Avsnitt
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From the school carpool lane…
Monday, December 9th
Hey Filmmaker,
As a filmmaker, reshoots are inevitable.
Whether it’s fixing continuity errors, adding a missed shot, or improving a performance, they’re part of the process.
But here’s the hard truth: reshoots can be expensive, logistically challenging, and time-consuming.
Now imagine this: instead of hauling your cast and crew back to a location, or scrambling to rebuild an entire set, you solve the problem with a greenscreen and a background plate you captured during your initial shoot.
It’s a simple trick that every filmmaker should know—yet it’s often overlooked.
Capturing high-quality background plates of your filming locations can be a lifesaver when reshoots come knocking.
In this post, we’ll explore why background plates matter, how to use them, and how they’ve been a secret weapon for some of the biggest films in Hollywood.
How Capturing Background Plates Can Save Your Film Reshoots (and Your Budget)
THE MODERN FILMMAKER
This Issue: Why Every Filmmaker Should Capture Background Plates: The Secret to Effortless Reshoots…
Last Issue: Why Every Filmmaker Needs an Electronic Press Kit (EPK) to Promote Their Film…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was… (Story)
So there I was, sitting in the editing room, reviewing the final cut of a short film I’d directed.
Everything looked solid—until I noticed a small, glaring problem.
One pivotal scene, shot in a cozy café, had a continuity error.
A coffee cup that was supposed to be empty was suddenly full in one take.
The fix was simple: a quick insert shot of the actor setting the empty cup down.
But there was a huge problem:
The café location wasn’t available anymore.
The set was gone, the lighting had changed, and re-creating the environment seemed impossible without blowing the budget.
Then I remembered something: we had captured a clean background plate of the café—just an empty shot of the room with no actors or movement.
All we needed to fix the scene was a greenscreen, an actor, and that plate.
The reshoot took an hour.
We dropped the actor into the café background using the plate, and the final edit was seamless.
What could have been a costly and stressful reshoot turned into a quick, affordable fix—all because we had the foresight to capture background plates.
What Are Background Plates?
A background plate is a clean shot of your filming location without any actors, props, or action.
Think of it as a “blank canvas” of your set.
These plates can later be used in post-production to composite actors, props, or effects using greenscreen technology.
Plates are typically captured during the initial shoot—when you already have access to the location and the set is dressed exactly how it appears in your scenes.
Why Are Background Plates Important for Filmmakers?
1. They Make Reshoots Simple
If you have a background plate of your location, you can reshoot scenes without needing to return to the actual set or location.
Simply set up a greenscreen, match the lighting, and composite the footage into the original background.
2. They Save Time and Money
Returning to a location can be costly, especially if it involves travel, location fees, or rebuilding a set.
With a background plate, reshoots can often be done in a studio with minimal crew and resources.
3. They Offer Creative Flexibility
Background plates can also be used for creating new shots or scenes you didn’t plan for originally.
Need a close-up or reaction shot that wasn’t in the script?
As long as you have the plate, you have options.
4. They Future-Proof Your Project
In filmmaking, you never know when you’ll need additional footage—even years after the initial shoot.
Having background plates gives you the flexibility to revisit locations virtually without needing to start from scratch.
How to Capture Background Plates
1. Plan Ahead
During pre-production, identify the key locations where background plates might be needed.
Communicate this to your cinematographer and production team so they can allocate time for it on set.
2. Capture Multiple Angles
Make sure to capture plates from every angle used in your scene.
Wide shots, over-the-shoulder views, and close-ups—cover them all to ensure flexibility during post-production.
3. Match Lighting and Set Dressing
The background plate should look identical to the actual scene.
Ensure the set is fully dressed, and the lighting is the same as it is during the main shoot.
4. Record in High Resolution
Capture your plates in the highest resolution possible.
This ensures you can scale and manipulate the image in post without losing quality.
5. Keep the Camera Static
Use a tripod or locked-down rig to ensure the background plate is stable.
Movement in the plate can create challenges during compositing.
Examples of Background Plate Use in Iconic Films
1. The Social Network
David Fincher is a master of seamless visual effects.
In The Social Network, background plates were used extensively for scenes involving the Winklevoss twins.
Actor Armie Hammer played both twins, and the use of plates allowed Fincher to composite Hammer’s performance into a single frame, creating the illusion of two distinct characters.
2. Avengers: Endgame
Marvel films often rely on background plates for their VFX-heavy scenes.
Many sequences in Avengers: Endgame, particularly those in otherworldly locations, used plates combined with greenscreen footage to place actors in environments that didn’t physically exist.
3. Forrest Gump
Background plates were crucial in creating Forrest Gump’s iconic historical moments.
For example, in the scene where Forrest shakes hands with President John F. Kennedy, plates of historical footage were composited with Tom Hanks’ performance, blending reality and fiction seamlessly.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
How Background Plates Simplify Reshoots with Greenscreen
Step 1: Set Up the Greenscreen
To reshoot a scene, place your actor in front of a greenscreen.
Ensure the lighting matches the original scene as closely as possible.
Step 2: Composite the Actor
Using software like Adobe After Effects or DaVinci Resolve, composite the greenscreen footage of your actor onto the background plate.
Adjust for scale, perspective, and lighting to create a seamless blend.
Step 3: Refine the Details
Add any necessary finishing touches, like shadows or reflections, to enhance realism.
This step ensures the actor appears naturally integrated into the background.
Common Challenges (and How to Overcome Them)
1. Lighting Mismatches
Problem: If the lighting in your greenscreen footage doesn’t match the background plate, the final composite will look unnatural.
Solution: Pay close attention to the direction, color temperature, and intensity of the lighting. Use reference images from the original shoot to guide your setup.
2. Resolution Differences
Problem: If your background plate is lower resolution than your greenscreen footage, the composite will look pixelated or blurry.
Solution: Always capture plates in the highest resolution possible.
3. Perspective Issues
Problem: If the camera angle doesn’t match between the plate and the greenscreen footage, the final image will look off.
Solution: Use a consistent lens and camera setup when capturing plates and shooting greenscreen footage.
Why Capturing Background Plates Matters: Key Takeaways
Here’s why capturing background plates should be standard practice for every filmmaker:
* Simplifies Reshoots: Avoid the hassle and cost of returning to locations.
* Saves Time and Money: Reshoots can be done in a studio, not on-location.
* Future-Proofs Your Film: Gives you flexibility to revisit locations digitally.
* Expands Creative Options: Allows you to add new shots or reimagine scenes.
* Reduces Risk: Provides a safety net for unexpected issues in post-production.
Final Thoughts
As a filmmaker, preparation is your greatest ally.
Capturing background plates may seem like a small, extra step on set, but it can save you massive headaches in post-production.
Whether you’re fixing continuity errors, adding new shots, or working on a VFX-heavy project, background plates give you the flexibility to adapt without breaking the bank.
So next time you’re on set, take a few extra minutes to capture those plates. Your future self—and your budget—will thank you.
Until next time, filmmaker—plan ahead, shoot smart, and keep creating.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Jim Jarmusch & Claude Chabrol…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… Writing a Screenplay that Sucked…
* 👉 Some Thoughts: Why Risk is the Key to Relationships…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From a Frostbit Lawn
Monday, December 2nd,
Hey Filmmaker,
Editing is where the magic of filmmaking truly comes alive.
It’s the place where raw footage transforms into a cohesive, emotionally resonant story.
As filmmakers, we’re constantly making decisions—what to cut, what to keep, and how to create that perfect flow.
Few editors in history have articulated the art of editing better than Walter Murch, the legendary editor behind films like Apocalypse Now and The English Patient.
His “Rule of Six” has become a gold standard in the editing world, providing a roadmap for creating cuts that resonate emotionally and visually with audiences.
If you’re serious about filmmaking, mastering the Rule of Six is non-negotiable.
This post dives deep into what it is, why it matters, and how you can apply it to your own projects to elevate your storytelling.
Why Walter Murch’s Rule of Six is Essential for Filmmakers and Editors
THE MODERN FILMMAKER
This Issue: Mastering Walter Murch’s Rule of Six: The Key to Better Film Editing…
Last Issue: Why Every Filmmaker Needs an Electronic Press Kit (EPK) to Promote Their Film…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was… (Story)
So there I was, knee-deep in the editing process for my first shoty film.
I had spent weeks painstakingly reviewing hours of footage, but something wasn’t clicking.
The transitions felt forced, the pacing was off, and the emotional beats weren’t landing.
I was stuck.
That’s when a mentor handed me a copy of Walter Murch’s In the Blink of an Eye.
It was in this book that I first encountered the Rule of Six, Murch’s hierarchy of priorities for making the perfect cut. It was a revelation.
Suddenly, I had a framework—a guiding light in the chaos of editing.
Using the Rule of Six, I revisited every cut, focusing on the emotional truth of the story first and technical details second.
The difference was immediate.
The film finally flowed. It wasn’t just about making edits; it was about making the right edits.
Since then, the Rule of Six has been my go-to compass for every project.
It’s not just a set of principles; it’s a philosophy that connects every cut to the heart of the story.
What is Walter Murch’s Rule of Six?
Walter Murch’s Rule of Six is a set of six criteria for making editing decisions, ranked in order of importance.
These principles prioritize storytelling and emotional impact over technical perfection, reminding filmmakers that every cut should serve the narrative and the audience’s experience.
Here’s the hierarchy:
* Emotion (51%)Does the cut evoke the right emotion in the audience?
* Story (23%)Does the cut advance the story logically?
* Rhythm (10%)Does the cut happen at the right time to maintain the film’s rhythm?
* Eye Trace (7%)Does the cut direct the viewer’s attention to the right part of the frame?
* Two-Dimensional Plane of Screen (5%)Does the cut maintain spatial continuity on the screen?
* Three-Dimensional Space of Action (4%)Does the cut preserve the continuity of the physical space?
Murch emphasizes that emotion reigns supreme.
If a cut works emotionally, even if it breaks technical rules, it’s usually the right choice.
Breaking Down the Rule of Six
1. Emotion (51%)
The most critical aspect of any edit is whether it evokes the intended emotion.
A cut that doesn’t connect emotionally with the audience is a failure, no matter how technically perfect it is.
Example: Think of the closing scene in The Godfather when Michael Corleone shuts the door on Kay.
The cut lingers just long enough for the audience to feel the weight of his decision. The emotion drives the edit, not the mechanics.
2. Story (23%)
Every cut should serve the story. If a shot or scene doesn’t advance the narrative, it’s unnecessary.
Example: In Mad Max: Fury Road, every cut propels the story forward, maintaining the relentless pace of the film.
There’s no wasted frame, as each edit contributes to the unfolding chaos and survival story.
3. Rhythm (10%)
Editing is like music—it needs rhythm.
A cut should feel natural, landing at just the right moment to maintain the film’s pacing.
Example: Edgar Wright’s films (Shaun of the Dead, Baby Driver) are masterclasses in rhythm.
His edits sync perfectly with music, sound effects, and action, creating a seamless flow.
4. Eye Trace (7%)
Eye trace refers to guiding the viewer’s attention within the frame.
A good cut ensures the audience’s focus is on the right element, avoiding visual confusion.
Example: In 1917, the continuous-shot style relies heavily on eye trace.
Each movement and cut is designed to naturally lead the viewer’s eyes to the next focal point.
5. Two-Dimensional Plane of Screen (5%)
This principle ensures spatial continuity within the frame, so cuts don’t confuse the audience about the layout of the scene.
Example: In action scenes like those in The Dark Knight, Christopher Nolan adheres to this principle to ensure viewers understand the geography of the fight sequences, even amidst rapid cuts.
6. Three-Dimensional Space of Action (4%)
The final consideration is maintaining the physical continuity of the scene—ensuring characters and objects remain logically placed within the 3D space of the story.
Example: In The Lord of the Rings, Peter Jackson’s battle sequences maintain spatial logic, so viewers can track where armies are positioned relative to each other, even in chaotic scenes.
Why Walter Murch’s Rule of Six Matters for Filmmakers
1. Prioritizes Emotional Impact
Murch’s Rule reminds filmmakers that the audience connects to a film emotionally first.
If the emotion is lost, everything else falls apart.
2. Balances Art and Technique
The Rule of Six acknowledges the technical aspects of editing but places them in service of the story and emotion.
This balance is crucial for creating a cohesive, impactful film.
3. Creates Universally Resonant Films
By focusing on emotion and story, the Rule of Six ensures that your film resonates with audiences, regardless of genre or style.
Applying the Rule of Six in Editing
Here’s how you can incorporate Walter Murch’s principles into your editing process:
1. Start with Emotion
Ask yourself: What should the audience feel at this moment? If the emotion isn’t clear, rethink the cut.
2. Simplify Your Story
Trim anything that doesn’t advance the narrative. Be ruthless—if a scene or shot doesn’t serve the story, cut it.
3. Find the Rhythm
Watch your scene repeatedly, feeling out the natural rhythm. Trust your instincts, and don’t be afraid to experiment.
4. Use Eye Trace to Lead the Viewer
Pay attention to where the viewer’s eyes naturally go within the frame. Ensure your cut aligns with their focus.
5. Maintain Spatial Continuity
Keep an eye on the geography of the scene. Cuts should clarify, not confuse, the viewer about the layout of the space.
6. Serve the Physical Action
Ensure that characters and objects remain consistent in their positioning and movement within the scene.
Examples of the Rule of Six in Iconic Films
1. Apocalypse Now
Edited by Walter Murch himself, this film is a masterclass in emotional editing.
The iconic opening sequence, blending “The End” by The Doors with shots of jungle explosions, sets the emotional tone for the entire film.
2. Whiplash
The editing in Whiplash expertly balances emotion, rhythm, and story.
The climactic drum solo builds to a breathtaking crescendo, perfectly timed to maximize emotional impact.
3. The Social Network
In The Social Network, editor Kirk Baxter adheres to Murch’s principles, using rhythm and emotion to heighten the tension in dialogue-heavy scenes, particularly during the depositions.
