Avsnitt

  • Reuben Spyker is a master technician who has built his career as an educator, artist, and innovative drummer.  Reuben has developed teaching programs that emphasize efficient playing, critical observation, and creativity.  Most recently, Reuben has combined his obsession with detail and interest in art to create an original signature snare drum with the help of master snare builder Ronn Dunnett.  
















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  • Ross McReynolds has toured and recorded with artists such as Katie Pruitt, Maia Sharp, Juan Solorzano, The Muddy Magnolias, Dynamo, Cory Wong, Kelsey Waldon, Caleb Groh, Jess Nolan and many more. He attended Belmont University in Nashville and lived and worked there for many years after, but recently made the move to LA.

    In this episode, Ross talks about:


    Moving from Nashville to LA because of a general need for change

    Going crazy if he spends too long in the studio without connecting with an audience

    His experience at Belmont University in Nashville 

    Realizing the typical Nashville music career and some of Nashville’s musical values didn’t agree with him

    How patience can turn seemingly difficult decisions into no-brainers

    “The passivity of a streaming service”

    How synthesizers and other electronic instruments he like using still feel physical and tangible and analogue 


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  • Craig Krolicki is a versatile and musical drummer playing a wide variety of styles. He is a graduate of Youngstown State University (The Dana School of Music), with a BA in Music Education.

    In 1997 Craig moved to Nashville TN, and has toured as a drummer with artist such as Curb Recording Artist Jeff Carson, Hank III, Sony Recording Artist Tammy Cochran, Singer/Songwriter/Producer Gail Davies, Singer/Songwriter Billy Yates, BNA Recording Artist Kellie Coffey.

    From 2006-2020, Craig drum teched for the country band Rascal Flatts. In recent years, Craig has been teching for Kent Slucher of Luke Bryan. Craig continues to freelance as a drummer in and around Nashville and has even started a new fitness coaching program.

    In this episode, Craig talks about:


    Unique tech challenges during CMA week in Nashville

    Essential gear for playing on Lower Broadway in nashville

    What a drum tech actually does

    Being the glue between the drummer and the engineer

    From Pennsylvania to Nashville

    Staying in shape on the drums in between performances

    His new fitness program Coach Craig Fitness ([email protected])





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  • Steve Pruitt has toured and/or recorded with Eddie Gomez, Mike Stern, Snarky Puppy, Oz Noy, and many others. He was a finalist in the 2000 Guitar Center Drum-Off and went on to study with Ed Soph at North Texas.

    In this episode, Steve talks about:


    Facing a lot of adversity quickly at North Texas

    The differences and similarities in his approach to straight ahead jazz vs. fusion

    How he things about the word "integrity"

    "Finding the dance" that makes the music work with certain musicians or groups

    Taking responsibility, "even when it isn't fair to"

    The chapter of his life and career spent in South Korea


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  • Steve Misamore has been drumming since he was 11 years old. He has been the drummer in Dierks Bentley’s band since 2002.

    Steve moved to Nashville in 1993 from Houston TX. Before he met Dierks, he did all sorts of gigs in town from bars to studio work, to private gigs and everything in between. Steve met Dierks playing the bars in Nashville in 1999 and helped him open some doors at Sony/ATV. Steve has been working with Dierks ever since. Steve played on some of the early stuff like "Free and Easy" "Feel That Fire" as well as a few others.

    In this episode, Steve talks about:


    Creative ways to stay engaged with drumming when not touring

    The evolution of the Dierks Bentley gig

    Working with Dierks from the very beginning

    Recreating the drum parts from Dierks' records

    Translating the studio performance into a live performance

    Getting his pilots license

    The parody group Hot Country Knights


    The early influence of Herman Matthews


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  • Matt Musty has been the drummer for Train since 2019. He has lived in Boston, New York, Nashville, and Los Angeles and in addition to Train, his touring and recording credits include Grace Potter, Gwen Stefani, Shoshana Bean, Keith Urban, and many others.

