TV & Film – Nya podcasts

  • All kinds of movies and TV shows have interesting, fun, and funny facts that no one knows not even fans! And we are here to review and remark on those facts.

  • Welcome aboard Too Many Captains, a movie podcast where a motley crew of 4 friends navigate the topic of cinema and related culture. Our flagship episodes are called Deep Dives where we dissect the various compositional elements of a classic or contemporary film and engage in a lively debate on its merits. Another long running episode is the Captains' Log where the panel covers recent entertainment stories and also give you recommendations based on what we have recently watched. Our most recent type of episode is called What's in the Box?!!! and it consists of 2 random mini-episodes that we put together for your listening enjoyment.

  • Two friends fill gaps in their cinema knowledge and determine if they can show off these films to their kids.

  • A weekly retrospective rewatch of the Adult Swim Classic Cartoon, ”The Venture Brothers”, formerly a ”King of the Hill” rewatch.

  • Vectis Radio is a community radio station based at The Riverside Centre on the Isle of Wight. Now broadcasting on FM 104.6

  • Every other Monday, join our deadly serious hosts, Carina, Emily, and Katie as they examine everyone’s favorite horror films from a true crime perspective.

    Who was that random guy killed in the background of that one movie?

    Why did the femme fatale trip when being chased?

    What actually happened in that abandoned Victorian home?

    The catch? Our hosts don’t know these events didn’t really happen.

    If you love horror and you love true crime, you’ve found the right podcast. So pop your headphones on, turn your radio up, and settle in to a whole new perspective on your favorite films.

  • Have you ever watched a trailer and thought, oh man this movie is going to to be great! And you end up waiting an entire year to go and watch it and it turns out it SUCKS?.
    Well in this podcast you will find a review for the best and worst movies out there, delivering it in a funny and short way, because I don't want to waste your time, just make you laugh and enjoy.

  • An all vibes and all bants podcast about Netflix movies....Saving you time sifting through the wide array of movies on Netflix! This is not a movie critic podcast! I'm just sharing my opinion!

  • Welcome to This Movie Might Kill Me! Where we cover everything from the good to the bad to the 80s. If these movies don’t kill us, the discussion probably will.

    Send complaints, comments, and cancellations to [email protected]

  • The scruffy band here at Rebel Scum Radio hold pop culture close to our hearts and that is why we wanted to make this podcast. Not because there aren’t any great podcasts like ours that exist out there on the interwebs, but beacuse we wanted to add and Australian voice to the mix.

    So who are we? We are Karlos, Jim-Bob & Jono. Web designers and Graphic Designers by day, podcasters, nerds and everyday folk the rest of the time.

    We will be talking about lots of different things Star Wars, Movies, Music, TV, Comics, Science, Technology, Paranormal, Pro Wrestling and some UFC (but thats just our vision for now the show could go anywhere out wandering minds takes us).

    There is going to be some crazy s**t pop-up now and again so sit back and enjoy the show.

  • A movie thesaurus (Ruin) and a dumbass (Cammy) discuss movies with the aid of Peigi the dog.

    Sometimes they bring up relevant points, but mainly it's just a pile of ridiculous steaming chat being shoveled into your ears.

  • ReSaulved is a podcast about the TV show, Better Call Saul. Host Kalina Leopold and guests from the legal community discuss the themes - legal and otherwise - from the show. Guests discuss themes such as law firm politics, family dynamics, ethics, leadership, loyalty and integrity.

  • Play.Hype.Dialogue is a podcast hosted by three creative PhDs who binge watch shows and dialogue about diversity, representation, mythology, writing, and popular culture. We laugh, we cringe, we beg Netflix to give our favorites another season. Are these shows worth the hype? Press play and get into it.

  • Two new friends re-watch Sex and the City and discuss it. From the makers of The Offive podcast comes a very similar (yet kind of different) show

  • Deep dives with all my favorite obsessions w me and my favorite special guests

  • ¡Bienvenidos a Cuentame Cosas! Este es el espacio donde la curiosidad y la intriga se encuentran. Exploramos una amplia variedad de temas fascinantes y misteriosos en forma de podcasts, entrevistas y otras secciones emocionantes.

    En nuestros episodios de podcast, te sumergirás en relatos cautivadores de eventos históricos intrigantes, enigmas sin resolver y fenómenos sorprendentes. Te llevaremos de la mano en un viaje de conocimiento y entretenimiento, descubriendo detalles sorprendentes que te dejarán pensando.

    Además, Cuentame Cosas te brinda entrevistas exclusivas con expertos, investigadores y personas apasionadas por diferentes áreas de estudio. Obtendrás una visión más profunda de los temas que exploramos y tendrás la oportunidad de escuchar las perspectivas y conocimientos de profesionales en el campo.

    Y eso no es todo. En el futuro, también presentaremos otras secciones emocionantes, donde abordaremos temas adicionales, desafíos divertidos y sorpresas para mantenerte enganchado.

    Suscríbete a nuestro canal para no perderte ninguno de nuestros episodios de podcast, entrevistas y emocionantes secciones futuras en Cuentame Cosas. ¡Acompáñanos en este viaje de descubrimiento y entusiasmo!

