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The Last Laugh listeners, please enjoy the first episode of The Daily Beast's new podcast! The Daily Beast Podcast is as wildly exciting, energizing, and entertaining as the topics it covers. Bringing their sharp wit and insights to each episode, co-hosts Joanna Coles (Chief Creative & Content Officer of The Daily Beast) and celebrated comedian and political commentator Samantha Bee will navigate the latest in politics, pop culture, and everything in between.
Subscribe now to The Daily Beast Podcast
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Comedian Samantha Bee is back for the third time on The Last Laugh podcast—and this time it is as host of her very own Daily Beast podcast! Along with the Daily Beast’s Joanna Coles, Bee is bringing her always sharp and hilarious political insights to The Daily Beast Podcast. And before their first episode premieres this Thursday, Bee is here to share her unfiltered thoughts about interviewing Kamala Harris, being exhausted by Donald Trump, and those pesky “undecided voters” who seem to get so much attention this time of year. The former ‘Full Frontal’ host also reveals how she would have approached stories like JD Vance’s “childless cat ladies” if she—or really, any other woman—was still on late-night TV and reacts to Jon Stewart’s triumphant return to ‘The Daily Show’ and the backlash he received (including from the host of this podcast) for “both sides-ing” Trump and Joe Biden.
Subscribe now to The Daily Beast Podcast
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Highlights from this episode and others at The Daily Beast
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Saknas det avsnitt?
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The Last Laugh listeners please enjoy! The Daily Beast Podcast is as wildly exciting, energizing, and entertaining as the topics it covers. Bringing their sharp wit and insights to each episode, co-hosts Joanna Coles (Chief Creative & Content Officer of The Daily Beast) and celebrated comedian and political commentator Samantha Bee will navigate the latest in politics, pop culture, and everything in between.
Hosted on Acast. See acast.com/privacy for more information.
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“Oh god, you’re crying in front of Carol Burnett, fantastic,” Alex Edelman said at the top of his acceptance speech for Outstanding Writing for a Variety Special at the 76th Emmy Awards. It was just the latest unexpected milestone in the life of his widely celebrated solo show ‘Just for Us,’ which premiered on HBO and also won a special Tony Award earlier this year. In this episode, the 35-year-old Jewish comic shares the unique challenges of bringing his story about attending a white supremacist meeting in Queens to the stage and screen, including the sudden death of his director just before opening on Broadway and how performing a show about antisemitism changed after October 7th. Edelman also discusses the surreal experience of getting notes from comedy heroes like Steve Martin, Jerry Seinfeld and Billy Crystal, tells a story about the time he baffled Mel Brooks by calling him “woke” to his face, and teases his next stand-up hour, which will take on the Israel-Gaza war.
This episode was originally published on April 10, 2024.
Follow Alex Edelman on Twitter @alexedelman and Instagram @alexedelman
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Highlights from this episode and others at The Daily Beast
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Michael Ian Black began his career performing deeply absurdist comedy with his legendary sketch group The State and the besuited comedy trio Stella. Now, among other things, he’s a weekly columnist covering the 2024 election for the Daily Beast. But Black does not consider himself to be a political commentator “in any way, shape or form, even though I often comment on politics,” he says in this week’s episode of The Last Laugh podcast. During our wide-ranging conversation, Black shares his thoughts on where the 2024 race stands right now, how Donald Trump became America’s worst crowd work comedian, why he’s cautiously optimistic about the prospect of a Kamala Harris presidency, and what viewers can expect from his new satirical CNN game show ‘Have I Got News for You’ with Roy Wood Jr. and Amber Ruffin. Plus, what he remembers about filming his explicit sex scene with Bradley Cooper in ‘Wet Hot American Summer’ and why, after two reboots on Netflix, the cult classic finally “feels like it’s done” to him.
Follow Michael Ian Black on Twitter @michaelianblack and Instagram @michaelianblack
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Susie Essman made a name for herself cursing out Larry David as her alter-ego Susie Greene on ‘Curb Your Enthusiasm.’ But as she reveals in this episode, in the 24 years since the show premiered—and nearly four decades since she met David in the New York comedy clubs—they have never once gotten into an actual fight. Essman opens up about David’s unique “genius” as a comedian, how ‘Curb’ gets away with being so politically incorrect, the unconscious inspiration for her character and the bizarro world in which she could have played Elaine on ‘Seinfeld.’ Plus, stories about roasting Donald Trump to his face at the Friar’s Club, her “horrible” late-night debut with Johnny Carson, and getting to portray Ilana Glazer’s mother on ‘Broad City.’
