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This week’s show is a nuanced exploration of the various and creative ways memoir can be an exploration of identity, culture, and history, and how in unearthing our own stories, we can discover so much about the world around us. Guest Beronda Montgomery has written a thoughtful and “thinking” memoir that has us ruminating on trees, legacy, ancestors, and who gets and is denied credit in our society. We learned so much from reading this book, and gained so much from being in conversation with Beronda. In the book trend this week, we talk about shorter books—the financial and attentional reason shorter might be better.
Beronda L. Montgomery, PhD, is a writer, researcher, and scholar who pursues a common theme of understanding how individuals perceive, respond to, and are impacted by the environments in which they exist. Her primary laboratory-based research has been focused on the responses of photosynthetic organisms, like plants, react to external light cues. Beronda is author of two books When Trees Testify: Science, Wisdom, History, and America’s Black Botanical Legacy and Lessons From Plants.
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This week’s episode will be a fast favorite because guest Ronit Plank is speaking the language of a memoir advocate. We get right to the heart of so many things that make memoir special and important. Ronit speaks about coming to memoir kicking and screaming, and how it opened her up, and how memoir makes us all more empathetic. A true memoir advocate, with her own popular memoir podcast, Let’s Talk Memoir, Ronit is a kindred spirit in this space. She’s also a new contributor to the Memoir Nation Community with her quarterly group, Mining the Depths, and she’s delightful to listen to. Let’s talk memoir, let’s talk advocacy—here on this week’s Memoir Nation.
Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere. Her memoir, When She Comes Back, was named a Book Riot Best True Crime Book, and won a 2022 Book Excellence Award and other indie awards. Ronit is also the author of the award-winning short story collection Home is a Made-Up Place and her work has been widely anthologized. She teaches memoir for the University of Washington’s Continuum Program, and she’s host of the podcast Let’s Talk Memoir and writes the Substack Let’s Talk Memoir.
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Saknas det avsnitt?
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Form, form, form. We can’t stop circling it on Memoir Nation because everyone has a different approach to it. Mostly we’re taught that once you know your form, you can pour your content into it. And yet, we keep hearing from authors whose process is the exact opposite—which is that form follows content. Today we talk with Eleni Sikelianos about the ways in which she followed her subject matter to find the form of her story, in addition to memoir as series, what it means to embody the life of an ancestor you never knew in your writing, and the role of photographs as narrative rather than decorative elements. A fascinating exploration!
Born into a family of tree workers, bohemians, poets, ne'er-do-wells, visionaries, and small-time sort-of hustlers, Eleni Sikelianos is a poet, writer, collaborator, and "master of mixing genres." As a student of the poets of Naropa, she is a lineage-holder in the Outrider poetics family tree. Deeply engaged with ecopoetics, her work takes up urgent concerns of environmental precarity and ancestral work. She has published ten books of poetry (most recently, Your Kingdom, 2023) and three unclassifiable hybrid works, sometimes called nonfiction, sometimes memoirs, sometimes fiction: The Book of Jon and You Animal Machine, and Memory Rehearsal.
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If you’re a regular listener of Memoir Nation, you know we love to cover memoir in all its changing and emerging forms. The micro memoir is a form all its own—different from the fragmented style that’s been so popular of late. In this week’s show, we’re going micro, exploring how writers can boil the essence of what needs to be said into the fewest number of words. We’ll talk about the form, its benefits for all writers, and how memoir keeps pushing the boundaries with our guest, Beth Ann Fennelly. And in this week’s book trend, we cover how Substack is changing the way we think about book tours.
Beth Ann Fennelly was Poet Laureate of Mississippi from 2016-2021 and teaches in the MFA Program at the University of Mississippi where she is a four-time teaching award winner. She has published three poetry books: Open House, Tender Hooks, and Unmentionables. She’s also published a book of nonfiction, Great with Child, and a novel she co-authored with her husband, Tom Franklin, called The Tilted World. Her sixth book, Heating & Cooling: 52 Micro-Memoirs, was named an Atlanta Journal Constitution Best Book, a Goodreaders Favorite for 2017, and the winner of the Housatonic Book Prize. Her new book is The Irish Goodbye: Micro-Memoirs.
