Avsnitt
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Paris-Based traverso superstar, conservatoire professor and flute mastermind Sebastijan Bereta joined me on the podcast this week, live from The City of Lights herself, to chat all things flute.
Sebastijan gives us his tips to embrace the true French Flute School as well an insight into the (cooler?) world of period instruments, before the pair of us wax lyrical about Sir James Galway for 7 minutes.
Bisous x
Inline G Merch:
Inlineg.myshopify.com
Inline G Patreon:
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - Monsieur Bereta
10:32 - The French Flute School
27:28 - Love the Artistic You
30:28 - Kindness of the Traverso World
43:05 - A Love Letter to Sir James
48:52 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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The Curse of the 9th Symphony, Verdi’s Huanted Opera and the Principal Flutist Eaten by The Orchestra Board; just a few of the spooky stories on this week’s Halloween Special as I dress up as a haunted Rudi Völler and sip on a cocktail.
Happy Samhain everyone, go practice your scales x
Inline G Merch:
Inlineg.myshopify.com
Inline G Patreon:
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - Halloween’s Irish Roots
09:40 - MacBeth to Forza
18:24 - The Tritone and The Devil
21:42 - The Curse of the 9th
27:12 - Baker’s Vibrato and ChatGPT
31:06 - Flute Cannibalism
Hosted on Acast. See acast.com/privacy for more information.
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Saknas det avsnitt?
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Paris Syndrome doesn’t just hit Japanese tourists; flute players also get struck down with it. You’re all ready for the world capital of fluting, only to be welcomed by a mouldy baguette and 180 euro opera tickets.
But don’t worry; I’ve got you. Wether you’re planning a visit to Gay Paree, or just fancying some knowledge for bragging rights at a party; This week’s Inline G tells is a guide for the climate flute tourist trip to the City of Lights.
Bisous x
Inline G Merch:
Inlineg.myshopify.com
Inline G Patreon:
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - Paris Syndrome and Japanese Tourists
8:15 -Intermittent du Spectacle
12:25 - A List of Orchestras and Venues
17:25 - Orchestre de Paris, Ile de France and Chambre
26:25 - The Opera and Radio France
38:32 - Other Flutey Fun in Paris
Hosted on Acast. See acast.com/privacy for more information.
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Punk Rock has the leather jackets, Glam Rock has the capes, Britpop has the parka’s and Heavy Metal has the body odour; but what does Classical Music have?
From what started as Victorian style garments, we look at the historical reasons for Classical Music’s fashion aesthetic, and why it hasn’t really moved on. We’ll chat how Yuja, Khatia, Kennedy and co (including some flutes) are bucking the trend, and why you maybe should too.
Inline G Merch:
Inlineg.myshopify.com
Inline G Patreon:
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - Hot Goose Autumn
5:55 - 17th Century Origins
13:43 - Fancying Musicians
24:10 - Yuja, Khatia, Nigel et al
33:30 - Stylish Flutists
36:50 - Gold Old Fashioned Sexism
Hosted on Acast. See acast.com/privacy for more information.
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Following the latest developments in the Middle East, I’ve had to make this ad hoc episode to get some things off my chest.
From Classical Music’s tabloid shite “Slipped Disc”, to a 13 year old scandal involving the LPO; I look at some of the industries moral failings over the past years.
Inline G Patreon:
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - The trigger for this week’s episode
6:37 - Context from the Middle East
13:45 - Anti-Semitism’s Rise
18:45 - Active v Passive Media Voices
22:25 - Slipped Disc
40:00 - The LPO4
Hosted on Acast. See acast.com/privacy for more information.
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Guess who’s back, back again? Schocker’s back; tell your friends.
In the first ever returning guest episode, Gary Shocker is here this week to do a LIVE composition for flute and piano, on air, to completion.
Ever fancied seeing how the world's most published living flute composer goes about writing a piece from scratch? It's your lucky day.
You really are spoiled rotten. Stick around to the end for a recording too of “Sunday in Cologne” a piece for flute and piano JUST for The Inline G Flute Podcast.
(Also try to spot the moment where Gary and I talk about how not demure brat summer was in NYC)
Find the score here:
https://drive.google.com/drive/folders/1Z4a6lQlve3wpsFj_JANaUNqpTTeHqpoI?usp=sharing
Inline G Merch:
Inlineg.myshopify.com
Inline G Patreon:
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - He’s Back, Baby
5:40 - Let’s compose
11:26 - Let’s analyse beauty
31:36 - Cologne and Brat Summer
56:04 - Sunday in Cologne by Gary Schocker
Hosted on Acast. See acast.com/privacy for more information.
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Coming from Belfast’s (and Ireland’s?) finest pub, I went for a few pints with Irish traditional flute player Múlú in Maddens this week to chat about everything from her career, to the artistic movement in aid of Palestine to paganism and international toot your flute day.
Múlú also chats about her various projects including Tradtronica group Huartan, all-female Trad Supergroup BIIRD and THE Afro Celt Sound System. You’s are spoiled rotten with this episode x
Madden’s Bar in Belfast will also have a very special evening planned on Friday 4th October for International Toot Your Flute Day for anyone around there.
