Musik – Nederländerna – Nya podcasts


  • Een spiksplinterneije podcastserie over Brabantse dialectmuzikanten. Wat drijft ze, wat ontroert ze, wat schrijven ze en: warum dan toch in dè Brabants. Documentairemaker én singer-songwriter-in-het-Brabants Frank van Osch interviewt Gerard van Maasakkers, Björn van der Doelen, Lya de Haas, Hein Augustijn, Martijn Kuijten, Jos Kuipers, Patrick Marcelissen (WC Experience) en Zjef Naaijkens (RK Veulpoepers BV).

  • Dit jaar is het 125 jaar geleden dat Willem Mengelberg de Matthäus-Passion van Bach voor het eerst uitvoerde in het Concertgebouw in Amsterdam met het Concertgebouworkest en Toonkunstkoor Amsterdam. Het werd een jaarlijkse traditie. De uitvoeringen van de Matthäus-Passion in de passietijd leidden tot de grote Matthäus-liefde die in ons land nog steeds bestaat.

    In zes afleveringen wordt het Nederlandse succes van de Matthäus-Passion verklaard vanuit het menselijke perspectief. Elke aflevering heeft een eigen thema dat uit twee delen bestaat.

    In de eerste helft van elke aflevering spreekt dirigent Boudewijn Jansen met een aantal hoofdgasten: tenor Twan van der Wolde, hoofddramaturg van De Nationale Opera, Luc Joosten, bassist en componist Egon Kracht, bas-bariton Raoul Steffani en presentator Tijl Beckand.

    In de tweede helft van elke aflevering komen koor- en orkestleden, mensen achter de schermen van het Concertgebouw en Matthäusgangers aan het woord.

    Natuurlijk is er tussendoor ook veel muziek te beluisteren.


  • Behalve een geniaal componist, toont Johan Sebastian Bach zich met de Matthäus-Passion ook een meesterlijk verhalenverteller. Maar wat bedoelde hij nu echt te zeggen? En wat vertelt zijn magnun opus over zijn diepgewortelde geloof? Bach-expert Klaas Vos neemt je mee tot in het hart van de Matthäus-Passion.

    Hosted on Acast. See acast.com/privacy for more information.



  • A stunning feat of architectural ambition four years in the making,, Las Vegas' record-shatteringly expensive new entertainment The Sphere The Sphere finally opened fall of 2023 aiming to revolutionize sensory possibilities blending digital immersion with live performance. The bulbous structure's unprecedented wrap-around interior video capabilities, cutting-edge spatial audio, and full spectrum physical effects purport to transport audiences into radically enhanced multi-dimensional environments no concert stage achieved before for $2.3 billion price making this spherical colossus the most expensive entertainment venue ever erected in Sin City.
    Brought forth through a partnership between regional entertainment titans Madison Square Garden Company (or MSG) and former Las Vegas Sands backing, the aptly titled The Sphere complex measures a whopping 366 feet tall and 516 feet wide covered by 580,000 square feet of programmable LED panels coating its imposing exterior like the scale of mythological dragon. Within its high-tech skin lies seating for over 18,000 optimally positioned experiencing shows never possible previously.
    Specifically, The Sphere's interior showcases spectacular 16 thousand-resolution wraparound screens engulfing attendees in what feels akin a live IMAX theater through triple limitations of conventional concert footage. Over 1,600 individual sonic emitters leverage advanced wave synthesis and beam-forming precision to bounce layered sounds everywhere imaginable even vibrating through floorboards. Then myriad 4D elements like perfumed scents, temperature shifts and tactile rumbles complement enormous displays dynamically responding performing artists move through custom choreography.
    Altogether The Sphere’s sprawling production toolbox fosters unlimited possibilities storytellers dream up leveraging digital sleight of hand synchronizing CGI elements live performers interact. The creative combinations remain infinite if content creators fully harness The Sphere's capabilities by choreographing entirely new species showmanship. Already MSG announced runway style awards programming, long-form documentary debuts and fittingly U2 themselves christened the state-of-art stage across 40 dates with touring residency leveraging limitless possibility welcoming this uncharted new frontier for event entertainment. One expects many visionary artists to follow conceptualizing groundbreaking world-building hitherto impossible come to vivid life nightly when properly utilizing The Sphere’s futuristic production palette.
    Now after years of tangled delays navigating supply chain logjams and runaway materials inflation blowing initial costs skyward, the $2 billion plus pricey spherical spectacle finally opened September 2023 shepherded by MSG subsidiary The Sphere Entertainment towards realizing profitability. Unfortunately, wider macro-economic woes hampering consumer discretionary spending coupled with operational costs tuning The Sphere’s bleeding edge systems produce projected near $100 million losses initially gave shareholders pause whether the ambitious gamble pays dividends long-term. With exorbitantly expensive overhead and consistent six-figure crowd draws essential to reaching even modest future profit break-even thresholds, the financial viability quest already claimed MSG CFO exiting weeks after doors opened.
    The entertainment industry gazes upon The Sphere half with optimism about immersive potential but also weighted uncertainty about whether risky business execution amidst the recessionary climate jeopardizes MSG’s spherical Icarus melting wings flying too close creative sun. Beyond budgets, critical voices argue The Sphere’s lavish one percenter amenities contradict populist entertainment better served through dozens of grassroots venues reaching wider audiences. Could vanity alone collapse this awe-inspiring architectural marvel many critics charge resembles a gaudy billionaire’s Epcot bauble more than proving practical public good?
    Time will tell whether The Sphere’s promise to usher live entertainment into expansive multi-dimensional realms through cutting-edge production or merely fleeting gimmickry dazzling initial crowds soon after fading forgetting faster than other Vegas spectacle ghosts. But give credit to MSG and partners' courage to dream so ambitiously by spending big believing interactive digital innovation must push boundaries reaching post-pandemic audiences evaluating theatrical experiences on radically shifting terms favoring heightened stimulation. Only broad sustained turnout and profitability measures if their shrewd bet pays forward dividends opening new frontier contemporary arena entertainment through consistently scaling creative possibilities matching billion-dollar plus investment built.
    Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.
    And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures.
    In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th!
    This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers.
    Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you.
    Talking Time Machine: search, subscribe and (Listen Now!)

