Musik – Nya Zeeland – Nya podcasts

  • Lowell George, the legendary singer, songwriter, and guitarist, left an indelible mark on the world of rock music before his untimely death in 1979 at the age of 34. As the founder and driving force behind the band Little Feat, George's unique blend of rock, funk, blues, and country influenced countless musicians and helped to define the sound of American rock in the 1970s.
    Early Life and Musical Beginnings
    Lowell Thomas George was born on April 13, 1945, in Hollywood, California. His father, Willard George, was a furrier to the stars, and his mother, Lucille, was a housewife. Growing up in the heart of the entertainment industry, George was exposed to music from an early age. He began playing guitar at the age of 11 and quickly developed a passion for blues and R&B.
    As a teenager, George attended Hollywood High School, where he met future bandmate Roy Estrada. Together, they formed a band called The Factory, which played a mix of blues and soul covers. George's talent as a guitarist and singer quickly earned him a reputation on the local music scene, and he began playing with other bands, including The Standells and The Mothers of Invention.
    In 1966, George joined Frank Zappa's band, The Mothers of Invention, as a guitarist and vocalist. He appeared on several of the band's early albums, including "Freak Out!" and "Absolutely Free," and his distinctive slide guitar playing became a key element of the band's sound. However, George's time with The Mothers was short-lived, as he left the band in 1969 to pursue his own musical vision.
    Formation of Little Feat
    After leaving The Mothers of Invention, George formed his own band, Little Feat, with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward. The band's name was a reference to George's unusually small feet, which he often joked about in interviews.
    Little Feat's self-titled debut album, released in 1971, showcased George's songwriting talents and the band's eclectic musical style. The album featured a mix of rock, blues, country, and R&B, with George's slide guitar and distinctive vocals at the forefront. Although the album was not a commercial success, it established Little Feat as a band to watch and earned them a dedicated following among music critics and fellow musicians.
    Over the next several years, Little Feat released a series of critically acclaimed albums, including "Sailin' Shoes" (1972), "Dixie Chicken" (1973), and "Feats Don't Fail Me Now" (1974). These albums further refined the band's sound, blending elements of rock, funk, and New Orleans-style R&B into a unique and infectious mix.
    George's songwriting during this period was particularly strong, with tracks like "Willin'," "Fat Man in the Bathtub," and "Rock and Roll Doctor" becoming fan favorites and staples of the band's live shows. His lyrics often dealt with themes of love, loss, and the struggles of everyday life, delivered with a wry sense of humor and a keen eye for detail.
    In addition to his work with Little Feat, George also collaborated with other musicians during this period. He produced albums for artists like Robert Palmer and Valerie Carter, and he played guitar on recordings by the likes of John Cale, Harry Nilsson, and Bonnie Raitt.
    Challenges and Struggles
    Despite Little Feat's critical acclaim and dedicated fanbase, the band faced numerous challenges throughout the 1970s. George's drug use, particularly his addiction to heroin, began to take a toll on his health and his ability to perform. The band's lineup also underwent several changes, with Roy Estrada leaving the band in 1972 and being replaced by a series of bassists, including Kenny Gradney and Paul Barrere.
    In 1975, Little Feat took a hiatus as George sought treatment for his drug addiction. When the band returned to the studio in 1977 to record their sixth album, "Time Loves a Hero," tensions were high, and the recording process was fraught with difficulties. The resulting album was a departure from the band's earlier sound, incorporating more jazz and fusion elements, and was met with mixed reviews from fans and critics alike.
    Despite these challenges, Little Feat continued to tour extensively throughout the late 1970s, building a reputation as one of the most dynamic and exciting live bands of their era. George's slide guitar playing and soulful vocals remained the centerpiece of the band's sound, and his onstage persona, complete with his trademark top hat and funky dance moves, made him a beloved figure among fans.
    Tragic End and Legacy
    Tragically, Lowell George's life and career were cut short on June 29, 1979, when he suffered a fatal heart attack in his hotel room in Arlington, Virginia. He had been on tour with Little Feat at the time, and the band had been scheduled to play a show that evening.
    George's death sent shockwaves through the music community, and tributes poured in from fellow musicians and fans alike. Little Feat disbanded shortly after George's death, with the surviving members pursuing other projects and collaborations.
    In the decades since his passing, Lowell George's legacy has only grown, with new generations of musicians discovering his music and citing him as an influence. His unique blend of rock, funk, and blues, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps.
    George's influence can be heard in the work of artists like Bonnie Raitt, who covered his song "Dixie Chicken" and has cited him as a major influence on her own slide guitar playing. The Allman Brothers Band, another seminal 1970s rock band, also drew inspiration from George's music, with Gregg Allman once stating that "Lowell George was one of the greatest singers and songwriters of all time."
    In addition to his musical legacy, George is also remembered for his larger-than-life personality and his wry sense of humor. He was known for his love of practical jokes and his ability to light up a room with his infectious laughter and quick wit. His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him.
    Little Feat's Reformation and Continuation
    Although Little Feat disbanded following Lowell George's death, the surviving members of the band eventually reformed in 1987, with Fred Tackett taking over guitar duties and Craig Fuller handling vocals. The reformed band released several albums over the next several decades, including "Let It Roll" (1988) and "Representing the Mambo" (1990), and continued to tour extensively.
    While the reformed Little Feat never quite captured the same magic as the original lineup, they remained a beloved and respected presence on the rock scene, known for their tight musicianship and eclectic blend of styles. The band also helped to keep Lowell George's music alive, frequently performing his songs in their live shows and introducing new generations of fans to his work.
    In 2020, Little Feat celebrated their 50th anniversary with a series of special concerts and releases, including a deluxe edition of their live album "Waiting for Columbus." The band also announced plans for a documentary film about their history and legacy, with a particular focus on the life and music of Lowell George.
    Remembering Lowell George
    More than four decades after his untimely death, Lowell George's music and spirit continue to inspire and influence musicians and music lovers around the world. His unique blend of rock, funk, blues, and country, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps.
    George's legacy is also a testament to the power of perseverance and the pursuit of one's artistic vision. Despite facing numerous challenges and setbacks throughout his career, including struggles with drug addiction and personal demons, George never lost sight of his love for music and his desire to create something unique and meaningful.
    His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him. His larger-than-life personality and wry sense of humor also made him a beloved figure among fans and fellow musicians alike.
    Today, Lowell George's music continues to be celebrated and rediscovered by new generations of fans, thanks in part to the efforts of his surviving bandmates and the enduring appeal of his songwriting and musicianship. From the funky grooves of "Fat Man in the Bathtub" to the haunting beauty of "Willin'," George's songs remain timeless classics that continue to resonate with listeners of all ages and backgrounds.
    As we look back on the life and legacy of Lowell George, it's clear that his impact on the world of rock music cannot be overstated. He was a true original, a visionary artist who helped to push the boundaries of what was possible in rock and roll and inspire countless others to follow in his footsteps.
    While his life may have been cut tragically short, the music he created and the spirit he embodied continue to live on, a testament to the enduring power of art and the human spirit. As long as there are those who love rock and roll and appreciate the unique blend of styles and influences that made Little Feat so special, Lowell George's legacy will continue to shine bright, a guiding light for generations of musicians and music lovers to come.
    Lowell George's Enduring Musical Influence
    The influence of Lowell George's music can be heard in the work of countless artists across a wide range of genres, from rock and blues to funk and country. His un