Inline G Merch:
Inlineg.myshopify.com
Inline G Patreon:
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - A Rushed Intro
4:38 - Breton Flute Playing
15:13 - Toot Your Flute Day
25:18 - Huartan
32:48 - Irish Support for Palestine
43:06 - Afro Celt Sound System
52:15 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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A slightly more rambling episode than usual this week as a recent Blindboy Podcast episode made me reevaluate the role of artistry in interpretation.
Using World Champion Boxer Anto Cacace, and the Irish storytelling tradition of a Seanchaí, I explore how “just” interpreting really is an art after all.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - Nice to see you again
4:05 - Boxing and Fluting
12:30 - Blindboy and Clare Murphy
17:05 - An Appeal
18:45 - A History of Irish Storytelling
30:20 - A Musical Seanchaí
Hosted on Acast. See acast.com/privacy for more information.
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t’s the end of the NFA Bootleg Series 2024, and what an ending it is, dearest listeners. In what you might say saving the best for last (I couldn’t possibly comment), my guest this week is Flute Center CEO Julian Rose.
I was like a child in a sweetshop in this one, as I got to pick the brains of a business and flute encyclopaedia in Julian. We chat about his own journey and new part ownership in Flute Center, before letting me ask the questions burning inside me. Has Chris Martin ever bought a flute? What’s the most expensive flute in the shop? Has Emmanuel Pahud ever tested flutes with an NBA star?
You’ll find it all out in here, you lucky wee ducks.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - An Excitable Intro
3:35 - The Flute Problem Solver
5:46 - Co-Owning Flute Center and Flute Cocktails
16:10 - The Next Big Flute Thing
22:25 - World’s Most Expensive Flutes
37:36 - Quick Fire Questions (and Flute Buying Celebrities)
Hosted on Acast. See acast.com/privacy for more information.
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Do not adjust your television sets; you’re reading that name in the title correctly. My guest this week is beatbox flutist Greg Patillo.
A man that needs no further introduction; just let me add that having watched Greg’s videos and listened to PROJECT Trio’s albums on loop throughout my teen years, this was a special one for me personally.
This was the most fun I’ve had on an episode in a very long time, and it’s a little longer than usual for that reason. Indugle me; I couldn’t cut anything. I’m only human x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - An apology
3:25 - Early Days in Frasier’s Seattle
8:03 - Jamming and French Fluting
16:40 - Sankyo Very Much
25:46 - Inspector Gadget and Leo DiCaprio
37:05 - PROJECT Trio
54:48 - Quickfire Questions and James Bond’s Rum
Hosted on Acast. See acast.com/privacy for more information.
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We’re over the halfway point of the 2024 NFA Bootleg Series, today coming from the 31st floor of a very fancy San Antonio hotel as I sit down with Iranian flute (and history) expert; Mehrdad Gholami.
Mehrdad and I have been chatting for years online, so to finally get to meet was a blast. This episode felt like two mates chatting away, and there happened to be a camera. Pure Inline G Core.
We chatted everything the American Flute School and Mehrdad’s brand new record, to our shared love of Sankyo and contemporary music.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - A short intro
03:19 - Iranian Culture, A History
08:10 - Teaching in the US (Part 1)
15:15 - The American Flute School and Vibrato
21:23 - Teaching in the US (Part 2)
32:49 - Performance Practices from Bach to Today
33:35 - This Vast Sky
41:10 - Sankyo Very Much
48:32 - Teaching in the Trenches
54:35 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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The second instalment of the NFA Convention Series is out and I am spoiling you all rotten!
This week’s guest is soloist, University of Iowa professor, recording artist and all-round flute superstar; Nicole Esposito.
I’ve been a fan of Nicole’s for 13 (!) years and I finally got to meet her and record a wee episode together. She chats about everything from how she judges competitions and her impressive NFA stats to her two recent flute and harp albums and studying with some of the greatest female flutists in US music history (amongst many other things).
It’s a brilliant episode, I enjoyed this so much and I know you lot will too, you lucky wee ducks.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - Intro
03:15 - Judging Competitions
09:35 - Teaching the Post-COVID Generation
15:25 - Intersections, Turkish music and Beyond
24:21 - Dancing in Dreams
29:55 - Fluting Queens
40:15 - Social Media and it’s Developments
51:10 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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From jägerbombs to secret parties, and stellar guests to plastic babies; this week’s podcast reflects on my time at the NFA Annual Flute Convention in San Antonio, Texas.
I look at all the things the NFA got right, my own personal scandals, the cultural differences in the US, a hot take that will kill all my sponsorship chances and finally; why you should join me next year in Atlanta.
(There’s also a wee rant against Woodify and other related snake-oil products, sorry I got carried away x)
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - Sneaky Snakey Oil
5:09 - Fables from the Exhibitor Hall
15:58 - Big up Flute Center
18:18 - What NFA nailed
20:40 - Stereotypes and Secret Parties
30:51 - Help
32:44 - A Complaint
36:15 - Atlanta (Atlantic City?)