Why the Rule of Six Matters: Key Takeaways
Here’s why Walter Murch’s Rule of Six should be every filmmaker’s guide to editing:
* Emotion is King: Prioritizing emotion ensures that your film connects with audiences on a deeper level.
* Story Comes First: Every cut must serve the narrative, keeping viewers engaged and invested.
* Rhythm Guides the Flow: Editing isn’t just about visuals; it’s about timing and pacing.
* Visual Clarity is Crucial: Eye trace and spatial continuity ensure that cuts enhance, rather than distract from, the story.
* Balances Art and Technique: Murch’s framework bridges creativity and practicality, making it a must-know for every filmmaker.
Final Thoughts
Walter Murch’s Rule of Six isn’t just a set of editing principles—it’s a storytelling philosophy.
By focusing on emotion and story first, while balancing rhythm and technical considerations, this approach ensures that every cut you make enhances the audience’s experience.
Whether you’re editing your first short film or your tenth feature, the Rule of Six will help you create work that resonates, captivates, and stands the test of time.
Until next time, filmmaker—trust your instincts, follow the emotion, and keep creating.
Cheers,
Mike Rekola
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
Saknas det avsnitt?
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From a bright and sunny 35 degrees.
Monday, November 25th
Hey Filmmaker,
In the filmmaking world, promoting your project is as important as making it.
Even the best films can get lost in the noise without the right tools to grab attention.
That’s where the Electronic Press Kit (EPK) comes in—a professional, well-assembled EPK is your film’s calling card, opening doors to festivals, distributors, media outlets, and audiences.
But what exactly is an EPK?
Why does it matter so much?
And how do you create one that stands out in a sea of competition?
In this post, we’ll break down everything you need to know about Electronic Press Kits, including their importance, the key elements they should contain, and how to use them effectively to boost your film’s visibility.
Why the Electronic Press Kit is Essential for Filmmaking Success and How to Build One
THE MODERN FILMMAKER
This Issue: Why Every Filmmaker Needs an Electronic Press Kit (EPK) to Promote Their Film…
Last Issue: Why Taking Risks is the Key to Building Relationships in Filmmaking and Life…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was… (Story)
So there I was, staring at the email draft for a short film festival submission.
I had my film ready to go—polished, edited, and ready for the world to see.
The festival organizers wanted “supporting materials,” but I didn’t have anything cohesive prepared.
Frantically, I cobbled together a few production stills, a synopsis, and a cast list.
I hit send, but deep down, I knew my submission was incomplete.
Weeks passed, and I heard nothing back.
Later, I found out that the festival programmers had moved on from my submission because my “materials” weren’t professional or organized enough to help them market my film.
That’s when I realized the power of an Electronic Press Kit.
It wasn’t just a submission formality—it was a way to make a strong impression and stand out in a crowded field.
From that moment on, I made it a priority to create a professional EPK for every film I worked on.
And let me tell you, it’s made all the difference.
With a polished EPK, I’ve been able to catch the attention of festivals, distributors, and even journalists.
If you’re serious about filmmaking, an EPK isn’t optional—it’s essential.
What is an Electronic Press Kit (EPK)?
An Electronic Press Kit (EPK) is a collection of digital materials that showcases your film and provides all the information needed to promote and market it.
Think of it as a one-stop shop for anyone interested in your project—film festivals, journalists, distributors, and even potential audiences.
An EPK typically includes:
* Key details about your film (title, runtime, genre, synopsis, etc.)
* Cast and crew bios
* Production stills and behind-the-scenes photos
* A film trailer and clips
* Press releases and promotional materials
* Contact information for the filmmaker or publicist
Whether you’re submitting to festivals, reaching out to the press, or pitching your film to distributors, a well-crafted EPK makes it easy for others to understand and promote your work.
Why an EPK is Important for Filmmakers
It Makes You Look Professional
An EPK is a sign that you take your film seriously.
It shows that you’re organized, prepared, and ready to collaborate.
Festivals and distributors are more likely to work with filmmakers who have professional materials in place.
Example: When submitting to Sundance, a complete EPK can set your film apart from the hundreds of submissions that don’t include the necessary materials. Festivals want films they can easily market, and your EPK makes that possible.
It Simplifies Promotion
Journalists, bloggers, and festival programmers are busy people.
They don’t have time to hunt down information about your film.
An EPK puts everything they need in one place, making it easier for them to write about and promote your work.
Example: Consider Everything Everywhere All At Once. Its EPK included production stills, press quotes, and detailed bios for the Daniels (directors). These materials allowed media outlets to write in-depth articles without needing additional input from the filmmakers.
It Helps Distributors Sell Your Film
Distributors rely on marketing materials to sell your film to streaming platforms, theaters, and international markets.
A strong EPK gives them the tools they need to pitch your project effectively.
Example: Parasite’s EPK featured high-quality stills, Bong Joon-ho’s bio, and detailed notes about the film’s themes, helping distributors promote the film’s unique vision and win over global audiences.
It Tells Your Story
An EPK is more than just a collection of files—it’s an opportunity to tell the story behind your film.
It lets you share your vision, process, and inspiration, building excitement and connection with your audience.
Example: The EPK for Moonlight included a director’s statement from Barry Jenkins, providing personal insight into the film’s themes and emotional core. This added depth to the film’s promotional campaign.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
Key Pieces of a Great EPK
To create an effective EPK, you need to include the right elements. Here are the essential components:
1. Film Overview
Start with the basics:
* Title
* Genre
* Runtime
* Language
* Synopsis (short and long versions)
This section gives readers a quick understanding of your film at a glance.
Example: The EPK for The Shape of Water included a one-sentence logline (“A fairy tale for troubled times”) as well as a detailed synopsis, helping media and distributors quickly grasp the film’s unique tone and story.
2. Cast and Crew Bios
Include short bios for the key players behind your film, such as:
* The director
* Lead actors
* Producers
* Cinematographer
Focus on relevant achievements, awards, and notable projects.
Example: The EPK for Little Women highlighted Greta Gerwig’s previous success with Lady Bird, which reinforced her credibility as a director.
3. High-Quality Stills
Include production stills, behind-the-scenes photos, and key moments from the film. High-resolution images are critical for press coverage.
Example: La La Land’s EPK featured vibrant stills of its iconic dance sequences, which were widely used in promotional materials and media coverage.
4. Trailer and Clips
A strong trailer is often the first thing people watch. Include a downloadable version, as well as links to any key clips or teasers.
Example: The EPK for Get Out included its iconic trailer, which showcased the film’s unique blend of horror and social commentary.
5. Press Materials
Add any press releases, early reviews, or promotional quotes. This helps build buzz around your film.
Example: The Banshees of Inisherin included glowing quotes from early festival reviews, which helped generate excitement ahead of its theatrical release.
6. Director’s Statement
A personal note from the director adds authenticity and context to your film. Use this space to share your vision, inspiration, and creative process.
Example: Alfonso Cuarón’s statement in Roma’s EPK shared his deeply personal connection to the story, making it resonate even more with audiences and critics.
7. Contact Information
Make it easy for people to reach you. Include:
* Your email
* Social media links
* Your publicist’s contact (if applicable)
Example: The EPK for Minari prominently displayed its PR team’s contact info, ensuring media outlets could easily arrange interviews and coverage.
How to Use Your EPK Effectively
1. Submit to Festivals
Film festivals often require supporting materials for submissions. A professional EPK can make your film stand out and improve its chances of being selected.
2. Share with Media Outlets
Send your EPK to journalists, bloggers, and influencers to generate press coverage. Include a friendly email with a brief pitch about your film.
3. Partner with Distributors
Distributors use your EPK to pitch your film to theaters, streaming platforms, and international markets.
4. Promote on Social Media
Use elements of your EPK—like stills, trailers, and quotes—to build excitement on social media and attract audiences.
Why an EPK Matters: Key Takeaways
Here’s why every filmmaker needs an Electronic Press Kit:
* Professionalism: Shows that you take your film and its promotion seriously.
* Ease of Access: Provides all the materials needed for festivals, media, and distributors in one place.
* Marketing Power: Helps generate buzz and visibility for your film.
* Better Opportunities: Makes it easier to secure festival slots, press coverage, and distribution deals.
Final Thoughts
An Electronic Press Kit (EPK) isn’t just a tool—it’s an essential part of your film’s journey.
By investing time in creating a professional, polished EPK, you’re setting your project up for success.
From festivals to media to distributors, your EPK is the key to opening doors and making your film stand out in a competitive industry.
So, filmmaker, don’t skip this step.
Build an EPK that reflects the passion, creativity, and hard work you’ve poured into your film—and let it help you share your story with the world.
Until next time, keep creating, keep sharing, and keep believing in your vision.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Jim Jarmusch & Claude Chabrol…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… Writing a Screenplay that Sucked…
* 👉 Some Thoughts: Why Risk is the Key to Relationships…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From a rainy November day.
Thursday, November 21st
Hey Filmmaker,
In both filmmaking and life, meaningful relationships aren’t built by playing it safe.
Whether it’s forging a creative partnership, directing a complex scene, or committing to a deeply personal connection, risk is the glue that holds relationships together.
The willingness to be vulnerable, to invest without guarantees, and to face uncertainty head-on is what builds trust, deepens bonds, and makes both films and relationships extraordinary.
As filmmakers, our entire craft is rooted in risk.
We risk our time, our resources, and often our emotional well-being for projects we believe in.
But this isn’t just about the film—it’s about the people who make the journey worthwhile.
Without risk, there’s no trust, and without trust, there’s no collaboration.
In this post, we’ll explore why risk-taking is the foundation of relationships in filmmaking and life, and how embracing it can lead to better films and deeper connections.
Risk as the Foundation of Relationships: Lessons for Filmmakers and Beyond
THE MODERN FILMMAKER
This Issue: Why Taking Risks is the Key to Building Relationships in Filmmaking and Life…
Last Issue: How to Attract Investors, Talent, and Distributors: Use a Film Finance Plan…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was… (Story)
So there I was, sitting across from a producer I desperately wanted to work with.
I’d spent weeks refining my pitch for a film I was sure could be the next indie darling.
I had rehearsed every detail—budget, cast ideas, and the emotional core of the story.
But as I started my pitch, I could see his interest waning.
He wasn’t connecting.
My polished delivery wasn’t enough.
In a moment of desperation, I scrapped my script.
I dropped the rehearsed lines and told him the truth: this film wasn’t just a project—it was personal.
I shared a story from my life that inspired the script.
I talked about the risks I’d taken to get to this point—quitting my job, maxing out credit cards, and pouring my heart into a story I believed needed to be told.
By the end, I wasn’t sure if I had blown it or struck a chord.
Then the producer leaned forward and said, “That’s what I needed to hear. Let’s make this film.”
That meeting taught me a powerful lesson: taking risks—being vulnerable—is what builds trust.
It’s the foundation for every meaningful collaboration in filmmaking and life.
Why Risk is Essential for Relationships in Filmmaking
Risk Builds Trust
In filmmaking, trust is everything.
When you take a creative risk—whether it’s pitching a bold idea or sharing a personal story—you show vulnerability.
This vulnerability is what connects people.
Trust isn’t built by playing it safe; it’s built when you show others that you’re willing to step into the unknown.
Steven Spielberg’s decision to hire a relatively unknown composer, John Williams, for Jaws was a huge risk.
Spielberg trusted Williams’ vision, and the result was one of the most iconic film scores of all time.
That creative trust grew into a lifelong collaboration.
Risk Inspires Collaboration
When you take risks, you invite others to do the same.
Filmmaking is a deeply collaborative art form, and the best partnerships are built on mutual risk-taking.
Directors trust actors to embody their characters.
Cinematographers take chances with lighting and composition.
When everyone on set feels safe to take risks, creativity flourishes.
On the set of Mad Max: Fury Road, director George Miller encouraged the crew to embrace unconventional techniques, like filming wild stunts with minimal CGI.
This shared willingness to push boundaries created a visually groundbreaking film.
Risk Creates Emotional Investment
Taking risks shows that you care.
Whether you’re sharing a personal story in a pitch meeting or fighting to protect your creative vision, your willingness to put yourself on the line tells others that you’re fully invested.
That passion is contagious, and it inspires others to believe in you and your project.
Greta Gerwig poured her own experiences into Lady Bird, taking the emotional risk of telling a deeply personal story.
Her vulnerability resonated with audiences and collaborators, earning the film critical acclaim and Oscar nominations.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
How Risk Applies to Personal Relationships in Filmmaking
Filmmaking is a business of relationships.
It’s not just about the work—it’s about the people.
The same principles of risk that strengthen personal relationships apply to filmmaking collaborations.
1. Taking the First Step
Reaching out to someone for help or collaboration is inherently risky.
There’s the fear of rejection or failure, but it’s the first step toward building a connection.
Most successful filmmaking partnerships started with one person taking a chance.
Quentin Tarantino’s partnership with Samuel L. Jackson began when Tarantino sent him the script for Pulp Fiction.
Tarantino took the risk of asking Jackson to embody a character written specifically for him—a bold move that paid off and solidified their creative bond.
2. Vulnerability Creates Authenticity
In filmmaking, you often rely on personal stories and emotions to create authentic connections.
Sharing your struggles and dreams with collaborators fosters trust and authenticity.
On the set of Good Will Hunting, Robin Williams and Matt Damon bonded over their shared vulnerability, creating an atmosphere of trust that allowed for one of the most moving performances in cinematic history.
3. Risking Failure for Connection
Not every relationship or collaboration will work out, but risking failure is part of the process.
Each rejection or misstep brings you closer to finding the people who share your vision and values.
Kathryn Bigelow faced rejection after rejection early in her career, but her willingness to take risks on unconventional projects eventually led her to become the first woman to win the Academy Award for Best Director with The Hurt Locker.
Risk in Filmmaking: Examples from Iconic Films
Titanic
James Cameron took monumental risks with Titanic. From its massive budget to building life-sized sets and using groundbreaking technology, Cameron bet everything on his vision. The relationships he built with his cast and crew were rooted in shared risk, and the result was a historic box office triumph.