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This week on Memoir Nation we take a specific guest with a specific skillset/talent and look at ways to apply what he does to our broader writing community. Guest Brandon Deyette shares with us how he channels story by being hyper-attuned to his emotions, and Brooke and Grant speculate that this kind of attention is an emotional practice that any memoirist can cultivate. When you write memoir, you’re always embodying another voice—that voice of your earlier self, who in some cases is a near stranger to the person you are today. An interesting subject matter with a fun and eccentric guest. Enjoy!
Brandon Deyette is a writer, co-author, and award-winning filmmaker whose work centers on translating lived experience into deeply resonant narrative. He is the co-author of Young Is Blessed, a memoir written alongside Young Bae— tattoo artist, entrepreneur, and star of VH1's Black Ink Crew—chronicling her journey from an abusive childhood in South Korea to becoming a celebrated entrepreneur and television personality. As a filmmaker, his projects have earned recognition at festivals including Palm Springs, Atlanta, and New York. His television credits include Emmy-nominated series on The Weather Channel, TLC, VH1, and OWN.
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It’s our 400th episode and we’re celebrating with celebrated food critic and author Ruth Reichl! Ruth wrote her first food memoir before food memoir was a thing, and she takes us back there to when bookstores didn’t know what to do with her work. Ruth is a pioneer of the food movement in America, and is known for her mission to demystify the world of fine cuisine. This is a generous interview, full of history and story—as well as some encouraging tips about the art of sensory writing. For Ruth, it’s all about creativity.
Ruth Reichl wrote her first cookbook in 1972. She spent the seventies as restaurant critic for New West Magazine and the eighties as restaurant critic and food editor of the Los Angeles Times. From 1993 to 1999 she was the restaurant critic for The New York Times before moving to Gourmet Magazine as Editor in Chief. A defining voice in American food writing and journalism over the past several decades, she’s written five memoirs, two novels and two cookbooks, edited a dozen books and hosted two television series. Her movie Food and Country is available on streaming and she produces a weekly newsletter, La Briffe, on Substack. The recipient of 7 James Beard Awards, including Lifetime Achievement, she is currently working on a sequel to The Paris Novel.
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We’re late to celebrate Grant’s new book, something out there in the distance, so we’re doing it this week, bringing on his co-collaborator on the project, Gail Butensky. Grant and Gail partnered up to create a beautiful and unusual project. This week’s show mixes things up a bit because Brooke interviews Grant, and Grant interviews Gail, and Grant shows up for his segments in all kinds of locations, including his mother’s apartment at her memory care facility. The show covers the power of intuition when it comes to both storytelling and photography, the risks indie presses can and do take, and why loving a good road-trip is a prerequisite to being Grant’s friend. And the trend this week, more state of mind than trend, is in celebration of indie books.
Gail Butensky is a renowned photographer whose work has been featured on numerous record covers as well as in books and magazines. Her lens documented the punk and rock scenes of the '80s and '90s, with work appearing in The San Francisco Guardian, The Village Voice, and The Chicago Reader, and in publications including Our Band Could Be Your Life and CBGB & OMFUG: 30 Years. She is the author of the photography book, Every Bend. Grant Faulkner is the co-founder and co-host of Memoir Nation, co-founder of the online literary journal 100 Word Story, and the former executive director of National Novel Writing Month. He’s the author of The Art of Brevity: Crafting the Very Short Story, as well as fiction collections All the Comfort Sin Can Provide and Fissures. His stories have appeared in Tin House, The Gettysburg Review, and Norton anthologies. Together Grant and Gail collaborated on the new flash novel, something out there in the distance, out on the University of New Mexico Press.
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Lots of writers want to write about sex and all the ways it shows up in their lives—and yet, it’s incredibly challenging to do. It’s exposing and uncomfortable. It means sharing the most intimate moments of our own lives, but also the lives of others. It can involve sharing mistakes, shame, and also some of the worst things that have ever happened to us when it comes to the negative side of the sexual spectrum: assault and abuse. That’s why this week’s show and conversation with Courtney Kocak is extra impactful. She talks about her own journey and evolution, and what she learned about herself and her own journey from writing her “accidental” feminist coming-of-age story, as she calls it. An encouraging message this week that you can do it, too. We’re all learning to live out loud a little better through our writing, one word at a time.
