Musik – Israel – Rekommenderade podcasts

  • ืคื•ื“ืงืืกื˜ ื”ืžื•ืกื™ืงื” ื”ืงืœืืกื™ืช ืฉืœ ืฉืœื•ืžื™ ืงื™ื ืŸ. ื‘ื›ืœ ืคืจืง ื™ื“ื•ื‘ืจ ืขืœ ื™ืฆื™ืจืช ืžื•ืคืช ืฉื•ื ื•ืช ืžื–ื•ื•ื™ืช ื™ื™ื—ื•ื“ื™ืช ื”ืžืชืื™ืžื” ืœืืœื• ืฉืื™ื ื ืžื•ืกื™ืงืื™ื ืžืงืฆื•ืขื™ื™ื ืืš ืžืชืขื ื™ื™ื ื™ื ื‘ืกื•ื’ื”, ื”ื•ืœื›ื™ื ืœืกื“ื ืื•ืช ื•ืงื•ื ืฆืจื˜ื™ื, ืžืื–ื™ื ื™ื ืœืžื•ืกื™ืงื” ื ืคืœืื” ื–ื• ื•ืจื•ืฆื™ื ืœื“ืขืช ื™ื•ืชืจ.
    ืงื™ื ืŸ ื”ื•ื ืžื•ื–ื™ืงืื™ ืžืงืฆื•ืขื™ ื•ืžืจืฆื” ื‘ื›ื™ืจ ื‘ื›ืžื” ื•ื›ืžื” ืžืกื’ืจื•ืช, ื•ืกื’ื ื•ื ื• ื”ืื•ืคื™ื™ื ื™ ืžืื™ืจ ืืช ื™ืฆื™ืจื•ืช ื”ืžื•ืคืช ื”ื’ื“ื•ืœื•ืช ื‘ืื•ืคืŸ ื”ืžืืคืฉืจ ื”ื‘ื ื” ืžืขืžื™ืงื” ื‘ืœื™ ืฆื•ืจืš ืœื”ื›ื™ืจ ืžื•ืฉื’ื™ื ืžืงืฆื•ืขื™ื™ื. ื”ื“ื‘ืจื™ื ืžื•ื’ืฉื™ื ื‘ืื•ืคืŸ ื—ื™ ื•ื ื”ื™ืจ, ื•ื‘ืžืงืจื™ื ืจื‘ื™ื ืžื ื•ื’ื“ื™ื ืœื“ืขื” ื”"ืžืงื•ื‘ืœืช" ืฉื”ืฉืชืจืฉื” ื‘ืขืงื‘ื•ืช ื”ืžื™ืชื•ืกื™ื ื”ืžืœื•ื•ื™ื ืชืžื™ื“ ืืช ื™ืฆื™ืจื•ืช ื”ืžื•ืคืช ืฉืœ ื’ื“ื•ืœื™ ื”ืžืœื—ื™ื ื™ื ื‘ื”ื™ืกื˜ื•ืจื™ื”.

  • ื”ืžื•ื–ื™ืงืื™ ืฉืœื•ืžื™ ืงื™ื ืŸ ืžื ืชื— ื‘ื“ืจื›ื• ื”ื™ื™ื—ื•ื“ื™ืช ืืœื‘ื•ืžื™ ืžื•ืคืช, ืžื ืงื•ื“ืช ืจืื•ืช ื‘ื™ืงื•ืจืชื™ืช ืฉืœ ืžื•ื–ื™ืงืื™, ื•ืœื ื”ืžื™ืชื•ืก ืฉืœ ื”ืžืขืจื™ืฅ. ื”ืชื›ื ื™ื ืžื•ื’ืฉื™ื ื‘ืื•ืคืŸ ืงืœ ื•ื ื”ื™ืจ ื’ื ืœืžื™ ืฉืื™ื ื ื• ืžื•ื–ื™ืงืื™.

  • ะ•ะถะตะฝะตะดะตะปัŒะฝั‹ะน ัั„ะธั€ ั ะ’ะปะฐะดะธะผะธั€ะพะผ ะœะฐั‚ะตั†ะบะธะผ.