The Blair Witch Project
The filmmakers behind The Blair Witch Project took a huge risk with their no-budget, found-footage approach. Their willingness to embrace the unconventional made the film a cultural phenomenon, grossing $248 million on a $60,000 budget.
The Social Network
Aaron Sorkin’s script for The Social Network was a risky move—it painted a complex, unflattering picture of Mark Zuckerberg while telling a deeply human story about ambition and betrayal. The film’s success came from the trust between Sorkin, director David Fincher, and the cast, all of whom embraced the risks to create something extraordinary.
How Filmmakers Can Embrace Risk to Build Stronger Relationships
Taking risks in filmmaking doesn’t mean being reckless.
It means being intentional about stepping out of your comfort zone to create deeper connections. Here’s how to embrace risk:
1. Be Honest and Vulnerable
Share your passion and personal connection to your project.
When pitching, let investors, collaborators, or talent see the real you—it’s what makes them trust and believe in you.
2. Trust Your Team
Take the leap of faith to trust others with your vision.
Whether it’s an actor’s interpretation of a character or a cinematographer’s creative choices, allowing others to take risks fosters collaboration and innovation.
3. Take Creative Risks
Don’t be afraid to push boundaries in your storytelling.
Audiences—and collaborators—respond to bold ideas that challenge the norm.
4. Embrace Rejection
Not every pitch or relationship will work out, but each rejection is a step closer to finding the right people.
Learn from failures and keep moving forward.
Why Risk Matters in Filmmaking and Relationships
To sum up, here’s why risk-taking is essential in both filmmaking and life:
* Builds Trust: Vulnerability and risk create the foundation for authentic relationships.
* Inspires Collaboration: Shared risks bring teams closer together and fuel creativity.
* Fosters Emotional Connection: Passionate risk-taking shows investment and inspires others.
* Leads to Growth: Failure and rejection are part of the journey to success.
Final Thoughts
Risk is the heartbeat of filmmaking and relationships.
Without it, there’s no trust, no collaboration, and no growth.
As a filmmaker, embracing risk—both personally and creatively—will not only make your films better but will also help you build meaningful connections with the people who make it all possible.
So take the leap.
Share your story.
Pitch the bold idea.
Let your actions and risks show the world who you are, and watch as the right people rally around you.
Until next time, filmmaker—keep risking, keep trusting, and keep creating.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Jim Jarmusch & Claude Chabrol…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… Writing a Screenplay that Sucked…
* 👉 Some Thoughts: Cover Your Ass… & Write a Finance Plan…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the Living Room (Watching Kipper the Dog, with my son.)
Monday, November 18th
Hey Filmmaker.
In the world of filmmaking, a great story and vision can only take you so far.
To bring your film to life, you need funding—and that’s where a film finance plan comes in.
This document isn’t just a collection of numbers; it’s a strategic tool that convinces investors, collaborators, talent, and distributors that your project is worth their time, money, and effort.
A solid finance plan tells potential stakeholders one key thing: “I’ve got this.”
It shows them how you’ll take the film from script to screen while ensuring their investment (whether it’s money, time, or creative energy) will pay off.
In this post, we’ll break down what a film finance plan is, how to use it effectively, and why it’s critical for any filmmaker serious about success.
What is a Film Finance Plan and How to Use It to Attract Investors, Talent, and Distributors
THE MODERN FILMMAKER
This Issue: How to Attract Investors, Talent, and Distributors: Use a Film Finance Plan…
Last Issue: Unlock the Hedonic Treadmill to Craft Unforgettable Characters…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was… (Story)
So there I was, a first-time filmmaker with what I thought was a killer script.
I had my cast in mind, a director on board, and even a few location scouts lined up.
What I didn’t have? Money.
I knew I needed to attract investors, but every pitch I made felt like it was falling flat.
I’d talk about the story, the cast, and how great the movie would be.
But when they asked about numbers—budget, distribution, ROI—I’d stumble.
One investor bluntly told me, “Passion is great, but show me the plan.”
I realized then that while I had the vision, I lacked the financial roadmap to back it up.
That’s when I discovered the power of a film finance plan.
By mapping out the financial details, showing where the money would come from, how it would be spent, and how investors would profit, I finally started to turn heads.
Investors took me seriously, collaborators saw my project as viable, and even talent started signing on.
That’s when I learned that in filmmaking, a finance plan isn’t just paperwork—it’s your ticket to turning dreams into reality.
What is a Film Finance Plan?
A film finance plan is a document that outlines the financial blueprint for your film. It explains:
* How much money you need to make your film.
* Where that money will come from (investors, grants, crowdfunding, tax incentives, etc.).
* How the funds will be allocated (pre-production, production, post-production, marketing, etc.).
* How the film will generate revenue (box office, streaming, licensing, etc.).
* What kind of return investors can expect on their investment.
Think of it as a business plan for your film.
It provides stakeholders with a clear understanding of the project’s financial risks and rewards, giving them confidence to come on board.
How to Create and Use a Film Finance Plan
Creating a film finance plan might sound intimidating, but it’s about breaking the process into manageable steps. Here’s how to do it:
1. Start with the Budget
The foundation of any finance plan is a detailed budget.
This isn’t just a ballpark figure—it’s a line-by-line breakdown of every expense in your production, from camera rentals to catering.
Be as specific and realistic as possible.
For Paranormal Activity, the budget was famously just $15,000. The filmmakers outlined exactly where that money would go, prioritizing things like cameras and minimal sets.
This clarity helped them stay on track and attract investors post-production.
* Tip: Divide your budget into phases (pre-production, production, post-production, and marketing) to show how funds will be allocated at each stage.
2. Identify Funding Sources
Your finance plan should detail where the money will come from.
Common funding sources include:
* Private investors: Individuals who want to invest in your project for profit.
* Grants and funding programs: These are often available for indie or culturally significant films.
* Crowdfunding: Platforms like Kickstarter and Indiegogo allow you to raise small amounts from a large audience.
* Tax incentives: Many states and countries offer tax credits or rebates for film productions.
Moonlight leveraged grants and private equity investors to secure its modest $1.5 million budget while carefully planning a targeted festival release to attract distributors.
3. Explain Revenue Streams
This is where you show how your film will make money.
Investors want to see how you plan to monetize your movie and generate a return.
Revenue streams might include:
* Theatrical releases.
* Streaming platforms (Netflix, Hulu, Amazon Prime).
* International sales.
* Merchandise and licensing deals.
The Blair Witch Project outlined revenue potential through festival buzz and grassroots marketing, eventually grossing nearly $250 million on a $60,000 budget.
4. Show Investor ROI
Investors need to know what’s in it for them.
Your finance plan should clearly explain how and when they’ll see a return on their investment.
This could include:
* A share of box office profits.
* Distribution revenue.
* Ownership rights.
Include projections for best-case, worst-case, and moderate scenarios to give a realistic picture of potential outcomes.
5. Include Your Team and Track Record
Highlight the key players behind your film, such as the director, producer, and any notable talent.
If you or your team have a track record of successful projects, mention it—this builds confidence.
When pitching Inception, Christopher Nolan’s team emphasized his proven success with films like The Dark Knight.
This credibility gave investors confidence in the ambitious project.
6. Use Visuals to Tell the Story
Don’t make your finance plan a wall of text.
Include charts, graphs, and visuals to make it engaging and easy to understand.
For example:
* A pie chart showing how funds will be allocated.
* A timeline for production and distribution.
* A graph projecting revenue growth over time.
Tip: Your plan should be visually polished and professional.
Think of it as part of your pitch—appearance matters.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
Why Film Finance Plans Are Essential
A well-crafted film finance plan can do more than just attract investors. Here’s why it’s critical for filmmakers:
1. Attracting Investors
Investors aren’t just handing out money for fun—they’re looking for projects that offer a solid return.
A finance plan gives them the confidence to take that risk.
2. Gaining Collaborators
Talent, producers, and collaborators want to join projects that feel organized and credible.
A finance plan shows that you’ve thought through every detail and are ready to execute.
3. Securing Distributors
Distributors want to see the financial viability of your project.
A clear plan for how the film will make money can help convince them to pick it up.
4. Staying on Track
A finance plan isn’t just for others—it’s for you, too.
It acts as a roadmap, keeping your production on budget and on schedule.
Examples of Successful Film Finance Plans in Action
Whiplash
Damien Chazelle’s breakout indie film began as a short film to secure funding. The finance plan outlined a low-budget approach and emphasized the film’s awards potential, leading to its full-length production and subsequent Oscar wins.
Napoleon Dynamite
Jared Hess created a highly specific finance plan for this low-budget indie, showing investors how quirky humor could appeal to niche audiences. The plan worked, and the film grossed over $46 million on a $400,000 budget.
Mad Max: Fury Road
George Miller’s ambitious project required a detailed finance plan to justify its massive $150 million budget. The plan emphasized global box office potential and long-term franchise opportunities, convincing Warner Bros. to greenlight the film.
Why a Film Finance Plan Matters: Key Takeaways
Here’s a quick summary of why a film finance plan is a must-have for any filmmaker:
* Builds Investor Confidence: Shows that you’ve done the homework to ensure their money is used wisely.
* Clarifies Revenue Streams: Demonstrates how the film will make money and offer returns.
* Organizes the Production Process: Keeps your project on track, from budgeting to distribution.
* Attracts Top Talent and Collaborators: Shows that your film is serious, organized, and worth their time.
* Appeals to Distributors: Makes your film more marketable by showcasing its financial viability.
Final Thoughts
For filmmakers, a great story is only half the battle.
To bring your vision to life, you need funding—and that requires a clear, professional film finance plan.
By breaking down your budget, identifying funding sources, and showing how the film will generate revenue, you can attract the investors, collaborators, talent, and distributors you need to make your project a success.
Remember: your film finance plan isn’t just a document—it’s a promise to everyone involved that you’ve thought through every detail and are ready to deliver.
Until next time, filmmaker—dream big, plan smart, and bring your story to the world.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Jim Jarmusch & Claude Chabrol…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… Writing a Screenplay that Sucked…
* 👉 Some Thoughts: Cover Your Ass…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From a Day of Training Barn Cats (See photos below.)
Thursday, November 14th
Hey Filmmaker,
In screenwriting and filmmaking, one of the greatest challenges is to create characters and stories that resonate deeply with audiences.
We want viewers to see themselves in our characters, to empathize with their struggles and victories.
This is where the concept of the hedonic treadmill comes in—a psychological principle that, when applied to storytelling, can add layers of realism, tension, and emotional depth to your film.
The hedonic treadmill is all about the cycle of desire, fulfillment, and the pursuit of happiness that leads, ultimately, to a return to the baseline.
Understanding this concept can help you craft characters who mirror our own ceaseless striving, making them feel authentic and relatable.
In this post, we’ll explore what the hedonic treadmill is, why it works in screenwriting, and how you can use it to make your films better.
THE MODERN FILMMAKER
This Issue: Unlock the Hedonic Treadmill to Craft Unforgettable Characters…
Last Issue: Cover Your Ass & Your Films with this One Document…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was… (Story)
So there I was, midway through writing a screenplay that just wasn’t clicking.
I had developed a protagonist, Jack, who was relentless in his pursuit of success, going from one goal to the next.
But as I re-read my draft, I couldn’t help but feel that something was missing.
Jack’s journey seemed hollow, like he was just ticking boxes without much reason or meaning.
That’s when I stumbled upon the concept of the hedonic treadmill.
I realized that, like so many of us, Jack was caught in an endless loop of striving for something he thought would finally make him happy, only to return to the same feelings of dissatisfaction and wanting more.
This insight shifted everything.
By embracing the hedonic treadmill, I was able to add depth to Jack’s journey, allowing him to pursue goals that promised happiness but never fully delivered.
This cycle added complexity to his character and gave the story a whole new layer of tension and relatability.
What Is the Hedonic Treadmill?
The hedonic treadmill is a psychological concept that describes our tendency to return to a stable level of happiness despite positive or negative events.
No matter how high we rise or how low we fall, our happiness tends to reset, leaving us chasing the next source of fulfillment.
In screenwriting, this cycle is pure gold.
Characters who are constantly seeking happiness through external means—be it fame, fortune, or love—only to find that fulfillment is fleeting, mirror the real-life experience of the hedonic treadmill.
This cycle adds a powerful, universal theme to your story, making it resonate with audiences on a deep level.
How the Hedonic Treadmill Works in Screenwriting
Applying the hedonic treadmill to your screenplay can create a more dynamic and engaging character arc.
Here’s how it works:
Desire and Pursuit of Happiness
In the first phase, your character sets out to achieve something they believe will bring them happiness or success.
This initial desire fuels their motivation and drives the story forward. This desire could be a personal goal, like achieving wealth or fame, or an emotional need, like finding love or acceptance.
In The Great Gatsby, Gatsby believes that wealth and social status will win him Daisy’s love.
His pursuit of material success is driven by the belief that it will bring him ultimate happiness.
But as we know, this desire becomes a source of endless striving that ultimately leads to his downfall.
Temporary Fulfillment
When the character achieves their goal, they experience a momentary high.
However, this sense of satisfaction is fleeting, and soon they find themselves feeling empty again.
This phase is essential because it captures the audience’s hope that the character has “made it,” only to reveal the hollowness of the achievement.
In Citizen Kane, Charles Foster Kane builds an empire and achieves wealth, fame, and power.
Yet, with each achievement, he becomes more isolated and miserable, ultimately realizing that no external success can fill the void within.
Return to Baseline and New Pursuit
After this fleeting sense of fulfillment, the character returns to their baseline, finding that the happiness they sought was temporary.
They may either spiral into despair or launch into a new pursuit, believing that the next goal will be “the one” that finally brings lasting happiness.
In Birdman, Riggan Thomson relentlessly pursues artistic validation to fill the void left by his fading Hollywood fame.
Each minor success only deepens his dissatisfaction, leaving him trapped in the cycle of never-ending pursuit.
How to Use the Hedonic Treadmill to Deepen Character Arcs
The hedonic treadmill isn’t just about making characters chase after happiness; it’s about helping audiences see the futility of seeking happiness solely through external achievements.
