Konst – Israel – Populära podcasts

  • ืžืื™ ื’ืจื™ืื ื™ ื•ืžืื™ื” ืื•ืคื™ืจ ื‘ืื•ืช ืœืฉืžื•ื— ื•ืœืฉืžื—, ื•ืขืœ ื”ื“ืจืš ื’ื ืœืกืคืจ ืœื›ื ืืช ื›ืœ ืžื” ืฉืจืฆื™ืชื ืœืฉืžื•ืข ืขืœ ื–ื•ื’ื™ื•ืช, ื—ืœื•ืžื•ืช ื•ืžืฉื‘ืจื™ื, ื•ืขื•ื“ ืžืœื ืกื™ืคื•ืจื™ื ืžื‘ื™ื›ื™ื ืฉื™ื’ืจืžื• ืœื›ื ืœื”ืจื’ื™ืฉ ืžืžืฉ ื˜ื•ื‘ ืขื ืขืฆืžื›ื. ื™ืืœืœื” ื‘ื•ืื•!

  • ืคื•ื“ืงืืกื˜ ืฉืœ ื”ื—ื™ื™ื ืขืฆืžื. ืžืœืง ื’ืณืœ ืขื“ ืžื”ื•ืช ื”ื—ื™ื™ื. ื›ืœ ืฉื‘ื•ืข ื ื–ืžื™ืŸ ืื•ืจื—.ืช ื•ื ื“ื‘ืจ ืื™ืชื” ืขืœ ื ื•ืฉื ืื—ืจ ืฉืงืฉื•ืจ ืœื™ื•ืžื™ื•ื, ืœืจื’ืฉื•ืช, ืœืื™ืš ืœื—ื™ื•ืช ืืช ื”ื—ื™ื™ื ื”ืืœื” ืงืฆืช ื™ื•ืชืจ ื˜ื•ื‘ ื•ืœื’ืœื•ืช ืฉืืช ืœื ืœื‘ื“. ืคื•ื“ืงืืกื˜ ื‘ืขื™ืงืจ ืœื ืฉื™ื ืฉื’ื ื’ื‘ืจื™ื ืžื•ื–ืžื ื™ื.

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    ืœืื™ื ืกื˜ื’ืจื ืฉืœ ืงื•ืจื™ืŸ:
    https://www.instagram.com/corinnekitzis/

    ืœื›ืœ ื”ืคืจืงื™ื ื‘ื™ื•ื˜ื™ื•ื‘
    youtube.com/playlist?list=PLnd2pQwFqjTxpk04TqM5Yu-Y7cX11BAPE

  • ืœืฉื‘ืช ืœืงื—ืช - ืคื•ื“ืงืืกื˜ ื”ืžืกืขื“ื ื™ื ืฉืœ ื™ืฉืจืืœ -
    ื”ื ืื•ื”ื‘ื™ื ืœืื›ื•ืœ ื•ืื•ื”ื‘ื™ื ืœืื›ื•ืœ ืืช ื”ืจืืฉ: ื ื“ื‘ ื‘ื•ืจื ืฉื˜ื™ื™ืŸ ื•ื›ืคื™ืจ ืืจื‘ื™ื‘, ื‘ื ื™ ื–ื•ื’ ืฉื—ื™ื™ื ืžืกืขื“ื ื•ืช ื•ืงื•ืœื™ื ืจื™ื” ื ืคื’ืฉื™ื ื‘ืžืฉืจื“ื™ "ื˜ืื‘ื™ื˜" ืขื ื”ืฉืคื™ื ื•ื”ืžืกืขื“ื ื™ื ื”ืžืฆืœื™ื—ื™ื ื‘ื™ืฉืจืืœ ื›ื“ื™ ืœืœืžื•ื“ ืžื”ืกื™ืคื•ืจ ืฉืœื”ื ืื™ืš ืœื”ื™ื•ืช ื˜ื•ื‘ื™ื ื™ื•ืชืจ, ืœืงื‘ืœ ื›ืœื™ื ื•ืœืกืคื•ื’ ื”ืฉืจืื”
    ืื ืืชื ืžืกืขื“ื ื™ื, ืขื•ื‘ื“ื™ื ื‘ืžืกืขื“ื” ืื• ืคืฉื•ื˜ ืื•ื”ื‘ื™ื ืœืื›ื•ืœ ื‘ื—ื•ืฅ - ืื™ืŸ ืกืคืง ืฉืดืœืฉื‘ืช ืœืงื—ืชืด ื–ื” ื”ืคื•ื“ืงืืกื˜ ื‘ืฉื‘ื™ืœื›ื

