Konst – Spanien – Nya podcasts

  • A PRODUCTION BY PIGEON PUBLISHING HOUSE

    Pigeon Audiobooks brings together the most influential works in history โ€” classics of finance, philosophy, personal development and more โ€” narrated with premium quality and designed to accompany you while you build a stronger and more prosperous life. Timeless, accessible content, created to help you learn at any moment of the day.

    Listen to our collections:
    (Available in Spanish and English.)
    Pigeon Audiobooks: FinancePigeon Audiobooks: Top 100 Best-SellingPigeon Audiobooks: PhilosophyPigeon Audiobooks: ClassicsPigeon Audiobooks: Musical EditionPigeon Audiobooks: Summaries
    Available on all digital platforms: Spotify, Apple Podcasts, YouTube, Amazon Music, Deezer, Castbox, iHeartRadio, Spreaker, and more.

    ๐ŸŽง Produced by Pigeon Publishing House โ€“ Bringing the worldโ€™s greatest classics to life.
    ๐Ÿ“š New timeless audiobooks every week.
    ๐Ÿ“Ž Follow us on Instagram & TikTok: @PigeonPublishingHouse

    Become a supporter of this podcast: https://www.spreaker.com/podcast/dracula-gold-edition--6711106/support.

  • Kosmoopera w gatunku Extra hard sci-fi.

    W XXIII wieku ludzkoล›ฤ‡ zostaje wciฤ…gniฤ™ta w rywalizacjฤ™ miฤ™dzy dwiema odlegล‚ymi cywilizacjami: rozwiniฤ™tymi Skelorianami i ambitnymi Ksarkarianami. Przechwycony przez nich Sygnaล‚ z Ziemi potwierdza istnienie inteligentnego ลผycia i zmienia równowagฤ™ siล‚. Skelorianie, zwiฤ…zani etykฤ…, dฤ…ลผฤ… do partnerstwa, oferujฤ…c ochronฤ™, podczas gdy Ksarkarianie dฤ…ลผฤ… do bezwzglฤ™dnej eksploatacji. Gdy sondy, floty i sygnaล‚y pฤ™dzฤ… przez miฤ™dzygwiezdne odlegล‚oล›ci z prฤ™dkoล›ciami relatywistycznymi, los Ziemi wisi na wล‚osku...

  • The Wodcast is a podcast exploring the words that shape our lives, cultures, relationships, and imagination. Hosted by Benjamin Aston and Mabel Evans, each episode unfolds into conversations, stories, ideas, and perspectives from writers, thinkers, artists, and cultural voices. From love and belonging to courage, grief, joy, identity, and everything in between, the Wodcast invites you to slow down and look more closely at the language that shapes how we see ourselves and one another.

  • Whether you read constantly or never find the time, let's go through some stories together that help all of us shape our beliefs, spark wonder, and connect us to the past. Weโ€™re a brother and sister who love to chat and share about what we read and learn. Join us as we celebrate the worlds within stories!

  • Un podcast del escritor Gaztea Ruiz sobre palabras, libros, literatura y lenguaje.

  • Com escriuen els nostres escriptors? Escriuen de dia o de nit? Beuen, mengen, mentre ho fan? Senten música? Quina? Tenen alguna mania, ritual, superstició, quan treballen? Com es va escriure aquella novel·la, aquell poemari, o aquell assaig? Escriptors de tots els territoris de parla catalana, de totes les edats, de tots els gèneres, ens expliquen, a cau, d’orella, com escriuen, és a dir, obrim la porta del que no està escrit.

    Un pòdcast de La Coctelera amb Ona

  • Collects the speeches, writings, public statements and legislative acts of the Founding Fathers and Framers of the United States against slavery. (Summary by progressingamerica)

  • Podcast.cat acull la segona temporada del pรฒdcast Les Tres Grร cies, que ha estat produรฏt per Nรบvol i escrit i presentat per Txell Blay, Alba Camarasa i Pineda Vaquer. No us perdeu aquestes tres dones sร vies, que enguany fan una lectura atenta de l'Odissea d'Homer, el gran poema de l'home, per fixar-se en dones, deesses i monstres. 