  • this is the second part, the first is on my profile, I must say that these songs were published by fans for fans, we do not try to profit from these songs, all rights belong to the artists and I only re-publish them, because already, listen to their legal songs and stream their albumsthanks <3

  • ื‘ื›ืœ ืคืจืง ื ื‘ื™ื ืกื™ืคื•ืจ ืื—ื“, ืžืื—ื•ืจื™ ืฉื™ืจ ืื—ื“. ื”ื™ื•ืฆืจื™ื, ื”ืžื‘ืฆืขื™ื ื•ื›ืœ ืžื™ ืฉื‘ืืžืฆืข, ื™ื—ืฉืคื• ืืช ื”ื“ืจืš ืฉืขื‘ืจื• - ืžืจื’ืข ื”ื”ืฉืจืื” ื•ืขื“ ืœืœื‘ ืฉืœื ื•. ื‘ืฆื•ื•ืช: ืžืื™ื” ืงื•ืกื•ื‘ืจ, ื ื™ืจ ื’ื•ืจืœื™, ืืกืฃ ืจืคืคื•ืจื˜, ืื™ืœ ืฉื™ื ื“ืœืจ, ืชื•ืžืจ ืžื•ืœื•ื™ื“ื–ื•ืŸ.

  • .ืฉื™ื—ื•ืช ืขื ื”ืจื‘ ื”ืœืœ ืคืœืื™ ืขืœ ืขื‘ื•ื“ืช ื”ืชืคื™ืœื” ื•ื”ืชืฉื•ื‘ื” ื‘ื—ื•ื“ืฉ ื”ืจื—ืžื™ื ื•ื”ืกืœื™ื—ื•ืช
    ืžื’ื™ืฉ: ืคื™ื ื™ ืคืœืื™

    ืžื•ื–ื™ืงื”: ืžืกื•ื“ ื—ื›ืžื™ื, ืืชื” ื‘ื—ืจืชื ื• - ื‘ื™ืฆื•ืข ืžืงื•ืจื™, ื”ืจื‘ ื”ืœืœ ืคืœืื™. ืžืชื•ืš ื”ืขืจื‘ ืฉืœ ืงื”ื™ืœืช ’ืจืืฉื™ืช’ ืจืžืช ื”ืฉืจื•ืŸ, ื‘ืื“ื™ื‘ื•ืช ื™ื“ื™ื“ื™ื” ืžืื™ืจ
    ืœืžืขื ืš, ืื™ืชืŸ ื›ืฅ

  • ื™ืฆื ืœื›ื ืœืฉืžื•ืข ืฉื™ืจ ืฉืœ ืžืชื™ ื›ืกืคื™ ื•ืœืฉืื•ืœ ืืช ืขืฆืžื›ื: "ืžื” ืขื‘ืจ ืœื’ืื•ืŸ ื”ื–ื” ื‘ืจืืฉ?!"

    ืื™ืš ื–ื” ืฉื›ื•ื›ื‘, ื‘ืจื™ืช ืขื•ืœื, ืœื ื™ื“ืขืชื™ ืฉืชืœื›ื™ ืžืžื ื™, ื™ืžื™ ื‘ื ื™ืžื™ื ื”, ืืจืฅ ื˜ืจื•ืคื™ืช ื™ืคื”, ืกื™ื‘ื” ื˜ื•ื‘ื”, ืžื” ื–ืืช ืื”ื‘ื” - ืื ื ืชื—ื™ืœ ืœืžื ื•ืช ืืช ื›ืœ ื”ืงืœืืกื™ืงื•ืช ืฉื›ืกืคื™ ืงืฉื•ืจ ืืœื™ื”ืŸ ื™ืฉื™ืจื•ืช ื›ื‘ืจ ืœื ื™ื”ื™ื” ืžืกืคื™ืง ืžืงื•ื ืœื”ืกื‘ื™ืจ ืขืœ ืžื” ื‘ื›ืœืœ ืงื•ืจื” ื‘ืคื•ื“ืงืืกื˜.