  • ื™ื”ื•ื ืชืŸ ื›ื”ืŸ, ืขืžื™ืช ืื”ืจื ืกื•ืŸ ื•ื ื˜ืข ืกืœื•ื ื™ื ื‘ืชื›ื ื™ืช ืกื™ื›ื•ื ื”ืžื—ื–ื•ืจ ืฉืœ ื”ืงื•ืœื™ื ืจื™ื” ื‘ื™ืฉืจืืœ.

  • ืฉืื•ืœ ืืžืกื˜ืจื“ืžืกืงื™ ื—ื•ืจืฉ ืืช ื”ืฉื•ื•ืงื™ื, ื”ืžื˜ื‘ื—ื™ื, ื”ืฉื“ื•ืช ื•ื”ืžืขื‘ื“ื•ืช ื‘ื™ืฉืจืืœ, ื‘ื ื™ืกื™ื•ืŸ ืœื”ื‘ื™ืŸ ืœืžื” ืื ื—ื ื• ืื•ื›ืœื™ื ืืช ืžื” ืฉืื ื—ื ื• ืื•ื›ืœื™ื.

  • ืฉื™ืจ ืจืื•ื‘ืŸ ื•ื“ื•ืจ ืกืขืจ ืžืŸ ืงื•ืจืื™ื ืฉื•ื‘ ืืช ื”ืืจื™ ืคื•ื˜ืจ, ืžื”ื”ืชื—ืœื” ื•ืขื“ ื”ืกื•ืฃ