    In this episode, Matt talks about:


    Learning the recording principle that the only rule is what sounds good to you

    The Broadway musical in development that Train is writing music for, and learning the “many cooks in the kitchen” approach 

    Being a part of Train’s writing process with Pat and Jerry

    How to fight jadedness 

    “Doing everything wrong and backwards” in New York

    Moving to Nashville and finding himself in the drum chair with Grace Potter

    How the space is what makes recordings sound cool

    Caring enough to strive for 110%, and not caring enough to not beat the shit out of yourself when you never get there 


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  • Tony Leone has toured and recorded with bands like Ollabelle and Chris Robinson Brotherhood. He has also worked with a variety of musicians including Levon Helm, Phil Lesh, Anders Osborne, Lou Donaldson and others. In September 2020 he joined the legendary band Little Feat.

    Tony is active on the New York City jazz scene where you can catch his quintet at famous clubs like Ornithology and Smalls Jazz Club

    In this episode, Tony talks about:


        Adapting to different musical scenarios

        Being honest about styles of music you want to play

        Playing with Little Feat and learning the catalogue

        The realities of self doubt

        Spending time & double drumming with Levon Helm

        Following in his father’s footsteps

        The duality of jazz and classic rock that shaped him

        Studying with Art Taylor

        Fronting his own jazz group in NY



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  • Jon Radford has been adding soul and rhythmic vibe to the Nashville music scene since 2005, when he first began visiting the city to pick up drum gigs. He would soon move to Nashville from his hometown of Clarksville, TN with his wife, acclaimed painter Kim Radford.  

    After transitioning to Nashville full-time, Radford began touring across the US and Europe with Charles Walker & The Dynamites and Drew Holcomb & The Neighbors. When not touring, Radford could be found fulfilling a vital tradition for Nashville’s most talented, playing the lower Broadway honky-tonk bars on Sunday nights with The Don Kelly Band.

    In 2012, Radford helped found the critically acclaimed Luella and the Sun, a blues and gospel-tinged rock quartet. The band released a 10” single, Fly So Free, and toured for two years, performing at festivals such as Austin City Limits and Hangout Fest before disbanding. Also in 2012, Radford joined Justin Townes Earle’s touring band, performing on The Late Show with David Letterman.   

    Radford’s uniquely soulful, powerful drumming style is influenced by the iconic session players of 1960s and 1970s, including Kenny Buttrey, Hal Blaine, Jim Gordon, Steve Gadd, and Al Jackson Jr. Radford’s extensive and ever-growing record collection is also a constant and evolving influence.  

    In recent years, Radford has been an active session musician around Nashville, recording with producers such as Jacquire King, Brendan Benson, Paul Ebersold, and Jim Abbiss. Radford is also a regular member of the Nashville-based instrumental group Steelism.

    In this episode, Jon talks about


    How his vinyl obsession and his drum obsession feed each other

    Being willing to be a novice at something in middle age

    Being married to a fellow creative, painter and visual artist Kim Crawford, whose work can be seen around Nashville  

    Recent renewed global interest in Sixpence None The Richer

    His early days in Nashville and gigging on the “old” lower Broadway 

    Changes in the Nashville scene 


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  • Matthew Atkins is a celebrated veteran of the music industry. An honours graduate of the renowned Musician’s Institute in Hollywood CA, Matthew has worked in a wide array of genres and situations. Matthew is equally at home on a stage playing pop-country to a festival audience, jazz to an intimate venue, or top 40 dance music at a high-end corporate event, as he is playing as part of a drum line at a world class sporting event.With a large catalogue of recording sessions to his credit, Matthew is known to be a diverse, creative professional. Matthew has been recognized with honours and awards from groups such as the Alberta Recording Industries Association and the Canadian Country Music Association.Having lived and worked in Asia, Mexico, and most recently Vancouver, Matthew now makes his home in St Albert, Alberta.

    In this episode, Matthew talks about:


        The thought process while performing

        His early touring experiences with Canadian artists

        Favorite drummer verses biggest influence

        His take on the supposed threat of AI

        Experiencing of loss his wife to cancer

        Nurturing life long careers in music

        Unique dynamics in the Canadian music industry

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  • Ryan Connors is a multi-instrumentalist, MD, songwriter, and producer based in Nashville. He is currently keyboardist, MD, and backup drummer for Hozier, and has also worked with many other artists and bands including Yola, Melinda Doolittle, and Dynamo. He also writes and produces his own original music.

