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Julian Emery is a UK-based songwriter, producer, and guitarist whose credits include work with artists such as Nothing But Thieves, McFly, and Lissie. This episode is a little different as Julian doesn’t play keyboards himself, but he joins the show to share his unique perspective from the producer’s chair and offers some interesting thoughts on the role keyboard players play in songs.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Julian’s website
Jules’ musical upbringing
Moving into production and recognising the importance of synths / keyboards in the process
Hear’SayWorking with Matt Willis and co-writing his first three singles, including Up All Night
Co-writing with McFly, including Star Girl
Building rapport and co-writing with people you are meeting for the first time
Jules’ long-term collaborative relationship with Jim Irvin
Collaboration mistakes made the hard way
The longstanding ‘gift’ of working with Nothing But Thieves.
One of Jules’ co-writes with Nothing But Thieves (and #1 hit) Trip Switch
Nothing But Thieves – Welcome to the DCC
The WASP synth
Working with Lissie across multiple albums and co-writing songs, including the breakout hit When I’m Alone
A discussion on Jules’ passion for talking on creativity and resilience.
Desert Island Discs: Back in Black – AC/DC, 2112 – Rush, Hemispheres – Rush, Denim and Leather – Saxon, Chicago X – Chicago.
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The post Julian Emery, Songwriter and Producer appeared first on The Keyboard Chronicles.
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Geoff Downes returns for his second appearance on the show, having originally joined us back on Episode 38. While his extensive history with Yes is well documented, this time around we focus specifically on the band’s latest album, Aurora. Geoff covers a lot of ground in this interview, and we take the opportunity to delve into his current approach to songwriting and his performance on the new record.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
The release of the album Aurora by Yes
Thoughts on being in the longest period of time in Yes without personnel changes, and the central role Steve Howe plays in ensuring the Yes sound
Yes – Countermovement
Paying due respect to the legacy of previous Yes keyboard players
The keyboard sounds that are the essence of the Yes sound
The more challenging aspects of a Yes live set
Geoff’s (still huge) keyboard rig with Yes and the contrast with his rig with Asia
Proposed approach to recreating the Aurora tracks live, in a band that doesn’t use backing tracksThe importance in Yes of interplay between keyboards and guitar.
Geoff’s collaborative relationships with Steve Howe and Jon Davison.
Preparing for, and surviving a long tour.
Geoff’s pick of artists living or dead, that’d he’d love to work with.
Geoff’s admiration of Benny Andersson
Band T-Shirt Pimp: Punch Drunk Cabaret
Thumbnail picture via Yes official social media, taken by Ellis Larch
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The post Geoff Downes, Yes (Redux) appeared first on The Keyboard Chronicles.
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Saknas det avsnitt?
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Scottie Miller is an American keyboardist, singer-songwriter, and producer based in Minneapolis. Known for his blues- and roots-influenced playing style, Scottie has spent years on the road as the long-time musical director and keyboardist for Ruthie Foster. He’s also worked with Bo Diddley and Johnnie Johnson to name just two others. Alongside his work as an MD, he has maintained a steady solo career, releasing 13 albums—including his latest project, Hello Pain—and earning an induction into the Minnesota Blues Hall of Fame. We chat to Scottie about his approach to composition, his time on the road, and balancing a solo career with collaborative work.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Scottie’s past 12 months
Scottie’s album Hello Pain
Commissioning and working with a 50+ piece Budapest Scoring Orchestra
Scottie Miller – Awake and Willing
Scottie Miller – Hello Pain title song and the impetus for the whole album
Scottie Miller – Underneath The Black Oaks
Scottie’s musical upbringing and the huge influence of the Minneapolis music scene
Working with Big John Dickerson & Blue Chamber
The Scottie Miller Band in action
Meeting and working briefly with Johnnie Johnson
Working and touring with Bo Diddley
Joining Ruthie Foster’s band
Scottie in action with Ruthie Foster – Phenomenal Woman
Opening for Ray Manzarek and saving the day later in the night
Scottie’s rig with Ruthie Foster
Ruthie’s album Mileage and reproducing horns live
A discussion on Scottie’s (victorious) battle with depression and addiction
A message of support to other keyboard players struggling with addiction, depression or anxiety
Desert Island Discs: Self-Titled – Donny Hathaway, Feeling Good: The Very Best of Nina Simone – Nina Simone, Goin’ Back To New Orleans – Dr John, Violin Concerto / Musica Dolorosa / Viatore – Peteris Vasks, I Wanna Go Home – Otis Spann.
Key links:
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The post Scottie Miller, Solo Artist / Ruthie Foster appeared first on The Keyboard Chronicles.
