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Final Mission (Star Trek: The Next Generation (TNG), S4 E9) was recommended by Tsuyoto Wolfe (They/Them), who said: I have so many favorites I thought of recommending. But I was also inspired to find the joy in one I hadn’t liked before. When Netflix started streaming Star Trek series back in 2011, I would wtch through TNG, DS9, VOY, and ENT, then start over again with TNG. I would skip most of season 1 and 2, as well as a few later episodes. For my recommendation, I went back to the ones I skipped and I rewatched TNG: Final Mission. I had chocked it off as a filler episode with Wesley being annoying. But I found more in it, it a transition from Wesley fanboying over Picard, to seeing him vulnerable, to taking the responsibility for both their lives. The alien shuttle captain still feels like a thin character meant only to be fodder for Wesley’s growth, but I appreciate the episode more now.
Final Mission first aired on November 19, 1990, written by story by Kacey Arnold-Ince, teleplay by Kacey Arnold-Ince & Jeri Taylor, and directed by Corey Allen
Wesley sets off on his final mission with the Enterprise accompanied by Picard. They become stranded on a desert planet.
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Vanishing Point (Star Trek: Enterprise, S2 E10) was recommended by Lauren Alexis Rivers She/Her, who said: I always thought that Hoshi was such an underused character. In an era before the Universal Translator had worked out all the kinks, communication is one of the most important elements, and this was one of the Hoshi centric episodes, where while she didn't get to show off her communications skills, it was about facing her fears of the transporter and doing what she had to do no matter what the circumstances. As someone of Asian descent, it was always important to me to see people like myself on screen.
Vanishing Point first aired on September 22, 1993, written by Rick Berman & Brannon Braga, and directed by David Straiton
After her first trip through the transporter, Ensign Sato finds herself becoming incorporeal, with the crew believing she has perished.
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Saknas det avsnitt?
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The Omega Directive (Star Trek: Voyager, S4 E21) was recommended by The Derp Prime, who said: This episode always delighted me as we saw an interesting development of both Seven and the Borg.
Plus we get more over all lore on the Federations policies, some fun galactic lore and a threat of clumsy science.
Plus, an interesting take on a religious experience though scientific endeavors.
As an Apathiest (Gods, do their thing, I do mine, if we don't bother each other everyone is happy), I like little twists to both science and religion. Twists mind, I am tired of sledge hammer statements (I have been hit in the face enough times by those thank to very much!)
The Omega Directive first aired on April 15, 1998, written by teleplay by Lisa Klink, story by Jimmy Diggs & Steve J. Kay, and directed by Victor Lobl
Janeway undertakes the Omega Directive, an order to destroy Omega molecules, even if it means violating the Prime Directive.
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All the World's a Stage (Star Trek: Prodigy, S1 E13) was recommended by Hoofburd (he/him), who said: Under lesser writers, an homage episode like this could have come across as corny or cheap. Instead, it deftly introduces its younger audience to the concept of the original series, while also being a very TOS episode itself. We've seen the planet of the 20th century gangsters already; now we can cycle back around and go to the planet where everything is original Star Trek! While being deeply silly, this episode provides the Protostar's crew good character advancement, while simultaneously nodding at a bit of TOS continuity and even Lower Decks. I also think there's an interesting parallel how the crew first learns about the original series through a jumbled cultural perception, much as people tend to do in real life. All in all, it's a love letter that never feels like nostalgia bait, and I deeply respect that about it.
All the World's a Stage first aired on November 10, 2022, written by Aaron J. Waltke, and directed by Andrew L. Schmidt
The Protostar crew responds to a distress call from an M-class planet, except for Murf who is unwell. They discover an alien race called the "Enderprizians" who revere and imitate Starfleet. A mysterious disease is afflicting the villagers, and also infects Dal. They track the disease to a cave holding a Federation shuttlecraft that crashed on the planet with Ensign Garrovick of the USS Enterprise long ago. The shuttlecraft is leaking plasma and poisoning the environment. The crew and villagers work together to dispose of the shuttlecraft and seal the cave while Zero devises a cure. When the crew return to the Protostar, they find Murf encased in a cocoon.
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The Forsaken (Star Trek: Deep Space Nine (DS9), S1 E17) was recommended by Rugger (They/them), who said: The Forsaken has its problems as an episode, including that Troi's advances are uncomfortable to watch.
But in all of Trek, there is no more emotionally raw, powerful, and moving scene than in The Forsaken. Odo and Lwaxwana are stuck in the elevator, and Odo has to revert into his natural liquid state—and he has to trust Lwaxana to do it.
This is Trek at its best: taking something fundamentally alien and using it to humanize a character. Almost every other time an alien evokes such pathos, they are being human—as Kirk says of Spock, "he was the most human."
