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In this segment of the Top Music Attorney Podcast, entertainment attorney Miss Krystle and show/music producer That Orko answer your questions on making off-the-grid, direct to consumer music profitable for artists, diversifying revenue streams, effective merchandising strategies, building a strong online presence, "Dating" Your Music, and my Symphonic distribution rant. Drop your questions in the comments and tune in for the answers every Wed at 5pm pst.
How Do We Make “Off The Grid” Profitable?Which Website Designer Is Best For Producers?Would You Recommend Symphonic Distribution?“Dating” Your Music Getting On Billboard ChartsBusiness Structure For New ArtistsHow To Promo Without TikTok?
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards CDBaby Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our CDBaby exposed series to question if CDBaby presents similar issues. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Watch This!
IntroductionCD Baby's Artist AgreementCD Baby's Terms Of ServiceCD Baby's Terms Of Service Last UpdateMusic Distributor Additional ServicesLegally Binding ContractNon-ExclusivityDerivative WorksSynchronizationTerminatingPaymentsLicensee RecordsOffsetsRecord Keeping & AuditingObjections To AccountingPayment TermsYour ObligationsRight To WithdrawModification. Termination And Effect of TerminationRight Of RemovalBlocking Withdrawal Of RoyaltiesAdditional Representations And WarrantiesIndemnificationLimitation Of LiabilityDispute ResolutionNo Class ActionsState Of Oregon LawsClaimsWaiver; SeverabilityNo Third Party BeneficiariesNotice Email ([email protected])Conclusion
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle, and show/music producer That Orko are answering your questions about copyright, DSPs, Spotify royalties, legal structures for indie labels, and more. They explore the necessity of copyright registration in every country, the benefits of sync licensing, and the intricacies of Spotify cover song royalties. Drop your questions and get them answered Live every wed at 5pm pst.
Do You Need To Copyright In Every Country?I Took 500 Songs Off DSPsSpotify Cover Song RoyaltiesWhy I Became An Attorney & My Music JourneyPoll Question & Direct To Fan SalesAre Playlists Owned By Labels? Should I Start A Playlist?TuneCore's Email To ArtistsSpreading The Word, The Community Is GrowingDo DSP's Clear Samples?LLC or Corp For Indie Music Labels?
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/beco...
On this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko discuss why every independent artist and producer should approach their career like a record label. They emphasize the importance of understanding what you're trying to build and how starting a record label can be a retirement plan. Breaking down the administrative and legal aspects of starting a label, encouraging action and providing resources for learning the music business.
The conversation goes into their own experience starting 'Your Passion Is The Foundation' record label, highlighting the importance of passion as the foundation of success. Discussing the excitement of creating an infrastructure around oneself and the benefits of thinking like a label. Practical advice is shared on picking a name, running a knockout search, securing social media handles, and setting up a professional website. Diving deep into building a team, finding your niche, and understanding legal protections like LLCs, copyrights, and trademarks. Stressing the importance of consistent marketing and audience engagement, debunking myths about content fatigue and oversaturation. This video is your Step-By-Step Guide.
IntroductionYour Passion Is The FoundationFind Resources To Learn The Music BusinessPick A Name & Run A Knock-Out SearchSocial Media & WebsiteThe Record Label Is YouThink Like A LabelRecruiting Team MembersThink About Your NicheFiXT RecordsCutting CostsSync Licensing CourseGet The Legal Things In LineBuild Your Online PresenceConsistent Marketing ScheduleOversaturation & Viewer Follower FatigueUse Your Record Label NameClear Relationships & Agreements With Your ArtistsCollecting Music Catalogs
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle and show/music producer That Orko answer your questions on:
Marketing Without Social MediaTuneCore Copyright ProblemsTuneCore LogicWho's The Best Distributor OptionGetting On TouchTunesSubmithub Is Sneaky With Spotify PlaylistsSomeone Added My Song To Bot PlaylistSpotify's Responsibility For Bot PlaylistsNaming Your LLC
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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🟡 Ready to become your own record label? Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabel
On this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and music producer That Orko dive into practical advice for musicians. They discuss ways to Stop wasting your time with common habits and focus on what truly matters in the music industry. From overcoming perfectionism to embracing online presence and prioritizing skill development, they provide straightforward tips to help you succeed. Tune in to learn how to navigate the music business effectively and start making real progress in your career. Visit topmusicattorney.com for additional resources to support your journey.
