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  • 🟡Get The Splice Highlighted Terms Of Service: https://www.topmusicattorney.com/splicetosOn this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle discusses the ownership and commercial use of Splice samples. She examines the contracts users agree to when signing up for Splice and explores the terms and conditions that govern the use of these samples. With a detailed review of Splice's Terms of Service, Miss Krystle answers key questions about the rights and limitations of using Splice samples in new songs, commercial releases, and more. Whether you're a music producer or an artist, this episode is a must-watch to ensure you understand your rights when using Splice. Don’t Sign Up Until You Watch This!

    IntroductionSplice Terms of ServiceDo You Own Splice SamplesCan You Release A Song Containing Splice SamplesSplice Terms of Use Last UpdateCaps & Bold Text In ContractsRevisions To The AgreementServicesUse Of The Service And Splice PropertySplice SoundsProducer Loop Used In Sabrina Carpenter's EspressoLicense and Ownership Terms for Splice SoundsNew RecordingsCreative WorksProhibited UsesUnoriginal SoundsUser AudioUsageLicense and Ownership Terms For Splice SoundsSplice PluginsUser DisputesCooling-Off Rights For UK And EU UsersDisclaimer Of WarrantiesLimitation Of Liability And IndemnificationTerm And TerminationApplication Of Arbitration AgreementAuthority Of ArbitratorWaiver Of Jury Trial30-Day Right To Opt OutSurvival Of AgreementContact InformationFalse Notification Of Claimed InfringementFinal Thoughts

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.------------------------------------------------------------------------------------🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff Miss Krystle Artist Links: https://www.misskrystle.com/links

  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabelIn this Q & A episode of the Top Music Attorney Podcast, Miss Krystle and That Orko discuss the importance of clear collaboration agreements and the impact on artists' careers. They explore the need for tailored contracts, highlight the significance of timely copyright registration, talk about SongSecure, and offer guidance on licensing for cover songs and interpolations. The conversation also covers topics like stage name registration, standard recording agreements for labels, legally chopping samples/interpolations, where to get the best contract templates and alternative strategies for indie artists.

    Coming UpCollaborator Agreements For Streaming RoyaltiesApplying To Register Stage Name Record Label: Standard Agreement Or Per ArtistWhere To Get Contract TemplatesHow Can Indie Artists Tour?Can My YouTube Upload Be My Registration? | SongSecureCopyrighting After SessionBecome Your Own Record LabelCurtiss King, Benn Jordan, Growing CommunityCan I Chop Up An Interpolation?Adding Original Melodies To A Cover Song

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.------------------------------------------------------------------------------------🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff Miss Krystle Artist Links: https://www.misskrystle.com/links

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  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabelOn this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle and show/music producer That Orko discuss various important topics for independent musicians. Addressing the legalities and financial aspects of music sampling, strategies for selling music directly to fans to increase revenue, setting up a band website, and the importance of trademarking your band name to protect your brand. Additionally, they cover on the issue of fake play artists and how they can negatively affect genuine musicians.

    The episode also covers using distribution services, becoming your own record label, effective ways to manage newsletters and email lists, timing and marketing of music releases on social media platforms, tips for maintaining productivity and avoiding burnout. Also, we compare different email management tools and discuss backup plans for content if social media platforms become unavailable and explore the differences between BMI and ASCAP for performance royalties and the benefits of registering as a music publisher with performance rights organizations.

    Coming UpNo Money From SamplingI'm Selling Direct To FansSetting Up A Band WebsitesBand Name/ Logo Trademark Dealing With Fake Play ArtistsDistrokidBecome Your Own Record LabelWhat To Put In A Newsletter/Email ListTikTok / Pre Releases / MarketingMaking Content Without BurnoutEmail Management & Analytics(Aweber, Mail Chimp)Backup For TikTok BMI or ASCAPMusic Publisher PROs

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

  • 🟡 Become Your Own Record Label:https://www.topmusicattorney.com/becomeyourownrecordlabelOn this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle breaks down the legal battle over AI-generated music. As part of the 'Udio Exposed' series, where she previously dissected the Udio terms of service and led discussions on AI in music, Miss Krystle now breaks down the court documents, explaining the specifics of the allegations and claims made by plaintiffs, including the RIAA and major record labels like Universal Music Group, Sony Music Entertainment, and Warner Music Group. She discusses how these platforms are facing lawsuits for copyright infringement, alleging that they are commercially exploiting imitation songs.