  • ืงืฉื” ื”ืœื‘ื“ ื”ื–ื”. ื‘ื“ืจืš ื›ืœืœ ืื ื™ ื˜ื•ื‘ ืื™ืชื• ืื‘ืœ ืื– ืžื’ื™ืข ื™ื•ื ืฉืœ ื—ื•ืจืฃ ื‘ืืžืฆืข ื”ืงื™ืฅ ื•ืื ื™ ื—ื•ื–ืจ ืœื ืงื•ื“ืช ื”ื”ืชื—ืœื”. ื™ืฉ ืœื™ ื‘ืืจื•ืŸ ื™ื•ืชืจ ืžื™ื“ื™ ืงืคื•ืฆืณื•ื ื™ื ืฉืื ื™ ืœื ืœื•ื‘ืฉ ื•ื›ืœ ืคืขื ืฉืื ื™ ื‘ื ืœืกื“ืจ, ืงื•ืคืฅ ืœื™ ืœืจืืฉ ื”ืจื’ืข ืฉื”ื™ื ื™ื•ืฆืืช ืžื”ืžืงืœื—ืช ืขื ืฉื™ืขืจ ืจื˜ื•ื‘, ืœื•ืงื—ืช ืžื”ืืจื•ืŸ ืืช ื”ืงืคื•ืฆืณื•ืŸ ื”ื™ืจื•ืง ืฉืœ ื’ืืค ืฉืœื ืœื‘ืฉืชื™ ืฉื ืชื™ื™ื ื•ื‘ืื” ืœื”ืชื›ืจื‘ืœ ืžื•ืœ ื”ื“ื•ืงื• ืฉืœ ืื™ื™ืžื™ ืฉื‘ืžื™ืœื ืจืื™ื ื• ื›ื‘ืจ ืฉื‘ืข ืคืขืžื™ื. ืฉืžื•ื ื” ืื ืกื•ืคืจื™ื ืืช ื”ื“ื™ื™ื˜ ื”ืจืืฉื•ืŸ. ื‘ื ืœื™ ืœื”ืชืื”ื‘ ื›ื‘ืจ ื‘ืจื•ืจ ืฉื‘ื ืœื™. ืื™ืŸ ืœื™ ื›ื— ื™ื•ืชืจ ืœืขืžื•ื“ ืฉืขื” ื•ื—ืฆื™ ื‘ืคืงืงื™ื ืจืง ื›ื“ื™ ืœื—ื–ื•ืจ ืœื“ื™ืจื” ืจื™ืงื”. ื‘ื ืœื™ ืœื›ืชื•ื‘ ืžื›ืชื‘ื™ ืื”ื‘ื” ืœืžื™ืฉื”ื™ ืื—ืช, ื ืžืืก ืœื™ ืœื›ืชื•ื‘ ืื•ืชื ืœื›ืœ ื”ืขื•ืœื. ื”ืขื•ืœื ืœื ื™ื‘ื™ืŸ. ื”ื•ื ืœื ื™ื›ื•ืœ ืœื”ื‘ื™ืŸ. ืื‘ืœ ืื– ื‘ืจื’ืข ื”ืื—ืจื•ืŸ ืฉืœ ื”ื™ื•ื ืื ื™ ืžืชืขืฉืช, ืžื“ืœื™ืง ืืช ื”ืงื˜ื•ืจืช ืฉืขืœ ื”ืฉื•ืœื—ืŸ, ืœื•ืงื— ื“ืคื“ืคืช ืฉื•ืจื•ืช ืฆื”ื•ื‘ื” ื•ืžื‘ื™ืŸ ืฉืื ืื ื™ ืขื“ื™ื™ืŸ ืœื‘ื“ ื›ื ืจืื” ื™ืฉ ืœื™ ืขื•ื“ ืฉื™ืขื•ืจื™ื ืœืขื‘ื•ืจ ืขื ืขืฆืžื™, ื™ืฉ ืœื™ ืขื•ื“ ืคืจืงื™ื ืœื›ืชื•ื‘ ื‘ื™ื•ืžืŸ. ืื ื™ ืžืชืขืฉืช ื•ืžื‘ื™ืŸ ืฉืื ื™ ืœื ืžืืฉืจ ืœืขืฆืžื™ ืœืงื‘ืœ ืืช ื”ืื”ื‘ื” ื”ื–ืืช ืžื‘ื—ื•ืฅ, ื›ื™ ืื ื™ ืขื“ื™ื™ืŸ ืœื ืื•ื”ื‘ ืืช ืขืฆืžื™ ืžืกืคื™ืง ืžื‘ืคื ื™ื. ืขื“ื™ื™ืŸ.

  • ืคื•ื“ืงืืกื˜ ื”ืžื•ืกื™ืงื” ื”ืงืœืืกื™ืช ืฉืœ ืฉืœื•ืžื™ ืงื™ื ืŸ. ื‘ื›ืœ ืคืจืง ื™ื“ื•ื‘ืจ ืขืœ ื™ืฆื™ืจืช ืžื•ืคืช ืฉื•ื ื•ืช ืžื–ื•ื•ื™ืช ื™ื™ื—ื•ื“ื™ืช ื”ืžืชืื™ืžื” ืœืืœื• ืฉืื™ื ื ืžื•ืกื™ืงืื™ื ืžืงืฆื•ืขื™ื™ื ืืš ืžืชืขื ื™ื™ื ื™ื ื‘ืกื•ื’ื”, ื”ื•ืœื›ื™ื ืœืกื“ื ืื•ืช ื•ืงื•ื ืฆืจื˜ื™ื, ืžืื–ื™ื ื™ื ืœืžื•ืกื™ืงื” ื ืคืœืื” ื–ื• ื•ืจื•ืฆื™ื ืœื“ืขืช ื™ื•ืชืจ.
    ืงื™ื ืŸ ื”ื•ื ืžื•ื–ื™ืงืื™ ืžืงืฆื•ืขื™ ื•ืžืจืฆื” ื‘ื›ื™ืจ ื‘ื›ืžื” ื•ื›ืžื” ืžืกื’ืจื•ืช, ื•ืกื’ื ื•ื ื• ื”ืื•ืคื™ื™ื ื™ ืžืื™ืจ ืืช ื™ืฆื™ืจื•ืช ื”ืžื•ืคืช ื”ื’ื“ื•ืœื•ืช ื‘ืื•ืคืŸ ื”ืžืืคืฉืจ ื”ื‘ื ื” ืžืขืžื™ืงื” ื‘ืœื™ ืฆื•ืจืš ืœื”ื›ื™ืจ ืžื•ืฉื’ื™ื ืžืงืฆื•ืขื™ื™ื. ื”ื“ื‘ืจื™ื ืžื•ื’ืฉื™ื ื‘ืื•ืคืŸ ื—ื™ ื•ื ื”ื™ืจ, ื•ื‘ืžืงืจื™ื ืจื‘ื™ื ืžื ื•ื’ื“ื™ื ืœื“ืขื” ื”"ืžืงื•ื‘ืœืช" ืฉื”ืฉืชืจืฉื” ื‘ืขืงื‘ื•ืช ื”ืžื™ืชื•ืกื™ื ื”ืžืœื•ื•ื™ื ืชืžื™ื“ ืืช ื™ืฆื™ืจื•ืช ื”ืžื•ืคืช ืฉืœ ื’ื“ื•ืœื™ ื”ืžืœื—ื™ื ื™ื ื‘ื”ื™ืกื˜ื•ืจื™ื”.