Hosted on Acast. See acast.com/privacy for more information.
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Fresh off the plane from the US, this week’s episode is one of several recorded at the NFA Convention in sickly humid San Antonio, Texas. Kicking us off from across the pond is my friend and yours, Scottish flute superstar Stephen Clark.
I haven’t seen Stephen in near 10 years, so this was just a lovely wee catch up that happened to be filmed where we chatted about cultural differences between the US and UK flute worlds, daily challenges for gigging musicians, keeping your trousers on whilst bowing and the musical stylings of Cyndi Lauper.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - A sickly intro
3:47 - USA vs UK
18:22 - Teaching in the US
27:53 - Gigging and Stage Fright
43:28 - The Waistcoat Revolution
52:05 - Fun Questions
Hosted on Acast. See acast.com/privacy for more information.
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Is there truly an American School of Flute Playing, similar to that of France, or is it purely said French School with an American accent?
I haven’t got the answer yet, but come join me as I trace the origins of American Flute Playing back to a Frenchman, which then passed through William Kincaid, Joseph Mariano and Julius Baker, to a potential tradition of American Flute Playing.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - The Ghost of Christmas Past
03:29 - French, German and English Cultures
06:45 - What is American Culture?
10:15 - Georges Barrère to USA
19:45 - Dear Listener
23:45 - Billy Kincaid and a Hot Take
35:41 - Joseph Mariano and St Patrick
38:39 - Julius and Julia Baker
41:39 - What is the American School then?
Hosted on Acast. See acast.com/privacy for more information.
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Two weeks in a row, Inline G is bringing you former winners of the Kobe International Flute Competition; with this week welcoming Spanish-Filipino flutist Rafael Adobas Bayog.
Rafael and I chatted about the unique musical education he got in Ibiza, his compositional style, the Nielsen and Kobe competitions and how channelling your inner lion may be the key to success.
We also chat about our shared love of Steve Aoki and try to name as many Taylor Swift hits as we can.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - A quick hello from just me
04:04 - Rafael Adobas on Ibiza and Vicens Prats
11:38 - Nielsen and other flute competitions
21:48 - Kobe in the Times of Corona
25:15 - Composing
29:14 - Channelling Lions
37:35 - Baroque Flute
43:08 - Orchestral Solos
48:48 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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This week’s episode comes fresh off the press from the Luxembourg Philharomie with orchestral flute superstar, former Kobe Flute Competition Winner, Jolivet aficionado and super-mom; Hélène Boulègue.
I’ve been a fan of Hélène for years now, so getting to sit down with her to chat about her career, social media and most strikingly, motherhood was a legit privilege.
If you only watch one part of this episode, skip ahead to the chapter on motherhood; especially if you’re a fella.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - A Quick Intro
2:32 - Orchestral Auditions at 19
12:50 - Preparing for Kobe
26:28 - Principal Flute
34:28 - Motherhood
51:03 - Changing Artistic Priorities
52:32 - Quickfire Questions
Hosted on Acast. See acast.com/privacy for more information.
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All music is political; the fact it even exists is a political debate. So on the most political day of the year for the flute, join me as I discuss the role it plays as a symbol for both the Ulster Unionist and Catholic Nationalist communities across Ireland.
I also chat about why music is inherently left-wing, and why classical music insists of being apolitical in an ever changing world.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - Is Music Political?
4:02 - The Flute in both Irelands
22:22 - Comparing Rebel and Orange Songs
27:36 - Right Wing Music (and why it’s shite)
29:54 - Patreon and Flute Center
32:40 - Classical Music’s Apolitical Attempts
38:13 - Ireland and Palestine
Hosted on Acast. See acast.com/privacy for more information.
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The Punk Ethos is defined by anti-authoritarian and anti-establishment views, carried out in a DIY fashion. Is there anyone in Classical Music truly doing this, or is elitism too deeply ingrained in the culture?
I explore the roots of punk, the differences between punk as a genre and as an ethos, and finally I give my 3 favourite classical music “punks.”
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - The Origins of Punk
7:55 - Disco, LGBTQ+ and Kneecap
12:20 - Support your local Punk
14:40 - Why Classical Music ISN’T Punk
18:55 - Franz Liszt and Clevage
25:55 - Stockhausen and Polyamory
34:17 - Currentzis and Big Boots
Hosted on Acast. See acast.com/privacy for more information.
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How a freak accident in 1930's Hungary led to Francis Poulenc writing the most played flute and piano piece in the world, as well as an opera about a set of flying female breasts.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Summer and Healthy Practice
2:35 - Who is Monsieur Poulenc?
12:15 - True Crime in Hungary
19:10 - Patreon Ad Read
21:08 - PostBestMateDecapitation Era
24:35 - Flying Breasts
26:50 - The Flute Sonata
Hosted on Acast. See acast.com/privacy for more information.
- Visa fler