  • pessoa diu que seràs feliç a austràlia sempre que no hi vagis // al poble de l'avi és l'antipòdcast de llibres d'eduard olesti i adrià girona produït per club editor

  • Arañazos es el podcast de La uÑa RoTa, editorial con treinta años de herida abierta. Novela, poesía, ensayo, teatro, libros infantiles, ilustrados… Literatura en el centro de los márgenes. Cada episodio, una conversación sin red. Voces que raspan la superficie para llegar a lo esencial. Porque las mejores historias no se anuncian, se abren camino. Como un arañazo.

    Voz de créditos : María Morales
    Grabación y realización: Estudios Good it
    Producción y coordinación: Marta García Miranda

  • โ€‹

    แž‡แŸ†แžšแžถแž”แžŸแžฝแžš แžŸแžผแž˜แžŸแŸ’แžœแžถแž‚แž˜แž“แŸแž˜แž€แž€แžถแž“แŸ‹โ€‹ ยซแž€แžถแžšแžŸแž“แŸ’แž‘แž“แžถยป แž•แžแžแžถแžŸแŸ‹โ€‹!

    แž›แž˜แŸ’แžขแžทแžโ€‹แžขแŸ†แž–แžธโ€‹แž•แžแžแžถแžŸแŸ‹โ€‹

    แž•แžแžแžถแžŸแŸ‹ ยซแž€แžถแžšแžŸแž“แŸ’แž‘แž“แžถยป แž‚แžบแž‡แžถแž€แžถแžšแž‡แž‡แŸ‚แž€แž–แžทแž—แžถแž€แŸ’แžŸแžถแžšแžœแžถแž„แžขแŸ’แž“แž€โ€‹แžŸแž˜แŸ’แžšแž”แžŸแž˜แŸ’แžšแžฝแž› แž›แžธแžŽแžถโ€‹ แž‡แžถแž˜แžฝแž™แžœแžถแž‚แŸ’แž˜แžทแž“โ€‹แž“แŸ…แžŸแŸ’แž‘แžผแžŒแžธแž™แŸ„แž•แŸ’แž‘แžถแž›แŸ‹แžšแž”แžŸแŸ‹โ€‹แž–แžฝแž€แž‚แžถแžแŸ‹แž›แžพแž”แŸ’แžšโ€‹แž’แžถแž“แž”แž‘แžŸแžทแž›แŸ’แž”แŸˆโ€‹แŸ”โ€‹โ€‹ แž™แžพแž„โ€‹แž“แžนแž„โ€‹แž‡แžฝแž”แž‡แžถแž˜แžฝแž™โ€‹แž“แžนแž„โ€‹โ€‹แžŸแžทแž›แŸ’แž”แž€แžš แžขแŸ’แž“แž€แžšแŸ€แž”แž…แŸ†แž–แžทแž–แŸแžšแžŽแŸ แžขแŸ’แž“แž€แž’แŸ’แžœแžพแž€แžถแžšแž•แŸ’แž“แŸ‚แž€แžœแž”แŸ’แž”แž’แž˜แŸ แŸ”แž›แŸ” แž“แžทแž„โ€‹โ€‹แŸ”แž›แŸ” แž‚แž˜แŸ’แžšแŸ„แž„แž“แŸแŸ‡ แž˜แžถแž“แž˜แžผแž›แž‚แŸ†แž“แžทแž แž•แŸ’แžแž›แŸ‹แž‡แžถแž‘แŸ†แžšแž„แŸ‹แž”แž“แŸ’แžแŸ‚แž˜แž‘แŸ…แž€แžถแž“แŸ‹แž‘แžŸแŸ’แžŸแž“แžทแž€แž‡แž“ แžŠแžพแž˜แŸ’แž”แžธแžŸแŸ’แžœแŸ‚แž„โ€‹แž™แž›แŸ‹แžขแŸ†แž–แžธแžœแžทแžŸแŸแž™แžŸแžทแž›แŸ’แž”แŸˆ แžŸแžทแž›แŸ’แž”แž€แžšแžแŸ’แž˜แŸ‚แžš แž€แžถแžšแž”แž„แŸ’แž€แžพแžโ€‹แžŸแŸ’แž“แžถแžŠแŸƒแžŸแžทแž›แŸ’แž”แŸˆ แžŠแŸ†แžŽแžพแžšแž‡แžธแžœแžทแž แž—แžถแž–แž”แŸ’แžšแžˆแž˜ แž“แžทแž„ แž€แžถแžšแž…แŸ‚แž€แžšแŸ†แž›แŸ‚แž€แž‚แŸ†แž“แžทแžแž•แŸ’แžŸแŸแž„แŸ—แžŠแŸ„แž™แžŸแžทแž›แŸ’แž”แž€แžš (แžฌ แžœแžถแž‚แŸ’แž˜แžทแž“)แžšแž”แžŸแŸ‹แž™แžพแž„แŸ” แž‚แž˜แŸ’แžšแŸ„แž„แž“แŸแŸ‡ แž˜แžถแž“แž‘แž˜แŸ’แžšแž„แŸ‹แž•แŸ’แžŸแž–แŸ’แžœแž•แŸ’แžŸแžถแž™แž€แŸ’แž“แžปแž„แž”แžŽแŸ’แžแžถแž‰แžŸแž„แŸ’แž‚แž˜แž‡แžถ แžŸแŸ†แžกแŸแž„ แž“แžทแž„ แžœแžธแžŠแŸแžขแžผ แž‡แžถแž—แžถแžŸแžถแžแŸ’แž˜แŸ‚แžšโ€‹แžŠแŸ‚แž›แž˜แžถแž“แž‡แžถแžขแž€แŸ’แžŸแžšแžขแž„แŸ‹แž‚แŸ’แž›แŸแžŸแžšแžแŸ‹แž–แžธแž€แŸ’แžšแŸ„แž˜แŸ”โ€‹