    The conversation further explores the intricacies of fair use, examining how AI-generated music impacts royalty pools and the potential financial damages these platforms could face. Learn about the arguments from both sides and what this means for music creators and the future of the music industry. Miss Krystle also touches on the broader implications of AI in music, including the challenges of maintaining artistic integrity and navigating the evolving legal landscape. Could this be the end of AI music. This lawyer reacts episode is essential for anyone interested in the intersection of technology and music law.

    Udio Exposed: Massive Lawsuit Could End AI Music | Court Document Breakdown

    Introduction

    Udio's Terms of Service

    Do You Own AI Generated Music?

    Can You Copyright AI Generated Music?

    Growth of Suno AI & Udio

    Major Music Labels (Universal, Sony, Warner) Sue Udio & Suno For Copyright Infringement

    How Do Generative AI Music Platforms Train Their AI?

    Community Feedback On AI Generated Music

    Imitation vs. Inspiration

    Udio & Suno Claiming Fair Use

    Complaint

    Nature of The Action

    How Will AI Music Affect Real Musicians?

    Is AI Imitating Existing Music?

    Udio's Terms of Service (Ownership of Content)

    How Udio's Service Trained?

    Public Domain vs. Publicly Available

    Exhibit A (List of Copyright Infringements)

    Exhibit B (List of Outputs Resembling Copyright Recordings)

    Specific Prompts Resembling Existing Music

    Udio Does Not Deny Allegations

    How Music Labels Made Copyright Recording Discoveries

    Generative AI Music Being Flagged By Content ID

    Udio Cannot Claim Fair Use

    Generative AI Imitating Your Music

    Seeking Injunction

    Udio Launch

    How Udio Trains Its AI Models According To Plaintiff

    Creators Able To Generate Copyright Music

    Udio's Outputs Confirm Copying And Ingestion of Plaintiffs' Copyright Recordings

    Lawsuit Discovery

    Notes Similarities

    Artist Resemblances

    Udio Cannot Claim Fair Use

    Derivative Works

    Claims For Relief (Copyright Infringement)

    How Does This Impact Musicians?

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.------------------------------------------------------------------------------------🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcastMiss Krystle Artist Links: https://www.misskrystle.com/links------------------------------------------------------------------------------------THEME / SHOW MUSIC BY:

    That Orko#UdioLawsuit #RIAALawsuit #CourtDocuments

  • Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabelOn this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle dives into a Shocking Change To Copyright Law By Supreme Court . This case, stemming from a short-lived 1983 music collaboration, now affects how copyright claims can be pursued and damages recovered. Miss Krystle explains the Supreme Court’s ruling, which allows claimants to seek damages for older infringements if discovered within the last three years. She highlights the critical importance of timely copyright registration, sharing insights from her extensive experience in entertainment law, including real-life cases involving joint authorship and infringement disputes. Learn why registering your copyright is essential for protecting your music and ensuring you can recover damages and attorney fees. Stay informed on your rights and the latest developments in copyright law. Subscribe for more in-depth discussions on all things copyright and music business.

    IntroductionSupreme Court Copyright DecisionCase SynopsisSherman Nealy & Tony Butler Formed Music Specialist, Inc.Dissolved CollaborationButler Agreement With Warner Chappell MusicJoint Authorship"Jam The Box" Interpolated by Flo Rida's "In The Ayer"Nealy Sues Warner Chappell For Copyright InfringementJoint Authorship IssuesTimely ClaimsDiscovery Through Due DiligenceTimely Old InfringementsTrail, Appeal, & Supreme Court ExplainedDifferent Court DecisionsRuling: Full Recovery Of DamagesDiscoveryCopyright LawCopyright Registration BenefitsStatutory Damages, Actual Damages, & Attorney's FeesKat Von D LawsuitRegister Your MusicRecap

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.------------------------------------------------------------------------------------🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff Miss Krystle Artist Links: https://www.misskrystle.com/links