Odo's character arc is one of the best in Trek, and this episode starts it off with the most unique, iconic, and moving scene that I can think of in all sci-fi, while also developing a a character who was previously only comedic relief.
The Forsaken first aired on January 18, 1993, written by story by Jim Trombetta, teleplay by Don Carlos Dunaway and Michael Piller, and directed by Les Landau
The Federation ambassador from Betazed, Lwaxana Troi, visits the station, and develops an affection for Odo. Meanwhile, data from a mysterious Gamma Quadrant probe causes system failures on DS9.
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Stormy Weather (Star Trek: Discovery, S4 E06) was recommended by Tonks (they/them), who said:
I consider “Stormy Weather” to be peak Trek. It’s one of many “void episodes” of franchise, and uses that basis to tell an engaging story that demonstrates the best of Trek.
From the cohesion & enthusiasm of the crew, the excellent leadership, the exploration of self & identity, to the dealing with new experiences & old wounds; all of this create a package that also homages some memorable moments in the franchise without drawing attention to them.
This episode puts compassion, intelligence, & understanding forefront, while also being an almost silent celebration of the tried & true in Trek.
Stormy Weather first aired on December 23, 2021, written by Anne Cofell Saunders & Brandon Schultz, and directed by Jonathan Frakes
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The Alternative Factor (Star Trek: The Original Series, S1 E20) was recommended by Kaleb, he/him, who said:
Listen….listen I'm aware this episode is definitely a strangely paced, scatterbrained mess. Though I'll say it's worst and best sin of it is Lazarus’s facial hair; really Lazarus as a whole sums up my feelings about this episode: meandering, accidentally comical, and strangely poignant. The first five minutes I'm always waiting in suspense for the appearance of Lazarus's awful beard and over-the-top scream as he falls down, because I can't help but laugh every time. And while there are certain parts that are very confusing the first time watching, as well as several bits that drag on too long, there's also a lot of fun lines and good performances to keep me enjoying myself.
This episode also has one of my favorite one-off crewmembers of the whole show, Lieutenant Charline Masters, who I find really charming and professional when she's on-screen. Plus I love Lazarus’s sparkly little outfit.
It's an episode of big swings- trying to deal with total nonexistence should the Enterprise fail, time travel, alternate universes, and pulling a bait and switch over which Lazarus poses the real threat- and I’m sure there were cleaner ways to pull it off, but I do know that in the end, after Lazarus stays to fight the other him for eternity in between universes, I really feel the heaviness behinds Kirk's, “For you and me…but what of Lazarus? What of Lazarus…”
I find it a really compelling episode, though I can definitely see why it's disliked by a lot of people, especially if they only watch it the one time. That's the thought that stands out to me the most: I like and appreciate this episode more and more with each rewatch, which I think it deserves credit for, even if it'll never be my Top Episode of All Time.
Greg's Charity Stream: https://tilt.fyi/cfN1BNS95S
The Alternative Factor first aired on March 30, 1967, written by Don Ingalls, and directed by Gerd Oswald
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Macrocosm (Star Trek: Voyager, S3 E12) was recommended by Alex Russet (He/Him), who said: I have a soft spot for this episode. It's a wonderfully bonkers off the wall concept pulled off in a fun way. Flying viruses as big as you head? Why not? Trek's done crazier. And plus it features Janeway going full Ellen Ripley. What's not to love?
Macrocosm first aired on December 11, 1996, written by Brannon Braga, and directed by Alexander Singer
Greg's Charity Stream information. https://tilt.fyi/cfN1BNS95S
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The Naked Now (Star Trek: The Next Generation, S1 E03) was recommended by Traci Meek-Reid (she/her) (your accents are delightful- go for your life!), who said: When I was 7, one night the TV just "stopped". We all went "huh" and went off to do other things. And then 5 years later the VCR landed in our home, TV was restored, and I discovered this bright, technicolor world that came on after the Saturday morning cartoons. Star Trek! I was hooked. 2 years later, Star Trek: The Next Generation launched. I watched the premiere and after the trailer for the next episode played, I ran through the house excitedly shouting "They're doing the Naked Time! They're doing the Naked Time! With no further ado, I nominate TNG's "The Naked Now": it acknowledges its roots, it ruthlessly exposes Captain Picard and Doctor Crusher (and Riker, Troi, Data, and Yar) as the star crossed lovers/relentless horndogs that they are, and shows that space is for EVERYONE, even 14-year old kids like Wesley Crusher. And me. Because as much as I loved the dystopian depression pill delivered by "Blade Runner", 14 year old me needed hope for a future. "The Naked Now" proved that Star Trek and its themes are eternal and are not bound by one cast, one era, or one man's vision. I joyfully welcome each new iteration of Star Trek and still run through the house screaming with glee when they drop a reference to an old show. This universe is big enough for everybody.