Here are some ways to incorporate this concept into your screenwriting:
Set Up Strong, Motivating Desires
Establish your character’s core desires early on.
Make these desires relatable—perhaps they want recognition, love, or freedom.
These goals should feel like the answer to their happiness, motivating them to take risks and push through obstacles.
* Create a backstory that explains why this desire is so important. For example, a character who grew up in poverty might crave financial success, believing it will solve all their problems.
Show the Highs and Lows
When your character achieves a milestone, let them revel in the satisfaction, but only briefly.
Show them savoring the success, but leave subtle hints that this happiness won’t last.
This high point is crucial, as it makes the eventual disappointment more impactful.
* Small, symbolic actions—like your character buying a fancy car or moving into a luxury apartment—can emphasize this high. But shortly after, show cracks in their happiness.
Highlight the Return to the Baseline
Once your character realizes that the achievement hasn’t brought them lasting happiness, let them grapple with disappointment.
This return to their baseline is an opportunity to deepen their character, as they start to understand that external success doesn’t equate to fulfillment.
* Use subtle shifts in behavior or dialogue to signal this return to the baseline. A character might say, “Is this it?” or reflect a longing for something more meaningful.
Build a Cyclical Pursuit
Make the hedonic treadmill a cycle in your screenplay by setting up multiple goals.
Each goal should feel like a potential answer to your character’s longing, only to disappoint them once achieved.
This cycle not only adds depth but also keeps the plot dynamic and engaging.
* Keep the cycle moving by introducing a new goal as soon as your character realizes the previous one didn’t fulfill them. For instance, a character who achieves fame might next pursue love, only to find that both are equally hollow.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
Examples of the Hedonic Treadmill in Iconic Films
Some of cinema’s most memorable characters are trapped on the hedonic treadmill, giving us stories that linger long after the credits roll.
Here are a few examples:
* Scarface: Tony Montana’s relentless pursuit of power, wealth, and status ultimately leads to his undoing. Each success brings him closer to his downfall as he realizes that no amount of wealth can bring him peace or fulfillment.
* La La Land: Both Mia and Sebastian pursue their dreams in Los Angeles, believing that success will bring them happiness. When they achieve their goals, however, they find that they’ve lost something deeply meaningful along the way—their love for each other.
* American Beauty: Lester Burnham initially believes that revitalizing his life with materialism and impulsive desires will bring him happiness. But as he confronts his hollow pursuits, he realizes too late that his true happiness lies in simpler moments with his family.
How the Hedonic Treadmill Makes Films Better
Incorporating the hedonic treadmill into your storytelling adds layers of complexity, making your characters feel real and relatable.
Here’s why this concept can elevate your filmmaking:
* Creates Relatable Characters: Audiences connect with characters who seek happiness but struggle to find it, as it mirrors our own experiences with the human condition.
* Adds Emotional Depth: The cyclical pursuit of happiness adds tension and emotional weight, making viewers empathize with the character’s highs and lows.
* Reflects Realistic Themes: The hedonic treadmill offers a profound commentary on the nature of desire and fulfillment, which resonates deeply with audiences.
* Builds Suspense: As audiences watch characters chase after one goal after another, they are drawn in by the hope that maybe this next achievement will be the answer.
* Enhances Character Arcs: Characters who experience disappointment and growth feel real and complete, making their journey rewarding and memorable.
Why the Hedonic Treadmill Matters in Filmmaking
To summarize, here’s why the hedonic treadmill is a powerful tool in screenwriting and filmmaking:
* Realistic Character Motivations: It captures the universal experience of seeking happiness in a way that audiences understand.
* Adds Narrative Complexity: Each cycle of desire and disappointment drives character growth and creates a compelling story.
* Engages Viewers Emotionally: Watching characters face the struggles of the hedonic treadmill builds empathy and connection.
* Challenges Conventional Storytelling: By showing that happiness isn’t guaranteed at the end of the journey, it presents an authentic perspective on human experience.
* Encourages Reflection: Audiences leave with questions and insights about their own desires and what they’re chasing, adding depth to the cinematic experience.
Final Thoughts
The hedonic treadmill may sound like a psychology term, but it’s a storytelling technique that can transform your screenwriting.
By weaving this cycle into your characters’ journeys, you bring realism, depth, and complexity to your film, creating a story that lingers with audiences long after the credits roll.
Embrace the pursuit of happiness as both a motivator and an obstacle, and watch how your storytelling resonates on a whole new level.
Until next time, filmmaker—keep exploring, keep creating, and remember that the journey is often more meaningful than the destination.
Cheers,
Mike Rekola
P.S. Like I promised here’s the photos of our new Barn Cats: Brady and Bella!
P.P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Gina Prince-Bythewood
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… With a Filmmaker Who Lost It All…
* 👉 Some Thoughts: Show Don’t Tell Works…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From a cold Fall night.
November 8th
Hey Filmmaker,
The road from script to screen is full of potential roadblocks, and for filmmakers, one of the most critical but often overlooked documents is the Chain of Title.
This document essentially “proves ownership” of a story, ensuring that all rights have been legally transferred and clarified from concept to production.
Not only is this essential to sell or distribute a film, but it’s also the ultimate “CYA” (Cover Your Assets) measure for preventing legal issues.
In this blog post, we’ll explore why establishing a Chain of Title early in the development process is essential, examine how some famous films suffered without one, and introduce you to a solution—my Chain of Title Template, designed to make this process smoother for filmmakers.
THE MODERN FILMMAKER
This Issue: Cover Your Ass & Your Films with this One Document…
Last Issue: Why a Lean Film Crew is Your Secret Weapon To Make Better Movies.
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was…
Working as a producer on a mid-sized indie film that was generating a lot of buzz.
We had just wrapped up production, and spirits were high.
Everything was set for post-production, and we even had a few studios interested in distribution.
But as the legal team began reviewing our documents, an issue cropped up: nobody could find proof that the original story rights had been secured.
Turns out, the writer and director had a verbal agreement, which the director assumed was enough.
They were friends, after all.
But when it came time to show documentation proving ownership of the story, we were empty-handed.
The writer had decided he wanted to renegotiate the deal, delaying production by months as contracts were drawn up and signed retroactively.
Not only did this nearly derail the project, but it also put a damper on everyone’s morale and strained relationships.
This experience taught me that a Chain of Title document isn’t just a formality; it’s a crucial step in protecting a project legally and professionally.
With a formal Chain of Title in place, filmmakers can avoid costly delays, disputes, and miscommunication.
So, let’s dive into why this document matters and how it can protect your production.
What Is a Chain of Title Document?
A Chain of Title document is a record that details the legal ownership of a creative work from its original author through every transaction, sale, or assignment.
Think of it as a documented trail of every agreement, copyright transfer, and contract that proves, without question, that you have the right to make the film and sell it.
For filmmakers, this document is vital because it shows that you have the legal right to bring the story to screen and that no one else has claims to the idea.
It covers screenplays, underlying books, adaptations, short stories, and any other source material used for the project.
Without a clear Chain of Title, even the most compelling film might never see the light of day.
Distributors, investors, and studios will avoid involvement if they feel a project’s rights aren’t clear.
Why the Chain of Title Document Matters for Filmmakers
Legal Protection from the Start
One of the primary reasons for having a Chain of Title document is legal protection.
Without it, your project is vulnerable to disputes over ownership, copyright claims, or worse—lawsuits.
The Chain of Title clarifies all rights in writing, offering concrete proof of ownership for each stage of development.
Take, for instance, the film Coming to America.
Paramount was hit with a lawsuit after the release because an unknown writer claimed the story had been stolen from a treatment he submitted to the studio years before.
With a clear Chain of Title, Paramount could have pointed to their documentation to quickly address and settle the dispute.
Essential for Funding and Distribution
Investors and distributors require confidence in your project’s ownership before they contribute financially or take on distribution rights.
The Chain of Title acts as a legal safeguard that shows all rights have been obtained, clearing a pathway for funding, distribution, and partnerships without legal headaches.
If you don’t have a solid Chain of Title, studios won’t touch your project, and streaming services won’t consider it either.
This makes it indispensable for securing the partnerships that can take your film from indie darling to international sensation.
Protects Against Potential Copyright Claims
In today’s media landscape, intellectual property disputes are common.
Without a clear Chain of Title, it’s difficult to prove you haven’t infringed on someone else’s work.
Lawsuits related to copyright or ownership can derail a project, as in the infamous case of Avatar, where James Cameron faced numerous copyright lawsuits claiming parts of the story and concepts were stolen.
Whether or not the claims are valid, defending against copyright allegations is a long, costly process.
Having a Chain of Title document is a strong deterrent, signaling that all rights are documented and legally sound.
Makes Rights Transfer Simple and Clear
With a Chain of Title document, transferring rights to a new producer, studio, or distributor becomes seamless.
This document serves as a clear roadmap, detailing all past rights and transfers, which reduces ambiguity and cuts through red tape.
Streamlines Future Projects and Adaptations
Let’s say you’re producing a film based on a short story.
Without a Chain of Title in place, any subsequent adaptations, spin-offs, or sequels will require revisiting and re-negotiating rights.
But if you create and maintain a thorough Chain of Title, you won’t need to jump through these hoops in the future.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
Examples of Chain of Title Issues in Famous Films
Several well-known films have run into major setbacks or legal issues due to insufficient Chain of Title documentation:
* The Terminator: James Cameron and Gale Anne Hurd’s iconic film faced challenges when author Harlan Ellison filed a lawsuit alleging the film was based on his Outer Limits episodes. The lack of initial documentation almost stopped the franchise before it could start.
* The Lord of the Rings: The film rights for Tolkien’s work were notoriously complex, with decades of disputes over various adaptations, films, and merchandise rights. Proper Chain of Title documentation might have streamlined the adaptation process, avoiding costly delays.
* Frozen and Zootopia by Disney: Both films encountered lawsuits from plaintiffs claiming their ideas were copied, leading to public disputes and legal costs. Clear documentation could have demonstrated legitimate ownership and origin, potentially preventing these complications.
Establishing a Chain of Title might seem overwhelming, but my Chain of Title Template simplifies the process.
Designed for filmmakers, this template includes a structured layout for documenting all rights, transfers, and permissions involved in your project.
With step-by-step prompts, you can ensure that each element is covered—from initial concepts to final production.
This template not only makes it easy to compile and organize your documentation, but it also presents it in a professional format, ready for investors, legal advisors, and distributors.
Whether you’re creating an indie film or a blockbuster, my Chain of Title Template provides the legal framework you need to keep your project safe and successful
Why a Chain of Title Matters for Filmmakers
To sum it all up, here are the top reasons a Chain of Title is essential for every filmmaker:
* Avoid Legal Disputes: Prevent costly battles over ownership or copyright issues.
* Secure Funding and Distribution: Give investors and distributors confidence in your project’s legal standing.
* Protect Intellectual Property: Safeguard your project against copyright claims or lawsuits.
* Streamline Rights Transfer: Easily transfer rights if your film is picked up by a major studio or distributor.
* Save Time and Money: Prevent delays and costs associated with legal disputes and document reviews.
* Ensure Long-Term Project Viability: Keep your project protected, allowing for adaptations and spin-offs.
Final Thoughts
The film industry is rife with legal complexities, and a Chain of Title document is the single most powerful tool to ensure your story is yours alone.
This document can mean the difference between a film that thrives and one that’s lost to legal limbo.
Don’t risk your creative work; take control of your project’s future by establishing a strong Chain of Title early in development.
If you want to get your hands on the Chain of Title document template that I use, click here to grab it today.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Gina Prince-Bythewood
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… With a Filmmaker Who Lost It All…
* 👉 Some Thoughts: Show Don’t Tell Works…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the first frost on the Farm.
Monday, November 4th
Hey Filmmaker,
Here’s the deal: bigger isn’t always better.
In fact, when it comes to your film crew, bigger usually means slower, costlier, and a whole lot more complicated.
Sure, it’s tempting to think that more hands mean more power, more talent, more “official” looking sets.
But in reality?
A small, talented crew is often your best asset.
More people can mean more idle hands, more egos to juggle, and more distractions pulling you away from the heart of your project.
The truth?
A tight, efficient crew can bring out the best in your film without weighing it down.
Before we dig into the why, let me tell you a story that hit this lesson home for me.
THE MODERN FILMMAKER
This Issue: Why a Lean Film Crew is Your Secret Weapon To Make Better Movies.
Last Issue: Don’t Sign Away Your Dream: Why Owning Your Film Is Non-Negotiable.
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There My Friend Was…
Years ago, my friend was working on a low-budget indie film, eager to build his reputation.
He’d somehow managed to get a decent amount of funding, and with it, decided to hire a full team.
He figured, “Hey, if Hollywood films have crews of hundreds, then a crew of 20 is a modest start, right?”
Wrong.
That set was a circus.
More people than he knew what to do with, everyone was stepping on each other’s toes.
He had assistants for the assistants, grips without enough to grip, and people standing around waiting for direction that never came.
The more he tried to wrangle everyone, the more the shoot dragged.
Every additional hand felt like another obstacle, and his budget evaporated before we’d even wrapped.
After hearing about that film, I made a decision: less is more, more is lazy.
It’ll be lean and mean, or nothing at all.
And you know what?
My first project, with half the crew, turned out to be a smoother, more focused experience.
The end product looked better, too.
Here’s why keeping your crew small can make a massive difference.
Lean Film Crew’s Matter
The Big Reasons to Keep Your Crew Small
Let’s break it down.
A smaller crew isn’t just a budgeting strategy—it’s a way to maintain control, minimize stress, and protect the creative vision you’re bringing to life.
Faster, Cleaner Decisions
When you have fewer people on set, you spend less time explaining what’s happening and more time actually doing it.
A small crew means you can communicate directly with each person—no layers of assistants, no endless chain of commands.
It’s you, your core team, and a shared understanding of what needs to happen. Decisions flow faster, and you keep the production moving.
