Konst – Ungern – Nya podcasts
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An upcoming podcast covering multiple topics including professional wrestling, the music industry, current events and much more.
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Step into the world of Dido and Aeneas, a captivating opera with a libretto by Nahum Tate and music by the legendary Henry Purcell. First performed in 1689, this masterpiece has solidified its place as a cornerstone of Early Opera. This recording features a unique approach, with the Prologue narrated by a single voice, while the three Acts of the opera are brought to life in a dynamic spoken-word rendition. The narrative draws from Book IV of Virgils Aeneid, weaving a tale of intense passion and heartbreaking tragedy between Dido, the Queen of Carthage, and Aeneas, a Trojan hero destined to establish Rome. Join us as we explore this timeless story of love, fate, and loss, narrated by Alan Mapstone and featuring a talented cast.
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Négyhetente jelentkező portrésorozatunkban fiatal művészekkel beszélgetünk, akik a magyar kulturális élet méltó képviselői, legyen szó komolyzenéről, színházról, írásról vagy képzőművészetről. Az első lépésektől kezdve a meghatározó pillanatokon át végigkövetjük ezeknek az ifjú tehetségeknek az eddigi kalandos, olykor rögös útját, miközben betekintést kaphatunk saját művészi világukba.
Kulturális örökségünk ápolása a 21. században is az egyik legfontosabb feladat, műsorunkban pedig olyan inspiráló fiatal személyiségeket szeretnénk bemutatni, akik a jövő generációi számára is példaként szolgálhatnak.
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Tasting myself through 1,368 grape varieties.
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A podcast dedicated to the love of gin.
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Join Don and Jim for a fun and entertaining look at beer, whiskey and brotherhood!
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A miscellaneous collection of short stories, not featuring any of Wodehouse's regular characters, most concern love and romance and, being Wodehouse, all are amusing.(Summary by Wikipedia)
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This is a compilation of the thoughts on art, science and life of Leonardo da Vinci, translated by Maurice Baring and edited by Lewis Einstein. - Summary by A. Gramour
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After the storming and the sack of Rome by the Goths under their king, Alaric, the worshippers of false gods or heathen, as we call them, tried to prove that this calamity was due to the Christian religion, and began more fiercely and bitterly than ever to blaspheme the true God. This it was that kindled my zeal for the House of God, and induced me to defend the City of God against the calumny and misrepresentations of her foes. After many serious interruptions this great undertaking, which was extended over many years, was at length finished in twenty-two books. Of these, the first five are written in answer to those who believe that worldly prosperity is insured by the old polytheistic religion of Rome, and that calamities have followed by reason of its neglect. The next five are addressed to those who admit that the human race is always exposed to such misfortunes, and yet believe that the old religion is a good preparation for the life to come; . . . while the last twelve books of this extensive work are devoted to a comparison of the different origins, histories, and destinies of the City of God and the City of the World. (Augustine) As a complete version of the De Civitate would not be possible within the limits of this series, the author has adopted the plan of selecting the most important passages for translation, linking these together by arguments in brackets. (Abridger) - Summary by Augustine of Hippo
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Principles of Economics was a leading economics textbook of Alfred Marshall (1842-1924), first published in 1890. Marshall began writing the book in 1881, and he spent much of the next decade at work on it.His plan for the work gradually extended to a two-volume compilation on the whole of economic thought; the first volume was published in 1890 to worldwide acclaim that established him as one of the leading economists of his time. It brought the ideas of supply and demand, of marginal utility and of the costs of production into a coherent whole, and became the dominant economic textbook in England for a long period. The second volume, which was to address foreign trade, money, trade fluctuations, taxation, and collectivism, was never published at all. (Summary from Wikipedia)This reading is based on the eighth edition, published in 1920.
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Cut through the noise and discover your next favorite read. Join me for weekly episodes as I spotlight powerful new releases from diverse and underrepresented voices, chat with debut and bestselling authors, and spill the tea on what’s happening in books, publishing, and beyond.
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Volver a nacer
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A Collection of original poems written & narrated by Al Khalid.
Reviews:
"Al Khalid's debut casts an uncommonly experienced spell of melancholia which somehow translates into strength with every poem."