The Naked Now first aired on October 5, 1987, written by story by John D. F. Black & D. C. Fontana, teleplay by D. C. Fontana, and directed by Paul Lynch
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Take Me Out to the Holosuite (Star Trek: Deep Space Nine, S7 E04) was recommended by Denise, who said: I love all of DS9 but this one is my favorite. I think because it's such an "Earth" game and they are in space and because baseball can be fun to watch and play. It's such a a fun episode and that why it's my favorite.
Take Me Out to the Holosuite first aired on October 21, 1998, written by Ronald D. Moore, and directed by Chip Chalmers
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Observer Effect (Star Trek: Enterprise, S4 E11) was recommended by Nazzy (she/her), who said: I've recommended some sillier episodes of Enterprise to you boys, now I want to share one that's just genuinely *good*. Season 4 is when ENT finally, truly started playing to its strengths, even if it was ultimately too late to save it from cancellation. The problem with recommending Season 4 episodes for the purposes of the podcast is that much of the season is broken up into mini-arcs of 2 or 3 episodes, and as much as I would love to have you cover the whole "Babel" three parter, I can't ask that of you (yet). So instead I'm going to suggest an episode that's one of the few one offs of the season, and one of my favorites - Observer Effect, in which Trip and Hoshi contract an alien virus on an away mission. The Enterprise crew must scramble to save their lives, not knowing their efforts are being watched by outside observers.
It's a classic Star Trek medical mystery episode, with the added twist of exactly who the observers are and how the observation is being done. It also has some lovely character moments, and since I love these characters, it's like catnip for me.
Observer Effect first aired on January 21, 2005, written by Garfield Reeves-Stevens & Judith Reeves-Stevens, and directed by Mike Vejar
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Crisis Point (Star Trek: Lower Decks, S1 E09) was recommended by Hauke [ˈhɔukə] (he/his), who said: Not really an under appreciated episode of Lower Decks, it is the first one to truly show what this series is capable of.
Format breaking ideas, incredible love letters to how crazy a Star Trek movie can be (or a “Starfleet Movie” as they like to say in-universe), super smart and incisive humor such as comments on old Trek shows’ problems with monocultures and centered on Mariner’s character arc beginning to reveal her deeper issues.
Crisis Point first aired on October 1, 2020, written by Ben Rodgers, and directed by Bob Suarez
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Little Green Men (Star Trek: Deep Space Nine, S4 E08) was recommended by Blackrain, who said: When you ask for an episode, I thought hard about for one. Thinking over all the past Star Trek series I have watched and this was the first episode that popped to my mind. I've always found it fun when Sci-fi TV shows would try to put their twist on the Roswell alien crash conspiracy theory. Whether you believe it's true or not each take on it is wonderful to see. Star Trek was just another one to jump on the Roswell crash boat, but didn't have the normal DS9 bridge crew crash land a earth. Nope they had the Ferengi's. Quark, Rom, and Nog. It had the classic first contact tropes miscommunication, the 1940s human biases and conspiracy minded, all topped off with Quark being a Ferengi trying to sale stuff to the hu-mans. Love how Quark says hu-man. This was also one were Rom starts showing his start and dominant side to Quark. Just look at Rom's face at the end of the episode. No words are say, but you know what he is thinking and he has that mischievous grin on his face.
Ya'll said in a past episode a lot of people didn't like didn't like the episode with the Ferengi's in them. I love all the episodes that have Ferengi's in them or feature them. DS9 really helped to develop and advance what their culture and species was from when they first showed up in TNG.
BlackRain's podcast can be found here!
Little Green Men first aired on November 15, 1995, written by story by Toni Marberry & Jack Treviño, teleplay by Ira Steven Behr & Robert Hewitt Wolfe, and directed by James L. Conway
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The Enemy (Star Trek: The Next Generation, S3 E07) was recommended by Leah (Lee-uh) she/her , who said: In lists of both favorite and underrated star trek episodes this one seems to get lost in the shuffle! I rarely see anybody talk about it which is baffling as its one of my all favorites.