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    No olvides seguirnos en todas las plataformas para que no te pierdas ninguna noticia!

    IG de Cuentame cosas: https://www.instagram.com/cuentame.cosas/

    IG de Julio: https://www.instagram.com/juliopardog/?hl=en

    IG de Gian: https://www.instagram.com/giandominici_/

  • To ask questions call 682-500-1556. This Podcast is made up of 3 fats, founder Caleb "SAC" Satterfield, Comedian Wade "Spyder" Bowen, Musician Austin "MAM" Marsh, and their dark twisted sense of humors. This show is edgy and pushes questionable topics to its limits. It's known to be offensive to most, but is intended for entertainment purposes only. Nothing's off the table for these 3 strokers. They provide expert (not experts) analysis on everything from current events, sports, music, television, and games. Other topics are mostly made up of personal life experiences, and opinions. This podcast is one for the people. Please enjoy our sessions with us as we poke at each other with crude jokes. All mature adults are welcome to listen and participate. Until then, sit down on your own with something to relax with, give us a couple of listens and try to enjoy while keeping in mind this is all for dumb fun. Find us on most media platforms, just type in Stroking Out Loud in your search bar.

  • Get ready to dive headfirst into the amazing world of the Percy Jackson series! Join us in the Jackson living room as we enthusiastically dissect the books, chat about the TV series, and explore all the incredible works by Rick Riordan. Buckle up for an adventure filled with⚡ Spoilers⚡, as we’ll be peering ahead with the Gray Sisters' Eye all the way to The Wrath of The Triple Goddess. Let’s embark on this thrilling journey together—it's going to be epic!

    Follow us @104thand1st on Instagram, Threads, and Bluesky!