Cost Control
Every single person on set is an expense.
They need to be paid, fed, managed, and equipped.
Every extra body means another hit to the budget—and that’s money you could be putting toward better equipment, more time on location, or an actor that could elevate the entire project.
Keeping it small keeps your budget focused on what actually makes it to the screen, rather than sinking money into extras who don’t need to be there.
Strong Morale and Team Spirit
A small crew builds camaraderie.
Each person knows they’re a crucial part of the production; everyone feels like they’re directly contributing to the final product.
When people are fully engaged, there’s a sense of ownership and pride that you simply don’t get with a sprawling crew where half the people are standing around.
When it’s just you, your DP, your sound person, and your actors, every moment matters, and everyone shows up ready to give it their all.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
The Core Crew: Who You Really Need
Let’s talk about the essentials.
If you’re keeping your crew small, you need to get strategic.
Here’s the backbone of any lean, focused set:
The Director (That’s You!)
You’re the vision.
You know the story, the scenes, the feeling you’re trying to convey.
It’s your job to guide the team, make quick decisions, and keep everyone aligned with your vision.
By staying close to your core crew, you’re the one ensuring that the heart of the project stays intact.
The Cinematographer/Camera Operator
This person is your eyes.
A great cinematographer knows how to make magic with a limited setup, and if you hire right, they won’t need a full crew of their own to work efficiently.
A skilled DP will help you make quick adjustments, frame each shot beautifully, and roll with the flow of an indie production.
They’re the partner who makes sure your vision translates to the screen.
Sound Mixer
The thing about sound?
It’s make-or-break.
Bad sound is something audiences pick up on immediately, and there’s no way around it.
But good sound doesn’t take a team of five—it takes one person who knows what they’re doing and has the right equipment.
This person should capture clean dialogue, handle ambient noise, and keep you from dealing with sound nightmares in post.
Your Actors
Ultimately, your actors are there to bring your script to life.
The fewer distractions they have, the better their performances will be.
A small crew provides a calmer, more focused environment, so your actors can stay in character, connect with the story, and give the kind of performance that drives the film.
Letting them focus with fewer people around? That’s a gift.
One Grip and One Production Assistant
Okay, four extra hands can make a big difference.
These two people can assist the DP, set up lights, move gear, and take care of those little things that pop up on set. But that’s it—only two.
This way, you have people who are reliable without creating a chain of command that slows things down.
Why a Massive Crew Can Actually Hurt Your Film
If you’re still on the fence, let’s go over a few ways an oversized crew can actually work against your film:
Idle Hands, Wasted Time
When people don’t have enough to do, they start checking out.
They get distracted, they start chatting, and suddenly your set feels like a social club instead of a production.
And when morale drops, it’s hard to get it back up.
Logistical Nightmares
Every extra person on set is one more moving part, one more schedule to coordinate, one more person to keep happy.
Big crews mean big logistics, which mean more things that can go wrong.
The more people you add, the harder it is to manage time, workflow, and the schedule you’re working so hard to stick to.
Less Creative Freedom
On a set with a huge crew, decisions get watered down.
You might find yourself debating things with multiple people, or worse, handing off creative decisions because you’re busy managing the logistics.
With a small crew, the creativity stays where it belongs: between you and your core team.
When a Small Crew Shines the Brightest
A small crew isn’t just about saving time or money.
It’s about protecting the creative integrity of your film.
On a small set, every person is there for a reason, every voice has purpose, and every choice directly impacts the final product.
When it’s just you, a handful of skilled professionals, and your cast, you create a space where the work takes center stage.
So the next time you’re tempted to bulk up your crew “just in case” or to look like a “real Hollywood production,” remember this: the best films often come from tight-knit teams who work with purpose and precision.
Focus on quality over quantity, on connection over control.
In the end, it’s your film, and it should feel like it.
Keep your crew small, lean, and filled with people who genuinely want to be there. You’ll see the difference in every frame.
Until next time, filmmaker—stay lean, stay focused, and keep telling your story
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: John Singleton & Jia Zhangke…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… With a Filmmaker Who Lost It All…
* 👉 Some Thoughts: Here's the Secret to Mastering Group Dynamics…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the parking lot of Halloween Spirit.
(Remember the wigs! I forgot to buy my daughter a wig for her costume.)
Thursday, October 31st,
Hey Filmmaker,
Let’s talk ownership.
Not the feel-good, yeah-it’s-my-project kind of ownership.
I’m talking about real, legal ownership—rights, revenue, the whole deal.
If you’re going to pour your soul into a film, you need to keep control of it.
Period.
Because here’s the hard truth: Hollywood’s full of people ready to promise the world, but only if you sign it all away.
And if you’re not careful, that’s exactly what’ll happen.
You’ll end up on the sidelines of your own movie, watching someone else call the shots, collect the checks, and—if it does well—walk away with the rewards.
Hollywood is full of promises, but if you sign the wrong contract, you could lose control, miss out on revenue, and find yourself sidelined as others profit from your hard work.
Here’s why owning your film is essential and how you can protect yourself in a world where everyone wants a piece of the action.
THE MODERN FILMMAKER
This Issue: Don’t Sign Away Your Dream: Why Owning Your Film Is Non-Negotiable.
Last Issue: Mastering Group Dynamics: The Four Stages of Forming, Storming, Norming, and Performing.
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
So There I Was… (Story Time)
So there I was, meeting with a filmmaker fresh out of school.
He was buzzing with excitement about his new script, which had caught the interest of a major studio.
Money was on the table, the buzz was growing, and it looked like a dream come true.
But then came the contract.
The studio offered funding, but they wanted complete creative control.
They would choose the cast, make editorial changes, and dictate the final cut.
Buried in the legalese was a clause that would take all revenue rights, leaving him with a small fraction of profits, if any.
He signed anyway, thinking he’d find a way to make it work.
But he didn’t.
The film never got made, and his script was buried in the studio’s vault.
Seeing his experience was a wake-up call for me.
I decided that if I was going to make films, I was going to own them.
Because here’s the thing: Your film is your voice.
If you give up ownership, you risk losing control, creative freedom, and financial stability.
Here’s why owning your film is non-negotiable and what every filmmaker needs to know to protect their work.
Why Owning Your Film Is Non-Negotiable: The Key to Protecting Your Vision as a Filmmaker
Owning your film isn’t just a matter of pride—it’s a matter of survival.
When you own your work, you maintain control over its fate, from the storyline to the revenue it generates.
Here’s why every filmmaker should make ownership a priority:
1. Creative Freedom
When you retain ownership of your film, you keep creative control from start to finish.
You have the final say on the storyline, casting, visual style, and the countless decisions that define a film’s tone and message.
Without ownership, a studio or investor can take your story in directions you never intended, and you could be left watching someone else reinterpret your work.
The Matrix series directors Lana and Lilly Wachowski fought to retain creative control over their franchise, preserving the visionary elements that made it iconic.
If they had relinquished ownership, their sci-fi concepts might have been altered to suit executives’ ideas of “mainstream appeal.”
2. Revenue Rights
Revenue ownership is just as essential.
Filmmakers know the allure of a big upfront payout, especially when trying to break into the industry.
But giving up revenue rights can cost you far more in the long run.
When a film is successful, its real revenue often comes from royalties, licensing, and distribution deals—channels you lose access to if you don’t retain ownership.
George Lucas’s decision to retain merchandising rights for Star Wars allowed him to capitalize on the franchise’s success, ultimately building Lucasfilm. T
his decision turned Star Wars into one of the most profitable franchises in history and gave him the freedom to create future projects on his own terms.
3. Legacy and Influence
When you own your work, you’re not just creating a product—you’re building a legacy.
Ownership means you retain the ability to make decisions about future adaptations, sequels, and how your work will be remembered.
For a filmmaker, each film represents part of your career’s narrative, and retaining ownership lets you shape that narrative long-term.
Ava DuVernay owns the rights to many of her works, allowing her to stay true to her voice and advocate for stories that reflect diverse perspectives.
Maintaining control over her work has helped her build a brand that represents her values and vision.
🎬 Take the Next Step in Your Filmmaking Journey
Feeling stuck on your filmmaking journey?
You’re searching for answers but can’t find real, actionable resources to guide you through the process.
What if you could see exactly how a movie is made—step by step—while gaining access to the same files, templates, and workflows used in a real production?
The WITH LOVE All-Access Pass gives you everything you need: files, videos, documents, and behind-the-scenes insights from an active production in 2025.
👉 Get started, now!
How to Protect Your Ownership in Filmmaking
In an industry where everyone wants control, holding onto your film’s ownership can be a battle.
But by understanding key strategies, you can protect your rights and retain the creative and financial benefits of your work. Here’s how:
1. Understand the Terms Before You Sign Anything
It sounds basic, but many filmmakers jump at the first contract without fully understanding the terms.
Don’t rush into a deal without knowing exactly what you’re agreeing to.
If necessary, hire an entertainment lawyer who can help you decode the fine print and protect your rights.
* Look out for phrases like “in perpetuity” or “exclusive rights.”
These terms often mean you’re giving up ownership for the foreseeable future.
2. Fight for Revenue Rights
Studios often offer an upfront payment and take most of the back-end profits.
To protect yourself, negotiate for a fair share of revenue across distribution channels—DVD, streaming, international rights, and syndication.
Don’t be afraid to push back for a deal that respects your future earnings.
* Insist on clear language around profit-sharing and consider adding performance-based bonuses.
The more clarity you have, the better protected you’ll be.
3. Take Control of the Production Process
The more you control the funding, the more you control your film’s future.
If you can secure independent funding, whether through crowdfunding or private investors, you retain autonomy.
By keeping financing in-house, you’re less likely to face demands from studios or investors looking to change your vision.
Clerks director Kevin Smith funded his debut film with credit cards to maintain creative control.
The risk paid off, and the film’s success allowed him to maintain ownership, launching his career and unique voice in the industry.
4. Limit Distribution Agreements
Distribution is essential, but long-term contracts can jeopardize your ownership.
Always avoid clauses that lock you into perpetual deals.
Shorter distribution agreements give you the option to revisit terms and renegotiate for future platforms as your film gains value.
Richard Linklater’s Dazed and Confused faced distribution issues, but because he retained rights, he could continue to earn from re-releases, streaming, and anniversary showings.
Red Flags to Watch for When Signing Ownership Deals
Certain red flags can indicate that a studio or investor is looking to take over more than you bargained for. Be cautious if you encounter these in negotiations:
* Demand for Full Creative Control: Investors who want the final say over edits, casting, or storytelling might end up steering your film in a direction you never intended.
* Revenue Share Without Ownership: Some studios offer revenue percentages but retain total ownership, cutting you out of long-term earnings. Be wary of any offer that promises short-term gains at the cost of lasting control.
* Long-Term Distribution Contracts: Watch for phrases like “in perpetuity.” Always aim for short-term contracts that allow you to renegotiate and maintain control.
Play the Long Game: Why Ownership Pays Off in Filmmaking
Taking full ownership isn’t easy, and it might mean turning down attractive deals.
But ownership is one of the most powerful decisions a filmmaker can make.
When you own your film, you control its destiny, its revenue, and the story you’re putting into the world.
Owning your film gives you the freedom to:
* Adapt It for Future Opportunities: Retaining ownership means you can expand your project, whether through sequels, spinoffs, or merchandise.
* Benefit from Its Success: If your film becomes a hit, all the rewards come back to you.
* Maintain Creative Integrity: Ownership lets you hold onto your vision without interference.
* Build Your Reputation and Legacy: You’re creating work that reflects your voice and values, which strengthens your brand in the industry.
Why Film Ownership Matters: Key Takeaways for Filmmakers
To wrap up, here are the main reasons why film ownership is essential for any filmmaker:
* Protects Creative Freedom: Ownership allows you to bring your story to life without interference.
* Maximizes Long-Term Revenue: Retaining revenue rights ensures you benefit from your film’s success.
* Preserves Your Legacy: A film you own is a lasting piece of your career that you control.
* Allows Future Opportunities: Ownership gives you the flexibility to adapt your work for future projects and platforms.
* Strengthens Professional Standing: Building a portfolio of owned work enhances your reputation and career influence.
Final Thoughts
As a filmmaker, every project you create is part of your story and career.
Ownership isn’t just about the money—it’s about keeping your vision intact and building a legacy on your own terms.
Protect your work, stay informed, and don’t sign away your dream.
With the right strategies and a commitment to control, you can create films that are truly yours, bringing your voice to life in an industry where ownership is power.
Remember This, Filmmaker…
✊ Ownership is freedom.
✊ Ownership is power.
✊ It’s the difference between being a creator and a contractor.
✊ Hollywood can offer you fame, connections, big budgets, and promises.
✊ But unless you own the work, you’re a guest at someone else’s table.
✊ Your film is more than a paycheck.
✊ It’s your voice, your message.
✊ Don’t let anyone take that from you.
✊ Stick to your guns, own your vision, and make your work yours.
Until next time, filmmaker—stay true to your vision, protect your work, and keep creating.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Fred Zinnermann & John Singleton…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… With the Worst Ivestors…
* 👉 Some Thoughts: Here's the Secret to Mastering Group Dynamics…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the Farm. (After a Day of Raking Leafs.)
Monday, October 28th
Hey Filmmaker,
Filmmaking is as much about teamwork as it is about creativity and storytelling.
To make a vision come to life, everyone on set—from the director to the PA—needs to work together seamlessly.
When a team “clicks,” it can transform the filmmaking experience into something magical.
However, achieving this synergy doesn’t just happen by chance.
To build a cohesive, productive crew, it’s essential to understand group dynamics and the stages a team goes through.
Let’s dive into the Four Stages of Group Dynamics: Forming, Storming, Norming, and Performing.
These stages apply directly to filmmaking, and mastering them can be the difference between a smooth shoot and a chaotic one.
THE MODERN FILMMAKER
This Issue: Mastering Group Dynamics: The Four Stages of Forming, Storming, Norming, and Performing.
Last Issue: Here's A Hard Lesson: Some Investors Suck—Cut Them Loose.