  • ืคื•ื“ืงืืกื˜ ืขืœ ื™ืฆื™ืจื•ืช ืื•ืžื ื•ืช ื‘ื”ื ื—ื™ื™ืชื• ืฉืœ ื™ืจื•ืŸ ื•ื™ืœื ืกืงื™, ืžื’ื™ืฉ ื™ื•ืžืŸ ื”ืขืจื‘ ื‘ื’ืœื™ ืฆื”"ืœ. ืชื•ืš ื›ื“ื™ ืฉืžื™ืขืช ื”ืคืจืง, ื™ืจื•ืŸ ื™ื–ืžื™ืŸ ืืช ื”ืžืื–ื™ื ื™ื ืœื”ืกืชื›ืœ ืžื‘ืขื“ ืœืžืกืš, ืœื—ืคืฉ ืืช ื”ื™ืฆื™ืจื” ื”ืžื“ื•ื‘ืจืช ื‘ืžื ื•ืข ื”ื—ื™ืคื•ืฉ ื•ืœืงื—ืช ื—ืœืง ื‘ื“ื™ื•ืŸ ืžืฉื•ืชืฃ ืขืœื™ื” ื™ื—ื“ ืขื ืžื’ื™ืฉ ืžื•ืžื—ื” ืžืชื—ืœืฃ.
    ืขื•ืจื›ืช: ืœื™ืื•ืจ ืืจืœื™ืš

  • ื”ืคื•ื“ืงืืกื˜ ืžื“ื‘ืจ ืขืœ ืขื™ืฆื•ื‘ ื•ื—ื•ื•ื™ืช ืžืฉืชืžืฉ ื‘ืขื•ืœื ื”ื”ื™ื™ื˜ืง. ื‘ืคื•ื“ืงืืกื˜ ืžืชืืจื—ื™ื ืžื•ื‘ื™ื™ืœื™ ืขื™ืฆื•ื‘ ืžื—ื‘ืจื•ืช ื”ื™ื™ื˜ืง ืžื•ื‘ื™ืœื•ืช ื›ืžื• ื’ื•ื’ืœ, ืžื™ืงืจื•ืกื•ืคื˜, ืคื™ื™ืกื‘ื•ืง ื•ื›"ื•


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  • This is an anthology science-fiction audio drama. We spend hours developing and editing each episode for a rich and polished radio experience. A sentient ship stolen in the night! A private eye chases corruption on the moon! An interview with a man from the afterlife! Anything you can imagine is on stage at The Theatre of Tomorrow. Full seasons, and stand alone episodes with more coming every month!