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabelIn this segment of the Top Music Attorney podcast, entertainment attorney Miss Krystle and rapper/producer/YouTuber Curtiss King talk about the true essence of independence in today's music realm. They dissect the rise of controversial figures like Tom MacDonald and 4Batz, challenging conventional notions of what it means to be an independent artist. Unraveling the layers of industry manipulation and strategic marketing ploys, they uncover the unsettling truth behind the façade of independence. As they peel back the curtain on the music business, they provoke provocative questions about authenticity, integrity, and the relentless pursuit of fame. Brace yourself for a no-holds-barred discussion that will leave you questioning everything you thought you knew about the music industry.
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel
In this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle breaks down the intricacies of music sampling and its legal ramifications. Find out how copyright registration can mean seeking significant statutory damages, potentially up to $120,000 per infringement. Dive into the distinctions between sampling, cover songs, remixes, mashups, and interpolations. learn the Differences Between Samples, Cover Songs, & Remixes. Stay protected.
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel
On this episode of the Top Music Attorney Podcast, where entertainment attorney Miss Krystle and renowned show/music producer That Orko delve into Pharrell Williams' latest album release 'Black Yacht Rock Vol.1', the dispute between Chad Hugo & Pharrell Williams over The Neptunes, and the concept of Direct To Consumer music distribution. Explore the strategies artists are adopting to connect directly with their fans, including Curtiss King's decision to remove all music from Spotify and the implications of the Living Wage For Musicians Act. We're talking selling music directly to fans through websites, the profitability of Direct To Consumer models, and alternative revenue streams for independent artists. Discover the power of platforms like Bandcamp and the importance of fan support in today's music industry landscape. Plus, uncover exclusive tips on making money through your website.
00:00 Intro1:16 Pharrell Williams Drops Black Yacht Rock Vol.12:56 Chad Hugo & Pharrell Williams Dispute Over The Neptunes3:32 Direct To Consumer3:52 Curtiss King Removing All Music From Spotify5:47 Pharrell Williams Direct To Consumer Website7:38 Direct To Consumer Strategies13:21 Add Downloaded Songs Into Spotify14:23 Fans Want To Support Artists / Ways To Make Money Through Your Website19:02 Miss Krystle "Something In The Way"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabelOn this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko dive deep into Udio's Terms of Service and discussing the nuances of releasing AI music. They explore the copyright implications, DMCA takedowns, and the practicalities of filing copyrights for AI-generated compositions. Tune in for a comprehensive discussion on the impact of AI on music creation, its effects on job roles, and the evolution of music ownership in the digital age. Don't miss this exploration of whether AI is just another tool or a potential threat to artists' rights, as well as insights on the best time to explore direct-to-consumer avenues. For a thought-provoking conversation on the future of AI in music, stay tuned to the Top Music Attorney Podcast.
00:00 Intro1:05 Udio Generative AI Music1:42 Releasing AI Music2:35 Owning The Copyright of AI Music4:49 Udio's Terms of Service5:39 Overview of Services (Input & Output Content)6:17 Rights To Use Your Input/Output Content8:17 Violations & Requirements8:53 Ownership and Content10:10 Udio Trademark Search13:13 Your Content20:09 DMCA Takedowns21:45 Filing Your Copyright With AI23:23 Generated Output24:32 Limitations of Liability25:49 AI in Music28:48 AI Music Effects In The Music Industry30:07 Who Owns The Copyright of AI Generated Music31:12 Choice of Law32:16 Access To Udio32:45 Training AI With Human Music34:15 AI's Effect On Jobs35:21 Opting Out of Udio36:44 Evolution of Music38:32 Ownership of AI Generated Music39:05 Artists Already Emulate Other Artists' Styles, Don't They?39:47 Is AI Just Another Tool? (Autotune, Chord Generators)40:22 Is AI The Same As Sampling? Exploiting Artists?41:13 Best Time To Try Direct To Consumer41:43 Final Thoughts42:00 Miss Krystle “Monster”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.------------------------------------------------------------------------------------🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards DistroKid's Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our TuneCore exposed series to question if DistroKid presents similar issues. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Watch This!