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Danny Silverston is an American keyboardist and founding member of the Boston-based soul-pop band Couch. Known for his warm, jazz- and funk-influenced playing style, Danny has been an integral part of the seven-piece group’s collaborative writing and production process since their formation in 2018. He recently played on the band’s 2025 debut full-length album, Big Talk, and continues to tour extensively with them across the United States and internationally. We chat to Danny on his approach to composition, performance and making two hands do maximum work on some complex pieces. Add in a very relatable train wreck story and there’s lots to enjoy.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Danny’s musical upbringing
Orange Guava Passion
Danny’s Couch connections and becoming a core member of the band
Couch in action live: Jessie
Couch’s cover of Conjunction Junction
Couch – Black Bear Lane
The importance of piano, electric piano and organ in Couch
A shout-out to the amazing Kevin Gastonguay as organ mentor
Danny breaks down his approach to a complex multi-patch and keyboard piece, Static and Noise
Danny pulling off Static and Noise live with Couch
Finding creative sonic space amongst a brass section and guitars
Couch’s collaborative songwriting approach and the challenges and opportunities it brings
Rehearsing pre-tour
Anatole Muster
Some fast playing by Danny on ‘On The Wire’
Desert Island Discs: Songs in the Key of Life – Stevie Wonder, I Am – Earth, Wind & Fire, Two Star & The Dream Police – Mk.gee, Self-Titled – Daryl Johns, Brown Sugar – D’Angelo.
Key links:
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The post Danny Silverston, Couch appeared first on The Keyboard Chronicles.
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Paul Furness is a keyboard player and multi-instrumentalist who serves as a founding member of Brisbane indie rock mainstays Ball Park Music. Since forming the group during a university class assignment in 2008, Paul has spent nearly two decades helping anchor their melodic and eclectic sound, layering essential synthesizer textures, piano, and occasional trombone across eight studio albums. From their acclaimed debut Happiness and Surrounding Suburbs to their latest release Like Love, his meticulous approach to parts and arrangement has been a constant thread in the band’s enduring catalog. We chat with Paul about how a college project evolved into a multi-decade career, his collaborative writing process, and the gear he relies on for the stage and the studio.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Paul’s past 12 months
Ball Park Music’s latest album Like Love
Ball Park music in action supporting Oasis last year
Playing a gig with Brisbane’s cheesiest band, The Pizzas
Approaching gigs supporting Oasis in stadiums
The first album – Happiness and Surrounding Suburbs – and working with Matt Redlich
The second album – Museum
Recording the fourth album, Every Night The Same Dream, to analog 4-track, 1/4-inch tape
The evolution of Paul’s keyboard rig and the UDO Super 6 as a central component
Creating and feeding energy to the audience when playing live
Paul’s role as Ball Park Music’s Keep of the Statistics
Ball Park Music – Hands Off My Body
Ball Park Music – Surrender
Plans and motivations for the future
Ball Park Music’s tour rehearsal process
A Vietnam-based challenging gig
Desert Island Discs: Night Train – Oscar Peterson, Morrison Hotel – The Doors, Whatever and Ever Amen – Ben Folds Five, Goodbye Yellow Brick Road – Elton John, We Like It Here – Snarky Puppy
T-Shirt shout-out to The Rock and Roll Society of Edmonton
Key links:
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The post Paul Furness, Ball Park Music appeared first on The Keyboard Chronicles.
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Michael Stephen Brown is a versatile American pianist and composer best known for his solo performances, rich chamber music collaborations, and unique original works. Bridging the gap between world-class piano playing and storytelling, he has recently released his debut album of all-original music, Twelve Blocks. Showcasing his distinct creative voice, the deeply personal project features a series of musical portraits, emotional detours, and true stories brought to life alongside an impressive roster of guest performers. We chat with Michael on this and get some great insights into his approach to music and composition.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Michael’s past year
Michaels’ album – Twelve Blocks
The process of seeking or receiving commissions for musical performances and/or compositions
The Chamber Music Society of Lincoln Center
Michael’s musical upbringing
Attending Juilliard
Jerome Lowenthal
Samuel Adler
Ursula Oppens
Ursula Oppens and Jerome Lowenthal perform Michael’s piece Twelve Blocks, with poetry
Composing for one piano, four hands and four albums
Composing for one hand only
Breakup Etude for the Right Hand Alone
The Yaddo retreat
The Carnival of Endangered Wonders
Lake Alan
Piano from Pas de trois – Michael Stephen Brown
Composing with pencil and paper versus computer
Michael’s piano Octavia
A discussion on mental health, music and the arts
Creatives Care
Planning and rehearsing a repertoire before a show or tour
Michael’s upcoming creative works, including release of his own piano concerto
Desert Island Discs: Stravinsky: The Rite of Spring – Leonard Bernstein and London Symphony Orchestra, Live Performances 1934-1956 Vol. 1 – Art Tatum, Bach: The Goldberg Variations – Glenn Gould, Ravel: Gaspard de la nuit – Arturo Benedetti Michelangeli
Key links:
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The post Michael Stephen Brown, Pianist and Composer appeared first on The Keyboard Chronicles.