  • Real Talk. Real Ska. Starring: Trumpet Playing Comedy Writer Rachel Steele, Stand Up Comedian and Comedy Writer Anthony Robinson, and Ska Core Ryan Danley! We team up weekly to discuss the real world and ska. This dancefloor is about to get jumpin'. So stop the chatter and spin the platter.

  • The biggest stars. The best musicians. Local NZ talent and global chart-toppers. They all talk to Charlotte Ryan on Music 101 Interviews, sharing their stories from the road and the studio, the tales behind the song and from back-stage. Listen on the RNZ website or wherever you get your podcasts.

  • Hi, I'm Brad Reid, I love Cape Breton fiddle music, and I "play well with others" (said all of my school teachers except for the first, who said I had an attitude problem). I have my own story of how I connect with this music, and I love to hear other people’s stories. They may be mostly fiddlers ('cause that's how I roll), but there will also be guitar players, piano players, dancers, and anyone else whose path I cross. Why me? I’ve played music around the world - from ceilidhs, to cruise ships, to Cirque du Soleil - and found I can relate to just about anyone. : ) Attitude problem my foot!

  • Bringing you the SOUNDS of the music scene along with the VOICES of the community.
    The Sounds of Salisbury Podcast will feature local music, fun conversation and community insight.
    Highlighting local causes, artists, events and activities in and around Salisbury.

  • Kia ora!
    Highlighting and exploring the guitar players, builders, breakers, and makers of Aotearoa New Zealand, join us on a journey from the past to the present and meet all of the characters along the way.

  • Interviews and discussions with musicians and music industry professionals. Stories and live performances.

  • DJ Ped explores all the corners of uplifting and melodic dance music: house, progressive, trance, psy-trance, electro swing - essentially any dance music that makes you move and puts a smile on your face!

  • Bridging the gap between Music and understanding. We explore music's power, history, and its impact on our world. Featuring UK music experts and scholars, we connect listeners with practitioners, fostering a shared understanding of music's role in our past, present, and future.

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    Hosted on Acast. See for more information.

  • Get In tune with what’s going on EVERY WHERE! Instagram-Bigflashyy twitter-bigflashyy Facebook-Mind Your business lol

  • Mike Nicholas brings you a monthly dose of energy including music & conversations with the biggest names in electronic musicHit FOLLOW to hear future episodes

  • The Shetland Islands are situated in the North Sea 200 miles north of Aberdeen, Scotland and 250 miles west of Bergin, Norway. They consist of 100 islands, with only about a dozen of them inhabited. Its weather gets a bad rap but its people are intensely hospitable and neighbourly.

    In April 2002, a small group of enthusiasts - Jack, Irene, Barbara and Nan – first gathered to explore the possibility of creating a regular radio programme. Nervous at their lack of radio experience as producers, they wondered if they would measure up. Over the months, as they got to grips with broadcasting, the local café kept them buoyed with coffee and muffins as they met to discuss programme ideas and confidence slowly grew.

    There was a hunger in the community for contact with stories and people from The Shetlands. People wanted to gain an understanding about their family histories, so the backing of the local Shetland Society was key.

    Irene was the authority on Shetland music so listeners got to know some fantastic modern groups who rode the wave of the renaissance of fiddling music. Barbara went on a huge learning curve and made connections with her island-dwelling great, great grandmother. Both Nan's parents immigrated to NZ in 1922 and she visited Shetland four times – each time in a different season. For Nan, doing the programme is "like giving something back for the fantastic upbringing my mother and father gave me – including the great pride in our strange heritage."

    “Don’t just talk about the past....” was the message given very strongly from the organisation.

    The Shetland character is very droll so over the years the team has included fun pieces about life in Shetland today (bizarre cricket matches, letters from “home” and even the Unst bustop), themes matching NZ celebrations like July’s KidsFest when they linked in with children, grand-children or even great grandchildren. Stories, poetry and recollections from both world wars abound.

    Visitors to the city are snapped up if they have Shetland connections, and the hope is to one day interview ex-Prime Minister Helen Clarke – she had a great uncle.. The aim is to get a balance between nostalgia pieces and contemporary issues, experiences and music.