As someone playing an engineer in a Star Trek Adventures campaign I adore Geordi’s creativity in this episode! He makes it work even at such a horrible disadvantage (imo, an engineer’s best trait). The chemistry between Geordi and Bochra makes the near-friendship they form so much sweeter and Worf’s indifference towards the death of a Romulan he could have saved all the more troubling. I love trek episodes that allow characters to not always be the better person and this is a perfect example! Its also hard to ignore the line “I never lie when I’ve got sand in my shoes, Commodore”
The Enemy first aired on November 6, 1989, written by David Kemper & Michael Piller, and directed by David Carson
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The Practical Joker (Star Trek: The Animated Series, S2 E03) was recommended by FoxSan, He/Him, who said: "This desk is covered with ice! And it was almost covered with us!", romulans are knee-deep in desserts and KIRK IS A JERK!
The Practical Joker first aired on September 21, 1974, written by Chuck Menville, and directed by Bill Reed
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Extreme Risk (Star Trek: Voyager, S5 E03) was recommended by James (he/him), who said: I also ‘like’ Extreme Risk. I think Roxann Dawson’s acting is super subtle and she does grief really well. Really resonated with me with my own personal grief. As you probably know it’s after the news all the Marquis are dead and she is grieving. She isn’t her typical angry self (which for her is odd) she’s just numb. She does things like taking silly risks to ‘feel’ something. And she gets riskier and riskier. I was the rock for my family after my dad suddenly passed away in a car accident, 2 weeks before my 27th bday. Even though I was the youngest I was also the ‘smart and calm one’. My mum and sister were so emotional and I had to close down to hold them up (if that makes sense). I was back at work after a few days. Organised the funeral and sorted stuff with the police. I was numb though. I’ve worked all this stuff out but did engage in some silly behaviours a few years later that were not okay. Made worse by being in a bad relationship. Numbness was safe. I’ve saw that episode again about 18 months ago (5 years after my dad and 6 months after a breakup) and I just got her vibe. Her numbness and behaviours. As I already said, her performance is really fucking on point. The half Klingon that was all fire. Now so subtle and carrying on. I love Trek, all iterations but subtle acting ain’t a usual part of its wheelhouse. So this was so refreshing.
Extreme Risk first aired on October 28, 1998, written by Kenneth Biller, and directed by Cliff Bole
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The Elysian Kingdom (Star Trek: Strange New Worlds, S1 E08) was recommended by Chief Engineer Greg
The Elysian Kingdom first aired on June 23, 2022, written by Akela Cooper & Onitra Johnson, and directed by Amanda Row
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Kobayashi (Star Trek: Prodigy, S1 E6) was recommended by Lauren Rivers she/her, who said: When Prodigy first began I did not like Dal. I thought he was arrogant and full of himself, appointing himself captain without having earned the privilege. But this was the first episode that opinion started to shift, with him attempting the famous Kobiyashi Maru. For the first time I found Dal likeable and even a bit hilarious as he gives one of the best renditions of the test in Star Trek history. As a fellow chaos appreciator, this was when I really started to enjoy the show.
Kobayashi first aired on January 6, 2022, written by Aaron J. Waltke, and directed by Alan Wan
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Our Man Bashir (Star Trek: Deep Space Nine, S4 E10) was recommended by he/him Crimson like the color, who said: This one is probably pretty well liked already but...man it's just a blast so why not love on it too? Bashir's 60s Action Spy Holonovel is interrupted by a transporter emergency and all the major characters are replaced by runabout crew. We get the utter delight of the crew getting to ham it up in absurd Bond-style roles, all the while Garak snarks on the whole mess as a 'real spy.' The Garak-Bashir interactions are great, Colm Meany gets to play a gangster, which he does well, and Avery Brooks gets to monologue, plus the 60s spy camp is perfect. Plus we get a bit of a "B" plot that lets Odo, Quark, Rom, and even Eddington solve problems in the dark, which is neat. AND holodeck malfunctions are a classic of Star Trek!
Our Man Bashir first aired on November 27, 1995, written by story by Robert Gillan, teleplay by Ronald D. Moore, and directed by Winrich Kolbe
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Starship Mine (Star Trek: The Next Generation, S6 E18) was recommended by Royce Day (pronouced like Rolls Royce) he/him, who said: While this episode is safely in the "filler" category, lacking any connection to past episodes and never being mentioned again in the series, I'm fond of it because it's just FUN. It makes no bones (or McCoys) about being straight up "What if Die Hard, but on a Starship?" with Picard alone and rapidly losing his uniform tunic to crawl around in the Jefferies tubes and take on a bunch of terrorists/thieves by himself. Also unless I'm mistaken, this is the most running and punching he does in the series until the First Contact film.
Side Note: My second favorite "Die Hard on an X" story is the made for video film "Interceptor" which is set on a C5 Galaxy aircraft, and improbably stars Jurgon Prochnow as the requisite german terrorist out to steal a VR equipped F-117.
Starship Mine first aired on March 29, 1993, written by Morgan Gendel, and directed by Cliff Bole
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