    ืงื‘ืœื• ืืช "ืคื•ื“ื›ืกืคื™", ื”ื”ืกื›ืช ื”ื—ื“ืฉ ืฉืœ ื’ืœื™ ืฆื”"ืœ! ื‘ื”ืกื›ืช ืžืชื™ ื›ืกืคื™ ืฆื•ืœืœ ืขื ื™ื“ื™ื“ื• ื”ืžื•ื–ื™ืงืื™ ืื•ื”ื“ ื‘ืŸ ืื‘ื™ ืœืกื™ืคื•ืจื™ื ืžืื—ื•ืจื™ ื”ืฆืœื™ืœื™ื - ืžื” ื”ื•ื ืืžืจ ื›ื“ื™ ืœื–ืขื–ืข ืืช ื’ืœื™ ืขื˜ืจื™ ื‘ื›ื•ื•ื ื”? ืžื”ื™ "ืฉื™ื˜ืช ื”ื–ืจืช", ื‘ืืžืฆืขื•ืชื” ื”ื•ื ื”ื•ืคืš ื”ืจืžื•ื ื™ื•ืช ืจื’ื™ืœื•ืช ืœ-"ืžืชื™ ื›ืกืคื™ื•ืช", ื•ืื™ืš ื’ื•ืจืžื™ื ืœื™ื•ืกื™ ื‘ื ืื™, ื–ื™ื™ืคืŸ ื™ื“ื•ืข ืฉืœื ื™ื“ืข ืœืฉื™ืจ, ืœื‘ืฆืข ืืช ืื—ื“ ืžืฉื™ืจื™ ื”ืื”ื‘ื” ื”ื’ื“ื•ืœื™ื ื‘ืžื•ื–ื™ืงื” ื”ื™ืฉืจืืœื™ืช?

    ื›ืœ ืืœื” ื•ืขื•ื“ ื‘-"ืคื•ื“ื›ืกืคื™" - ืฉื™ืžื• ืื•ื–ืŸ!

    ืขื•ืจืš ื•ืžื’ื™ืฉ: ืื•ื”ื“ ื‘ืŸ ืื‘ื™
    ืจืืฉ ืžื—ืœืงืช ื’ืœืฆ ื”ืกื›ืชื™ื: ื”ื“ืจ ืคืจื ืงื ื˜ืœ
    ืขื•ืจืš ืžื˜ืขื ื’ืœืฆ: ื™ืฉื™ ื—ืกืงื™
    ื”ืคืงื”: ื ื•ืขื” ื‘ืจืงืื™, ื™ืฉื™ ื—ืกืงื™
    ื˜ื›ื ืื™ ืกืื•ื ื“: ื™ื”ืœื™ ืฉื˜ืจื•ื–ืžืŸ
    ืขื™ืฆื•ื‘ ื’ืจืคื™: ื™ื•ื‘ืœ ืงื•ืคืœื ื“
    ืžื›ื™ืŸ ืœืฉื™ื“ื•ืจ: ืฉืงื“ ืžืฉืขืœ
    ืชื•ื“ื” ืžื™ื•ื—ื“ืช ืžืื•ื“: ืื•ืจ ืขื•ื–ืจื™, ืืœื•ืŸ ืขื•ื–ืจื™

    ื ืชืจืื” ื‘ืคืจืง ื”ื‘ื ืฉืœ ืคื•ื“ื›ืกืคื™!

  • ืคื•ื“ืงืืกื˜ Beatles Pod ื”ืžื•ืงื“ืฉ ื›ืœ ื›ื•ืœื• ืœืœื”ืงืช ื”ื‘ื™ื˜ืœืก ื”ืื’ื“ื™ืช ื‘ื”ื’ืฉืช ืื•ืจื™ ืงื•ืื–.
    ื—ืคืฉื• ืืช ื‘ื™ื˜ืœืžื ื™ืงืก ื‘ืคื™ื™ืกื‘ื•ืง ื•ื’ื ื‘ื‘ืœื•ื’ ื‘ื• ืชื•ื›ืœื• ืœืงืจื•ื ืืช ื”ืคื•ืกื˜ื™ื ื”ืžืจืชืงื™ื ืฉื ื›ืชื‘ื• ืขืœ ื”ื‘ื™ื˜ืœืก.

    beatlemanix.co.il

    ืืช ื“ืฃ ื”ืคื™ื™ืกื‘ื•ืง ืฉืœ ื‘ื™ื˜ืœืžื ื™ืงืก ืชื•ื›ืœื• ืœืžืฆื•ื ื›ืืŸ: https://www.facebook.com/beatlemanix

    ื•ืืช ืงื‘ื•ืฆืช ื”ืคื™ื™ืกื‘ื•ืง ืฉืœ ื‘ื™ื˜ืœืžื ื™ืงืก ื‘ื” ืืชื ื”ื‘ื™ื˜ืœืžื ื™ืงื™ื ื›ื•ืชื‘ื™ื ื’ื ื›ืŸ ืชื•ื›ืœื• ืœืžืฆื•ื ื›ืืŸ: https://facebook.com/groups/186653676343179

  • Become a Paid Subscriber: https://anchor.fm/mzhiphop/subscribeThis podcast is for interviews with real people who have real stories to tell ranging from artist interviews to news topics and so much more!!!! Speak Yo Mind encourages all those who have passion to express themselves through articulation and power!

