Lyssna senare
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He was famously a man of many ways, whether we interpret these as abilities or norms; designs or deceptions; reasons or identities. Yet despite such resources, he was also famously stuck, making a 10-year odyssey of his attempt to return home from a 10-year war. What keeps the man of master plans from homecoming and domestic bliss? In the first of a three part discussion of Homer’s classic, Wes & Erin try to figure out what Odysseus really wants, and whether the “lord of lies” can master the trick of entrusting his mind to others.
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It was T. S. Eliot’s first published poem. Written when he was only in his early 20s, “The Love Song of J. Alfred Prufrock” rode the crest of the wave of literary Modernism, predated World War I, and presaged an age of indecision and anxiety. The poem is the dramatic interior monologue of the title character, a middle-aged man whose passivity and ambivalence are threaded with artistic allusions, epigrammatic observations, and meditations on the nature of time, the fraudulence of relationships, and the risks of eating a peach. Should Prufrock dare disturb the universe? Should we?