    In this episode, Ryan talks about:


    How smaller college programs give you more opportunities to play

    The virtues of multiple disciplines vs. specialization

    Being able to “speak drum” as an MD and producer

    The benefit of closing some doors

    Getting to play with Gadd

    “Finding where it feels good and not leaving there”

    Loving the discovery and connection that happens in rehearsal 

    Leading by example as an MD in any given situation 





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  • Matthew Atkins is a celebrated veteran of the music industry. An honours graduate of the renowned Musician’s Institute in Hollywood CA, Matthew has worked in a wide array of genres and situations. Matthew is equally at home on a stage playing pop-country to a festival audience, jazz to an intimate venue, or top 40 dance music at a high-end corporate event, as he is playing as part of a drum line at a world class sporting event.With a large catalogue of recording sessions to his credit, Matthew is known to be a diverse, creative professional. Matthew has been recognized with honours and awards from groups such as the Alberta Recording Industries Association and the Canadian Country Music Association.Having lived and worked in Asia, Mexico, and most recently Vancouver, Matthew now makes his home in St Albert, Alberta.

    In this episode, Matthew talks about:


    Understanding the importance of motion when playing

    His gig as a house drummer at The Mayfield Theatre

    Using drum charts on a pro level

    The power of being prepared

    Chart writing techniques

    Tapping into the most musical performances in the studio

    Taking direction with grace


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  • Growing up in Rochester, New York, Chaun Horton was birthed into a love of music. Under the tutelage of his father, a church organist, Chaun first learned his craft by playing for local choirs, then events throughout the state. Chaun’s desire to expand on his work led him to LA, where he attended a camp held by the LA Music Academy College of Music. Chaun soon found himself enrolling in the school on a full scholarship, where he earned a Certificate of Completion.

    Chaun has had the privilege of sharing the stage with artist such as Macy Gray, Natasha Bedingfield, Israel Houghton, , Toni Braxton, Thundercat, Jessica Simpson, and many more.

    In this episode, Chaun talks about:


    Moving home base from LA to Sweden and establishing a “camp base” in Nashville 

    How the Lauren Daigle gig came his way

    Learning not to “take advantage of music” - “you’ve gotta be interested in it”

    What it means to “play in the crossroads”

    Setting professional goals based on how you want to feel at work 

    Learning how to have some stoic detachment when necessary 

    Getting to have a “garage band experience” with Lauren Daigle 



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  • John Spittle has been the long-time drummer with Country icon Trace Adkins. John began his career on the drums in Southern California playing in bands and recording sessions since the age of 15. Since moving to Nashville, TN, in 1997, John has toured and recorded with various artists, including Sara Evans, Aaron Tippin, Chris Cagle, Kellie Coffey, Matt King, Paul Brandt, and more. When not on the road, John has a studio where he records drums on over 100 songs a year for producers/artists all over the world.

    TV credits include The Tonight Show with Jay Leno, Conan O Brien Show, Jimmy Kimmel, Jimmy Fallon, The Today Show, ACM Awards, CMT Awards, Craig Ferguson Show, NYC New Year's Eve Bash, Ellen DeGeneres Show, NBC Country Christmas, Grand Ol Opry Live, Emeril Live, Miss America USA, and many more.

    In this episode, John talks about:


        Home studio work

        From John’s father to his son: Three generations of drummers

        Moving to Nashville from Southern California and the expectations

        Developing a pocket and good time feel

        Experiences before the Trace Adkins

        What Trace expects from his band members

        John’s new endorsement with Sonor drums


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  • Bruno is a Brazilian drummer and percussionist based in the Bay Area and the longtime drummer for indie rock icon Mitski.