    ------------------------------------------------------------------------------------TOP MUSIC ATTORNEY SOCIALSFacebook: https://www.facebook.com/topmusicattorneyInstagram: https://www.instagram.com/topmusicattorney/Tik Tok: https://www.tiktok.com/@topmusicattorney?lang=enLinkedin: https://www.linkedin.com/in/top-music-attorney-16405573/Website: https://topmusicattorney.com/

    MISS KRYSTLE SOCIALSFacebook: https://www.facebook.com/MissKrystleLiveInstagram: https://www.instagram.com/misskrystleliveTik Tok: https://www.tiktok.com/@misskrystleliveLinkedin: https://www.linkedin.com/in/misskrystle/Twitter: https://twitter.com/MissKrystleliveWebsite: http://www.misskrystle.com/Spotify: https://open.spotify.com/artist/1g6jAksCoujtcbg6zJpJ39

    THAT ORKO (SHOW PRODUCER AND MUSIC PRODUCER) SOCIALSInstagram: https://www.instagram.com/ThatOrko VIDEO SHOT AND EDITED BY:Dukes Up Recordswww.DukesUpRecords.com

  • In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards TuneCore Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our TuneCore exposed series. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Listen To This!

    IntroductionTuneCore Exposed RecapCD Baby, DistroKid, & TuneCore Terms Of Service ComparisonTuneCore Terms Of ServiceTerms Of Service UpdateLegal AgreementRight To Forfeit RoyaltiesStreaming ManipulationStreaming Manipulation PenaltiesImproper ConductReturn Of RevenuesRedistributing Funds To Third PartiesReimbursement Of FeesDeduction Of Royalties For Legal Fees & DamagesCharging PayPal Accounts, Credit/Debit Cards, Etc.PaymentsYour Income In An Interest Bearing-Bank For TuneCoreSubscription FeesConfidentialityBar Codes And Universal Product CodesArtificial Intelligence And Machine LearningLegal ProceedingsNoticeForce Majeure EventsNot Liable To DamagesContact Information ([email protected])Conclusion

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.------------------------------------------------------------------------------------

    Hire An Attorney: https://www.delgadoentertainmentlaw.com

    Get My Newsletter: https://topmusicattorney.com/newsletter/Listen To The TMA Podcast On All Streaming: https://topmusicattorney.com/podcast

    Want to work one-on-one with me? DM me "music" on IG and tell me what you're doing: https://instagram.com/topmusicattorney

    Get My FREE 28 Music Business Secrets PDF https://topmusicattorney.com/28secrets/

    TMA Merch: https://topmusicattorney.com/merchTMA Blog: www.TopMusicAttorney.com/blog

    Grow Your Music Business: https://topmusicattorney.comJoin Our Student Group: https://topmusicattorney.com/studentgroup

    Listen To My New Song: https://bio.to/misskrystle

    ------------------------------------------------------------------------------------TOP MUSIC ATTORNEY SOCIALSFacebook: https://www.facebook.com/topmusicattorneyInstagram: https://www.instagram.com/topmusicattorney/Tik Tok: https://www.tiktok.com/@topmusicattorney?lang=enLinkedin: https://www.linkedin.com/in/top-music-attorney-16405573/Website: https://topmusicattorney.com/

    MISS KRYSTLE SOCIALSFacebook: https://www.facebook.com/MissKrystleLiveInstagram: https://www.instagram.com/misskrystleliveTik Tok: https://www.tiktok.com/@misskrystleliveLinkedin: https://www.linkedin.com/in/misskrystle/Twitter: https://twitter.com/MissKrystleliveWebsite: http://www.misskrystle.com/Spotify: https://open.spotify.com/artist/1g6jAksCoujtcbg6zJpJ39

    THAT ORKO (SHOW PRODUCER AND MUSIC PRODUCER) SOCIALSInstagram: https://www.instagram.com/ThatOrko VIDEO SHOT AND EDITED BY:Dukes Up Recordswww.DukesUpRecords.com

    THEME / SHOW MUSIC BY:That Orko

  • In this segment of the Top Music Attorney Podcast, entertainment attorney Miss Krystle and show/music producer That Orko answer your questions on making off-the-grid, direct to consumer music profitable for artists, diversifying revenue streams, effective merchandising strategies, building a strong online presence, "Dating" Your Music, and my Symphonic distribution rant. Drop your questions in the comments and tune in for the answers every Wed at 5pm pst.