This episode was originally published on November 30, 2021.
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Highlights from this episode and others at The Daily Beast
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Before Langston Kerman was one of the most exciting stand-up comedians working right now, he taught poetry to high school students. As he tells the audience in his debut Netflix special ‘Bad Poetry,’ he was desperate to find another path for his life. In this episode, Kerman talks about getting his big break writing for Oscars host Chris Rock (even if he didn’t get a single joke on the broadcast), convincing his favorite comedian John Mulaney to direct his special, trying not to alienate Larry David during his very first Hollywood gig, and why he fears that fans of HBO’s ‘Insecure’ will never, ever let him “be free.” He also shares some behind-the-scenes stories from his time writing on the year’s most brilliantly weird talk show, ‘Everybody’s in LA,’ including the one pitch that was deemed too weird by Mulaney.
Listen to My Momma Told Me with Langston Kerman and David Gborie
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Highlights from this episode and others at The Daily Beast
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There are few Americans who have had a crazier past month than Kamala Harris—but comedian Allison Reese is among them. Reese’s impression of the vice president was already a hit on social media before Harris picked up the baton from President Joe Biden, but it has blown up in a much bigger way since. In this episode, Reese talks about the wild ride she has been on as millions of followers eat up her deliciously spot-on take on the candidate’s cadence—especially her signature laugh—and the efforts she is taking not to inadvertently become a right-wing caricature. She also reveals why she wanted to impersonate Harris in her first audition for ‘Saturday Night Live’ in 2019, what she made of former cast member Maya Rudolph’s very different approach to the impression, and why she believes her videos might have an even bigger political impact on TikTok than she would have had if she had been cast as Harris on SNL.
Listen to N’Kay with Allison Reese
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Highlights from this episode and others at The Daily Beast
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Hannah Einbinder had never really acted before she was cast as Ava Daniels opposite Jean Smart’s Deborah Vance on ‘Hacks.’ Now, she’s a three-time Emmy nominee. In this episode, Einbinder opens up about the overconfidence she brings to that role as well the onstage persona she displays in her excellent debut stand-up special ‘Everything Must Go’ on Max. She also talks about overcoming the intimidation of acting with Jean Smart, compares the generational gap between their characters to her relationship with her own mother (original SNL cast member Laraine Newman), and teases what fans can expect from a more “badass” Ava in Season 4. And later, Einbinder shares her unfiltered thoughts about the “old fucking guys” in comedy who complain that political correctness is stifling their craft.
Follow Hannah Einbinder on Instagram @hannaheinbinder
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Highlights from this episode and others at The Daily Beast
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When a special arrives on Netflix in its finished form, viewers don’t typically get to see all of the excruciating work that went into making it a polished piece. But for anyone who has been listening to Birbiglia’s Working It Out podcast over the past couple of years, it’s all there. “I was doing it privately,” he says on this week’s episode of The Last Laugh podcast. “I feel like it’s something that’s kind of unspoken about stand-up, that for the most part, we are in communities of comedians who kick around joke tags: ‘Hey, what if you did this with it?’ And ‘I have a similar story about this, and you know you could use that if you want to,’ or whatever it is. And we kind of just put it out there with audio rolling.” In his second appearance on The Last Laugh, Birbiglia talks about how this process helped shape his latest Broadway show-turned-Netflix special ‘The Old Man and the Pool’ (now Emmy-nominated for Outstanding Writing for a Variety Special), shares his thoughtful response to the “emotional truth” controversy that came for his friend and fellow comic Hasan Minhaj, breaks down how he handles criticism of his own work, and a lot more.
This episode was originally published on November 22, 2023.
Follow Mike Birbiglia on Twitter @birbigs and Instagram @birbigs
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Highlights from this episode and others at The Daily Beast
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Carmen Christopher is one of those comedians who you’ve definitely seen before but can’t totally be sure how you know his face. Over the past several years, he’s popped up in bit parts on show’s like ‘Shrill,’ ‘I Think You Should Leave,’ and most notably—given his born and bred Chicago roots—all three seasons of ‘The Bear.’ In this episode, Christopher talks about putting together his breakthrough, Chicago-themed stand-up special ‘Live From the Windy City,’ which arrives on the Veeps streaming platform August 1st. He also shares stories about collaborating with alt-comedy icons including Joe Pera and Tim Robinson, why he’s no longer interested in pursuing SNL after two unsuccessful auditions, that time he almost killed David Letterman, serving as a writer on Nathan Fielder and Benny Safdie’s ‘The Curse’ and more.