DistroKid Exposed : Terms Of Service...
00:00 Introduction01:07 Music Distributors Terms Of Service01:40 DistroKid Terms Of Service02:50 DistroKid Distribution Agreement05:46 ISRC Number05:54 Non-Exclusivity On DistroKid07:04 Digital Store Rights10:05 Your Account11:11 Cover Songs On DistroKid12:17 Term13:31 Termination15:36 Grant Of Rights17:13 HyperFollow17:33 Your Responsibilities18:50 Consult A Lawyer19:59 Payments & Accounting Terms20:52 Lump-Sum Payment From Digital Stores22:29 Objections To Accounting Statements24:03 Claims On Recordings26:48 Payment Deductions27:40 How They Can Take Your Money28:28 How Does DistroKid Define Infringement?29:10 Representations & Warranties: Indemnification30:10 No Warranties: Limitation Of Liability30:46 Written Notice Specifying Alleged Breach31:48 Send Notices To [email protected]:17 DistroKid's Right To Kick You Off33:06 Conclusion33:56 Miss Krystle ”Something In The Way”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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In this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and Show/Music Producer That Orko tackle your questions on finding out how much money you've made from your album, the difference between cover songs and remix royalties, their experience performing at SXSW, understanding ISRC codes for your songs, and more. Tune in to get insights and expert advice on navigating the music industry's legal landscape. Don't miss out! Subscribe now for more valuable discussions and tips for artists, producers, and record labels. Visit topmusicattorney.com for legal resources and guidance.
00:00 Introduction01:00 How Can I Find How Much I Made Off My Album?01:58 Cover Song Vs Remix Royalties03:03 Have You Performed At SXSW?04:10 Samples Vs Interpolations05:58 What Are ISRC Codes07:49 Can You Sing About Or Reference Another Song?09:20 Changing Cover Song Lyrics11:49 Can You Cover Blondie "Rapture" and Change Lyrics?14:11 Miss Krystle “Stronger”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:https://www.topmusicattorney.com/becomeyourownrecordlabel
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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🟡 Ready to become your own record label? Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabel
In this Top Music Attorney Podcast segment, Curtiss King and entertainment attorney Miss Krystle talk about the power of direct-to-consumer (DTC) strategies in music. They discuss how artists can build their own platforms to connect directly with fans, bypassing middlemen. Curtiss King shares practical tips from his own experiences on how DTC approaches can help artists grow their fan base and make money independently. They emphasize the benefits of artists owning their music and distribution channels. Is it time to say Goodbye to Streaming and make more money from music?
00:00 Introduction01:07 Future Of Music For Artists Is Direct To Consumer03:34 Music Management Agreement05:25 Streaming vs. Direct To Consumer06:31 Utilizing AI To Help Your Music Business06:47 Dedicating Time To Admin Work For Your Music Business08:25 Learning How The Music Business Works & Becoming Your Own Record Label10:45 Importance Of Die-Hard "Super Fans"13:30 Adapting & Reacting To The Music Industry15:40 The Value Of Art17:37 Break Away From The System As An Independent18:35 Curtiss King Endeavors19:18 Advice For Independent Artists21:06 Thank You Curtiss King!21:29 Final Thoughts From Curtiss King22:56 Miss Krystle “Let It Go”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
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On this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko dive into some industry Q&A. They cover topics like getting paid on TikTok, spotting fake plays on Spotify playlists, dealing with marketing companies, and understanding sync licensing. Their conversation is peppered with insights, anecdotes, and practical advice for musicians navigating the modern music landscape. Be sure to drop your questions in the chat. Miss Krystle will be answering your questions LIVE every Tuesday at 5pm PST.