    How Do We Make “Off The Grid” Profitable?Which Website Designer Is Best For Producers?Would You Recommend Symphonic Distribution?“Dating” Your Music Getting On Billboard ChartsBusiness Structure For New ArtistsHow To Promo Without TikTok?

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

  • In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards CDBaby Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our CDBaby exposed series to question if CDBaby presents similar issues. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Watch This!

    IntroductionCD Baby's Artist AgreementCD Baby's Terms Of ServiceCD Baby's Terms Of Service Last UpdateMusic Distributor Additional ServicesLegally Binding ContractNon-ExclusivityDerivative WorksSynchronizationTerminatingPaymentsLicensee RecordsOffsetsRecord Keeping & AuditingObjections To AccountingPayment TermsYour ObligationsRight To WithdrawModification. Termination And Effect of TerminationRight Of RemovalBlocking Withdrawal Of RoyaltiesAdditional Representations And WarrantiesIndemnificationLimitation Of LiabilityDispute ResolutionNo Class ActionsState Of Oregon LawsClaimsWaiver; SeverabilityNo Third Party BeneficiariesNotice Email ([email protected])Conclusion

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

  • On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle, and show/music producer That Orko are answering your questions about copyright, DSPs, Spotify royalties, legal structures for indie labels, and more. They explore the necessity of copyright registration in every country, the benefits of sync licensing, and the intricacies of Spotify cover song royalties. Drop your questions and get them answered Live every wed at 5pm pst.

    Do You Need To Copyright In Every Country?I Took 500 Songs Off DSPsSpotify Cover Song RoyaltiesWhy I Became An Attorney & My Music JourneyPoll Question & Direct To Fan SalesAre Playlists Owned By Labels? Should I Start A Playlist?TuneCore's Email To ArtistsSpreading The Word, The Community Is GrowingDo DSP's Clear Samples?LLC or Corp For Indie Music Labels?

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/beco...

    On this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko discuss why every independent artist and producer should approach their career like a record label. They emphasize the importance of understanding what you're trying to build and how starting a record label can be a retirement plan. Breaking down the administrative and legal aspects of starting a label, encouraging action and providing resources for learning the music business.

    The conversation goes into their own experience starting 'Your Passion Is The Foundation' record label, highlighting the importance of passion as the foundation of success. Discussing the excitement of creating an infrastructure around oneself and the benefits of thinking like a label. Practical advice is shared on picking a name, running a knockout search, securing social media handles, and setting up a professional website. Diving deep into building a team, finding your niche, and understanding legal protections like LLCs, copyrights, and trademarks. Stressing the importance of consistent marketing and audience engagement, debunking myths about content fatigue and oversaturation. This video is your Step-By-Step Guide.

    IntroductionYour Passion Is The FoundationFind Resources To Learn The Music BusinessPick A Name & Run A Knock-Out SearchSocial Media & WebsiteThe Record Label Is YouThink Like A LabelRecruiting Team MembersThink About Your NicheFiXT RecordsCutting CostsSync Licensing CourseGet The Legal Things In LineBuild Your Online PresenceConsistent Marketing ScheduleOversaturation & Viewer Follower FatigueUse Your Record Label NameClear Relationships & Agreements With Your ArtistsCollecting Music Catalogs

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel

    On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle and show/music producer That Orko answer your questions on:

    Marketing Without Social MediaTuneCore Copyright ProblemsTuneCore LogicWho's The Best Distributor OptionGetting On TouchTunesSubmithub Is Sneaky With Spotify PlaylistsSomeone Added My Song To Bot PlaylistSpotify's Responsibility For Bot PlaylistsNaming Your LLC

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • 🟡 Ready to become your own record label? Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabel

    On this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and music producer That Orko dive into practical advice for musicians. They discuss ways to Stop wasting your time with common habits and focus on what truly matters in the music industry. From overcoming perfectionism to embracing online presence and prioritizing skill development, they provide straightforward tips to help you succeed. Tune in to learn how to navigate the music business effectively and start making real progress in your career. Visit topmusicattorney.com for additional resources to support your journey.