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary.
So There I Was… (Story)
So there I was, on the set of a new indie project, juggling my producer role with about a dozen other hats.
My crew was a mix of seasoned professionals and fresh faces, each bringing their own style and personality.
I had high hopes for our first day, but what started as a calm, organized morning quickly descended into chaos.
Disagreements erupted over set design, people stepped on each other’s roles, and I found myself managing conflicts instead of producing.
It was a humbling moment that taught me that no matter how good your project, script, or crew might be, group dynamics can make or break the experience.
Over time, I learned how to steer a team through the stages of group dynamics, bringing order to the chaos and turning a group of individuals into a cohesive crew.
Today, I want to share that process with you because it could save your next project—and maybe even your sanity.
The Four Stages of Group Dynamics in Filmmaking
1. Forming: Building the Foundation
The “Forming” stage is when a team first comes together.
Everyone is excited, a bit reserved, and feeling each other out.
In filmmaking terms, this is the moment when the crew meets, reviews roles, and establishes the initial workflow.
People are on their best behavior and eager to prove themselves.
As the director, setting a positive tone in this stage is critical.
Think of the first production meeting of The Lord of the Rings trilogy.
Peter Jackson brought together a vast team with a massive goal, and establishing clear roles from day one was crucial to the project’s success.
When everyone understands their place and feels valued, the foundation for success is laid.
Lead with Clarity.
From the outset, be clear on roles, responsibilities, and expectations.
Establishing a strong foundation here prevents future confusion and sets everyone up for success.
2. Storming: Navigating the Rough Patches
Once the honeymoon phase fades, the team enters the “Storming” phase, where conflicts and disagreements emerge.
In a high-stakes, time-sensitive environment like a film set, personalities can clash, and frustrations can run high.
Storming is a normal, healthy part of group development, but if mishandled, it can disrupt production.
On the set of Apocalypse Now, director Francis Ford Coppola faced countless conflicts, both personal and creative.
While tensions ran high, he learned to manage them effectively, resulting in a groundbreaking film.
Storming can bring out valuable ideas if everyone feels safe expressing opinions without fear of judgment.
Welcome Constructive Conflict.
Encourage open communication and create a space where the team can discuss differences respectfully.
In filmmaking, storming often leads to breakthroughs and better ideas when handled with respect.
3. Norming: Finding Your Rhythm
As the team adjusts and resolves conflicts, they enter the “Norming” stage.
In this phase, the crew finds its rhythm, and a sense of camaraderie starts to develop.
Roles are clear, workflows are established, and people understand each other’s quirks.
For a filmmaker, the Norming stage is where real productivity and harmony begin.
Consider the filming of Harry Potter and the Sorcerer's Stone, where an enormous crew needed to quickly adapt to working together.
By norming, the team found a rhythm that allowed them to manage everything from child actors to complex sets.
The result was a set that operated smoothly and efficiently.
Reinforce Team Culture.
At this point, acknowledge everyone’s contributions to maintain the positive atmosphere.
When people feel valued, morale stays high, and they’re motivated to give their best.
4. Performing: Reaching Peak Efficiency
In the “Performing” stage, the crew operates as a well-oiled machine.
Communication is almost instinctive, everyone knows their role and executes it confidently, and production flows smoothly.
At this stage, your team is focused on creating, innovating, and delivering their best work, as they are now fully aligned with each other and the project.
The crew of Mad Max: Fury Road operated like a finely-tuned machine during filming, handling complex stunts, challenging weather, and intricate set designs.
Achieving the performing stage allowed them to push creative boundaries and deliver a visually stunning, award-winning film.
Give Your Team the Space to Shine.
Trust your crew and step back from micromanaging. At this stage, let each team member take ownership of their role and contribute fully to the creative process.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
Why Mastering Group Dynamics Matters for Filmmakers
As a filmmaker, you’re working under tight timelines with a team of individuals who bring different skills, styles, and personalities to the set.
Understanding group dynamics helps you anticipate the challenges at each stage, enabling you to guide your team through them effectively.
Here’s why mastering group dynamics is essential:
* Smooth Workflow: With a well-functioning team, you avoid common production delays and maximize time on set.
* Stronger Collaboration: When a team moves smoothly through the stages, members develop a sense of trust and camaraderie, resulting in more creativity and better collaboration.
* Enhanced Morale: By understanding these dynamics, you create a positive, motivated environment that boosts productivity and satisfaction.
* Creative Freedom: When a team reaches the Performing stage, they’re able to innovate and solve problems independently, allowing for greater artistic expression.
Examples of Group Dynamics in Iconic Films
Some well-known films and their production experiences illustrate the importance of understanding group dynamics. Here are a few notable examples:
* The Godfather: With a strong director and clear team roles, the production crew was able to navigate complex dynamics. Francis Ford Coppola’s leadership helped the team through the Storming phase, ultimately creating a masterpiece.
* Star Wars: A New Hope: George Lucas faced numerous challenges, from budget constraints to on-set disagreements. By working through these issues and finding a rhythm with his crew, the team eventually produced one of the most iconic films in history.
* The Revenant: Alejandro González Iñárritu’s intense vision demanded a strong, collaborative team that could adapt to grueling conditions. Mastering group dynamics on set allowed them to achieve incredible results, despite the high pressure and extreme locations.
Why Group Dynamics Matter in Filmmaking: Key Takeaways
To recap, here’s why understanding and mastering group dynamics is a game-changer for filmmakers:
* Creates a Cohesive Team: Understanding each stage helps you guide your team from forming through to performing, making them more productive.
* Increases Efficiency: Teams that operate well together are more efficient and able to handle unexpected changes on set.
* Encourages Problem-Solving: Effective group dynamics foster collaboration, making it easier to overcome challenges as a team.
* Builds Trust and Respect: When people feel understood and appreciated, they’re more willing to go the extra mile.
* Enables Creative Expression: In the Performing stage, teams can innovate freely, leading to a more creative final product.
Final Thoughts
As a filmmaker, your team is one of your greatest assets.
By mastering the stages of group dynamics—Forming, Storming, Norming, and Performing—you can create a supportive, efficient, and motivated crew that brings your vision to life.
The next time you’re on set, remember these stages and guide your team through them.
When your crew works as a single, cohesive unit, not only will production run more smoothly, but you’ll also create an environment where true creativity can thrive.
Until next time, filmmaker—keep pushing boundaries, supporting your team, and creating with passion.
Cheers,
Mike Rekola
* P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Satyajit Ray & Fred Zinnermann…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… With the Worst Ivestors…
* 👉 Some Thoughts: The Three P’s of Filmmaking Matter…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the Office Cubicle.
Wednesday, October 23rd
Hey Filmmaker,
Let’s get one thing straight: not all investors are created equal.
And honestly, some of them suck.
That’s right—I said it.
Some can empower your creativity, while others can stifle it, making you question your project, your vision, and even yourself.
Knowing when to walk away from a bad investor is essential, and it can save you time, money, and peace of mind.
Here’s what you need to know about spotting the red flags and finding investors who will support, not sabotage, your work.
THE MODERN FILMMAKER
This Issue: The Three P's Every Filmmaker Should Consider: Paper, Project, and People.
Last Issue: What is Tone in Filmmaking?
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
So There I Was…
So there I was, sitting across from an investor in a dimly lit office, hoping this was it.
I was pitching my project—a story I’d poured my heart into.
They seemed perfect: credentials, connections, and the money to get things rolling.
As I wrapped up, they started giving feedback… based solely on my logline.
They wanted script changes that would gut the soul of the story without even reading the full script.
Still, I pushed through and, against my better judgment, accepted their promise to invest.
But then came the delays and the excuses: they were “renovating their house,” or their “lawyer needed more time.”
Two years of “almost” getting funding later, I realized the hard truth—they were never going to commit.
Walking away wasn’t easy.
But when I did, I found real investors who respected my vision and wired funds the day they promised.
So, filmmaker, learn from my experience.
Don’t let bad investors drain your project’s lifeblood.
Some investors aren’t worth the time, no matter how deep their pockets seem.
Why Some Investors Aren’t Worth Your Time (and How to Spot the Red Flags)
Not every investor wants to help you succeed on your terms.
Some are more interested in controlling the project, others are indecisive, and some just don’t respect your creative direction.
These investors can jeopardize your vision, delay your project, and put you in a constant state of uncertainty.
Here are a few major red flags to watch for:
1. Constantly Questioning Your Vision
Constructive feedback is a normal part of the filmmaking process, but if an investor can’t stop pushing for changes that fundamentally alter your project, take it as a warning sign.
The right investor respects your creative decisions and believes in the story you’re trying to tell.
If they’re already demanding extensive changes without fully understanding your vision, it won’t get better over time.
Consider the 2012 film Cloud Atlas.
When directors Lana and Lilly Wachowski pitched it, they faced skeptical investors unsure about the film’s ambitious structure.
Rather than compromising the film’s complex narrative to satisfy financial backers, the Wachowskis chose to work with those who believed in their unique vision.
2. Unrealistic Demands for Control
An investor who wants excessive control over creative aspects, especially if they lack film industry experience, is a red flag.
Demanding final cut rights or control over key decisions can limit your freedom to tell the story as it’s meant to be told.
Investors should act as supporters, not micromanagers.
The Social Network director David Fincher reportedly avoided working with investors who demanded creative control over the film’s narrative, allowing him to portray the story with an unbiased lens.
Choosing creative freedom over meddlesome backers can be critical to a project’s success.
3. Slow to Commit
If an investor drags their feet on contracts, meetings, or financial arrangements, it’s often a sign that they aren’t fully on board.
A committed investor understands that time is precious in filmmaking and won’t keep you waiting around.
If they constantly come up with excuses, walk away.
Indie filmmakers often face this issue.
Instead of spending months chasing down uncertain backers, Kevin Smith self-financed Clerks by maxing out credit cards.
Though risky, this move allowed him to make the film without waiting for unreliable investors.
4. Playing Financial Games
Some investors like to nitpick budgets, demand unfeasible cuts, or backtrack on agreed-upon terms.
If an investor constantly questions the budget, it’s often a sign they’re not serious or looking to squeeze more value than they’re willing to pay for.
You want someone who values the budget as part of the project’s overall success.
In the production of Whiplash, director Damien Chazelle faced funding challenges but opted to work with investors who trusted his vision.
These investors knew the budget was tight but supported him anyway.
Finding investors who respect the project’s financial needs makes all the difference.
🎬 Take the Next Step in Your Filmmaking Journey
Filmmaking is daunting—you know the vision in your head, but turning it into reality feels impossible without clear guidance and tools.
Imagine having a front-row seat to a movie being made and walking away with all the templates, resources, and inspiration you need to make your own.
The WITH LOVE All-Access Pass is your ticket to demystifying the filmmaking process, offering an unparalleled behind-the-scenes experience and every resource in one bundle.
👉 Get started, now!
How to Find Investors Who Truly Support Your Film
So how do you find those rare investors who will genuinely support your vision? Here are some steps to connect with the right people:
1. Leverage Your Network
One of the biggest assets in filmmaking is your network.
Talk to other filmmakers, producers, and actors who’ve worked with investors.
Word-of-mouth recommendations can lead you to investors who have a track record of being supportive, professional, and reliable.
2. Be Clear About What You Want
When you pitch, be upfront about your vision and what you expect from investors.
This clarity helps you set boundaries from the beginning.
Investors who appreciate your transparency are more likely to respect your creative freedom.
3. Don’t Settle
Desperation can be tempting, especially on tight deadlines.
But remember: it’s better to wait for the right investor than to compromise with someone who could derail your work.
The right investor will come with patience and persistence.
For the indie film Moonlight, director Barry Jenkins waited for the right people who believed in his vision.
He partnered with A24, a company known for supporting creative freedom.
The film went on to win the Academy Award for Best Picture.
Why It Matters: How Bad Investors Can Derail a Film Project
Choosing the wrong investor can have far-reaching consequences. Here are the major reasons why working with the right investors is critical:
* Protects Creative Integrity: The wrong investor can compromise your story, while the right one respects it.
* Saves Time and Energy: Committed investors will move forward without unnecessary delays.
* Preserves Budget Integrity: Supportive investors respect the agreed-upon budget, allowing you to focus on production.
* Ensures Mutual Trust: Good investors act as partners, making it easier to collaborate productively.
* Reduces Stress: The right investor relationship means less time wasted in negotiations and more time spent on creating your film.
Final Thoughts
Filmmaking is a labor of love, passion, and dedication.
With the right investors, you can bring your vision to life without compromising your values or creativity.
But remember, some investors simply aren’t worth the hassle.
If they constantly question your choices, stall commitments, or want excessive control, it’s a signal to walk away.
Trust your instincts and choose investors who believe in both you and your story. With the right support, your project will shine the way it’s meant to.
Cheers,
Mike Rekola
* P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Julia Ducournau & Satyajit Ray…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… in the Green Mountains…
* 👉 Some Thoughts: The Three P’s of Filmmaking Matter…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the living room waiting for Patriot’s Kickoff
Sunday, October 20th
Hey Filmmaker,
I want to talk to you about something you might not think about enough when writing your script: characters.
Not just how many you have, but how important each one is.
The truth is, in a movie, if someone speaks, they need to matter.
This isn't a novel where you can afford to fill out the world with side stories and background figures.
In a film, every second counts, and every character has to earn their place.
This is what we call the "economy of characters."
Let’s break down what that means, why it’s critical to your story, and how getting it right will take your film to the next level.
THE MODERN FILMMAKER
This Issue: Master the Economy of Characters: How Fewer Roles Create Stronger Films
Last Issue: The Three P's Every Filmmaker Should Consider: Paper, Project, and People.
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
Why Fewer Characters Equals Stronger Stories
You’ve got two hours, maybe less, to make your film hit.
Every character you add dilutes that focus.
Each extra person pulls attention away from the protagonist, from the plot, and from the emotional journey you’re trying to take the audience on.
You’re asking viewers to invest, but you can only ask so much.
When you keep the cast tight, you’re giving your audience permission to care deeply about the few who matter.