00:00 Intro01:07 Do you get paid from TikTok per Video or Per Stream From your PRO?03:12 What about Spotify Playlist Bots?04:04 Did I accidentally buy fake Spotify streams?06:56 Coffee Or No?08:01 Where are all the places to register music?09:12 Can a song on streaming be eligible for sync, or does it need to be exclusive?10:23 Do I need a contract for sync with my co publisher?12:25 Miss Krystle “Sugar”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle discusses often misunderstood world of cover songs and shares insights on how to legally perform and distribute cover songs on YouTube in 2024 and navigating the updates. From understanding the nuances between sampling and cover songs to the legal requirements and potential pitfalls, this video provides valuable information for musicians, producers, and artists looking to incorporate cover songs into their repertoire. Learn about the importance of securing licenses, dealing with takedown requests, and ensuring compliance with copyright laws. Whether you're a seasoned musician or just starting out, this step by step guide will help you navigate the legal landscape of cover songs and leverage them effectively as a marketing tool for your music career. Subscribe for more legal tips and insights to protect your artistic endeavors.
00:00 Introduction01:07 How To Legally Do Cover Songs01:52 Sampling vs. Cover Songs01:59 Sampling02:27 Interpolations03:04 Cover Songs04:02 Copyright Act05:00 Blanket Licenses Are Obtained By Digital Music Providers05:39 Mechanical Licensing Collective06:27 Filing A Takedown07:47 How Do Composers & Publishers Get Paid?08:38 Syncing Your Cover Song To A Visual11:04 Cover Song Benefits12:09 Changing 2 Words In A Cover Song15:45 Miss Krystle "Monster"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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On this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko discuss the common pitfalls faced by music producers when using Splice samples and why YouTube might flag beats. They discuss the importance of understanding the terms of use on platforms like Splice. They also explore the implications of using samples in commercial releases, the challenges with Content ID, and the necessity of chopping up samples creatively. Additionally, they touch upon the benefits of starting an LLC for sync works and the evolving landscape of music distribution, including the trend of artists selling directly to fans.
00:00 Intro 01:08 YouTube Is Flagging My Splice Samples. Help!02:37 Should I Start An LLC For My Sync Work?03:55 How Would A Union Pay Better Today Than In The Past?04:54 Would An Artist And A Producer Have The Same Union?05:54 Should I Use My Artist Name As A DBA For My LLC?06:20 Where To Get Admin Agreement For Music Supervisors06:54 Are Artists Better Off Selling On Their Own Website?08:27 Promoting And Selling Without Being Spammy10:53 Miss Krystle "Let It Go"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle, delves into a game-changing strategy that not only helps musicians make a substantial income but also serves as a powerful marketing tool. Your music could be the next big thing in TV, film, or games! Drawing from her own experiences of securing placements on platforms like Lifetime, Hulu, and Disney+, She the secrets on how to navigate the sync licensing landscape. From the smart move of utilizing royalty-free stock music platforms to exploring sync pitching libraries and even establishing direct licensing deals, she provides a comprehensive guide. Miss Krystle shares her insights on finding contacts, crafting the perfect email pitch, and, of course, the "Please Don't Do This" list. If you're serious about monetizing your musical journey, this episode is a goldmine of valuable information. Let's get your music placed.