  • Neil Young, the legendary Canadian-American singer, songwriter, and musician, has had a remarkable career spanning over six decades. Known for his distinctive voice, introspective lyrics, and fearless activism, Young has left an indelible mark on the world of music and beyond. In this comprehensive biography, we will delve into the life and times of Neil Young, from his humble beginnings to his recent controversies with Spotify.
    Early Life and Musical Beginnings Neil Percival Young was born on November 12, 1945, in Toronto, Canada. His father, Scott Alexander Young, was a renowned Canadian journalist and sportswriter, while his mother, Edna Blow Ragland "Rassy" Young, was a member of the Daughters of the American Revolution. Young's early life was marked by frequent moves, as his family relocated several times due to his father's work.
    Young's love for music began at an early age. He was fascinated by the ukulele and plastic guitars his father brought home from his travels. By the time he was a teenager, Young had taught himself to play guitar and was already writing his own songs. He joined his first band, The Jades, in high school and later formed The Squires, which played gigs around Winnipeg and Ontario.
    In 1963, Young moved to Toronto to pursue his musical career. He befriended Stephen Stills and Richie Furay, who would later become his bandmates in Buffalo Springfield. Young also met folk singer Joni Mitchell during this time, and the two became romantically involved for a brief period.
    Buffalo Springfield and Early Success In 1966, Young and Stephen Stills formed Buffalo Springfield, along with Richie Furay, Bruce Palmer, and Dewey Martin. The band's unique blend of folk, rock, and country influences quickly gained them a dedicated following. Their self-titled debut album, released in 1966, featured the hit song "For What It's Worth," which became an anthem for the counterculture movement.
    Despite the success of Buffalo Springfield, tensions within the band led to Young's departure in 1968. He released his self-titled solo debut album later that year, which showcased his distinctive voice and songwriting style. The album featured the song "The Loner," which would become a staple of Young's live performances.
    Crosby, Stills, Nash & Young Following his departure from Buffalo Springfield, Young joined forces with David Crosby, Stephen Stills, and Graham Nash to form the supergroup Crosby, Stills, Nash & Young (CSNY). The band's 1969 debut album, "Dรฉjร  Vu," was a massive critical and commercial success, featuring classic songs like "Helpless" and "Teach Your Children."
    CSNY's success was short-lived, however, as personal and creative differences led to the band's breakup in 1970. Young continued to collaborate with members of the group throughout his career, but the magic of their initial partnership was never fully recaptured.
    Solo Career and Collaborations In the 1970s, Young embarked on a prolific solo career, releasing a string of critically acclaimed albums that showcased his evolving musical style and lyrical depth. "After the Gold Rush" (1970), "Harvest" (1972), and "Tonight's the Night" (1975) are considered some of his finest works from this period.
    "After the Gold Rush" was a turning point in Young's career, establishing him as a major force in the singer-songwriter movement. The album featured some of his most enduring songs, including the title track, "Only Love Can Break Your Heart," and "Southern Man," which addressed racism in the American South. The album's mix of folk, rock, and country influences, combined with Young's plaintive vocals and introspective lyrics, set the template for much of his later work.
    "Harvest," released in 1972, was an even greater commercial success, reaching the top of the charts in the United States and the United Kingdom. The album featured the hit singles "Heart of Gold" and "Old Man," which became two of Young's most beloved songs. "Harvest" showcased Young's ability to craft simple, melodic songs that resonated with a wide audience, while still maintaining his distinctive voice and perspective.
    "Tonight's the Night," released in 1975, was a darker and more haunting album, inspired by the drug-related deaths of two of Young's friends, roadie Bruce Berry and Crazy Horse guitarist Danny Whitten. The album's raw, unpolished sound and emotionally charged lyrics were a departure from the more accessible style of "Harvest," but it remains one of Young's most powerful and influential works.
    Young's collaborations with other artists also contributed to his growing legend. He worked with Linda Ronstadt on her album "Heart Like a Wheel" (1974) and toured with The Band in 1974. Young's 1975 album "Tonight's the Night" featured a backing band called The Santa Monica Flyers, which included Nils Lofgren and Crazy Horse drummer Ralph Molina.