    แžขแŸ†แž–แžธแžขแŸ’แž“แž€แžŸแž˜แŸ’แžšแž”แžŸแž˜แŸ’แžšแžฝแž›โ€‹

    แž›แžธแžŽแžถโ€‹ แž‚แžบโ€‹แž‡แžถโ€‹แžขแŸ’แž“แž€โ€‹แžŸแž˜แŸ’แžšแž”แžŸแž˜แŸ’แžšแžฝแž›โ€‹แž€แž˜แŸ’แž˜แžœแžทแž’แžธโ€‹แžฏแž€แžšแžถแž‡แŸ’แž™โ€‹แž’แŸ’แžœแžพโ€‹แž€แžถแžšแž›แžพแžœแžทแžŸแŸแž™แžŸแžทแž›แŸ’แž”แŸˆโ€‹ แž“แžทแž„ แžœแž”แŸ’แž”แž’แž˜แŸŒโ€‹แžแžถแŸ†แž„แž–แžธแž†แŸ’แž“แžถแŸ†โ€‹แŸขแŸ แŸกแŸฅแž˜แž€แŸ” แž‚แžถแžแŸ‹โ€‹แž˜แžถแž“แž”แž‘แž–แžทแžŸแŸ„แž’แž“แŸแž‡แžถแžขแŸ’แž“แž€โ€‹แž‚แŸ’แžšแž”แŸ‹แž‚แŸ’แžšแž„แž€แž˜แŸ’แž˜แžœแžทแž’แžธแž“แŸ…แž‚แž˜แŸ’แžšแŸ„แž„แžŸแžทแž›แŸ’แž”แŸˆแžŸ-แžŸ, แž‡แŸ†แž“แžฝแž™แž€แžถแžšแžขแŸ’แž“แž€โ€‹แžšแŸ€แž”แž…แŸ†แž–แžทแž–แŸแžšแžŽแŸ แž‡แžถแž•แž›แžทแžแž€แžšแž—แžถแž–แž™แž“แŸ’แžโ€‹ แž“แžทแž„โ€‹แž‡แžถแž˜แž‚แŸ’แž‚แž‘แŸแžŸแž€แŸแžŸแŸ’แžแžถแž”แžแŸ’แž™แž€แž˜แŸ’แž˜แž€แŸ’แž“แžปแž„โ€‹แž‚แž˜แŸ’แžšแŸ„แž„แžœแžŽแŸ’แžŽแž˜แŸ‰แžผแž›แžธแžœแžŽแŸ’แžŽแž“แŸ…แžขแž‚แžถแžšโ€‹แž”แŸŠแžผแžŒแžธแž„ แžŸ แž€แžถแž›แž–แžธแž†แŸ’แž“แžถแŸ†โ€‹แŸขแŸ แŸกแŸฆ-แŸขแŸ แŸกแŸงแŸ” แžŠแŸ„แž™แž‡แžฟแž‡แžถแž€แŸ‹แž™แŸ‰แžถแž„แž˜แžปแžแž˜แžถแŸ†แž›แžพแžŸแž˜แžแŸ’แžแž—แžถแž–แž“แŸ…แž€แŸ’แž“แžปแž„แžœแžทแžŸแŸแž™แžŸแžทแž›แŸ’แž”แŸˆ แž“แžทแž„แž—แžถแž–แž™แž“แŸ’แžแž€แŸ’แž“แžปแž„แž€แžถแžšแž”แŸ†แž•แžปแžŸแž‚แŸ†แž“แžทแž แž“แžทแž„แž‡แŸ†แžšแžปแž‰แž€แžถแžšแžŸแŸ’แžœแŸ‚แž„แž™แž›แŸ‹แž›แžพแžœแž”แŸ’แž”แž’แž˜แŸŒแž“แžถแž“แžถ แž›แžธแžŽแžถ แžแŸ‚แž„แžŸแžถแž‘แžšแž…แŸ†แž–แŸ„แŸ‡แž€แžถแžšแžŸแŸ’แžœแŸ‚แž„แžšแž€แž‚แŸ†แž“แžทแžแžแŸ’แž˜แžธแŸ— แžŠแŸ„แž™แžŸแž แž€แžถแžšแž‡แžถแž˜แžฝแž™โ€‹แžŸแžทแž›แŸ’แž”แž€แžš แžขแŸ’แž“แž€แž‡แŸ†แž“แžถแž‰โ€‹ แž“แžทแž„โ€‹ แž•แž›แžทแžแž€แžš แžŠแžพแž˜แŸ’แž”แžธโ€‹แž‡แŸ†แžšแžปแž‰แž–แŸ’แžšแŸ†แžŠแŸ‚แž“แž“แŸƒแž”แž…แŸ’แž…แŸแž€แž‘แŸแžŸแž“แŸƒแž€แžถแžšแž”แž„แŸ’แž€แžพแž แž“แžทแž„ แž“แžทแž‘แžถแž“โ€‹แžขแŸ†แž–แžธแžŸแžถแž…แŸ‹แžšแžฟแž„แž‘แŸ…แž€แžถแž“แŸ‹โ€‹แž‘แžŸแŸ’แžŸแž“แžทแž€แž‡แž“แž“แžผแžœโ€‹แž”แŸ†แžŽแž„แž”แŸ’แžšแžถแžแŸ’แž“แžถแžŠแŸ‚แž›แž“แžถแŸ†แž˜แž€แž“แžผแžœแž…แž€แŸ’แžแžปแžœแžทแžŸแŸแž™แž”แŸ’แžšแž€แž”แžŠแŸ„แž™แž€แžถแžšแž…แŸ’แž“แŸƒแž”แŸ’แžšแžŒแžทแžโ€‹แŸ”