Courtney Kocak is a writer, podcaster, and comedian based in Los Angeles. She originally hails from a rural farming community in Minnesota, home to more cows than people. As a writer, Kocak wrote for Amazon’s Emmy-winning animated series Danger & Eggs and Netflix’s Know It All. Her bylines include The New York Times, The Washington Post, The Los Angeles Times, Cosmopolitan, Slate, HuffPost, The Sun, Catapult, BUST, Bustle, and others. She hosts three podcasts, The Bleeders, Private Parts Unknown, and Podcast Bestie, and her new memoir is Girl Gone Wild.
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This week is a treat because at the heart of many memoirs are stories of people throwing themselves into meaningful distractions in order to not have to face the challenges and unravellings so common to adult life. In her new book, Why Fly, Caroline Paul becomes obsessed with learning to fly a gyrocopter as her long-term marriage is dissolving. In the show we speak about risk, about love and loss, and about the things that keep us grounded—and not. It’s the stuff from which good story emerges, and this week’s book trend is not about AI. Just kidding, it actually is, and we’re sorry.
Caroline Paul is a bestselling author, adventurous adventurer, and one of the first women to join the San Francisco Fire Department. She is known for non-fiction and memoirs highlighting risk-taking and outdoor adventure, such as Fighting Fire, The Gutsy Girl, Tough Broad, and most recently Why Fly. Paul has been a member of the Writers Grotto in San Francisco since 1999. Discover more about Caroline and her work at carolinepaul.com.
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This week we’re talking about form with yet another memoirist who defied conventions to create something unique and beautiful. Guest Danielle Bainbridge’s new book of personal essays, Dandelion, covers many topics—mental health, race, body, feminism, and so much more. Myriam Gurba calls her work “kaleidoscopic” and we ruminate on what that means in the context of form. This is a conversation on following the threads of your inspiration, writing the book you want to write, finding a publisher who gets it and allows you to do what you want to do. And in the trend, we talk about the death of the mass market paperback. Never a dull moment in book publishing!
Danielle Bainbridge is Assistant Professor of Theatre, Black Studies, and Performance Studies at Northwestern University. Her first academic book, Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive, is forthcoming in 2025 from NYU Press. Danielle has received scholarships and residencies from Tin House, the Adirondack Center for Writing, and the Banff Centre in Canada. Her web series and media work have been nominated for three Daytime Emmy Awards and one NAACP Image Award. She lives and loves in Chicago with her partner and two naughty cats.
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How do you get into a story that centers events you don’t remember because you weren’t alive to witness them? That’s what we’re covering today in an episode that reaches into considerations of intergenerational trauma, and how even what’s not said gets transmitted from one generation to the next. Author Rich Benjamin shares with us the story of his family’s tumultuous past in Haiti, and its impact on his grandfather, who never knew, and his mother, who chose silence over disclosure. Rich speaks about research, about how it can be easier to write “third-hand” about traumas you didn’t live through, and how doing the work to uncover stories like these can break the cycles of trauma. In this week’s book trend, we actually cover a positive AI trend—unheard of. Listen in for more.
Rich Benjamin is an award-winning writer, cultural critic, and memoirist whose work investigates political, social, and economic power through deeply researched storytelling. Rich is the author of the memoir, Talk to Me: Lessons from a Family Forged by History, and Searching for Whitopia, a groundbreaking immersive study that presciently examined the rise of white anxiety and nationalism in the United States. His writing has appeared in The New Yorker, The New York Times, and other major publications, and he is a frequent commentator on NPR, MSNBC, and CNN. His memoir was just shortlisted for the 2026 J. Anthony Lukas Prize Project Awards.
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For many, spirituality is a private inner journey filled with nuance and informed by culture, family of origin, life experiences both positive and negative, and much more. Guest Alicia Jo Rabins shares her own journey at the heart of her new memoir, When We’re Born We Forget Everything—one that started with a fairly typical secular Jewish suburban upbringing and later twists and turns through the spiritual, the sacred, and the mystical. Her memoir is a beautiful mosaic that invites readers to consider and contemplate their own understanding of the Divine. This week, inspired by Alicia Jo, Brooke and Grant do just that, in addition to talking about publishing’s relationship to spiritual (and religious) works.
Alicia Jo Rabins a writer, musician, performer, and feminist Torah teacher. Her spiritual memoir, out on Schocken Books, is When We’re Born We Forget Everything. She is the author of four additional books, including the poetry collections Divinity School and Fruit Geode. As a songwriter, violinist and composer, Rabins tours internationally with Girls in Trouble, her indie-folk song cycle about women in Torah. Visit her at www.aliciajo.com.