-Spotify
"Be Careful! Intricacies of Al Khalid's poetry will leave you depressed and you may actually love it"
- Apple
"ATTIMO is magnificent and unapologetically dark"
-Google Podcasts
"Al Khalid's Poetry Podcast sounds fresh but fails to be relatable, perhaps deliberately so."
- Podcast Go
"With his hypnotizing recitation, Al makes misery of his poetry look chic."
- Wattpad -
The Poetic Turn is a podcast hosted by Darren Stephens and Evan Carlson that explores poems and poetry through conversation—thoughtful, curious, and welcoming. Each episode invites listeners into close encounters with poems: how they work, why they matter, and what they can offer us.
The show is for anyone who wants more poetry in their world. Whether you’re brand new to poetry, returning after a long absence, or already comfortable reading and discussing poems, The Poetic Turn meets you where you are—without gatekeeping, jargon for its own sake, or academic posturing. The goal is simple: to make poetry more approachable, more meaningful, and more present in everyday life.
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Dive into the fascinating world of Wolfgang Amadeus Mozart through this first volume of a two-part series, featuring 140 of his letters penned between 1769 and 1781. Translated by Lady Wallace from Ludwig Nohls esteemed collection, this edition not only brings Mozarts words to life but also includes a thoughtful preface and insightful introductions to various sections. Footnotes enrich the reading experience, offering context and clarity to the correspondence of one of historys greatest composers. Join us on this journey through Mozarts personal reflections and interactions, revealing the man behind the music. - Summary by mkirkpat
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"Strange Tales from a Chinese Studio" (or "Strange Tales of Liaozhai") is a collection of nearly five hundred mostly supernatural tales written by Pu Songling during the early Qing Dynasty. It was written in Classical Chinese rather than Vernacular Chinese. Pu is believed to have completed the majority of the tales sometime in 1679, though he could have added entries as late as 1707. He borrows from a folk tradition of oral storytelling to put to paper a series of captivating, colorful stories, where the boundary between reality and the odd or fantastic is blurred. The cast of characters includes vixen spirits, ghosts, scholars, court officials, Taoist exorcists and beasts. Moral purposes are often inverted between humans and the supposedly degenerate ghosts or spirits, resulting in a satirical edge to some of the stories. Ghosts and spirits are often bold and trustworthy, while humans are on the other hand weak, indecisive and easily manipulated, reflecting the author's own disillusionment with his society. (Summary by Wikipedia) In this project, Librivox volunteers read from Volume 1 of Herbert Giles' English translation of these classic stories.
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The Divine Comedy (Italian: Commedia, later christened "Divina" by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, the last great work of literature of the Middle Ages and the first great work of the Renaissance. A culmination of the medieval world-view of the afterlife, it establishes the Tuscan dialect in which it is written as the Italian standard, and is seen as one of the greatest works of world literature. - The Divine Comedy is composed of three canticas (or "cantiche") — Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) — composed each of 33 cantos (or "canti"). The very first canto serves as an introduction to the poem and is generally not considered to be part of the first cantica, bringing the total number of cantos to 100. - The poet tells in the first person his travel through the three realms of the dead, lasting during the Easter Triduum in the spring of 1300. (Summary from Wikipedia)
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داستامینوفِن یه پادکست فارسی برای دوستداران قصه است که از جن و پری و پسر کاکل زری تا رستم و سهراب و گودرز شاهنامه قصه میگهتا چی بشه؟که شبینیمه شبیخواب که به چشم هات نیومدخمیر تافتونیِ کُنجِ دلتاز خستگی وَر نیومددلت از تموم آدما گرفتباغ و باغچت رو خزونِ غم گرفتقصه های ما رو، تو گوش کنیتا که خوابت ببرهتا که دخت پریونبیاد به خواب دورت ببرهdastaminophen paypalآدرس اینستاگرام
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This feminist essay argues for both a literal and figural space for women writers within a literary tradition dominated by patriarchy. First published on 24 October 1929, the extended essay was based on a series of lectures delivered by Virginia Woolf at Cambridge University in October 1928. While it employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled “Women and Fiction”, and hence the essay, are non-fiction. - Summary by Cori Samuel This recording was originally published on Legamus.eu and was later released on Librivox when US copyright permitted.
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