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Peter Dasent is an incredibly versatile pianist, composer, and musical director best known for his long tenure as the resident keyboardist on ABC’s Play School, a role he has held for over two decades. While he is well known for his daily on-set improvisations for children, his impressive resume also includes leading his chamber-jazz ensemble The Umbrellas for over 30 years, as well as composing soundtracks for early Peter Jackson films like Meet The Feebles and Heavenly Creatures. We chat with Peter about that amazing history, his approach to playing and composing across so many different genres, and lots more.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
The iconic, and Cookie Monster endorsed, Play School, turns 60
Peter’s musical upbringing
Forming SPATS alongside Fane Flaws
SPATS – New Wave Goodbye
Joining The Crocodiles alongside the brilliant Jenny Morris
The Crocodiles – Telephone Lover
The very interesting Kim Fowley
Peter’s admiration of Steve Nieve’s work
The Crocodiles – Tears
The underadmired (and according to Peter, Mushroom Records’ worst selling album ever): I Am Joe’s Music (Self-Titled)
The inimitable Lobby Loyde
Formation of The Umbrellas
The Umbrellas live
Some timely advice from Don Burrows
Moving into film composition
Peter’s work on Peter Jackson’s Meet The Feebles
The composition and recording process for Meet The Feebles
Working on Peter Jackson’s Braindead / Dead Alive
The legendary E-mu Proteus 2
Working on Peter Jackon’s Heavenly Creatures
Working as the Pianist on Play School
Discussion on the level of improvisation required on set of Play School
Pivoting on the fly between musical genres on Play School
Working with Justine Clarke
Peter in action live with Justine Clarke
Peter’s solo work including Songs for Solo Piano
Peter in action in Studio 3 at Abbey Road
Sterling Sound in New York
Desert Island Discs: Sgt Pepper’s Lonely Hearts Club Band – The Beatles, Satie: Works for Piano – Aldo Ciccolini, Plays Duke Ellington – Thelonius Monk, The Fellini Album: The Film Music of Nino Rota: Nino Rota, Hot Rats – Frank Zappa.
Key links:
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The post Peter Dasent, Pianist / Play School / The Umbrellas appeared first on The Keyboard Chronicles.
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Peter Sandberg is a Swedish neo-classical and electronic pianist and composer based in Uppsala. Known for his minimalist, felt-piano compositions and atmospheric textures, he has released several acclaimed albums including Motion, Återvända, and Midnattssol. Beyond his solo work, Sandberg’s music has reached a wide audience through high-profile placements in television series such as Stranger Things, as well as collaborations with artists like Henry Green and Arctic Lake. We chat on Peter’s career as a whole and his new album Temporary Coexistence of Humans.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Peter’s album Temporary Coexistence of Humans
A discussion on the album themes and ‘sitting at the piano’ approach to recording
Developing an intimate sound for piano
Milab / Pearl Microphones
Peter Sandberg – Motion
Peter’s recording keyboard rig beyond the piano
Hologram Electronics
Peter Sandberg – Deep
Peter’s song Deep as featured on Stranger Things
How Peter’s song was found and placed on the show
Peter’s musical upbringing and a key ‘sliding doors’ moment
Peter’s live performance rig
Desert Island Discs: None (explained by Peter in the interview)
Key links:
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The post Peter Sandberg, Pianist and Composer appeared first on The Keyboard Chronicles.
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Greg Kane is one half of iconic outfit Hue And Cry, which has been producing music for well over 40 years. We chat with Greg on that amazing history, his approach to production and playing, and lots more.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Hue And Cry’s latest album, Everybody
Working with the brilliant Yoad Nevo
Thoughts on Behringer and the Deepmind 12
Hue And Cry – Stronger
Greg’s love for the ASM Hydrasynth and the Moog DFAM
Sam Battle’s museum: This Museum Is (Not) Obsolete
When you connect 27 synths with MIDI clock
The formation of Hue And Cry
Hue And Cry in action live in 2025
Hue And Cry – Here Comes Everybody
Hue And Cry – I Refuse
Hue And Cry’s iconic song Labour of Love
Hue And Cry appear on Top of the Pops
Dealing with a hit and travelling to New York for recording
When you’re in the vicinity of Sam Fox and David Byrne
Breakfast with Petrocelli
The Possible Twenty bar in New York
The joy of custom DX7 and D-50 cartridges from Manny’s Music
A chat on instrumentation and Hue And Cry’s 1995 album ‘Piano & Voice‘
Hue And Cry – Looking for Linda
When Michael Brecker asks you to play in front of McCoy Tyner
Arranging brass/horns and working with Harold Wheeler and Lenny Pickett
Hue And Cry’s Jazz Not Jazz
Greg’s current keyboard rig with Hue And Cry – 100% live, no backing tracks
Desert Island Discs: Do It Yourself – Ian Dury & the Blockheads, Look Sharp! – Joe Jackson, Self-titled – The Specials, Kind of Blue – Miles Davis, I Heard That Noise – quickly, quickly.
