for my DIY video interview show on YouTube! Recently I’ve gotten a lot of feedback that I should format my interviews into a podcast for those of you that prefer this format, so here we are! If you’d like to further support my DIY outlet, please subscribe, share this podcast and leave a review so I can keep creating this content for you! Thanks again for being here! Support this podcast: https://podcasters.spotify.com/pod/show/erin-micklow/support

  • Mental health, making music and staying alive. Explore intimate, vulnerable and fascinating stories from major music artists on their real-life challenges, triumphs, and how they've navigated the world while making art. Hosted by Christina Rowatt and Tim Charles.

  • Join Billy and Dave as they celebrate the magic of a day gone by, challenging each other week to week with an album that one of them thinks is “perfect”, and has zero skippable tracks; which the other has never listened to before. Now, kids, once upon a time, many moons ago, when streaming services were just a dream Steve Jobs had after eating too much cheese before bed; we listened to music in carefully curated lists that the artists had painstakingly put together in such a way as to take the listener on an emotional journey. These lists were hard-coded onto disks of vinyl, or recorded onto magnetic tape in little plastic cases. We called these magical items “albums”. In the before times you couldn’t skip tracks, or (god forbid) put the album on shuffle. That would have been like watching the scenes of a movie out of order. Madness.

  • Everything kulture in the music industry. Hosted by a few imbecilices.

  • Creative CTRL is a podcast by rapper nobigdyl. discussing the intersection of faith and creativity.

  • Welcome to Through The Creative Door. Join Alexis Naylor as she chats to an array of creative guests, getting a glimpse into their world and having some honest and inspiring conversations.

  • The Music Mind Podcast explores the creative minds of people who have made their living by exploring the power of their passion and living their dreams by putting that passion into every day practice.The Podcast features conversations with some of the world's greatest musicians, many of whom will be unknown to the general population. Episode One is a three part conversation with a 50 year professional career veteran of the Australian Music Industry. We chat with Mike Hayes about his earliest memories of becoming interested in music, and the guitar which has been the focus of his life for half a century. Having run a successful performing, recording, composing, arranging, teaching and international publishing business Mike continues to live in the small regional city of his birth in Queensland Australia, while taking his music talents to the world.In Episode 2 we chat with Jim Manley, a truly world class contemporary trumpet player, recording artist and music educator based in St Louis USA. Jim is widely respected in the brass playing community for his effortless playing and his ability to teach efficiency for the trumpet and has recently released his 20th album.Episode 3 features top Sydney Australia based saxophone, flute and EWI session musician and educator, Andrew Oh. Andrew has performed internationally with some of the biggest names in the music business and has released a number of world-class recordings.Episode 4 features one of Australia's premier electric bass guitarists, Roger McLachlan. Roger was the original bass player with the super group The Little River Band, played jazz fusion with Pyramid and was the fretless bass player on John Farnham's 'You're The Voice' which remains the highest selling record ever by an Australian artist.For more information on The Music Mind Podcast contact Brian Hayes at https://www.BrianHayes.biz.

  • Welcome to Con Calma Podcast, a show hosted by three cousins who share their experiences and insights on growing up as second-generation Latinos. Meet Alberto, also known as DJDIRTO, who brings his love for music and mixing to the table, Mike La Voz, who shares his funny stories and relatable topics, and Carlos, the elder statesman of the group, who brings wisdom and humor to the show.Every episode, we discuss relatable topics that we all can relate to, while sharing funny stories and lessons. We also have a segment called ”La Critica,” where Carlos shares his humorous critique of popular Latin music videos, pointing out what could be improved and why it does or doesn’t make sense.And for all the music lovers out there, we have a weekly/bi-weekly mix called ”La Mescla,” where we share the best Latin music with our listeners. Join us for a fun and insightful conversation on Con Calma Podcast.

  • Into the heart of rhythm and the soul of storytelling, experience a ground breaking podcast that defies convention. Joined by an extraordinary live band, seasoned bassist and World Music Method founder Edd Bateman lays down hypnotic grooves as he recounts the riveting tales of a musician’s life journey.From witchcraft to drugs, spiritual discovery, murder and bankruptcy, "Edd Bateman's Rhythm & Truth" peels back the curtain on the dynamic lives of musicians on the road, offering an unfiltered look at Edd's abstract life choices while transporting listeners across continents and cultures.

  • Interview, information, current events about any bands - concert, brass or pipe!

  • Musician and Artist Caleb Colledge sits down with fellow creatives to meditate on the artistic process.

  • Rhys from The Point Music News interviews not only Sunshine Coast-based musicians about latest releases, but also goes down the rabbit hole with artists from all over Australia.

  • Your beginner's guide to a singer or band - album by album. Hosted by Stevie Nix.

  • Welcome to the AusFolkus series of podcasts: Exploring the people and stories behind Australian folk music and dance
    In these podcasts I’ll be interviewing many of the musicians, dancers, choristers and teachers from the multitude of folk genres that we are so lucky to be exposed to in this country. These are people who have been in front of you in festivals, concerts and dance demonstrations in some cases for decades. Their names will be well known to you and have in many instances been celebrated by you while watching them or perhaps even participating with them while they ply their wondrous art.
    Theme music: Veligdensko Horo sourced from Linsey Pollak's book "Macedonian Folk Music" ( linseypollak.com )

  • Welcome to the Audio Equipment Podcast. My name is Griffin Breshears, an audio engineer obsessed with uncovering the stories behind the tools used to shape the musical landscape of the past, present, and future. Join me as I invite the makers themselves to share their journeys of how they created the paintbrushes musicians use to paint their masterpieces.

  • Follow along in the music and concert adventures of Andy Gates and Mackenzie McAninch, as fans, managers, back-stage access and friends of bands. In this podcast they tell adventurous, inspirational, comical and at times emotional stories from live performance experiences shared together. Combined they have seen well over 2,000 shows, and many together. Re-live specific shows with stories and sometimes sound bites as they describe their experiences at these concerts, though often from the best seats in the house as they both believe there is no point in ever sitting in a bad seat; usually. Whether they were in the front row of some of the most iconic shows over the past decade, or rubbing elbows with the likes of Jack Black while dressed like idiots at a black tie affair, their stories get asked to be repeated over and over.


    They’re finally bringing these tales to the tape, with witty and comical banter as these two best friends also argue over almost everything, including their favorite baseball teams as rivals Boston Red Sox and New York Yankees. The stories will likely also venture off into stories of their rather checkered pasts as well, so you’ll want to listen along for these details! They’ll explain that the combination of the two of them together at these shows often brings about a magic that simply doesn’t happen when they’re apart at shows. And because of that, together they have gotten to experience moments that most concert goers only dream of. “Those rules don’t apply to me” has been a slogan for Andy for years, hence the naming of this podcast: “Those Rules Don’t Apply To Us.” While typical concert goers usually have average concert experiences, Andy and Mackenzie never settle for that and often push the boundary limits of standards in order to share stories like these.


    Created, Written, Engineered and Produced by Andy Gates and Mackenzie McAninch
    Edited by Mackenzie McAninch
    Music by Beyond the Lamplight
    Artwork by B. Anthony Nelson

    Links: https://linktr.ee/thoserulesdontapplytous