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabelIn this segment of the Top Music Attorney podcast, entertainment attorney Miss Krystle and rapper/producer/YouTuber Curtiss King talk about the true essence of independence in today's music realm. They dissect the rise of controversial figures like Tom MacDonald and 4Batz, challenging conventional notions of what it means to be an independent artist. Unraveling the layers of industry manipulation and strategic marketing ploys, they uncover the unsettling truth behind the façade of independence. As they peel back the curtain on the music business, they provoke provocative questions about authenticity, integrity, and the relentless pursuit of fame. Brace yourself for a no-holds-barred discussion that will leave you questioning everything you thought you knew about the music industry.

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel

    In this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle breaks down the intricacies of music sampling and its legal ramifications. Find out how copyright registration can mean seeking significant statutory damages, potentially up to $120,000 per infringement. Dive into the distinctions between sampling, cover songs, remixes, mashups, and interpolations. learn the Differences Between Samples, Cover Songs, & Remixes. Stay protected.

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel

    On this episode of the Top Music Attorney Podcast, where entertainment attorney Miss Krystle and renowned show/music producer That Orko delve into Pharrell Williams' latest album release 'Black Yacht Rock Vol.1', the dispute between Chad Hugo & Pharrell Williams over The Neptunes, and the concept of Direct To Consumer music distribution. Explore the strategies artists are adopting to connect directly with their fans, including Curtiss King's decision to remove all music from Spotify and the implications of the Living Wage For Musicians Act. We're talking selling music directly to fans through websites, the profitability of Direct To Consumer models, and alternative revenue streams for independent artists. Discover the power of platforms like Bandcamp and the importance of fan support in today's music industry landscape. Plus, uncover exclusive tips on making money through your website.

    00:00 Intro1:16 Pharrell Williams Drops Black Yacht Rock Vol.12:56 Chad Hugo & Pharrell Williams Dispute Over The Neptunes3:32 Direct To Consumer3:52 Curtiss King Removing All Music From Spotify5:47 Pharrell Williams Direct To Consumer Website7:38 Direct To Consumer Strategies13:21 Add Downloaded Songs Into Spotify14:23 Fans Want To Support Artists / Ways To Make Money Through Your Website19:02 Miss Krystle "Something In The Way"

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • 🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabelOn this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko dive deep into Udio's Terms of Service and discussing the nuances of releasing AI music. They explore the copyright implications, DMCA takedowns, and the practicalities of filing copyrights for AI-generated compositions. Tune in for a comprehensive discussion on the impact of AI on music creation, its effects on job roles, and the evolution of music ownership in the digital age. Don't miss this exploration of whether AI is just another tool or a potential threat to artists' rights, as well as insights on the best time to explore direct-to-consumer avenues. For a thought-provoking conversation on the future of AI in music, stay tuned to the Top Music Attorney Podcast.

    00:00 Intro1:05 Udio Generative AI Music1:42 Releasing AI Music2:35 Owning The Copyright of AI Music4:49 Udio's Terms of Service5:39 Overview of Services (Input & Output Content)6:17 Rights To Use Your Input/Output Content8:17 Violations & Requirements8:53 Ownership and Content10:10 Udio Trademark Search13:13 Your Content20:09 DMCA Takedowns21:45 Filing Your Copyright With AI23:23 Generated Output24:32 Limitations of Liability25:49 AI in Music28:48 AI Music Effects In The Music Industry30:07 Who Owns The Copyright of AI Generated Music31:12 Choice of Law32:16 Access To Udio32:45 Training AI With Human Music34:15 AI's Effect On Jobs35:21 Opting Out of Udio36:44 Evolution of Music38:32 Ownership of AI Generated Music39:05 Artists Already Emulate Other Artists' Styles, Don't They?39:47 Is AI Just Another Tool? (Autotune, Chord Generators)40:22 Is AI The Same As Sampling? Exploiting Artists?41:13 Best Time To Try Direct To Consumer41:43 Final Thoughts42:00 Miss Krystle “Monster”

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.------------------------------------------------------------------------------------🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

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    https://www.topmusicattorney.com/becomeyourownrecordlabel

    In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards DistroKid's Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our TuneCore exposed series to question if DistroKid presents similar issues. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Watch This!

    DistroKid Exposed : Terms Of Service...