    He graduated from Berklee College of Music in Boston, moved to New York in 2011 and to Los Angeles in 2020. Throughout the last 15 years, Bruno has toured every continent of the world, played drums on the hit Broadway show Hedwig and The Angry Inch (4x Tony Awards winner), appeared on many TV shows, and has performed at festivals such as Coachella, Lollapalooza, Austin City Limits, Bonnaroo, Java Jazz Festival (Indonesia), Fuji Rock Festival (Japan) and legendary concert venues such as the Hollywood Bowl, Radio City Music Hall (NYC), Red Rocks Amphitheater, Wembley Stadium, The Greek Theater, Ryman Auditorium, Kennedy Center, Central Park SummerStage amongst many more. Recording credits include records in the USA, Japan, Argentina and Brazil.

    In this episode, Bruno talks about:


    Recently moving from LA to the Bay Area, and throwing himself into the scene there

    Forming a global circle of friends through music

    The evolution of Mitzki’s creative output and artistic vision

    Not just supporting the song you’re playing, but supporting the artist/person you’re playing for

    How the theatricality of Mitzki’s performance shapes his playing 

    Playing in Brazil’s #1 Dave Matthews tribute band

    Playing “Hedwig & The Angry Inch” on Broadway



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  • Originally from Merrick, NY, Marc Slutsky built his reputation as both a touring and studio drummer, working with a wide range of internationally recognized artists.

Marc first gained broader visibility performing with Splender, a late-1990s/early-2000s alternative rock band signed to Columbia Records. The bands first album “Halfway Down The Sky” was produced by Todd Rundgren. The group achieved chart success with their singles “Yeah, Whatever” and “I Think God Can Explain,” helping establish Marc as a solid and expressive drummer. Splender made a second album on Clive Davis’s J records “To Whom It May Concern” which featured Slutsky’s drumming further.

After Splender, Slutsky became a highly in-demand touring and session musician.

    Over the years he has performed, recorded, or toured with artists including: Peter Murphy, Bauhaus, Adam Ant, Puddle Of Mudd, Kylie Minogue, Delta Goodrem, The Calling, Sons Of Silver, Alexa Ray Joel, Tom Morello (RATM), Terri Nunn (Berlin), Lou Gramm (Foreigner), Hugo, Gavin Degraw

    In addition, Slutsky has appeared extensively on TV including shows such as X-Factor, The View, Good Morning America, Queen Latifah Show, The Tonight Show with Jay Leno, Last Call with Carson Daily, Late Show with David Letterman, Wendy Williams Show, 2010 Rockefeller Center Christmas Tree Lighting (NBC) with Kylie Minogue, and Jimmy Kimmel Live.

    In this episode, Marc talks about:


        Unique challenges to touring internationally

        Making sure to play great every time, every gig

        Staying curious and always learning

        Practicing on things at the micro level

        Drumming for the legend Peter Murphy (Bauhaus)

        Playing as a member of the band Splender when he was young        

        Working with Todd Rundgren as a producer

        Learning how to record from your peers

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  • Jeff Hamilton attended Indiana University and later studied with John Von Ohlen. Hamilton was influenced by Gene Krupa, Buddy Rich, Mel Lewis, “Philly” Joe Jones, and Shelly Manne. In 1974, he got his first big break playing with the New Tommy Dorsey Orchestra. He then joined Lionel Hampton’s Band until 1975 when he, along with bassist John Clayton, became members of the Monty Alexander Trio. He attained a childhood goal in 1977 when he joined Woody Herman and the Thundering Herd, with whom he made several recordings. In 1978, he was offered a position in the L.A.4. with Ray Brown, Bud Shank, and Laurindo Almeida. He recorded 6 albums with the L.A.4.

    From 1983-1987, he performed with Ella Fitzgerald, the Count Basie Orchestra, Rosemary Clooney, and Monty Alexander. Hamilton began his association with the Ray Brown Trio in 1988 and left in March of 1995 to concentrate on his own trio. From 1990-1995, he was also a member of the Oscar Peterson Quartet w/Herb Ellis and Ray Brown. Hamilton has toured with his own trio, the Clayton-Hamilton Jazz Orchestra, and Diana Krall. The latest CHJO recording LA Treasures was nominated for a GRAMMY. Hamilton has been on more than 300 recordings with artists such as Ray Brown, Natalie Cole, Diana Krall, Milt Jackson, Rosemary Clooney, Barbra Streisand, Mel Torme, John Pizzarelli, Dr. John, Paul McCartney, and many others. He appeared in Diana Krall’s Live in Paris and Rio DVDs. He is a four time winner of Modern Drummer magazine Readers’ Poll.