    In 1976, Young reunited with Stephen Stills to record the album "Long May You Run." The album's title track became a hit single and remains a beloved classic in Young's discography.
    Activism and Political Involvement Throughout his career, Neil Young has been known for his outspoken political views and activism. He has been a vocal critic of war, environmental destruction, and corporate greed, using his music as a platform to raise awareness about social and political issues.
    In the 1960s and 1970s, Young was a prominent figure in the anti-war movement, writing songs like "Ohio" (1970) in response to the Kent State shootings. He also participated in benefit concerts for various causes, including Farm Aid and the Bridge School Benefit, which he co-founded with his then-wife, Pegi Young, to support children with severe speech and physical impairments.
    In recent years, Young has been an advocate for environmental causes, particularly the fight against climate change. He has been critical of the fossil fuel industry and has supported renewable energy initiatives. In 2015, he released the album "The Monsanto Years," which criticized the agricultural giant Monsanto and its use of genetically modified crops and pesticides.
    Young's activism has not been limited to his music. In 2014, he publicly supported the Athabasca Chipewyan First Nation in their legal battle against the expansion of the Alberta Tar Sands. He has also been a vocal supporter of the Standing Rock Sioux Tribe in their fight against the Dakota Access Pipeline.
    In addition to his environmental activism, Young has been a strong advocate for disability rights. He has spoken openly about his own experiences with epilepsy and has supported various organizations that work to improve the lives of people with disabilities. In 1986, he co-founded the Bridge School, a non-profit organization that provides education to children with severe speech and physical impairments.
    Young has also been involved in Indigenous rights activism, supporting the protests against the Dakota Access Pipeline in 2016. He released the song "Indian Givers" in support of the Standing Rock Sioux Tribe's fight against the pipeline's construction.
    Recent Controversies with Spotify In January 2022, Neil Young made headlines when he demanded that his music be removed from the streaming platform Spotify. Young's decision was in response to the platform's support of Joe Rogan, a popular podcast host who had been criticized for spreading misinformation about COVID-19 and vaccines.
    In a letter to his management team and record label, Young stated, "I am doing this because Spotify is spreading fake information about vaccines โ€“ potentially causing death to those who believe the disinformation being spread by them. Please act on this immediately today and keep me informed of the time schedule."
    Young's ultimatum to Spotify was a bold move that sparked a broader conversation about the responsibility of streaming platforms to moderate content and combat misinformation. Other artists, including Joni Mitchell and Nils Lofgren, followed Young's lead and removed their music from Spotify in solidarity.
    Spotify ultimately chose to keep Joe Rogan's podcast on its platform but added content advisory warnings to episodes that discussed COVID-19. The company also pledged to invest $100 million in licensing, development, and marketing of music and audio content from historically marginalized groups.
    Young's decision to remove his music from Spotify was a principled stand that reflected his longstanding commitment to social and political activism. It also highlighted the growing power of artists to influence corporate decision-making and hold platforms accountable for the content they host.
    The controversy sparked a wider debate about the role of streaming platforms in shaping public discourse and the responsibility of artists to use their platforms responsibly. Some praised Young for taking a stand against misinformation, while others criticized him for censorship and limiting free speech.
    Regardless of one's views on the issue, there is no denying that Young's decision to remove his music from Spotify was a significant moment in the ongoing debate over the power and influence of technology companies in the digital age. It also underscored the importance of artists using their platforms to advocate for causes they believe in, even if it means sacrificing commercial success or popularity.
    Musical Legacy and Influence Neil Young's impact on music and popular culture cannot be overstated. His unique voice, introspective lyrics, and genre-defying style have inspired generations of musicians and fans alike. Young's influence can be heard in the work of countless artists, from Pearl Jam and Radiohead to Beck and The War on Drugs.
    Young's fearless experimentation and willingness to take risks have also been a hallmark of his career. He has never been afraid to challenge c