This isn’t to say ensemble casts don’t work—The Godfather and Pulp Fiction are packed with characters, yet every one of them serves a purpose.
The difference between a film with effective characters and one that’s overstuffed is precision.
Each character needs to push the story forward, reveal more about the main themes, or deepen the emotional stakes.
If they’re just there to fill space, they’re dead weight.
Take a look at Inception.
Christopher Nolan juggles a complex plot, but he keeps the characters laser-focused.
Cobb is the center of everything, and the team around him—Ariadne, Arthur, Eames, and the rest—are clearly defined with roles that serve the plot.
No one is standing around delivering pointless lines.
They’re all driving the story forward, helping the audience stay on course through a maze of ideas.
If You Speak, You Matter
Here’s a hard rule: if you give a character dialogue, they must matter.
Words are powerful in film, more so than in any other medium because they’re so sparse.
We don’t have the luxury of pages and pages of inner monologue or description like in a novel.
When a character speaks, it should be intentional.
They need to be moving the plot, raising the stakes, or exposing some deeper truth.
If a line can be cut and nothing changes, that’s a sign the character might not need to be there at all.
Look at Joker—Todd Phillips gives us a tight circle of characters orbiting Arthur Fleck, each one pulling him closer to the edge of madness.
His mother, his therapist, Murray Franklin—they all have a direct impact on his descent.
Everyone who interacts with Arthur matters.
The film is lean, emotionally focused, and unrelenting because it doesn’t waste time on characters who aren’t pushing the story forward.
The Risk of Too Many Characters
Have you ever watched a movie and found yourself wondering, “Wait, who’s that again?” or worse, “Why are they even here?”
That’s what happens when there’s no economy of characters.
Filmmakers who add in too many faces lose their audience’s focus.
It’s overwhelming, confusing, and ultimately weakens the emotional throughline.
You can’t care deeply about anyone if you’re constantly being asked to keep track of everyone.
Sometimes you’ll see this in ensemble films that get sloppy.
They try to balance too many arcs without making sure each character has a real function.
This can work in long-form storytelling, like in a TV series where you have hours to explore different people and subplots, but in film, it’s a recipe for confusion.
The solution?
Trim the fat.
You need to be ruthless in cutting characters that don’t carry their weight.
In Peter Jackson’s The Lord of the Rings trilogy, we see how whole characters from Tolkien’s books were streamlined or removed for the films.
The books had room for endless lore and side quests, but the movies had to stay focused on Frodo and his journey.
Anyone who didn’t directly contribute to that arc had to go.
🎬 Take the Next Step in Your Filmmaking Journey
Feeling stuck on your filmmaking journey?
You’re searching for answers but can’t find real, actionable resources to guide you through the process.
What if you could see exactly how a movie is made—step by step—while gaining access to the same files, templates, and workflows used in a real production?
The WITH LOVE All-Access Pass gives you everything you need: files, videos, documents, and behind-the-scenes insights from an active production in 2025.
👉 Get started, now!
Supporting Characters Aren’t Extras
Now, this doesn’t mean your movie should only have two characters.
Supporting characters are critical to giving your protagonist depth and contrast.
But again, they need to be there for a reason.
They have to reflect something about the main character or the themes of your story, helping to shape the audience’s understanding of what’s at stake.
Think about The Godfather.
Every member of the Corleone family has a purpose in telling Michael’s story.
Vito represents the old guard, Sonny shows us the dangers of hotheadedness, and Fredo is the embodiment of weakness in a world where power is everything.
They aren’t just there for decoration—they’re integral to Michael’s transformation.
The Art of Cutting Characters
Here’s the hard truth: sometimes the characters you love most don’t belong in the story.
You might have a side character with amazing dialogue or a subplot you’ve fallen in love with, but if they aren’t essential to the protagonist’s journey or the film’s themes, they have to go.
It can be tough.
You’ll feel like you’re losing something important, but in reality, you’re sharpening the blade.
A streamlined cast makes every remaining character stronger.
It focuses the audience’s attention where it should be—on the people and the conflicts that matter most.
Make Every Character Count
So here’s your takeaway:
* If you speak, you matter.
* This is the economy of characters.
* Every person on screen should have a reason to be there, a purpose that drives the story forward or deepens the emotional impact.
* Cut anyone who doesn’t. The audience will thank you for it.
Keep your cast lean, keep your focus tight, and remember—you’re making a film, not a novel.
Precision is your friend.
When you master the economy of characters, your stories will hit harder, resonate longer, and stay with your audience far after the credits roll.
I hope you enjoyed this letter, my friends.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Gina Prince-Bythewood
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… With a Filmmaker Who Lost It All…
* 👉 Some Thoughts: Here's the Secret to Mastering Group Dynamics…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the Dermatologist’s Office Waiting Room.
Tuesday, October 15th
Hey Filmmaker,
Starting a new filmmaking project is exhilarating.
You’ve got a story to tell, a vision to bring to life, and a passion that fuels every frame.
But as every filmmaker knows, that excitement can be met with practical challenges.
Should you take on a particular project?
Is it worth the time, the effort, and the energy?
How do you know if a project will be fulfilling or a total drain?
Enter the “Three P’s”: Paper, Project, and People.
This framework helps filmmakers determine whether a project is worth the commitment, and how to balance the elements that make it successful.
Paper represents the finances, Project stands for the creative vision, and People refers to the team you’ll work with.
Not every project hits all three, but if you can get at least two, you’re on solid ground.
Let’s break down each P and why it’s so important to consider them before diving into your next film.
THE MODERN FILMMAKER
This Issue: The Three P's Every Filmmaker Should Consider: Paper, Project, and People.
Last Issue: What is Tone in Filmmaking?
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
So There I Was… (Story)
So there I was, waiting for my call to join a set for a new indie project.
I was excited about this opportunity; it felt like my big break as an independent filmmaker.
I’d put everything into this production—my time and my energy.
But as the weeks wore on, I started noticing cracks.
The budget wasn’t adding up, the team had a hard time syncing, and everyone’s patience was wearing thin.
The whole experience became a lesson in what happens when the Three P’s aren’t in place.
That project taught me that without Paper, Project, and People working together in harmony, a film can fall apart.
So, let’s dive into each of these P’s and why they’re critical to filmmaking success.
The Three P’s of Filmmaking: Breaking It Down
1. Paper: The Business Side of Filmmaking
“Paper” refers to the financial aspects of a project.
It’s not just about getting paid; it’s about having the funding needed to bring your vision to life.
When the budget is right, filmmakers can secure the necessary equipment, cast, locations, and post-production tools without constantly cutting corners.
Without adequate Paper, you risk burnout and frustration.
Think of a project where you’re constantly worried about stretching a dollar to cover essentials, like a film that tries to shoot on a shoestring budget.
Even the most passionate filmmakers find themselves worn out and unable to produce their best work under these circumstances.
Take, for instance, the 1999 film The Blair Witch Project.
This film was famously shot on a very low budget, but the filmmakers were still able to cover essentials and knew how to work within their financial constraints.
Paper matters because, without it, even the best ideas and the strongest teams can struggle.
Why Paper Matters:
* Ensures that all production needs can be met without sacrificing quality.
* Helps prevent burnout for the cast and crew, who rely on fair compensation.
* Allows for contingency planning, so unexpected costs don’t derail the project.
2. Project: The Creative Vision
The second P, “Project,” is the heart of your filmmaking work.
The Project encompasses the story, the concept, and the artistic vision that drives you.
It’s the “why” of the film—what you’re aiming to express and why it matters.
When the Project aligns with your creative passion, you’re willing to push through challenges, because you believe in the end result.
Think of movies like Inception, directed by Christopher Nolan. Nolan’s creative vision for the film was ambitious, involving complex plot layers and stunning visual effects.
The Project itself was so compelling that everyone involved was inspired to bring that vision to life.
When a project resonates deeply, it brings out the best in everyone involved, motivating them to work harder and think creatively.
But not every project will spark that kind of excitement.
Sometimes the Paper or the People make a project worthwhile even if the creative vision isn’t groundbreaking.
However, if you find a Project that ignites your passion, you’re looking at a rare opportunity worth fighting for.
Why Project Matters:
* Inspires dedication and energy, especially when conditions get tough.
* Fuels your motivation to put in the extra hours, knowing you’re working toward something meaningful.
* Elevates your work, allowing you to make art that resonates with audiences.
3. People: The Team that Makes It Happen
Finally, there’s “People”—the team of cast and crew that will bring your vision to life.
Filmmaking is a collaborative process, and the quality of the people you work with can make or break a project.
A supportive, talented team can lift the entire production, creating a positive atmosphere that makes even the hardest days on set manageable.
Consider the making of The Lord of the Rings trilogy.
Director Peter Jackson’s team was known for their dedication and camaraderie, which created a supportive environment.
This synergy allowed them to tackle the grueling schedule, tough filming conditions, and complex logistics.
The result?
A trilogy that set new standards for epic storytelling and captivated millions of fans.
On the other hand, a toxic or unmotivated team can derail a production.
Miscommunication, ego clashes, or lack of commitment from just one team member can create an environment where productivity and creativity suffer.
Remember, the People you work with not only affect the quality of the film but can also shape your professional network for future projects.
Why People Matter:
* A collaborative team brings energy, creativity, and problem-solving skills to every part of production.
* Positive working relationships make challenging projects manageable and fulfilling.
* Strong networks formed on set can lead to future opportunities and partnerships.
🎬 Take the Next Step in Your Filmmaking Journey
Feeling stuck on your filmmaking journey?
You’re searching for answers but can’t find real, actionable resources to guide you through the process.
What if you could see exactly how a movie is made—step by step—while gaining access to the same files, templates, and workflows used in a real production?
The WITH LOVE All-Access Pass gives you everything you need: files, videos, documents, and behind-the-scenes insights from an active production in 2025.
👉 Get started, now!
Finding Balance: When You Can’t Get All Three P’s
Ideally, every project would check all three boxes: Paper, Project, and People.
However, most of the time, filmmakers have to make compromises.
The trick is to aim for at least two out of the three.
Here’s how different combinations play out:
* Paper + People: When the pay is fair and the team is great, even a less exciting project can feel worthwhile. You’re well-compensated and enjoy the experience, which often makes up for a lack of creative spark.
* Project + People: If the budget’s tight, but the creative vision is inspiring and the team is enthusiastic, you’ll likely find a way to make things work. Passion and collaboration can carry you a long way when finances are stretched thin.
* Paper + Project: Maybe the team isn’t ideal, but if the budget is solid and the creative vision excites you, the rewards of the work may outweigh the challenging personalities. As long as you stay focused on the end goal, you can still produce a quality film.
Finding the right balance between these three P’s can make the difference between a fulfilling project and one that leaves you frustrated.
Knowing what you’re willing to compromise on can help you make decisions that keep you motivated, productive, and engaged in your filmmaking journey.
Examples of Balancing the Three P’s in Filmmaking
Let’s look at some well-known films where these three P’s were balanced in different ways:
* Mad Max: Fury Road – With a strong creative vision (Project) and a dedicated team (People), Fury Road overcame tough production conditions. The budget (Paper) was tight for such a high-concept film, but the team’s dedication and the director’s creative passion brought the film to life.
* Clerks – This indie film by Kevin Smith had very little budget (Paper) but a strong Project and People. Smith’s passion for the story and the commitment of the small cast and crew turned this low-budget film into a cult classic that launched his career.
* The Revenant – With a large budget (Paper) and a talented team (People), the intense production of The Revenant was sustained by the cast’s commitment to the creative vision, particularly Leonardo DiCaprio and director Alejandro González Iñárritu. This combination led to a challenging but ultimately rewarding production.
Why the Three P’s Matter: Key Takeaways for Filmmakers
Here’s why keeping the Three P’s in mind can transform your filmmaking journey:
* Financial Security (Paper): Ensures you and your team are compensated, preventing burnout and enabling high-quality production.
* Creative Fulfillment (Project): Inspires passion, which fuels productivity, focus, and dedication to the work.
* Collaborative Success (People): Strengthens teamwork, making the entire filmmaking process more enjoyable and productive.
* Long-Term Career Growth: Helps you build a network and gain skills that carry forward to future projects.
* Balance and Flexibility: Guides you in choosing projects that fit your values and goals, even when compromises are necessary.
Final Thoughts
In filmmaking, every project is a choice—a choice to invest your time, resources, and creativity.
The Three P’s—Paper, Project, and People—are the pillars that help guide these decisions, balancing practicality with passion.
While it’s rare to find a project that hits all three, aiming for at least two can create an experience that’s as fulfilling as it is productive.
The next time you’re evaluating a project, think about the Three P’s.
Are you excited about the creative potential?
Cheers,
Mike Rekola
* P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Kathryn Bigelow & Julia Ducournau…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… in the Green Mountains…
* 👉 Some Thoughts: What is Tone in Filmmaking?…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the Elementry School Pickup Line.
Tuesday, October 8th
Hey Filmmaker,
The phrase “Show, Don’t Tell” is a golden rule in filmmaking, but what does it really mean—and why is it so powerful?
For filmmakers, understanding and applying this technique can make the difference between a story that resonates deeply and one that falls flat.
“Show, Don’t Tell” goes beyond mere advice; it’s a principle that lets you communicate through images, actions, and emotions, creating moments that your audience feels rather than hears.
In this post, we’ll break down why “Show, Don’t Tell” is essential in filmmaking, explore real examples that illustrate its impact, and discuss how it can transform the way you tell stories.
THE MODERN FILMMAKER
This Issue: Show Don't Tell, Why It Works!
Last Issue: What is Tone in Filmmaking?
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
So There I Was… (Story)
So there I was, watching a short film with a promising premise—a young man struggling with his father’s disapproval of his creative career.
The conflict was intriguing, but within minutes, I could feel the story slipping away.
Why?
Because the characters spent scene after scene spelling out every emotion through dialogue.
“I feel trapped by your expectations,” the son said.
“You don’t understand me at all!”