Key links:
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The post Greg Kane, Hue And Cry appeared first on The Keyboard Chronicles.
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Erik Deutsch is an American keyboard player currently touring with The Black Crowes. While he is well known for his extensive live and session work—including time spent with Leftover Salmon and Charlie Hunter—Erik is also a dedicated solo artist with a diverse catalogue of original jazz and funk releases. We chat with Erik about his career to date, how he balances major touring commitments with his solo output, and the gear he relies on for the road. A huge thanks to guest co-host Sandy Soon for joining us as well!
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Erik’s website
Erik Deutsch – This Was Then
Erik playing Martha live in 2025
The music scene in Mexico City versus New York York
Erik’s musical upbringing
Erik’s first band Fat Mama
Erik in action with Fat Mama (2000)
Joining County Road X
Working in a trio with the brilliant Art Lande
Joining the Charlie Hunter Trio
Erik in action with the Charlie Hunter Trio
Charlie Hunter – Baboon Strength
Joining Shooter Jennings
Erik in action with Shooter Jennings in 2011
Working with Citizen Cope
Erik’s keyboard rig with Citizen Cope
Joining Leftover Salmon
Erik playing with Leftover Salmon, 2017
Approach to long touring periods
Erik joins The Chicks (formerly Dixie Chicks) and perhaps sets the record for the shortest gigging employment with a band
Erik in action on the one and only song he played with The Chicks
Discussion on female instrumentalists and barriers / opportunities
Joining The Black Crowes
Erik in action with The Black Crowes
The level of playing freedom at a Black Crowes gig
Erik’s keyboard rig with The Black Crowes
Erik’s work on The Black Crowes’ album Happiness Bastards
Erik’s ‘front of stage’ train/bus wreck
Erik’s own amazing podcast – Sounds of Brooklyn and Beyond
Desert Island Discs: Moon Safari – Air, Kind of Blue – Miles Davis, Treasure Island – Keith Jarrett, Illmatic – Nas, Music from Big Pink – The Band
Key links:
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The post Erik Deutsch, The Black Crowes / Solo Artist appeared first on The Keyboard Chronicles.
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J. Willgoose, Esq. is a multi-instrumentalist, composer, and producer best known as the founding member of the conceptual electronic rock group Public Service Broadcasting. Blending vintage synthesizers, samplers, and traditional instrumentation with extensive archival audio, he is recognized for constructing thematic musical narratives based around historical events. Known for his focused approach to sequencing and live looping, Willgoose effectively integrates old broadcast samples and public information films into atmospheric electronic and rock textures across albums like The Race for Space and Every Valley. We chat his and PSB’s career to date and get some great insights into what is an incredibly complicated live show.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Night Flight – The Last Flight Remixes
Electra – Late Night Final Remix
J. Willgoose Esq’s musical upbringing
The Manic Street Preachers
The genesis of Public Service Broadcasting
The Yamaha CS6x
Public Service Broadcasting – People Will Always Need Coal
Public Service Broadcasting – The Now Generation
Expanding Public Service Broadcasting to a full band
J’s love for Reaper as a key component of PSB’s live performances
J’s keyboard rig and love of the Roland Fantom series
The challenges (and documentation) involved in a highly complex and integrated rig set-up amomgst multiple musicians
Public Service Broadcasting – Sputnik
Redundancy and backups
Operating a keyboard and guitar rig and level of integration
Public Service Broadcasting – Towards The Dawn
Public Service Broadcasting live at the Royal Albert Hall
Public Service Broadcasting with the London Contemporary Orchestra
A discussion on orchestras and experimentation
Public Service Broadcasting – Bright Magic
The SOMA Labs Ether
The next Public Service Broadcasting album
J. lists some key musical inspirations
Datassette
OMD – Second Thought
J’s train wreck stories
Desert Island Discs: Endtroducing – DJ Shadow, In Rainbows – Radiohead, Blade Runner – Vangelis, Symphony No. 6 “Pathetique” – Tchaikovsky, Intermezzo (Cavalleria Rusticana) – Monleone and Mascagni
Key links:
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The post J. Willgoose Esq., Public Service Broadcasting appeared first on The Keyboard Chronicles.