    00:00 Introduction01:07 Music Distributors Terms Of Service01:40 DistroKid Terms Of Service02:50 DistroKid Distribution Agreement05:46 ISRC Number05:54 Non-Exclusivity On DistroKid07:04 Digital Store Rights10:05 Your Account11:11 Cover Songs On DistroKid12:17 Term13:31 Termination15:36 Grant Of Rights17:13 HyperFollow17:33 Your Responsibilities18:50 Consult A Lawyer19:59 Payments & Accounting Terms20:52 Lump-Sum Payment From Digital Stores22:29 Objections To Accounting Statements24:03 Claims On Recordings26:48 Payment Deductions27:40 How They Can Take Your Money28:28 How Does DistroKid Define Infringement?29:10 Representations & Warranties: Indemnification30:10 No Warranties: Limitation Of Liability30:46 Written Notice Specifying Alleged Breach31:48 Send Notices To [email protected]:17 DistroKid's Right To Kick You Off33:06 Conclusion33:56 Miss Krystle ”Something In The Way”

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    🟡Ready to become your own record label? Get started now!:

    https://www.topmusicattorney.com/becomeyourownrecordlabel

    📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync

    💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com

    ⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com

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    🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • In this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and Show/Music Producer That Orko tackle your questions on finding out how much money you've made from your album, the difference between cover songs and remix royalties, their experience performing at SXSW, understanding ISRC codes for your songs, and more. Tune in to get insights and expert advice on navigating the music industry's legal landscape. Don't miss out! Subscribe now for more valuable discussions and tips for artists, producers, and record labels. Visit topmusicattorney.com for legal resources and guidance.

    00:00 Introduction01:00 How Can I Find How Much I Made Off My Album?01:58 Cover Song Vs Remix Royalties03:03 Have You Performed At SXSW?04:10 Samples Vs Interpolations05:58 What Are ISRC Codes07:49 Can You Sing About Or Reference Another Song?09:20 Changing Cover Song Lyrics11:49 Can You Cover Blondie "Rapture" and Change Lyrics?14:11 Miss Krystle “Stronger”

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel

    📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • 🟡 Ready to become your own record label? Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabel

    In this Top Music Attorney Podcast segment, Curtiss King and entertainment attorney Miss Krystle talk about the power of direct-to-consumer (DTC) strategies in music. They discuss how artists can build their own platforms to connect directly with fans, bypassing middlemen. Curtiss King shares practical tips from his own experiences on how DTC approaches can help artists grow their fan base and make money independently. They emphasize the benefits of artists owning their music and distribution channels. Is it time to say Goodbye to Streaming and make more money from music?

    00:00 Introduction01:07 Future Of Music For Artists Is Direct To Consumer03:34 Music Management Agreement05:25 Streaming vs. Direct To Consumer06:31 Utilizing AI To Help Your Music Business06:47 Dedicating Time To Admin Work For Your Music Business08:25 Learning How The Music Business Works & Becoming Your Own Record Label10:45 Importance Of Die-Hard "Super Fans"13:30 Adapting & Reacting To The Music Industry15:40 The Value Of Art17:37 Break Away From The System As An Independent18:35 Curtiss King Endeavors19:18 Advice For Independent Artists21:06 Thank You Curtiss King!21:29 Final Thoughts From Curtiss King22:56 Miss Krystle “Let It Go”

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.

    📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff

  • On this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko dive into some industry Q&A. They cover topics like getting paid on TikTok, spotting fake plays on Spotify playlists, dealing with marketing companies, and understanding sync licensing. Their conversation is peppered with insights, anecdotes, and practical advice for musicians navigating the modern music landscape. Be sure to drop your questions in the chat. Miss Krystle will be answering your questions LIVE every Tuesday at 5pm PST.

    00:00 Intro01:07 Do you get paid from TikTok per Video or Per Stream From your PRO?03:12 What about Spotify Playlist Bots?04:04 Did I accidentally buy fake Spotify streams?06:56 Coffee Or No?08:01 Where are all the places to register music?09:12 Can a song on streaming be eligible for sync, or does it need to be exclusive?10:23 Do I need a contract for sync with my co publisher?12:25 Miss Krystle “Sugar”

    Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.