    แž‚แž˜แŸ’แžšแŸ„แž„แž•แžแžแžถแžŸแŸ‹ ยซแž€แžถแžšแžŸแž“แŸ’แž‘แž“แžถยป แž•แŸ’แžแžฝแž…แž•แŸ’แžแžพแž˜ แž“แžทแž„โ€‹ แž”แž„แŸ’แž€แžพแžแžŠแŸ„แž™โ€‹ แž‚แžฝแž“โ€‹ แž›แžธแžŽแžถ แžŸแž แž€แžถแžšแž•แž›แžทแžโ€‹แž•แŸ’แž“แŸ‚แž€โ€‹แž”แž…แŸ’แž…แŸแž€แž‘แŸแžŸโ€‹แžŠแŸ„แž™โ€‹แž›แŸ„แž€โ€‹ แžˆแžปแŸ† แž•แžถแž“แžทแžโ€‹ แž“แžทแž„โ€‹แž‘แž‘แžฝแž›แž”แžถแž“แž€แžถแžšแž‚แžถแŸ†แž‘แŸ’แžšโ€‹แžแžœแžทแž€แžถแž…แžถแž”แŸ‹แž•แŸ’แžแžพแž˜โ€‹แž–แžธ ยซโ€‹แž‚แž˜แŸ’แžšแŸ„แž„โ€‹แžŠแžถแŸ†แžŠแžปแŸ‡โ€‹ยปโ€‹ แž“แŸƒโ€‹แžขแž„แŸ’แž‚แž€แžถแžšโ€‹แžŸแžทแž›แŸ’แž”แŸˆแžแŸ’แž˜แŸ‚แžšโ€‹แžขแž˜แžแŸˆแž€แŸ’แž“แžปแž„โ€‹แž†แŸ’แž“แžถแŸ†โ€‹แŸขแŸ แŸขแŸฅแŸ”

    โ€œIn Conversation Podcast" is a podcast project that hosts discussions with Cambodian artists, curators, creatives, and cultural workers at their studios. Conducted in Khmer with English subtitles in the video, the project provides an additional format for audiences to learn more about the arts and contemporary practice. Through conversations about artwork, life experiences, challenges, and ideas, the podcast offers deeper insight into the perspectives of artists and speakers while encouraging the sharing of knowledge and ideas.

    About Host

    Lyna has been an independent program coordinator working in the arts and culture sector since 2015. She has experience as a program coordinatorโ€‹ at Sa Sa Art Projects, assistant curator, film producer, and architectural tour guide for the Vann Molyvann project at the White Building from 2016-2017. Strongly believing in the power of art and film to inspire and foster understanding across cultures, Lyna is passionate about exploring new ideas, collaborating with artists, professionals, and producers to push the boundaries of storytelling and creative techniques in the pursuit of creative vision.

    The โ€œIn Conversationโ€ podcast project was initiated and created by Kourn Lyna, co-produced with technical support from Mr. Chhum Phanithโ€‹, and received funding support from Cambodia Living Arts, the Dam Dos grant in 2025.

  • Historias de suspense cotidiano, escritas por Lucas y sonorizadas por Gonzalo, para todas vosotras.

  • Mirar despacio es un espacio para aprender a observar el mundo con más calma.

    Un podcast sobre atención, curiosidad y esas pequeñas cosas que normalmente pasan desapercibidas cuando vamos con prisa.

    La fotografía aparece como excusa — especialmente la fotografía callejera — pero no hace falta ser fotógrafo para escucharlo.
    Solo tener ganas de mirar un poco más.

    Son episodios cortos, de unos pocos minutos, pensados para acompañarte mientras caminas, viajas o haces una pausa en el día.

    Porque a veces no se trata de hacer más fotos…
    sino de mirar mejor.

    Instagram: @ob.kc