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  • ู‡ู†ุง ูุชุงุฉ ุชู‚ุฑุฃ ูƒุซูŠุฑู‹ุง ูˆุชุญุจ ุงู„ุจุดุฑูŠุฉ

  • ื‘ื›ืœ ืฉื‘ื•ืข ืžืืจื— ื”ืกื˜ื ื“ืืคื™ืกื˜ ื•ื”ืฉืฃ ืงื•ื‘ื™ ื‘ืœื•ืœื• ืืฆืœื• ื‘ื‘ื™ืช ื—ื‘ืจ ืื• ื—ื‘ืจื” ื•ืžื‘ืฉืœ ืขื‘ื•ืจื ืžื ื” ืื—ืช ืฉื”ื ื‘ื—ืจื•. ื›ืœ ืฉื‘ื•ืข ืžื ื” ืื—ืจืช. ืœื›ืœ ืคืจืง ื™ืฆื•ืจืฃ ืžืชื›ื•ืŸ ืฉืœ ื”ืžื ื” ืื•ืชื• ื‘ื—ืจ ื”ืื•ืจื—.ืช.
    ื™ื”ื™ื• ื”ืจื‘ื” ื“ื™ื‘ื•ืจื™ื ืขืœ ืงื•ืžื“ื™ื”, ืื•ื›ืœ ื•ื”ื—ื™ื™ื ื‘ื›ืœืœ.

    ืžื•ื–ื™ืงื”: ืื“ื ื‘ืœืื’ืŸ
    ืงืจื™ื™ื ื•ืช: ืชื•ืžืจ ื•ืœื™ื ื’ืฉื˜ื™ื™ืŸ
    ื’ืจืคื™ืงื”: ื™ืจื™ืŸ ืคืจื ืง ืืจืœื™ืš


    ืงื•ื‘ื™ ื‘ืœื•ืœื• ื”ื•ื ืฉืฃ ื•ืกื˜ื ื“ืืคื™ืกื˜ ืฉืžืืจื— ื‘ื‘ื™ืชื• ืื• ืžื’ื™ืข ืœื‘ืชื™ื ืฉืœ ืื ืฉื™ื ืœืืจื•ื—ื•ืช ืฉืฃ ืžื•ืงืคื“ื•ืช ื•ืกื˜ื ื“ืืค ืœืฉืœืœ ืกื•ื’ื™ ืื™ืจื•ืขื™ื,
    ืžื•ื–ืžื ื™ื ืœื”ื›ื ืก ืœืืชืจ
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  • ู†ู‚ุฑุฃ ูƒุชุงุจ ูˆู†ู…ู†ุญูƒ ูุงุฆุฏุชู‡ ุงู„ูƒุงู…ู„ุฉุŒ ุชุงุจุนู†ุง ู„ูƒูŠ ุชู‚ุฑุฃ ุฏูˆู† ุฃู† ุชู‚ุฑุฃ . ุงู„ุฏูˆุจุงู…ูŠู† ู‡ูˆ ุงุณู… ู…ุฑูƒุจ ู‚ู…ุช ุจุฅู†ุดุงุฆู‡ ุŒ ูŠุฌู…ุน ุจูŠู† ูƒู„ู…ุชูŠู† (Dupamine) & (caffeine) โ€ ๐–งต ุงู„ุฏูˆุจุงู…ูŠู†: ูˆู‡ูˆ ู‡ุฑู…ูˆู† ูŠูุฑุฒ ููŠ ุงู„ุฌุณู… ุนู†ุฏู…ุง ูŠูุชูู… ุตุงุญุจู‡ ุฅู†ุฌุงุฒู ู…ุง ุŒ ูˆูŠุดุนุฑ ุจุงู„ุณุนุงุฏุฉ.โ€ ๐–งต ุงู„ูƒุงููŠูŠู†: ู‡ูŠ ุงู„ู…ุงุฏุฉ ุงู„ุชูŠ ู†ุญุตู„ ุนู„ูŠู‡ุง ุนู†ุฏู…ุง ู†ุชู†ุงูˆู„ ุงู„ู‚ู‡ูˆุฉ . ูˆู…ุญุชูˆู‰ ุงู„ู‚ู†ุงุฉ ุณูŠุนุทูŠูƒ ู†ุดูˆุฉ ู‡ุฑู…ูˆู†ู†ุง ุงู„ุฎุงุต "ุงู„ุฏูˆุจุงู…ูŠู†" ูˆู…ุฎุตุต ูู‚ุท ู„ู…ุฏู…ู†ูŠ ุงู„ู‚ู‡ูˆุฉ ูˆุงู„ู…ูˆุณูŠู‚ู‰ ูˆุงู„ูƒุชุจ.

  • Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts theyโ€™re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to โ€œThe Real Housewives.โ€ Through rigorous analysis and behind-the-scenes insights into The New Yorkerโ€™s reporting, the magazineโ€™s critics help listeners make sense of our momentโ€”and how we got here.

  • ืคื•ื“ืงืืกื˜ ื”ืื•ื›ืœ ืฉืœ ื’ื™ืœ ื—ื•ื‘ื‘ ืขื ื”ืžืœืฆื•ืช ืขืœ ื”ืžืกืขื“ื•ืช ื”ื›ื™ ื˜ื•ื‘ื•ืช ื‘ืืจืฅ, ืžืชื›ื•ื ื™ื ืขื•ื ืชื™ื™ื ื•ืขื•ื“ ืฉืคืข ื˜ื™ืคื™ื ื˜ืขื™ืžื™ื

  • ืžื“ื™ ื™ื•ื ื ื“ื‘ ื”ืœืคืจื™ืŸ ื™ื•ืฆื ืœืžืกืข ื‘ื•ืขืจ ืฉืžืคื’ื™ืฉ ื‘ื™ืŸ ืงื•ื“ืฉ ืœื—ื•ืœ: ืฉื™ืจื”, ื”ื™ืกื˜ื•ืจื™ื”, ื”ื’ื•ืช ื™ื”ื•ื“ื™ืช, ืคื™ืœื•ืกื•ืคื™ื”, ืžื™ืกื˜ื™ืงื”, ืงื•ืœื ื•ืข, ืจื•ืงื 'ืจื•ืœ ื•ืžื•ื–ื™ืงื” ืงืœืืกื™ืช...

  • This is Volume 1 of William Mann’s “Esperanto Self-Taught with Phonetic Pronunciation”. It is part of a series of Self-Taught books written by various authors that include vocabularies of common words, elementary grammars and conversational phrases. The present volume contains thirty-seven vocabularies of common Esperanto words. If you want to learn Esperanto words or improve your Esperanto vocabulary, this volume may be of use to you. Mann writes, in the preface, that his work “supplies very full and comprehensive vocabularies of the words required by the tourist or traveller, visitor or resident abroad, health or pleasure seeker, and professional or business man, together with a large number of conversational sentences of a typical and practical character. The words and phrases are classified according to subject, and the phonetic pronunciation of every word is added in accordance with Marlborough's simple and popular system of phonetics. With the aid of this book anyone may undertake a trip to a foreign land, even if he know nothing of the language of the country he is going to, and, if he will put himself beforehand in communication with Esperantists in the various places he intends to visit, he will find them ready to help him in many ways, and his stay abroad will thus be made much more entertaining and instructive than if he had spent his time in the conventional manner of the ordinary tourist. A further great advantage of this international language is, that it opens up to the traveller, not merely one particular country, but the whole of Europe.”(Summary by Nicholas James Bridgewater)For convenience, his book has been divided into 3 volumes in this audiobook version, the other 2 volumes will be recorded in the future.

  • This is Volume 2 of William Mann’s “Esperanto Self-Taught with Phonetic Pronunciation”. It is part of a series of Self-Taught books written by various authors that include vocabularies of common words, elementary grammars and conversational phrases. The present volume contains an elementary grammar of Esperanto. If you want to understand Esperanto grammar, this volume may be of use to you. Mann writes, in the preface, that with “the aid of this book anyone may undertake a trip to a foreign land, even if he know nothing of the language of the country he is going to, and, if he will put himself beforehand in communication with Esperantists in the various places he intends to visit, he will find them ready to help him in many ways, and his stay abroad will thus be made much more entertaining and instructive than if he had spent his time in the conventional manner of the ordinary tourist. A further great advantage of this international language is, that it opens up to the traveller, not merely one particular country, but the whole of Europe.”

  • From art and architecture to film, fun, fashion, and infamous behavior, Simple Rediscovery brings the best of the past to light for a new age. Relearn, relive, and relove subjects that we revive and refresh for today. Find us at simplerediscovery.org.