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This week’s Memoir Nation introduces a new memoir challenge and invitation to writers to come check out what we’re calling Memoir Showers at Memoir Nation. Join our community for a whole month of writing prompts, community support, and confetti—of course.
And what’s up with this new slew of celebrity pet memoirs? Do you find this week’s book trend troubling or amusing? Tune in to see what you think!
Cohosts Grant Faulkner and Brooke Warner present today’s show. Together they’re the cofounders of Memoir Nation, just one of the many hats each of them wear. Both of them are memoir champions and have memoirs-in-progress.
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We have a gorgeous interview this week on Memoir Nation with poet, novelist, and now memoirist Rachel Eliza Griffiths. Rachel’s new memoir, The Flower Bearers, is about two incidents that happened in short succession—the death of her best friend, poet Kamilah Aisha Moon, and the stabbing of her husband, author Salman Rushdie. Her book and this interview are an exploration of the layers of grief, how we show our layers of experience on the page, and so much more. This memoir is also our book club pick on Memoir Nation this month (happening March 27), so if you love the interview, check out Memoir Nation and join us for Book Club. Details at: https://memoir-nation.mn.co
Rachel Eliza Griffiths is many things: a poet, a visual artist, and a novelist—and now a memoirist. She is a recipient of the Hurston/Wright Foundation Legacy Award and the Paterson Poetry Prize and was a finalist for a NAACP Image Award. Rachel is the author of several collections of poetry. Her third collection of poetry, Mule & Pear was selected for the 2012 Inaugural Poetry Award by the Black Caucus of the American Library Association. Her fourth collection of poetry, Lighting the Shadow was selected as a finalist for the 2015 Balcones Poetry Prize and the 2016 Phillis Wheatley Book Award in Poetry. Her debut novel, Promise, was a Kirkus Reviews and Chicago Public Library Best Book of the Year, and she just published her memoir, The Flower Bearers, earlier this year.
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This week Memoir Nation is tackling two areas of interest to most writers: writing residencies and book festivals. Guest Janine Kovac, in addition to being an author herself, adjudicates submissions for various residencies and is co-director of Litquake's Lit Crawl. As such, she reads hundreds of applications and submissions and has some pro tips on how authors should be thinking about their applications if they want to throw their hats in the ring. A great episode for anyone gunning for some private time away to write your work-in-progress or to be in the public eye to promote your latest book. Tune in or bookmark it for later!
Janine Kovac is a former professional ballet dancer who writes about power dynamics and women's bodies. Her most recent book is the memoir, The Nutcracker Chronicles: A Fairytale Memoir. Janine is the co-director of Litquake's Lit Crawl and an alumna of several writing residencies including Hedgebrook, MacDowell, Mesa Refuge, WordSpace Studios, Vashon Artist Residency, In Cahoots, and the Mineral School. She adjudicates submissions for several writing organizations including Litquake and has served on the jury for U.C. Berkeley's Leadership Award.
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Before memoir was the craze that it is today, there were writers who were defining the genre. Marya Hornbacher was one of them. Her two best-selling memoirs, Wasted and Madness, are two of the most influential memoirs of all time—giving rise to a whole slew of books not only on her topics of eating disorders and mental health, but about many challenging topics that later became collectively (and disparagingly) known as “misery memoirs.” Despite the judgments and the naysayers, these kinds of memoirs have outlasted the critiques—and prevailed. Marya Hornbacher was one of the trailblazers and she has some things to say about all of this and more. Marya will be teaching a class for Memoir Nation this June 11th called The "Give a Shit" Factor: Writing Memoirs That Matter, something she knows a thing or two about. Find the details at MemoirNation.com.
Marya Hornbacher is an award-winning journalist, New York Times bestselling author, and the recipient of a host of awards for her work, which include Wasted, Madness, Sane, and Waiting, and the novel: The Center of Winter. Shortlisted for the Pulitzer Prize, Marya has spent a prolific quarter century writing and teaching across genres. She has a popular Substack called Going Solo at the End of the World, and a new book coming out in 2027.