  • ืื™ืš ื–ื” ืฉืจื•ื‘ ืจื•ื‘ืŸ ืฉืœ ื”ื™ืฆื™ืจื•ืช ืฉืขื™ืฆื‘ื• ืืช ื”ืฉื™ื— ื”ืฆื™ื‘ื•ืจื™ ืขืœ ื”ืฉื•ืื”, ื ื•ืฆืจื• ืฉื ื™ื ืจื‘ื•ืช ื›ืœ ื›ืš ืื—ืจื™ ืฉื ื’ืžืจื” ื”ืžืœื—ืžื”? ืž"ืจืฉื™ืžืช ืฉื™ื ื“ืœืจ", ื“ืจืš "ืืคืจ ื•ืื‘ืง" ื•ืขื“ "ืžืžื–ืจื™ื ื—ืกืจื™ ื›ื‘ื•ื“" - ื›ืœ ืืœื” ื™ืฆืื• ืขืฉืจื•ืช ืฉื ื™ื ืœืื—ืจ ืชื•ื ื”ืชื•ืคืช.

    ืื‘ืœ ืžื” ืงืจื” ื‘ื–ืžืŸ ืืžืช?

    ื‘ื”ืกื›ืช ื”ืžื™ื•ื—ื“ "ืžื ื•ื•ื ื™ื ื—ืกืจื™ ื›ื‘ื•ื“" ื ืฆืœื•ืœ ืœืขืฉืจื•ืช ืฉื™ืจื™ื, ืกืคืจื™ื ื•ืกื™ืคื•ืจื™ื, ืžื—ื–ื•ืช, ื—ื•ื‘ืจื•ืช ืงื•ืžื™ืงืก ื•ืกืจื˜ื™ื ื—ืชืจื ื™ื™ื ื•ื ื“ื™ืจื™ื ืฉืฉื™ืงืคื• ืืช ื”ืœืš ื”ืจื•ื— ื”ื‘ื•ืขืจ ืฉืœ ื”ืชืงื•ืคื” - ื—ืœืงื ื ืขืœืžื• ืขื ื”ืฉื ื™ื, ื•ืžืงื‘ืœื™ื ื›ืืŸ ื‘ืžื” ื‘ืคืขื ื”ืจืืฉื•ื ื”.

    ื‘ื”ืกื›ืช, ืžื•ื ื™ ืžื•ืฉื•ื ื•ื‘, ืชื•ืžืจ ืงืืคื•ืŸ, ืืœื™ ื’ื•ืจื ืฉื˜ื™ื™ืŸ, ื ื™ืฆื” ืฉืื•ืœ, ื“ืจื•ืจ ืงืจืŸ, ืžืขื™ื™ืŸ ื‘ืœื•ื ื•ืขื•ื“ ืื ืฉื™ ื•ื ืฉื•ืช ืชืจื‘ื•ืช ื ื‘ื—ืจื™ื ืžืžื—ื™ื–ื™ื ืงื˜ืขื™ื ืฉื”ื ืืฆื™ื ื”ื’ื“ื™ืจื• ื›-"ืชืจื‘ื•ืช ืžื ื•ื•ื ืช".