  • Welcome to a biweekly podcast, that brings you the best in Melodic Dance music! Lend us your ears and we will take you on an hour journey into the sounds that move your mind, body, and soul! Our resident DJ's are Patrick Garland, SERCH, Escape and Graviva! New episodes every two weeks!

  • TicTacTec has been performing at Swiss festivals since 2015. The band is specialized in remixes, bootlegs and electro mashups.

    ๐Ÿ‡จ๐Ÿ‡ญ The Swiss masked DJs
    ๐Ÿ“ป Resident M La Radio (

    TicTacTec past shows:
    After Work and Chasselas, Bô Nouvel An, Caribana, C’est l’Hiver Morgins Festival, Chat Noir, Croc’ the Rock, D! Club, Estivale, Festi’neuch, Fête des vendanges, Francomanias, Geneva United Sessions, House & Wine, Le Chant du Gros, La Grande Silent Party de Sos Méditerranée Suisse, La Nuit de la Magistrale, MAD, Metro boutique challenge 3x3, New Year Virtual Party, Paléo, Palp, Paradise After Ski, Paradise Beach Club, Paradise Boat, Paradise Swiss Pool Party, Rock Oz'Arènes, Rock The Pistes, Sion sous les étoiles,, Venoge Festival.

  • Honest To Who? is not just an interview podcast.

    It's being a fly on the wall at a garage 21st birthday party of working-class heroes. Honest To Who embraces diversity and celebrates the rich cultural tapestry of the low socio-economic regions, while our featured guests offer their insights and host Tim Provise breaks down the basics.

    Check out my link tree.

    This is a Frank Podcast.

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  • Phisherman, Matty and Tom discuss all things Springsteen. Current news and historical content.

  • It's like a book club but for albums. To prepare for each episode, Sean and Chris listen to an album from start to finish. Albumworms is a book-club style discussion of these records, sometimes featuring a distinguished guest.

    Follow us on Instagram @albumworms to find out what album we'll be discussing next and to join the conversation.