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In Part 2 of our chat with the brilliant David Hirschfelder, we dive deeper into his time with John Farnham, talk on his numerous other collaborations and his incredible career as a film and TV composer.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Rehearsing for tours with John Farnham
Recording the Age of Reason album
The Fairlight Series 3 and the song Two Strong Hearts
The decision to stop touring
David in action with John Farnham in touring version of Jesus Christ Superstar
David’s keyboard rig for Jesus Christ Superstar
The brilliant Farnham documentary – Finding The Voice
Handing over the baton to the brilliant Chong Lim
David’s solo album: Welcome To The Nighclub Of My Mind
David’performing one of his solo creations: Cool School Rules
David Hirschfelder and David Hobson – Inside This Room
Joesph Campbell – The Hero With A Thousand Faces
The move to film and TV composition
David’s work on Strictly Ballroom
Working on the movie Shine
David’s full roster of creations
A potted history of the Yamaha Disklavier series of pianos
David’s work on the film Elizabeth
A chat on DAWs, plugins and David’s love for the Arturia Polybrute
David’s work on The Dressmaker
David’s work on Legend of the Guardians: The Owls of Ga’Hoole
David’s work on The Railway Man
David’s work on The Water Diviner
David’s work on Sleeping Dogs
Sam Hirschfelder – musician and composer
Desert Island Discs: The Rite of Spring – Stravinsky (Conducted by Stravinsky), V.S.O.P. (Live) – Herbie Hancock, Heavy Weather – Weather Report, The Planets – Holst, The Mission – Ennio Morricone
Key links:
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The post David Hirschfelder, Composer / John Farnham / Little River Band (Part 2) appeared first on The Keyboard Chronicles.
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David Hirschfelder is a globally acclaimed Australian keyboardist, composer, and arranger best known for his extensive live and studio work with pop-rock heavyweights like the Little River Band and John Farnham, as well as his distinguished career as a film score composer. His prolific output blends deep classical roots with masterful electronic and orchestral textures. A BAFTA winner and multi-Academy Award nominee, David’s celebrated cinematic repertoire includes the iconic scores for Strictly Ballroom, Shine, and Elizabeth, alongside his own ambitious contemporary art music collaborations. In Part 1 we cover off David’s work with Pyramid, Little River Band, and the early part of his time with John Farnham including the recording and touring of Whispering Jack.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
David and Mindy Meng Wang – Love
Writing 80 minutes of music in 4 weeks for But Also John Clarke
David and Pyramid in a news feature story and performance on the Don Lane Show
Pyramid at the Montreux Jazz Festival in 1983
Brian Cadd playing on The Real Thing by Russell Morris
Forming Pyramid
Herbie Hancock – Actual Proof
David’s keyboard rig with Pyramid
The Mu-Tron Bi-Phase
Moving to the Little River Band
Little River Band – The Net
David in action on his first tour with Little River Band in 1983
Buying a Fairlight
The Fairlight Page R Real-Time Composer
Creation of the classic lead sound on the song ‘Playing to Win’
Little River Band – No Reins
Joining John Farnham as a solo artist and creating the bones of Whispering Jack with a MIDI retrofitted Fairlight, and:
The Yamaha QX-1 Sequencer
The E-Mu SP-12 Drum Machine
8 DX7s in a box – the Yamaha TX-816
(with a Prophet-5 for some warmth)
David’s co-write on Whispering Jack – Going, Going Gone
David’s keyboard rig on the Whispering Jack tour and creating a click track before use of in-ear monitors
David in action with John Farnham – Help
David in action live with John Farnham in December 1990 – Playing to Win
Key links:
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The post David Hirschfelder, Composer / John Farnham / Little River Band (Part 1) appeared first on The Keyboard Chronicles.
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Hazel Mills is a incredibly versatile keyboard player, vocalist, and songwriter whose impressive resume includes touring the globe with artists like Kylie Minogue, Florence + The Machine, Goldfrapp, Birdy, and The Will Gregory Moog Ensemble. We delve into everything from Hazel’s early classical roots and passion for 1960s minimalism, to her transition into the pop genre and her deep love for analogue synthesis. Hazel provides some great insights into her creative process, including recreating studio sounds for massive live pop tours, her go-to gear, and lots more.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Hazel’s past 12 months
The differences in energy / stamina for a large versus more intimate gig
Steve Anderson
Joining Kylie Minogue’s band
Hazel in action with Kylie Minogue 2025
Eventide H90
UDO Super 6
Hazel’s own look at the Super 6
Mainstage and side-chain setup
Hazel in action with Christine and the Queens in 2023
Hannah Peel and Hazel Mills at King’s Place
Working with Dave Rowntree
Joining the Will Gregory Moog Ensemble
Hazel’s solo creative output
Hazel’s Patreon channel
A discussion on musique concrete
Joining Florence + The Machine as a touring member
Auditioning process for Florence
Hazel performing with Florence + The Machine, 2018
Working with Birdy
Hazel performing live with Birdy 2016
Joining Goldfrapp
Hazel performing with The Paper Cinema
Joining Goldfrapp
Hazel performing live with Alison Goldfrapp, 2022
The intricacies of playing a Goldfrapp show
Hazel in action with Goldfrapp at Glastonbury 2014
Adding Machine – Ships to Sink
Desert Island Discs: Thriller – Michael Jackson, Self-Titled – Crosby, Stills & Nash, DEACON – serpentwithfeet, Diviner – Hayden Thorpe, Ambient 1: Music for Airports – Brian Eno.