  • Welcome to the Early Birds podcast Hosted by Jony, Alfy, and Erick. Tune in as 3 childhood friends talk about life, and give hot takes on trending topics and. New episodes every week!

  • Loco Ed en El Pastuso draaien plaatjes en praten over zeer veel dingen en zorgen daarmee voor de broodnodige feelgood in deze tijden van ellende en dingen en alles!

  • Journalist Gijs Groenteman, zanger Thomas Oliemans en musicoloog Thomas de Jonker bespreken Bachs Matthäus-Passion. En dat doen ze uitgebreider dan ooit: 13 uur lang, in 69 in elkaar overlopende afleveringen wordt Bachs grootse meesterwerk volledig uitgeplozen.

    De analyses worden door Oliemans zingend en spelend achter zijn vleugel muzikaal geïllustreerd, naast geluidsvoorbeelden uit de orkestrale uitvoering van de Matthäus-Passion. Zo ontstaat een podcast-naslagwerk dat een 'must-hear' is voor elke liefhebber van de Matthäus.

    Dit is een podcast van Het Concertgebouw. Deze podcast wordt mede mogelijk gemaakt door Van Lanschot Kempen, hoofdsponsor van Het Concertgebouw.

    De opname van het Concertgebouworkest onder leiding van Iván Fischer die in deze podcast wordt gebruikt is terug te luisteren en terug te kijken op de website van het Concertgebouworkest.

    Techniek en montage: Bart Geeraedts, txt-producties

  • FOR REAL is a theatrical radio-show on what it means to matter.

    The starting point is the intellectual undermining of women: the sexism on the mind and the soul and lack of interest in what they think, say, make or try to achieve in life. How does this influence your sense of self, your trust, the building of relationships, and eventually: the course of life itself?


    Each episode is recorded in the theater, where Resonate Productions performs the show FOR REAL with a team of 3 musicians: Andrea Voets (harp), Sarah Jeffery (recorders) & George Dumitriu (viola, guitar). Audience-members are interviewed by three musicians on the topics of human dignity. These interactions are carried by a technique of improvising, in which the musicians support risky and honest conversations as they unfold.


    By doing this, Resonate Productions creates a sounding collection of your voices on what it means to matter: to have dignity, to feel understood and to be taken seriously.


    www.resonate-productions.com || instagram: resonate.productions || facebook.com/musicaljournalism


    Hosted on Acast. See acast.com/privacy for more information.

  • Join the creator of Voice Lessons To Go, Ariella Vaccarino for her insights and instruction on singing. Ariella has been teaching voice for over 20 years. She is a Los Angeles voice teacher with training from USC in Opera. Ariella has taught singing to all genres, levels and ages. She is focused on healthy singing and building her students’ confidence to be their best. Ariella is known for her line of CDs and books called Voice Lessons To Go and her Vocal Assessments she gives to individuals nationwide; All available on her website, www.VoiceLessonsToGo.com.

  • Established in 2007, the entire staff of City Sketches, Inc. is committed to delivering outstanding performance and client service to our wide variety of listeners worldwide. We are on over 45 terrestrial radio stations nationwide with over 450,000 listeners weekly.