Follow Carmen Christopher on Twitter @CarmChristopher and Instagram @carmenyescarmen
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Highlights from this episode and others at The Daily Beast
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In the weeks between President Joe Biden’s disastrous debate performance and his decision to step aside, no one in political media was making the case against his candidacy louder than the former Obama staffers and co-hosts of Pod Save America. In his third appearance on The Last Laugh, Crooked Media co-founder Jon Lovett returns to talk about his unexpectedly prominent role in the Democratic Party’s existential crisis and how he’s feeling now that Vice President Kamala Harris has emerged as the presumptive nominee who will take on Donald Trump in the fall. We also discuss how the political comedy world handled Biden’s decline and Trump’s assassination attempt, how he navigates writing jokes for his own podcast Lovett or Leave It, and how on earth he ended up as a contestant on the upcoming season of ‘Survivor.’
Buy Crooked Media’s new book ‘Democracy or Else: How to Save America in 10 Easy Steps’
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Highlights from this episode and others at The Daily Beast
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In an age of comedy that aims to shock, Reggie Watts is arguably the most unpredictable comedian working today. That’s not to say he’s particularly controversial. And in fact, he decided to “set” his latest stand-up special ‘Never Mind’ in the mid-’90s precisely so he wouldn’t feel any pressure to talk about what is happening in America right now. In this 250th episode of The Last Laugh, Watts breaks down how he uses his completely improvised comedic approach to “disorient” audiences and even make them question their reality. He also reveals the real reason he gave up his gig as one-man band leader on the ‘Comedy Bang! Bang!’ TV show (hint: It wasn’t because James Corden hired him away) and why he was so “stoked” when ‘The Late Late Show’ ended after a longer-than-expected eight-year run.
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Highlights from this episode and others at The Daily Beast
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Jack Quaid has taken great pains to carve out a unique path for himself in Hollywood. Determined not to follow too closely in the footsteps of his very famous parents (Dennis Quaid and Meg Ryan), the 32-year-old actor has fully embraced “genre” storytelling, from his very first blink-and-you’ll-miss-it role in the first ‘Hunger Games’ film to his break-out performance as the endlessly relatable Hughie Campbell in Amazon Prime Video’s wildly popular comic book adaptation ‘The Boys,’ currently streaming its fourth season. In this episode, Quaid breaks down his character’s evolution, shares his view on the show’s satirical politics and teases just how “insane” the fifth and final season could get. He also shares stories from working with Christopher Nolan on ‘Oppenheimer’ and openly admits that he is definitely a “nepo baby” no matter what his mother, the “undisputed queen of rom-coms” has to say about it.
Follow Jack Quaid on Twitter @JackQuaid92 and Instagram @jack_quaid
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Highlights from this episode and others at The Daily Beast
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The first time Jordan Klepper and Roy Wood Jr. worked together was for a 2015 ‘Daily Show’ field piece that asked the question, “Are all cops racist?” In 2024, they joined forces once again for a series of “comedic town halls” across the country. In this episode, Klepper and Wood return to the podcast (for their fourth and third appearances, respectively) to share their thoughts about the inevitable Joe Biden vs. Donald Trump rematch nobody seems to want. The pair of ‘Daily Show’ correspondents also speak openly about that show’s very public search for a host to replace Trevor Noah, including why Wood decided to step down when it seemed like it wasn’t going to be him, whether Klepper is still gunning for the big seat and what they both thought about everything that went down with their old colleague Hasan Minhaj.
This episode was originally published on January 3rd, 2024.
Follow Jordan Klepper on Twitter @jordanklepper and Instagram @jordanklepper
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Highlights from this episode and others at The Daily Beast
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Mo Welch spent years trying to make jokes about the father who abused her mother and abandoned her family funny without totally bumming out her audience. Now, she has perfected the art of the extremely dark “dad joke” in her new stand-up special-slash-documentary ‘Dad Jokes.’ In this episode, Welch talks about how terrifying it was to come face-to-face with her father for the first time in 20 years after he went to prison for stealing TVs and how she managed to thread the needle of turning that trauma into comedy on stage. She also reveals what she has learned about comedy from collaborators (and previous Last Laugh guests) Anthony Jeselnik and Beth Stelling and tells the story of how she dropped her microphone in a toilet seconds before her late-night stand-up debut on ‘Conan.’