    In this episode, Jeff talks about:


    How the role of a mentor is to see problems and potential you can’t see in yourself 

    Why sound is just as important as content 

    His thoughts on the music business vs. the drumming business

    The great bassists he has played with, including Ray Brown and John Clayton 

    His criteria for hiring band members 

    Playing with Akiko Tsuruga and matching the intensity of the B3 organ, “a one man big band”

    The importance of letting humor and joy show in his playing 

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  • As SABIAN’s Director of Artist & Public Relations, Chris Stankee leads the charge in shaping and nurturing the company’s artist program on a worldwide scale. His responsibilities span from talent recruitment to artist development and support, all while playing a pivotal role in product development and elevating SABIAN’s presence across social media platforms.

    In this episode, Chris talks about:


        The Sabian Podcast

        Chris' formative years from Berklee to life on tour

        Interning at Yamaha

        Events that lead to his work at Sabian

        The unique steps to creating cymbals

        Understanding trends in sounds and making it attainable

        Working with artists that are hands-on in the R&D department

        The stick/cymbal relationship

        Sabian lore

        Memories of Neil Peart


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  • Nate had been a fixture on the Nashville scene for 14 years and recently landed the proverbial big gig. He found himself in Zach Top’s drum chair when Zach was an opening act in thousand cap rooms, and the whole operation was very DIY. Not long after, Zach’s popularity exploded make him an international arena and stadium headliner seemingly overnight, and he took Nate and the rest of his band with him.

    In this episode, Nate talks about:


    Feeling a buzz around Zach Top from the moment he joined the band

    The show that made them realize they were huge

    The learning curves that come with the big gig

    How his approach to songs happened to match perfectly with Zach’s needs as a frontman

    The evolving pay situation 


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  • Originally from Fort Bragg, California, Zoltan Tobak started playing drums at an early age. After years of performing throughout California as well as attending the Musicians Institute in Los Angeles, he relocated to Nashville in 2014 to pursue music full time.

    Since 2016, Zoltan has been the live and studio drummer for Muscadine Bloodline, performing extensively and recording five full-length albums. Beyond touring, he stays active in the Nashville community, playing and recording across a range of projects.

    In this episode, Zoltan talks about:


        Managing your social media presence

        His unique name

        His move from Northern California to Nashville TN

        Taking a career growing gig vs taking a gig for money only

        Drumming for Muscadine Bloodline

        The power of space between notes

        Filling in last minute on a major tour

        Matt and Zoltan’s shared love of Family Feud


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  • Sean McDaniel is currently the drummer for Chess on Broadway.  He also played Smash, Cabaret, Some Like It Hot, Frozen, The Book Of Mormon, Spamalot, Violet, La Cage Aux Folles, and Nine To Five on Broadway.  Off-Broadway he originated Hamilton. Sean can be seen and heard in Lin-Manuel Miranda’s Tick Tick Boom.  He has played all over the country with American Idol Runner-Up Clay Aiken.  Other performances include Sutton Foster, Barry Manilow, Audra McDonald, Jennifer Hudson, Sting, Dolly Parton, Idina Menzel, Tituss Burgess, Jane Lynch, and the Tony Awards. Sean earned his BM at University of North Texas and his MFA at New York University. He is endorsed by DW, Evans, Vic Firth, and Sabian. 

    In this episode, Sean talks about:


    Not just playing to serve the song, but playing to serve the drama

    The importance of getting some live playing experience you can then bring into a musical theatre show 

    The huge variety of playing experience he got at North Texas

    The common thread among great Broadway drummers/drumming

    Playing for the Tony Awards

    Finding ways to love the process, not just the product

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