  • In the annals of Hollywood history, few names carry the weight of legacy quite like Lon Chaney Jr. Born into the shadow of his legendary father, Lon Chaney Sr., the younger Chaney carved out his own niche in the world of cinema, becoming an icon of horror in his own right. His journey from reluctant actor to beloved monster portrayer is a tale of perseverance, talent, and the complex dynamics of family and fame in the golden age of Hollywood. Born Creighton Tull Chaney on February 10, 1906, in Oklahoma City, Oklahoma, the future Lon Chaney Jr. entered a world where his father was already making a name for himself in vaudeville and silent films. Creighton's early years were far from stable. His parents' marriage was tumultuous, marked by his mother Cleva's alcoholism and eventual attempted suicide in 1913. This event led to his parents' divorce and young Creighton being shuffled between various relatives and boarding schools. Despite the instability of his childhood, Creighton maintained a close relationship with his father. Lon Sr., known as "The Man of a Thousand Faces" for his remarkable makeup and character acting skills, was determined that his son would not follow in his footsteps. He wanted Creighton to have a more stable, conventional life than the uncertain world of show business could offer. As a result, Creighton was actively discouraged from pursuing acting and instead was guided towards more practical pursuits. Following his father's wishes, Creighton attended business school and worked a variety of jobs in his young adulthood. He served as a plumber's apprentice, worked at a meat-packing plant, and even had a stint as a farm hand. These experiences, while far from the glamour of Hollywood, would later inform his portrayals of working-class characters and contribute to his reputation as a relatable, down-to-earth figure despite his famous lineage. However, the lure of Hollywood proved too strong to resist. In the late 1920s, Creighton began to take on small, often uncredited roles in films. He was careful to use his birth name rather than his father's famous surname, determined to make his own way without trading on the Chaney name. This period of his career was marked by struggle and anonymity, a sharp contrast to the fame and success his father was enjoying. Lon Chaney Sr.'s untimely death in 1930 marked a turning point in Creighton's life and career. The loss of his father was a personal tragedy, but it also removed the main obstacle to Creighton pursuing acting full-time. In the years following his father's death, Creighton's roles began to grow in size and importance, though true stardom still eluded him. It was in 1935 that Creighton Chaney became Lon Chaney Jr., a change that would alter the course of his career. The name change was suggested by producer Maurice Pivar as a marketing tactic, capitalizing on the enduring fame of the elder Chaney. While the younger Chaney was initially reluctant, concerned about the inevitable comparisons to his father, he eventually agreed. The decision proved to be a double-edged sword, opening doors but also creating expectations that would haunt him throughout his career. Chaney Jr.'s breakthrough role came in 1939 with his portrayal of Lennie Small in the film adaptation of John Steinbeck's "Of Mice and Men." His performance as the gentle giant with a mental disability showcased his acting abilities beyond mere name recognition. The role earned him critical acclaim and demonstrated that he was more than capable of carrying a film on his own merits. This success in a serious dramatic role seemed to point towards a career path distinct from his father's legacy in horror and character roles. However, fate and Hollywood typecasting had other plans. In 1941, Chaney Jr. was cast as Larry Talbot, the tragic protagonist of "The Wolf Man." This role would define the rest of his career and cement his place in horror film history. Chaney Jr.'s portrayal of the tormented Talbot, cursed to become a werewolf, resonated with audiences. He brought a sympathetic quality to the monster, much as his father had done with characters like Quasimodo and the Phantom of the Opera. The success of "The Wolf Man" led to Chaney Jr. becoming Universal Studios' go-to monster actor. Over the next decade, he would portray not only the Wolf Man in various sequels but also Frankenstein's monster, Dracula, and the Mummy. This versatility in monster roles echoed his father's chameleon-like ability to transform into various characters, though achieved through different means. Where Lon Sr. was known for his elaborate makeup techniques, Lon Jr.'s transformations were more often the work of the studio's makeup artists. Chaney Jr.'s most frequent and beloved monster role remained the Wolf Man. He portrayed Larry Talbot in five films, including various monster mash-up movies that pitted Universal's creatures against each other. His consistent portrayal of Talbot as a tragic figure, tormented by his curse and seeking release, added depth to what could have been a one-note monster character. Chaney Jr. often remarked that he felt a personal connection to Talbot, understanding the character's inner turmoil and loneliness. While his horror roles brought him fame and a dedicated fan base, they also led to typecasting that frustrated Chaney Jr. throughout his career. He longed to be taken seriously as a dramatic actor, to build on the promise he had shown in "Of Mice and Men." However, opportunities for such roles were few and far between. When they did come, such as his role in the 1952 western "High Noon," Chaney Jr. proved that he was capable of holding his own alongside major stars like Gary Cooper. Despite his frustrations with typecasting, Chaney Jr. maintained a prolific career throughout the 1940s and 1950s. He worked consistently in films and, as the film industry began to change, transitioned into television work. He appeared in numerous TV shows, including westerns like "Rawhide" and "The Texan," as well as thriller series like "Alfred Hitchcock Presents." One of the most interesting phases of Chaney Jr.'s later career was his work with director Fred Zinnemann. In addition to "High Noon," Chaney Jr. appeared in Zinnemann's "Teresa" (1951) and "Member of the Wedding" (1952). These films provided him with the opportunity to play more nuanced, dramatic roles, showcasing a talent that was often overlooked due to his association with horror films. Chaney Jr.'s personal life was as complex as his professional one. He was married twice, first to Dorothy Hinckley from 1928 to 1937, with whom he had two sons, and then to Patsy Beck from 1937 until his death. His relationship with alcohol was a recurring struggle throughout his life, echoing his mother's battles with alcoholism and affecting both his personal relationships and his professional reputation. As he aged, Chaney Jr. continued to work, though the quality of productions often declined. He appeared in numerous low-budget horror and science fiction films throughout the 1960s and early 1970s. While these films were far from the prestige of Universal's golden age of horror, they allowed Chaney Jr. to continue working and maintained his connection with horror fans. One of the most poignant aspects of Chaney Jr.'s later career was his relationship with the legacy of his father. Throughout his life, he struggled with comparisons to Lon Sr., often feeling that he could never quite live up to the towering reputation of "The Man of a Thousand Faces." However, as he aged, Chaney Jr. seemed to find a measure of peace with his place in Hollywood history. He became more comfortable discussing his father in interviews and even appeared in the 1957 biopic "Man of a Thousand Faces," playing a studio makeup artist opposite James Cagney's portrayal of Lon Chaney Sr. Chaney Jr.'s final film appearance was in the 1971 horror film "Dracula vs. Frankenstein," a low-budget production that was a far cry from the Universal classics of his heyday. His health had declined significantly by this point, affected by years of heavy drinking and the physical toll of his acting career. He died on July 12, 1973, in San Clemente, California, from heart failure at the age of 67. In the years since his death, Lon Chaney Jr.'s legacy has been reevaluated and celebrated by film historians and horror enthusiasts. While he may not have achieved the critical acclaim or versatility of his father, Chaney Jr. made an indelible mark on the horror genre. His portrayal of Larry Talbot/The Wolf Man, in particular, stands as one of the great sympathetic monster performances in cinema history. Chaney Jr.'s impact extends beyond his individual performances. He was part of a transitional period in horror cinema, bridging the gap between the gothic monsters of Universal's golden age and the more modern, psychological horrors that would emerge in the 1960s and 1970s. His Wolf Man, with its themes of inner turmoil and the beast within, presaged later explorations of the monster as a metaphor for human struggles. Moreover, Chaney Jr.'s career serves as a fascinating case study in the complexities of Hollywood fame and legacy. His journey from reluctant actor to horror icon, always in the shadow of his famous father, reflects the unique pressures faced by children of celebrities. His struggles with typecasting and his desire to be seen as more than just a monster actor echo the challenges faced by many actors who find success in genre roles. In recent years, there has been renewed interest in Chaney Jr.'s work beyond his monster roles. Film scholars have revisited his dramatic performances, particularly in "Of Mice and Men" and his collaborations with Fred Zinnemann, leading to a more nuanced appreciation of his abilities as an actor. These reappraisals have helped to round out the public's understanding of Chaney Jr., showcasing him as more than just the son of a famous father or a one-note monster