    ื›ื•ืชื‘ ื•ืขื•ืจืš ืจืืฉื™: ื™ืฉื™ ื—ืกืงื™
    ืขืจื™ื›ื”, ื›ืชื™ื‘ื” ื•ื”ืคืงื”: ืžืื™ื” ืžื™ื“ืŸ
    ื”ื’ืฉื” ื•ื›ืชื™ื‘ื”: ืขืžื™ืช ืงืœื“ืจื•ืŸ
    ืขื™ืฆื•ื‘ ื•ืขืจื™ื›ืช ืกืื•ื ื“: ื™ื•ืขื“ ืžืื™ืจ
    ืขื™ืฆื•ื‘ ื’ืจืคื™: ื™ื•ื‘ืœ ืงื•ืคืœื ื“
    ืจืืฉ ืžื—ืœืงืช ื’ืœืฆ ื”ืกื›ืชื™ื: ื”ื“ืจ ืคืจื ืงื ื˜ืœ

  • Hi there! I'm Em! Talking about all things BTS and related! About how they made it to success worldwide. Also, we’ll drive deep into their songs too and uncover the meanings of songs that I choose for the week. I'll dive into my stories and other fun stuff to look forward to! When it gets close to the release of new songs I drive into the rumors and my opinions and reasons after the release! So enjoy bi-weekly episodes about BTS-related content! * This podcast is going to be a crazy since BTS is focusing on their solo music, so watch out for content *
    Dangsin-eul Saranghaeyeo,
    Em

  • ๐Ÿ”ฅ March 26th Day Rave at the Vaults Cardiff ๐Ÿ”ฅ

    We’re pleased to announce that we’re joining forces with Journey to bring a monster trance line up to an old bank vault in Cardiff!

    We’ve bagged 3 legendary trance DJs for this huge lineup !!

    All tickets already purchased will be valid for this new date.

    See you all soon ๐ŸŽถ ๐Ÿ”ฅ

    Only a limited number of tickets available so grab them now!

    https://www.eventbrite.co.uk/e/tremor-journey-present-bryan-kearney-jordan-suckley-mark-sherry-tickets-227881669207?fbclid=IwAR1fBzvNElgfRrkCQCB8HFy8PAXXwimQhcPNVpwf4O45cPiwdfq7svnjQSU

  • ืืกืฃ ืœื™ื‘ืจืžืŸ ืžื–ืžื™ืŸ ืื•ืจื—ื™ื ืœืฉืžื•ืข ื‘ื™ื—ื“ ืžื•ื–ื™ืงื” ื•ืœื“ื‘ืจ ืขืœ ื”ื—ื™ื™ื

  • The Capital XTRA Homegrown Podcast with Omah Howard is back, with a brand new season full of exclusive conversations with the UK’s hottest Homegrown artists! Make sure you keep your eyes peeled, episodes will be dropping every Thursday on Global Player!

  • ืžื™ื ื™ ืกื“ืจื•ืช ืื•ื“ื•ืช ื”ืžื•ื–ื™ืงืื™ื, ื”ืืœื‘ื•ืžื™ื ื•ื”ืื™ืจื•ืขื™ื ื”ืžื•ื–ื™ืงืœื™ื™ื, ื”ื’ื“ื•ืœื™ื ื‘ื›ืœ ื”ื–ืžื ื™ื: ืคื™ื ืง ืคืœื•ื™ื“, ืจื“ื™ื•ื”ื“, ื“ื™ื™ื•ื•ื™ื“ ื‘ื•ืื™, ื’'ื•ื ื™ ืžื™ื˜ืฉืœ ื•ืขื•ื“. ื‘ืฆื•ื•ืช: ืชื•ืžืจ ืžื•ืœื•ื™ื“ื–ื•ืŸ, ื’ื™ืœ ืžื˜ื•ืก ื•ื ื•ื’ื” ืงืœื™ื™ืŸ.