For those watching on video: apologies for the gridlines, it was a glitch not picked up by us at time of recording.
Key links:
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Complete our audience survey to help us improve!
Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
The post Hazel Mills, Kylie Minogue / Florence + The Machine / Goldfrapp appeared first on The Keyboard Chronicles.
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In Part 2 of our interview with Adam Holzman, we cover his longstanding work with Steven Wilson, his bands Brave New World and Trifecta, Jane Getter Premonition, Adam’s amazing solo works, his Creative Synthesizer Technique book and some amazing stories of playing with Herbie Hancock and Chick Corea (amongst many others). There’s also a great train wreck story and a funny Miles Davis anecdote to round things out. Part 1 of the interview can be found here.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Adam in action with Mona Lisa Overdrive in 1994
Adam and Brave New World at Progstock 2022
The brilliant William ‘Ju Ju’ House
Adam Holzman & Brave New World – Spork
Adam Holzman – Truth Decay
Adam Holzman & Brave New World – The Last Gig
Adam Holzman – Zombie Apocalypse
The Moog DFAM
Steven Wilson – Beautiful Scarecrow
Forming Trifecta
Trifecta – Clean Up on Aisle Five
John Pritchard, Adam Holzman and Rich Damone – The Dawn (Of a New Age)
Joining Steven Wilson’s band (and being nervous about it)
Steven Wilson – Raider II
The Raven That Refused To Sing (And Other Stories)
Discussion of Adam’s approach live and in the studio to his solo on Regret #9
Adam playing his iconic solo live on the song Regret #9
Adam’s co-write with Steven Wilson – Economies of Scale (from the album The Harmony Codex)
Steven Wilson – Impossible Tightrope
Adam’s keyboard rig with Steven Wilson
Adam’s book – Creative Synthesizer Technique
Avoiding ‘Preset Purgatory’
Getting to play with hero Jan Hammer
Adam playing live with Herbie Hancock, 1988
The non-musical skills required for musical success
The Fents – Back in the Saddle
Brief chat on Cruise to the Edge and Jane Getter Premonition
Adam jumps into a Tony Levin-less Stick Men gig on Cruise To The Edge 2024
Desert Island Discs (Rock/Pop): Songs in the Key of Life – Stevie Wonder, Starless and Bible Black – King Crimson, Relayer – Yes, Us – Peter Gabriel, Rubber Soul – The Beatles
Desert Island Discs (Jazz): Spectrum – Billy Cobham, Birds of Fire – Mahavishnu Orchestra, Tale Spinnin’ – Weather Report, Thrust – Herbie Hancock, Hymn of the Seventh Galaxy – Chick Corea / Return to Forever
Key links:
Become a member of our YouTube channel and receive extra content
Buy some keyboard related merchandise
Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn
Complete our audience survey to help us improve!
Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
The post Adam Holzman, Steven Wilson / Miles Davis / Solo Artist (Part 2) appeared first on The Keyboard Chronicles.
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Adam Holzman is an innovative keyboardist, composer, and musical director best known for his extensive work with jazz legend Miles Davis and progressive rock icon Steven Wilson. Blending his deep understanding of jazz harmonies with heavy progressive rock and electronic textures, Adam has become a highly sought-after sonic architect, renowned for his cutting-edge synthesizer solos and dynamic soundscapes. Beyond his high-profile touring work—which includes a pivotal tenure as Miles Davis’s musical director —Adam has released numerous acclaimed solo albums, fronts his own jazz-rock group Brave New World, and is a founding member of the prog-fusion supergroup Trifecta. In Part 1, we sit down with Adam to discuss his incredible journey from growing up around the music industry to shaping the live and studio sounds of some of modern music’s most influential artists.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Adam’s past year touring with Steve Wilson as part of The Overview Tour
Adam in action with Trifecta on Cruise to the Edge 2025
Adam playing live with Steven Wilson 2025 (also don’t forget our rig tour with Adam from that same tour)
Impossible Tightrope: Live in Madrid
Adam in action with Big Bang Theory 2024
Adam’s musical upbringing including seeing Elektra Records in action in real time
Watching The Doors rehearse, record and hit major success as an 11-12 year old
When Jim Morrison brings you a birthday present
Observations on Ray Manzarek
The Fents – The Other Side
Playing on Ray Manzarek’s album Carmina Burana
Meeting Randy Hall
The Linn 9000
Randy’s introduction of Adam to Mile Davis
The Rubberband recording session
Touring with Miles Davis with a couple of days notice
Making a second keyboard player role work in a jazz context
The role of a Musical Director with Miles Davis
Miles Davis – Intruder (Live)
Keyboard rig for recording and peforming with Miles Davis
Meeting and working with Michel Petrucciani
Adam playing with Michel Petrucciani in 1991
Working with Chaka Khan
Adam in action with Chaka Khan in 1994
Rachel Z
Performing with Wayne Shorter in 1995 in Paris
Adam recording with Grover Washington Jr on the Breath of Heaven album
Adam performing with Wallace Roney
Learning from band leaders and the decision to leave Miles Davis
Key links:
Become a member of our YouTube channel and receive extra content
Buy some keyboard related merchandise
Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn
Complete our audience survey to help us improve!
Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
The post Adam Holzman, Steven Wilson / Miles Davis / Solo Artist (Part 1) appeared first on The Keyboard Chronicles.
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Daniel Minsteris is a versatile keyboardist, programmer, and musical director best known for his extensive work with visionary artists like St. Vincent and David Byrne. Widely lauded for his deep expertise in Ableton Live, Daniel is a master at bridging the gap between the studio and the stage, seamlessly integrating complex electronic production with live performance. Beyond his high-profile touring work, Daniel has made his mark as a composer. In this episode, we sit down with Daniel to discuss his unique approach to live show design, his philosophy on keeping performance rigs reliable on the road, and his experiences sharing stages with some of modern music’s most innovative acts. We also dive into specific gear preferences and the challenges of translating meticulously crafted studio albums into massive live shows.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Daniel’s past year or so
Joining David Byrne on his current ‘Who Is The Sky?’ tour
Daniel in action on the 2013 St Vincent / David Byrne ‘Love This Giant’ tour
Daniel in full mobile mode with David Byrne
Ray Suen
Daniel’s musical upbringing including early years in Lithuania
Working with Joy Askew
Joining Marianne Faithfull’s band
Daniel in action live with Marianne Faithfull
Daniel with Fernando Saunders – See The Light
The Roland A-90
Working with Peter Cincotti
Daniel with Peter Cincotti at Montreaux 2009
A discussion on playing strings and horns as a keyboard player
The Ghost Train Orchestra performing on David Byrne’s ‘Everybody Laughs’
Audio Modeling’s SWAM Strings
Meeting Annie Clark / St Vincent and joining her band
Daniel performing live with St Vincent at Glastonbury 2014
Prepping sounds for a St Vincent tour
Drummer Matt Johnson
Daniel’s conflicted thoughts on redundancy management in a complex rig
Preparing for David Byrne’s ‘Who is the Sky?’ tour
Divisimate by Nextmidi
A detailed discussion on Daniel’s 100% wireless and mobile keyboard rig with David Byrne
Daniel live with David Byrne in 2026
Implementing a large-scale wireless MIDI rig and tracking down some critical legacy equipment
Sensory Percussion software for drummers
Fascinating discussion on developing the means to use arms / elbows for expression pedals instead of feet, in conjunction with keyboard tech Arturo Leon.
Arduino hardware
Working with Joe Jackson on the ‘What A Racket’ tour
Daniel in action live with Joe Jackson
Working with Steve Nieve
Collaborating with Meshell Ndegeocello
Meshell Ndegocello – Burn Progression
Daniel recounts two notable train wrecks
Daniel’s online course on troubleshooting MIDI and audio
Desert Island Discs: Facing You – Keith Jarrett, Homogenic – Bjork, Animals – Pink Floyd, Todo Corazon – Julio De Caro, Turangalîla-Symphonie – Olivier Messiaen
Key links:
Become a member of our YouTube channel and receive extra content
Buy some keyboard related merchandise
Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn
Complete our audience survey to help us improve!
Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
The post Daniel Mintseris, David Byrne / St Vincent / Joe Jackson / Marianne Faithfull / Meshell Ndegeocello appeared first on The Keyboard Chronicles.