But first, Allegra Frank joins Matt for her final appearance on the podcast to wrap up their discussion about the big comedy categories at this year’s Emmy Awards, including what to expect from ‘The Bear,’ ‘Hacks,’ ‘Curb Your Enthusiasm’ and more.
Stream Mo Welch’s ‘Dad Jokes’ on YouTube
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Highlights from this episode and others at The Daily Beast
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As a mainstay at New York’s prestigious Comedy Cellar for many years, Keith Robinson has long been the definition of a comedian’s comedian. But it wasn’t until he suffered two debilitating strokes over the course of four years that he finally landed his first hour-long special on Netflix. In this episode, Robinson talks about how managed to get back on stage so quickly after his first stroke (against medical advice) and how he was able to find so many cathartic laughs in what has otherwise been a truly terrifying experience. He also discusses how he felt about the standing ovation that opens his special ‘Different Strokes’—especially with so many comedian friends in the room—and looks back at the chaotic early days of his career, including stories about working with Wanda Sykes, Amy Schumer, Chris Rock and more.
But first, Matt and Allegra break down the Variety Talk Series category at the Emmys, including new entrants ‘Hot Ones’ and ‘John Mulaney Presents: Everybody’s in LA.’
Follow Keith Robinson on Twitter @1keithrobinson and Instagram @keithrobinson438
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Highlights from this episode and others at The Daily Beast
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It’s been nearly a year since John Early released his first stand-up special, Max’s ‘Now More Than Ever.’ But it’s only now that he’s gotten the chance to talk about the go-for-broke special in-depth, with any chance at promotion waylaid by last summer and fall’s back-to-back strikes. And the comedian, best known for his work on ‘Search Party,’ ‘30 Rock,’ and with collaborator Kate Berlant, is relishing his overdue moment in the spotlight. In this episode of The Last Laugh podcast—Early’s second appearance on the show, following his 2022 visit with Berlant—he opens up about the genesis of his Emmys category-breaking special, including how he sees himself as less in step with his fellow campaigning comics and more in the mold of performers like Bette Midler.
Plus, Matt and Allegra take a look at John Early’s Emmy competition in the Outstanding Variety Special (Pre-recorded) category and share their thoughts on who else deserves some love over the same old contenders.
Follow John Early on Twitter @bejohnce and Instagram @bejohnce
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Highlights from this episode and others at The Daily Beast
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It’s been more than three decades since Wanda Sykes first stepped onto the stand-up stage. And sometimes, it feels like she’s just now getting her due. This past year, the legendary comedian received her first-ever Grammy nomination for her latest Netflix special ‘I’m an Entertainer,’ which also landed nods at the Emmys and Golden Globes. The hard-hitting hour takes on many of the most divisive topics of the year without pandering to either side or ever punching down. “It’s just noise. And I like to try to cut through that,” she says of the way her comedy reacts to the broader political conversation. In this episode, Sykes takes on everything from the problem with Dave Chappelle’s anti-trans jokes to why she was shocked Will Smith didn’t get dragged out of the Oscars for slapping her friend Chris Rock to what Joe Biden has to do to win back Black men in 2024 to how she thinks about her place in the comedy pantheon and a lot more.
This episode was originally published on December 20th, 2023.
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Highlights from this episode and others at The Daily Beast
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Since first getting what she thought was her big break on ‘Last Comic Standing’ almost 15 years ago, comedian Rachel Feinstein has been waiting for something to come along and help her achieve the next level of success. “By the time this comes, I’m going to be a star,” Feinstein says. “Hopefully after this interview, I’ll at least get a Clorox commercial or something.” In this episode, recorded just after she taped her latest ‘Tonight Show’ appearance and right before her debut Netflix special ‘Big Guy’ premiered, Feinstein reveals that she may never have gotten this breakthrough moment in her career had she not done the one thing that “scared” her the most: getting married to the New York firefighter husband she spends much of her special mocking and then having a daughter. She also shares stories about mentoring Lil Jon in stand-up comedy on Donald Trump’s ‘The Apprentice,’ roasting Gilbert Gottfried’s Hitler as Anne Frank on Netflix’s ‘Historical Roasts,’ and more.
Plus, Matt and Allegra break down what makes ‘Hacks’ the only funny comedy series on TV right now—and why Shane Gillis’ ‘Tires’ on Netflix is the exact opposite.
Follow Rachel Feinstein on Twitter @RachelFeinstein and Instagram @rachelfeinstein_
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Highlights from this episode and others at The Daily Beast
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- Visa fler