  • Johnny Cash: The Man in Black
    Known for his signature all-black outfits and gritty bass-baritone voice, Johnny Cash carved out a remarkably influential career spanning over five decades at the forefront of country, rock and Americana music, through songs giving voice to the struggles of the oppressed and highlighting his own battles with addiction, heartache and faith, Cash connected with the raw honesty of the human experience like few other artists. His prolific output of chart-topping albums and crossover collaborations earned him inductions into the Country Music, Rock and Roll and Gospel Music Halls of Fame. However, beyond sales and accolades, Johnny Cash endures as an authentic American icon because his music emanates from and celebrates the soul of Americaโ€™s forgotten working class.
    Humble Origins
    Born February 26, 1932, in Kingsland, Arkansas to poor sharecroppers, no one could anticipate difficult upbringings marred by struggle would launch Cashโ€™s meteoric rise fueled by lyrical wisdom. One of seven children stretching limited resources, Cash experienced tragedy early losing his brother Jack in a sawmill accident. The rural isolation and reliance on crops identified Cash with communities often marginalized by postwar urbanization and industrialization. Music, namely gospel hymns and folk songs, bonded the family during long days harvesting cotton fields under the unforgiving sun. While their house lacked electricity early on, Cash later credited his mother Carrieโ€™s playing piano by kerosene lamp inspiring a lifelong love for songwriting and storytelling.
    After serving Air Force duty in Germany, Cash moved to Memphis and married Vivian Liberto in 1954. Unable to earn steady paychecks from music, he took sales jobs while playing small venues with rising artists like Elvis Presley, Carl Perkins and Jerry Lee Lewis during the dawn of rockabilly. The combination of music industry connections and family responsibilities pushed Cash towards boldly approaching Sun Records producer Sam Phillips in 1955 desperate to secure a record deal. While Phillips remained unimpressed by gospel tunes Cash auditioned with, he promised solo recording contract if Cash returned with original songs infused with the maverick rock and roll energy electrifying youth culture.
    Man in Black is Born Just months later Cash delivered raw, self-penned hits like โ€œCry Cry Cryโ€ and โ€œHey Porter!โ€ melding working-class folk lyricism with edgy rock rhythms. The combination of Cashโ€™s sandpaper vocals and humble yet poetic observations of American struggles struck instant resonance beyond just country audiences accustomed to syrupy Nashville standards. With the Man in Black moniker coined from his trademark uncompromising uniform of black apparel, his music anchored rebellious energy in rootsy authenticity.
    Over the next decade, Cash churned out iconic songs like โ€œI Walk the Lineโ€, โ€œFolsom Prison Bluesโ€ and โ€œRing of Fireโ€ earning over 10 number-one Billboard country hits. Embraced as an outlaw before the term existed, Cash attracted youth activism movements like folk icon Bob Dylan for defiantly standing up for prisoners, coal miners, Native Americans and other marginalized groups through humanizing story-songs. Yet as his star ascended, private demons increasingly disrupted stability at home.
    Battles with pills and infidelity characterized much of the 1960s as pressure mounted. A 1965 arrest for smuggling amphetamines across the Mexico border earned a wrecked Cash sobering isolation in jail followed by a spiritual awakening towards transformation. The late 1960s marked a major revival both personally and professionally. Cash pivoted to evocative, stripped-down albums like At Folsom Prison and At San Quentin poignantly performing for inmates in 1968. Around this time Cash also hosts his iconic musical variety television show casting wide influence across American and global culture by showcasing rising country, rock, roots and gospel talent alongside humor segments.
    The Silver Fox Marches On While the 1970s brought more chart-topping duets with June Carter Cash after finally divorcing first wife Vivian, Cash continued grappling with dependence issues and exhaustion through repetitions of rehabilitation and relapse. Yet his breadth of collaborations multiplied impact immeasurably โ€“ recording with Bob Dylan, backing environmental activist groups, acting in feature films like A Gunfight with Kirk Douglas, and lobbying on behalf of Native American rights.
    After a fallow period lacking direction in the 1980s and struggling through numerous health issues, Cash experienced a career resurgence in the 1990s at an unlikely stage. Recording landmark albums like American Recordings with producer Rick Rubin, Cash attracted youthful alternative rock fans through vulnerable takes on songs by Soundgarden, Nick Cave and U2 earning him MTV video awards and Lollapalooza appearances. The stripped production foregrounded his weathered voice taking on new depth and grit with age. While diabetes, Parkinsonโ€™s and pulmonary issues increasingly hospitalized Cash towards the end, he recorded prolifically almost until his passing on September 12, 2003, only months after his beloved June.
    Legacy - Giving Light to Darkness
    Johnny Cash left an indelible impact on music's evolution fusing genres and amplifying marginalized voices. Artists ranging from Elvis and Bob Dylan to Chris Cornell credit Cash's signature sound and courageous vulnerability exploring human suffering as profoundly influencing their songwriting. He holds the record for most Grammy wins in the country field with a trophy awarded even posthumously in 2006 cementing legendary status.
    Yet beyond quantifying record sales and chart achievements, Cash's cultural importance links to the sympathy and dignity he broadcast towards America's lonely, weary and heartbroken - those crying out unheard from society's shadows. The Man in Black sheds light through stories speaking to outcast underdogs and rebels with causes. His calls for justice, freedom and redemption echo through generations. Ultimately Cash remains the consummate American troubadour expressing darkness and light, humiliation and humor, vice and virtue that country's complex soul holds in both sanctified and desperate spaces. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts

  • ืคื•ื“ืงืืกื˜ ืขืœ ืžื•ื–ื™ืงื” ื•ื˜ื›ื ื•ืœื•ื’ื™ื” ื‘ื”ื’ืฉืช ื ื“ื‘ ืจื‘ื™ื“ ื•ื“ื•ื™ื“ ืคืจื™ื“ืžืŸ, ื”ื ืขืจืš ื‘ืฉื™ืชื•ืฃ ืคืขื•ืœื” ื‘ื™ืŸ ื’ืœื™ ืฆื”"ืœ ืœืงืจื™ื” ื”ืืงื“ืžื™ืช ืื•ื ื•, ื”ืขื•ืกืง ื‘ื ื•ืฉืื™ื ืฉืœ ืžื•ื–ื™ืงื”, ื˜ื›ื ื•ืœื•ื’ื™ื” ื•ื—ื“ืฉื ื•ืช, ืขืœ
    ื”ื™ืฆื™ืจืชื™ื•ืช ื•ื”ื—ืฉื™ื‘ื” ื”ื—ื“ืฉื” ื”ื ื“ืจืฉืช.

    ืžื˜ืจืช ื”ื”ืกื›ืช ื”ื™ื ืœื™ื™ืฆืจ ืžืจื—ื‘ ืฉื‘ื• ื™ื”ื™ื” ืืคืฉืจ ืœื“ื‘ืจ ื‘ื”ืชืœื”ื‘ื•ืช ื•ื‘ืคืชื™ื—ื•ืช ืขืœ ื›ืœ ืžื” ืฉื ืžืฆื ื‘ืื™ื–ื•ืจื™ื ืฉืžืฉื™ืงื™ื ื‘ื™ืŸ ืžื•ื–ื™ืงื” ืœื˜ื›ื ื•ืœื•ื’ื™ื”. ืขืœ ื™ืฆื™ืจืชื™ื•ืช, ืืžื ื•ืช ื•ื—ื“ืฉื ื•ืช, ืขืœ ื”ื”ืฉืคืขื•ืช ืฉืœ ื”ืชืžื•ืจื•ืช ื‘ืขื•ืœื ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ืขืœ ื”ื—ื‘ืจื” ื•ื”ืชืจื‘ื•ืช, ืขืœ ืชืขืฉื™ื™ืช ื”ืžื•ื–ื™ืงื” ื•ื”ื‘ื™ื“ื•ืจ, ืขืœ ื”ืจื’ืœื™ ืฉื™ืžื•ืฉ, ืขืœ ื—ืฉืฉื•ืช ื•ืชืงื•ื•ืช ืœืขืชื™ื“, ืขืœ ืฆืจื™ื›ื”, ื”ืคืฆื” ื•ื™ืฆื™ืจื”, ืขืœ ืคืจืงื˜ื™ืงื•ืช ืžื•ืžืœืฆื•ืช, ืขืฆื•ืช ืขืฉื” ื•ืืœ ืชืขืฉื”, ื•ื›ืžื•ื‘ืŸ ืขืœ ื”ื–ื•ื•ื™ืช ื”ืื™ืฉื™ืช ื•ื”ื“ืจืš ืฉืœ ื”ืื•ืจื—ื™ื ืฉื™ื’ื™ืขื• ืœื“ื‘ืจ ืื™ืชื ื• ื‘ื›ืœ ืคืขื. ื”ื”ืกื›ืช ืคื•ื ื” ืœืงื”ื™ืœื” ืฉืœ ืžื•ื–ื™ืงืื™ื/ื™ื•ืช, ื™ื–ืžื™ื/ื•ืช ื•ืื ืฉื™ ื•ื ืฉื•ืช ื˜ื›ื ื•ืœื•ื’ื™ื” ืื• ืœื›ืœ ืžื™ ืฉืžืชืขื ื™ื™ืŸ ื‘ืžื”ืคื›ื” ื”ื˜ื›ื ื•ืœื•ื’ื™ืช ื‘ืขื•ืœื ื”ืžื•ื–ื™ืงื” ื•ื”ืชืจื‘ื•ืช ื•ื™ืฉืžื— ืœืงื‘ืœ ื”ืฉืจืื” ืžื”ืฉื™ื—ื•ืช ืฉื ื ื”ืœ ื›ืืŸ.