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Steve Nieve has been the distinctive keyboard voice beside Elvis Costello for over forty years, evolving from the new wave intensity of The Attractions to the soulful sophistication of The Imposters. A Rock and Roll Hall of Fame inductee and Grammy winner his prolific career also includes work with Madness, Sting, and David Bowie, alongside his own ambitious solo compositions. We cover that all and more in our chat with Steve – one not to miss.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Steve’s busy past couple of years
Steve in action with Elvis Costello & The Imposters
Steve’s musical upbringing
Auditioning to join Elvis Costello
Elvis Costello – Less Than Zero
Memories of early gigs with The Attractions
The Vox Jaguar and the Vox Continental
A discussion on Steve’s favourite Elvis Costello and the Attractions album – This Year’s Model
Steve’s early synths
The evolution of the recording process with Elvis Costello and his band over the years
Elvis Costello and the Attractions – Blood and Chocolate
Elvis Costello and the Attractions – Imperial Bedroom
Working on a cover of Yoko Ono’s ‘ Walking on Thin Ice’ with Allen Toussaint
Elvis Costello & Allen Toussaint – The River in Reverse
Working as band leader and MD in Steve Nieve & The Playboys on The Last Resort with Jonathon Ross
Steve performing with Paul McCartney on The Last Resort with Jonathon Ross
Doing 100 shows remotely during the pandemic
Steve Nieve and Kessada – About Love
Working on Absolute Beginners – David Bowie
Steve Nieve and Muriel Teodori – Welcome To The Voice
Sans Plomb movie
ToGetHer album
You Lie Sweetly – Steve Nieve featuring Sting
Steve in action with The Imposters 2022
On the brilliance of Pete Thomas
Collaborations with David Coulter including The Great Australian Songbook
Desert Island Discs: (yet to be released / titled) – Kessada, The Best of Satie – Erik Satie, Goldberg Variations – Uri Caine, Songs in the Key of Life – Stevie Wonder, Rough and Rowdy Ways – Bob Dylan.
Key links:
Become a member of our YouTube channel and receive extra content
Buy some keyboard related merchandise
Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn
Complete our audience survey to help us improve!
Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
The post Steve Nieve, Elvis Costello & The Imposters appeared first on The Keyboard Chronicles.
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Glenn Sarangapany is a multi-instrumentalist and songwriter who serves as the sonic texturalist for Australian rock heavyweights Birds of Tokyo. Since joining the band in 2012, Glenn has become pivotal to their evolving sound, blending his classical piano and jazz guitar training to layer rich synthesizers and backing vocals on chart-topping albums like March Fires and Human Design. Beyond his touring work, Glenn is the founder and creative director of sound production studio Electric Sheep. We sit down with Glenn to discuss his journey from session player to full-time member and the specific gear he uses to build the band’s massive live sound.
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
Birds of Tokyo – Starlights
Glenn’s musical upbringing
Jebediah live
The Triffids
Western Australian Academy of Performing Arts
Glenn with Birds of Tokyo at an early gig, 2009
The challenges of a Western Australian band going on tour
Glenn’s Birds of Tokyo keyboard rig (you can also check out our seperate rig tour with Glenn here)
Making space for keyboards in a guitar heavy band
Adapting the studio recording keyboard parts to the live environment
Bird of Tokyo Live – Unbreakable
Birds of Tokyo – Anchor
Birds of Tokyo – Lanterns Live on New Year’s Eve 2025
Upcoming music from Birds of Tokyo
The joys of working with an orchestra
Birds of Tokyo live with the Melbourne Symphony Orchestra – Good Lord
Electric Sheep Music
The challenges and opportunities of AI and music
Desert Island Discs: Self-Titled (Blue Album) – Weezer, OST – KPop Demon Hunters, Nevermind – Nirvana, Self Titled (Green Album) – Weezer, American Idiot – Green Day
Key links:
Buy some keyboard related merchandise
Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn
Complete our listener survey to help us improve the show, it only takes 90 seconds.
Support us on Patreon and receive bonus content
Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
The post Glenn Sarangapany, Birds of Tokyo appeared first on The Keyboard Chronicles.
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In Part 2 of our chat with Neal Evans, we talk more Soulive, Jack White, The Rolling Stones, Maceo Parker and lots more!
To listen / watch:
Audio-only: click on the play button in the audio player above, or:Video: watch the embedded video below or check it and previous episodes out on our YouTube ChannelDiscussion topics covered during the show (links will open in new tab):
More talk on Neal’s Soulive keyboard rig
Holy Grail Reverb by Electro-Harmonix
Neal delves into his organ technique and the importance of reverb
Acoustic Samples B5 organ plugin
Discussion on Neal’s amazing left-handed ‘quirk’ and hand independence
Neal in action on a Hammond B3 Mk 2
Working with Jack White
The brilliant Louis Cato
The process of recording with Jack White
Neal in action with Jack White on Saturday Night Live, 2018
Playing five shows with Soulive in support of The Rolling Stones
Neal in action on stage with Maceo Parker and Soulive, 2016.
Soulive with John Scolfield at Bowlive
Desert Island Discs (6 curated from Neal’s much longer list): Haha Sound – Broadcast, Self-Titled – Dina Ögon, Album 2 – Louis Cole, No Sun In Venice – The Modern Jazz Quartet, Walking in Space – Quincy Jones, Sex Machine – James Brown
Key links:
Buy some keyboard related merchandise
Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn
Complete our listener survey to help us improve the show, it only takes 90 seconds.
Support us on Patreon and receive bonus content
Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
The post Neal Evans, Soulive / Jack White / Moon Boot Lover (Part 2) appeared first on The Keyboard Chronicles.
- Visa fler