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction
01:07 Get Your Music Into Tv, Film, Games
02:24 1. Royalty-Free Stock Music
03:49 2. Sync Pitching Libraries
05:11 3. Submit Your Music Directly To Music Supervisors
06:22 Sync Licensing Made Easy
06:40 4. Direct Licensing Deals
07:10 How To Find Contact Information
06:59 Where To Find Music Supervisors
07:58 Tunefind
08:40 IMDB Pro
08:57 LinkedIn
09:31 Drafting The Perfect Email
10:55 No Attachments
11:45 Disco
12:20 "Please Don't Do This" List
13:30 Best Resource To Get Your Music In Tv, Film, & Games
14:13 Miss Krystle “Monster”
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In this episode of the Top Music Attorney Podcast, Miss Krystle and Benn Jordan tackle pressing matters in the music industry, including artist compensation, challenges with digital distribution platforms like TuneCore, and legislative efforts aimed at ensuring fair pay for musicians. They discuss the complexities of streaming revenue, the dominance of major labels, and the potential impact of proposed bills on both artists and listeners. Additionally, they touch on broader issues of copyright, the value of intellectual property, and the future of music consumption. Watch as Ben Jordan exposes Spotify.
Benn Jordan is an American electronic music producer and multi-instrumentalist known for his versatility and innovative approach to music, as well as providing inside knowledge of the music industry on his channel. With a prolific output under various aliases, most notably "The Flashbulb," Jordan's work spans across genres from IDM, jazz, to ambient music. His distinctive style, blending intricate electronic production with live instrumentation, has garnered him critical acclaim and a dedicated fan base. Jordan's music often explores complex emotional themes, making his discography a rich and varied exploration of the human experience through sound.
Legal Disclaimer: The information, ideas, and suggestions in this podcast are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction00:10 Living Wage for Musicians Act02:20 Equal Royalties04:18 Universal Leaving TikTok 05:10 Spotify Not Making A Profit06:28 Spotify's Business Model08:33 The Problem With Spotify's & Streaming Service09:09 Abandoning IP & Copyright11:54 Releasing Music Through Patreon & Donations15:15 Why Benn Jordan Still Uses Spotify16:32 Accessibility Of Spotify & Streaming Services19:27 Socialized Copyright22:09 Miss Krystle "Something In The Way"
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On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle updates you on the ongoing battle with TuneCore. This video, "Tunecore Responds... "covers TuneCore's response, which is now threating her.
In her first video of the series "Dear TuneCore", exposed TuneCore's handling of artist royalties in this shocking video, Dear TuneCore... Miss Krystle unveils a case where TuneCore refused to release substantial earnings to an artist, citing allegations of streaming fraud without presenting concrete evidence.
Miss Krystle dissects TuneCore's terms of service, emphasizing a vague clause granting the platform discretionary power to withhold or redistribute funds based on unspecified claims of improper conduct. This video explores the questionable practices and exposes the startling revelation that TuneCore labeled the artist as a "scumbag" while refusing direct payment.
This episode shines a light on an issue affecting numerous artists who may be unaware of their rights. Share this video. Let's get TuneCore to change their practices and end the trend of withholding artists' earnings. If you're an artist or part of the music industry, understanding these nuances is crucial for safeguarding your rights against potential exploitation. Give it a thumbs up, share, and let's bring awareness to important issue.
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction01:07 Recap06:00 TuneCore's Latest Response06:46 DSP Information Provided To TuneCore09:24 Amazon's Analysis Of Distributed Recordings11:55 "Evidence" Of Streaming Manipulation14:24 TuneCore Reacts To Top Music Attorney16:34 TuneCore Threatens Counterclaims20:35 TuneCore Demands Removal Of Content & Full Retraction24:03 Message From Client25:52 Miss Krystle “I Am Your Sun”
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On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle and show/music producer That Orko answer your questions. From copyrighting songs with leased beats to album registration strategies, they cover collaboration agreements, syncing licenses, and choosing the right attorney. Don't miss out on this valuable discussion!
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Intro01:08 Can you copyright a song with a leased beat?02:19 Should I copyright each song on a 9-song album separately?03:41 Will Priam Digital Distribution add your label info to streaming?04:06 What agreement should I have with the producer doing my remix?05:28 Who has “Sync Rights” in collaborations?06:48 How do you find a good lawyer in your area?09:00 Help! DistroKid claimed copyright against my Facebook video09:43 Miss Krystle "Sugar"
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