    NewUrbanJazz was launched on October 1, 2008. On February 5, 2008, CD101.9 (NYC) flipped the format to Rock 'n' Roll, and shortly after, several stations flipped up and down the East Coast. "NUJ was tested in 2004 at WJSJ/Jacksonville, Fl. and the results were favorable", says the native New Yorker. We began to add unknown US-based and international artists to the lineup quietly and was received with high marks. We have a couple other formulas that proved to be effective, so it only made sense to roll out our program."

    In October, 2008, NUJ was added initially at College Jazz Stations that had a contemporary flavor. At the front of the pack were WJAB, WVSU, WFSK, WEIB. The reception at those stations was overwhelming, and other stations began to follow suit, including WVAS, WUMR, WFSH and WNAA. Recent station additions include in Iowa, Hawaii, Miami and two in Alaska. As of 2014, we are on 31 stations in 20 states and nearly 1/2 Million listeners weekly.

    Bob Baldwin - CEO/Founder Bob started his first job at the age of 15 to take care of his family after his father fell ill. After High School, he attended Geneva College in Beaver Falls, Pa., and acquired his degree in Business Administration with a Communication Minor. Prior to graduating, he interned with Frankie Crocker at WBLS in NY, which started his Broadcasting career part-time, in between developing his solo recording career.In between recording his first 6 CD's (through 2008), he spent 3 years with MCI Sales and 14 years with Sprint's Accounts Receivable Department.After 1997, he started City Sketches, Inc. and began working on 6 more discs. He also focused primarily on Radio Programming, which included WJSJ/Jacksonville, KJAZ/Bermuda and WCLK/Atlanta. In October, 2008, he launched the New UrbanJazz Lounge, which began at WJZZ (Radio-One) in Atlanta, and currently has stations in the South and Northeast. As Executive Producer, Baldwin has overseen the Brazilian-American Jazz Festival, The Croton Point Park jazz Festival, The Wednesday WindDown Jazz Festival and the Trumpets Jazz Series. In 2010, the staff of NUJ curated the NewUrbanJazz @ the Arts xChange music series, the "Westchester Musicians for Haiti" and "Jazz for Haiti" program in Newark, NJ, a partnership with the Red Cross of Northern NJ.

  • Vanuit mijn werk als gitaardocent, stembevrijder en natuurcoach neem ik je mee in de wondere wereld van spelen, muziek maken en zingen.

    Wat doet muziek met je, wat doet het voor je en hoe doe je het?

  • Lune The Band talks about music, life, loss, and more.

  • Hartmut Haenchen kwam in 1986 naar Nederland om chefdirigent te worden bij het Nederlands Philharmonisch Orkest en de Nationale Opera, waar hij veel succes had met de opera's van Richard Wagner (https://www.npoklassiek.nl/componisten/7f4fbe51-9fcf-45ae-b2fe-efd3f7496f13/wagner-richard). Haenchen bleef chefdirigent tot 2003. Hans Haffmans zocht hem op in Dresden, waar hij tegenwoordig weer woont.


  • Bekende Groningers worden geïnterviewd over hun leven langs de muzikale tijdlijn. Presentatie: René Walhout, Eva Hulscher, Henk Elderman óf Pieter de Hart 

  • Ever wondered what it takes to break through onto the dance music scene as a DJ, producer or promoter and forge a decent living in an ever-evolving industry? In this podcast, I'll be talking to some of these people in the hope of gaining a better insight into the kind of challenges they face, the highs, the lows...as well as hopefully gleaning some nuggets of advice along the way for anyone aspiring to make it themselves.

  • Op 23 januari 2006 komt Eigen Wereld uit. Het beste, meest geroemde album van hiphopformatie Opgezwolle. Het was ook meteen ook hun laatste album. 15 jaar later is nog steeds onbekend waarom de succesformule ophield te bestaan. Kees de Koning gaat opzoek naar antwoorden en spreekt met Delic, Sticks en Rico. 

    Locatie: Hedon Zwolle 
    Redactie, samenstelling en regie: Iddo Havinga
    Edit, sounddesign en mixage: JP Geersing/Audiochef
    Interviews en voice-over: Kees de Koning
    Eindredactie: Noortje Veldhuizen & Kees de Koning

  • Pomeriggio dedicato alla musica Neomelodica Napoletana kiss

  • Music News Sound Design. Paradise Parallels, and hurdles, 420 Essentials and more

  • Hosted by: Big Tray Deee, Coniyac & KXNG Crooked. We strive to foster a community of passionate hip hop enthusiasts, fostering a space where listeners can gain a deeper understanding and appreciation for the lyrical talent and artistic expression within hip hop.


  • Dit is de vastelaovespodcast Sjerp & Ruig! De podcast wo-in veer dich mitnumme tössje de appelsiene en nónnevotte. Ruig om te loestere en gegarandeierd sjerpe vraoge. Mèr altied richtig Zittesje vastelaovend en ein klein bietje van dao boete.