    ื ื“ื‘ ืจื‘ื™ื“ - ืื™ืฉ ืจื“ื™ื• ื•ืžื•ื–ื™ืงื”: ืžื ื”ืœ ืชื—ื ืช ื’ืœื’ืœืฆ, ืฉื“ืจืŸ, ืžืคื™ืง ืžื•ื–ื™ืงืœื™, ื“ื™ื’ืณื™ื™, ืžืžื™ื™ืกื“ื™ ื”ืœื™ื™ื‘ืœ "ื‘ื•ื˜ื ื™ืงื”" ื•ืžืžื™ื™ืกื“ื™ ืชื—ื ืช ื”ืจื“ื™ื• "ื”ืงืฆื”".

    ื“ื•ื™ื“ ืคืจื™ื“ืžืŸ โ€“ ื™ื–ื ื”ื™ื™ื˜ืง ื‘ืขืœ 33 ืฉื ื•ืช ื ื™ืกื™ื•ืŸ, ืžื™ื™ืกื“ ื•ืžื ื”ืœ ืฉืœ ืžืกืคืจ ื—ื‘ืจื•ืช ื˜ื›ื ื•ืœื•ื’ื™ื•ืช ื•ื“ื™ืจืงื˜ื•ืจ ื‘ืžืกืคืจ ืžื™ื–ืžื™ื ื‘ืชื—ื•ื ื”-Music tech. ื‘ืขืœ ืชื•ืืจ MSc. ืžื”ื˜ื›ื ื™ื•ืŸ, ื—ื™ืคื” ื‘ืžื“ืขื™ ื”ื”ืชื ื”ื’ื•ืช ื•ื”ื ื™ื”ื•ืœ. 27 ืฉื ื•ืช ื ื™ืกื™ื•ืŸ ื›ืžืจืฆื”.

  • ืœื›ืœ ืื“ื ื™ืฉ ืฉืืœื•ืช ืฉืžืœื•ื•ืช ืื•ืชื• ืœืื•ืจืš ื”ื—ื™ื™ื. ื’ื ืœื”ืจืืœ ืกืงืขืช. ื‘ื’ื™ืœ ืืจื‘ืขื™ื ื›ืฉื”ืงืจื™ื™ืจื” ื›ื‘ืจ ืžืคื•ืืจืช ื•ื”ืžืฉืคื—ื” ื‘ืืžืช ืœืชืคืืจืช, ื”ืชืคื ื” ืœื”ืจืืœ ืžืงื•ื ื‘ืจืืฉ ื•ื”ืฉืืœื•ืช ืฉืžืœื•ื•ืช ืื•ืชื• ื”ืชื—ื™ืœื• ืœืฆื•ืฃ. ื‘ืคื•ื“ืงืืกื˜, ื”ืจืืœ ื™ื™ื›ื ืก ืœืขื•ืžืง ื”ื ื•ืฉืื™ื ืฉืžืจื›ื™ื‘ื™ื ืืช ื”ื™ื•ืžื™ื•ื ืฉืœื•, ืื—ืจื™ ืฉื”ืกืคื•ื˜ ืขืœ ื”ื‘ืžื” ื ื›ื‘ื” ื•ื”ืื•ืจ ื‘ื‘ื™ืช ื ื“ืœืง. ื”ื•ื ื™ื™ืฉื‘ ืœืฉื™ื—ื•ืช ื›ื ื•ืช ืขื ื”ืื ืฉื™ื ืฉื”ื›ื™ ืžืกืงืจื ื™ื ืื•ืชื• ื•ื™ืฉืืœ ืื•ืชื ืืช ื›ืœ ื”ืฉืืœื•ืช ืฉื”ื•ื ืคืฉื•ื˜ ื—ื™ื™ื‘ ืœืฉืื•ืœ. ืœืคืขืžื™ื ื’ื ืขืœ ืžื•ื–ื™ืงื”, ืื‘ืœ ืžืžืฉ ืœื ืจืง.

    ืฆื™ืœื•ื: ืจืŸ ื™ื—ื–ืงืืœ