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This week, guest Mimi Nichter brings us a unique opportunity to talk about the courage—and many years—it sometimes takes to tell the story you must write. In Mimi’s case, it took 50 years. In 1970, Mimi was on Trans World Airlines Flight 741 when it got rerouted from Tel Aviv to to Jordan after it was hijacked by members of the Popular Front for the Liberation of Palestine. Her memoir, Hostage: A Memoir of Terrorism, Trauma, and Resilience, is a recounting, a compassionate examination of the human lives at the center of this event, and a courageous act, given the political moment when so many are troubled by being forced to take sides in a political conflict where there is only loss and losers. This is an important story that took years to tell—and this week’s show grapples with how many stories like Mimi’s are out there, yet untold, and again marvels at the value of memoir as a vehicle of truth and witness.
Mimi Nichter is a cultural and medical anthropologist, public speaker, and a professor emerita of anthropology at the University of Arizona. She is the author or coauthor of four anthropology-related books and the recipient of the Margaret Mead Award and the George Foster Practicing Medical Anthropology Award. Her essays have appeared in HuffPost, Newsweek, and Brevity. Her brand-new memoir, Hostage: A Memoir of Terrorism, Trauma, and Resilience, was a finalistic for the the Tucson festival of books literary award for nonfiction.
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This week’s episode is a meditation on partnership and all the ways there are to both attend to your partner and to fail. In his new book Choreplay, author Jordan Carlos calls himself out for some of his shortcomings as a husband, but also explores ways he can and does show up for his wife. Grant and Brooke reveal their own thoughts about how they measure up as spouses, and also consider memoirs like these that are explorations of how we can do better—as humans, as partners, as parents, and in all the ways we show up in the world. Jordan Carlos is a comedian, thank God, because he’s able to take this seemingly fraught topic and make it funny and fun. Enjoy!
Jordan Carlos is a stand up comedian and actor based in New York. He recently wrote for and starred in the first season of Phoebe Robinson’s “Everything’s Trash”, and stars in the forthcoming animated series Motel Translyvania, coming to Netflix in Fall 2025. He is perhaps best known for his work as a writer and on-air contributor for The Nightly Show With Larry Wilmore, has written for Divorce and “The White House Correspondents’ Dinner” (in 2016) as well as “The Not The White House Correspondent’s Dinner” with Samantha Bee (in 2017). He has also appeared on Black Mirror, Nora From Queens, Party Down, Broad City, and The Colbert Report , among others. Jordan lives in Brooklyn with his wife and children, and Choreplay is his first book.
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Much like guest Sarah Aziza’s beautiful memoir, The Hollow Half, this week’s show covers a lot of territory and shines light on multiple topics of interest to memoirists. We explore memoir as art—what that means and whether memoirists should strive for their work to be art per se. Aziza’s book is experimental and ambitious, and as such gives this week’s episode delves into craft choices and process and more. Aziza shares her family history and how her grandmother started to show up in her dreams—and how this memoir took root and ultimately became the gift it is—timely, urgent, and beautiful.
Sarah Aziza is a Palestinian American writer, translator, and artist with roots in ‘Ibdis and Deir al-Balah, Gaza. She is the author of the genre-bending memoir The Hollow Half, winner of the Palestine Book Award and named a Most Anticipated and Best Book of the Year by Vulture, Vanity Fair, Literary Hub, Elle, Electric Literature, and Mizna, among others. Sarah’s award-winning journalism, poetry, essays, and experimental nonfiction have appeared in The New Yorker, The Paris Review, and Best American Essays, among other publications. She is the recipient of fellowships and support from Fulbright, MacDowell, USA Artists, the Asian American Writers Workshop, and others. Sarah has lived and worked in Saudi Arabia, Jordan, South Africa, and Palestine, and now resides in the U.S. on occupied Munsee Lenape and Canarsie land.
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This week’s episode touches upon so many interesting topics for memoirists—from catalyst moments that create the foundational stories of our memoirs; to the ways we can prism experience through “before” and “after”; to the journey of titling and subtitling; to the wild and unpredictable individual journeys that lead to published books. Author Karen Palmer is an insightful guest whose memoir and journey to publication will inspire and propel you along, and remind you to stay the course. Your story matters!
Karen Palmer’s memoir She's Under Here grew out of her award-winning essay The Reader Is the Protagonist, first published in VQR and selected by Leslie Jamison for inclusion in Best American Essays 2017. She has received a Pushcart Prize and grants from the NEA and the Colorado Council on the Arts, and is the author of the novels All Saints and Border Dogs. Other work has appeared in the Kenyon Review, Arts & Letters, The Rumpus, and Kalliope. She teaches at Lighthouse Writers Workshop in Denver, and lives with her husband in California.
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