Every sentiment was vocalized, leaving nothing for the audience to infer or feel on their own.
In that moment, I understood the importance of “Show, Don’t Tell.”
I kept thinking, “How much stronger would this scene be if we saw the father looking at the son’s work with a dismissive glance, or the son reluctantly covering up his sketches before his father walked into the room?”
This experience was a reminder that storytelling in film isn’t about what’s said—it’s about what’s seen and felt.
Why ‘Show, Don’t Tell’ is a Filmmaking Essential
Film is a Visual Language
At its core, film is a visual medium.
Instead of relying on words to convey information, filmmaking gives you the tools to tell stories through images, movements, and visual cues.
This visual storytelling allows the audience to experience emotions without needing them explained.
When you show a character’s actions, the audience can interpret their emotions and motives based on what they see and feel.
In A Quiet Place, nearly all dialogue is eliminated, forcing characters to communicate through expressions, gestures, and body language.
The silence amplifies tension, drawing viewers into a world where survival depends on actions over words.
This “showing” builds an emotional connection that would be diminished if every fear or struggle were spelled out in dialogue.
Building Emotional Connections
Showing instead of telling creates a space for the audience to experience emotions along with the characters, rather than simply being told what to feel.
When you let actions and visuals speak, viewers can form their own emotional responses, which strengthens their engagement with the story.
This approach invites them into the character’s world on a more personal level.
In Get Out, director Jordan Peele uses subtle actions and cues to reveal the tension of racial bias.
The scene where a white police officer asks Chris, an African-American man, for his ID is not explicitly about racism—it’s about the discomfort and fear communicated through Chris’s uneasy expression and his girlfriend’s angry defense.
The film doesn’t have to tell you what’s happening; it shows you, and you feel it.
Conveying Subtext and Theme
Mastering “Show, Don’t Tell” allows filmmakers to explore themes without heavy exposition, using visuals to build subtext that audiences can interpret for themselves.
This approach lets you create layered stories where meaning lies beneath the surface, encouraging viewers to dig deeper into what’s unsaid.
Parasite by Bong Joon-ho is a perfect example of subtext conveyed through visuals.
The contrasting architecture of the wealthy family’s modern mansion versus the cramped, flood-prone home of the struggling family visually represents the class divide.
Without ever explicitly stating the theme of social inequality, Bong uses setting, cinematography, and positioning to show the impact of economic disparity on each character.
🎬 Take the Next Step in Your Filmmaking Journey
Feeling stuck on your filmmaking journey?
You’re searching for answers but can’t find real, actionable resources to guide you through the process.
What if you could see exactly how a movie is made—step by step—while gaining access to the same files, templates, and workflows used in a real production?
The WITH LOVE All-Access Pass gives you everything you need: files, videos, documents, and behind-the-scenes insights from an active production in 2025.
👉 Get started, now!
How ‘Show, Don’t Tell’ Enhances Filmmaking Techniques
Visual Cues Over Dialogue
One of the simplest ways to implement “Show, Don’t Tell” is by letting characters’ actions speak for them.
Instead of explaining emotions, show them through body language, gestures, or even a glance.
This lets viewers interpret the character’s feelings based on what they see, leading to a richer experience.
In The Godfather, Michael Corleone’s transformation from a reluctant outsider to a ruthless leader isn’t described in words.
Instead, his character arc is revealed through subtle cues: his composed demeanor during confrontations, the cold look in his eyes, and the powerful decision-making he demonstrates in key scenes.
These non-verbal cues effectively illustrate his shift, giving the audience an opportunity to witness, rather than be told about, his moral descent.
Environment as a Character
A setting can communicate the tone, atmosphere, and even backstory of a scene.
Details in an environment can provide insights into a character’s state of mind, social status, or past experiences, without needing to be explained outright.
In Her, the futuristic yet sterile cityscape reflects the protagonist’s loneliness and emotional isolation.
The color palette and minimalist design of Theodore’s apartment enhance the sense of detachment, showing the emptiness in his life without having to say a word about it.
Symbolism and Metaphor
Visual metaphors and symbols are powerful tools for conveying meaning. By using a recurring image or symbol, filmmakers can underscore themes and emotional tones without overtly stating them.
This approach can deepen the audience’s understanding of a character’s journey or the story’s central conflict.
American Beauty uses roses as a recurring visual motif, symbolizing the contrasting lives of suburban characters who yearn for beauty yet live under a facade.
Lester’s obsession with roses reflects his desire for passion and freedom, a theme that becomes clear through repetition rather than dialogue.
Examples of ‘Show, Don’t Tell’ in Iconic Films
Some of cinema’s most unforgettable moments follow this principle, creating emotional depth and resonance without relying on dialogue.
Here are a few examples:
* WALL-E: This animated film by Pixar tells most of its story through visuals and actions, as the robot protagonist WALL-E expresses love, loneliness, and curiosity without speaking. The film showcases how visuals alone can build strong emotional connections.
* No Country for Old Men: The Coen Brothers’ adaptation of Cormac McCarthy’s novel relies heavily on silence and sparse dialogue, using actions and settings to create tension. The iconic coin-toss scene is chilling precisely because of what isn’t said.
* Lost in Translation: Sofia Coppola uses the quiet moments between characters to show loneliness and the search for connection. The unspoken bond between Bill Murray and Scarlett Johansson’s characters is built through shared silences, glances, and gestures, rather than through words.
Why ‘Show, Don’t Tell’ Matters for Filmmakers
As a filmmaker, mastering “Show, Don’t Tell” can transform your storytelling and set your work apart. Here’s why this approach is crucial:
* Creates Emotional Impact: When audiences see and feel rather than being told, they form a stronger connection to the characters and story.
* Adds Layers of Meaning: “Show, Don’t Tell” allows you to create complex stories with themes and subtext that engage viewers on multiple levels.
* Increases Audience Engagement: Viewers are more likely to stay invested when they’re piecing together emotions and story details on their own.
* Builds Visual Literacy: This technique enhances your skills as a visual storyteller, teaching you to use images and actions to communicate narrative elements effectively.
* Encourages Rewatchability: Films that show rather than tell often contain layers of detail, making them more rewarding for viewers to revisit.
Final Thoughts
“Show, Don’t Tell” is more than just a filmmaking term—it’s a philosophy that reminds you to trust your audience’s intelligence and intuition.
By mastering this approach, you’re not only telling a story; you’re creating an experience that viewers can feel and interpret for themselves.
Whether you’re on set, in the editing room, or writing your next script, remember: it’s not about what you say, but how you show it.
Trust in the power of images, actions, and subtext, and let your film speak for itself.
Until next time, filmmaker—keep creating with vision, depth, and purpose.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Gina Prince-Bythewood
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… With a Filmmaker Who Lost It All…
* 👉 Some Thoughts: Here's the Secret to Mastering Group Dynamics…
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From a beautiful Fall Day on the Farm.
Thursday, October 3rd
Hey Filmmaker,
I’m embarrassed to admit it, but I’ve been creating art since five.
And, one thing I never understood, in filmmaking terms, until a recent set experience was…
What is Tone?
If I were to ask you how to define it, you might say…
“Film tone is the overall mood or atmosphere of a film, which is conveyed through a variety of techniques.”
But that’s all b******t.
No one knows the meaning of tone, it's taste.
Taste is subjective.
The objective is to make the thing.
So, how is tone achieved?
Sure you can achieve tone by:
* Cinematography: Lighting, camera angles, and exposure can all contribute to the tone of a scene
* Editing: How a film is edited can affect the tone
* Music: The music used in a film can contribute to its tone
* Dialogue: The dialogue in a film can contribute to its tone
* Atmosphere: The setting of a film can contribute to its tone
* Acting: The performance styles of the actors can contribute to the tone of a film
* Color symbolism: The use of color can embody a theme or motif and contribute to the tone of a film
But Tone— is borne into the film through the creatives that work on the film.
True Tone is constructed by a collective understanding, especially during production.
Tone is established through actions and choices
One I think accomplished by a short phrase or concept that the crew and creative team can digest and guide their actions and choices.
I view tone as a verb. Not an adjective.
Tone is the instinctual guttural drive of the creative team united behind one singular vision that is digested and understood by said creatives especially when making any and all choices.
But that sounds like b******t too.
So let me break down that recent set experience that illustrates What Tone is…
THE MODERN FILMMAKER
This Issue: What is Tone in Filmmaking?
Last Issue: Celebrate a Failure with Me…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
So there I was…
In the lush green mountains of Vermont four hundred miles from home.
Deep in the woods, I was working on a pre-teen dark fantasy epic.
This was the first phase of principal photography, of which we plan to have four more phases.
This entire phase was focused on capturing the nature landscapes that will anchor the spine of the narrative epic.
Small intimate shots of butterflies to grandiose sunsets from atop of Okemo Mountain.
So there out in the woods after 10 miles of hiking with 30 pounds of gear per crew member, I got into a conversation with the Director.
Me: So why so much effort for each shot.
Director: What do you mean?
Me: We’re hiking miles apart to get similarly situated images. There’s millions of trees and forest and the like.
Director: Do you remember our inspiration for this film is the Hudson River School right?
Me: Yep — the famous group of American landscape painters.
Director: We’ll our only guiding principle is this “If they wouldn’t paint it, then we won’t shoot it.”’
Me: (The lightbulb went off. Any old tree or forest would not do. Only the grand.)
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I promise Tone is B******t.
That one short phrase bounced around in my brain and settled in.
“If they wouldn’t paint it, then we won’t shoot it.”
From that moment on, during the shoot, I understood clearly every creative decision made.
Then every decision I made, was informed by that, too.
And thus what I argue Tone truly is… a collective understanding that influences choices and actions.
So if the creatives on your team understand.
Then the choices they make will seep into the cinematography, acting, production design, and more thus influencing the film.
Now, when crew members come and ask me…
What is the tone of this film?
I tell them the one sentence meant to embed in their own minds and drive their choices.
Thus tone is still an ethereal term filled with b******t depending on the speaker.
But when I refer to it, I try to use it as a verb to influence my collaborators’ efforts.
I suggest you do the same.
* Define tone for yourself…
* If I were to ask you about the film you are working on… What is its’ tone?
* What is the one sentence that you can use to embed the core of the movie to your crew?
I hope you enjoyed this letter, my friends.
Cheers,
Mike Rekola
* P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉 Some Filmmakers to Know: Alexis Bloom & Kathryn Bigelow…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… About to Launch a Pilot…
* 👉 Some Thoughts: Celebrating Victories is a Good Thing… Failures too.
* 👉 Meet Me: Mike Rekola…
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
This is the Modern Filmmaker where I distill important concepts (about life, self-discovery, and filmmaking)— quickly and succinctly. Earning you, time back to enjoy the silence.
This Issue: Celebrate a Failure with Me…
Last Issue: Industry-Standard Software Should Be Free…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
From late at night, after we put the kids to bed.
Saturday, September 14th,
Hey Filmmaker,
Failure Sucks.
I never went to film school and even got denied by everyone I applied to as an undergraduate and then again for graduate school.
It wasn’t until law school did I uncover the confidence to attempt this career change.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe -
From the editing bay. (Specifically, the one with the broken heater.)
Thursday, January 18th
Hey Filmmaker,
(This is not a paid endorsement, I promise.)
For many aspiring filmmakers, the journey to bringing creative visions to life can be challenging, especially when it comes to accessing the tools required to produce high-quality work.
Today’s industry-standard software for editing, visual effects, color grading, and audio is powerful—yet often comes at a steep price.
But does it have to?
Today, we’ll explore why I argue industry-standard software should be free and how it can open doors for those looking to make their mark on the film industry without breaking the bank.
This Issue: Industry-Standard Software Should Be Free…
Last Issue: Celebrate a Failure with Me…
On Sale Now: The Modern Filmmaker’s On Set Filmmaking Dictionary
So There I Was… (Story Time)
So there I was, a fresh-faced filmmaker with big ideas and… limited resources.
I had finally taken the leap, leaving my stable job to pursue filmmaking full-time.
I was beyond excited, but I quickly realized that the road ahead would be much more difficult than I imagined.
Like a lot of newcomers, I had to figure out the technical side on my own.
After all, no matter how good the story, a film won’t reach its potential without solid editing and post-production.
But just as I started to make headway, I ran into a huge roadblock: software costs.
Every program I looked into—from editing suites to color grading tools—came with a price tag.
And not just any price tag; these were subscription fees that could easily eat up what little budget I had.
I remember thinking, “How can this be right? Creativity shouldn’t come at a cost that high.”
And then I discovered DaVinci Resolve!
It was free, and yet, it was every bit as powerful as the paid alternatives.
That single discovery changed the course of my career, giving me access to tools that professional editors and even major studios use.
(Download the free version here.)
Why Filmmakers Deserve Free Access to Industry-Standard Software
1. Accessibility for Emerging Creatives
Filmmaking is one of the most financially demanding creative fields.
From equipment to location rentals, there are costs at every turn.
Adding expensive software to the list is a burden that many emerging filmmakers simply cannot bear.
By offering industry-standard tools for free, software companies would enable creatives from diverse backgrounds to produce work that can compete with the best.
Take Tangerine, for example.
Shot entirely on an iPhone, this Sundance breakout film is proof that technical limitations shouldn’t hinder creativity.
With accessible, high-quality software, more filmmakers can produce projects that challenge the status quo without worrying about budget constraints.
2. Freemium Models Prove It Works
Companies like Blackmagic Design, the creators of DaVinci Resolve, have shown that offering a “freemium” model benefits everyone.
The basic version of DaVinci Resolve is free and provides nearly every feature a filmmaker would need, including high-resolution editing, color grading, and even VFX tools.
For those with bigger budgets or advanced needs, there’s a paid version. This approach allows filmmakers to get started without upfront costs, while more advanced users still have the option to pay for additional features.
DaVinci Resolve’s success story is a clear indicator that offering a free tier is both profitable and sustainable.
It levels the playing field, allowing filmmakers to choose when, or if, they want to invest in additional features.
3. Reducing Barriers to Innovation
Access to industry-standard software encourages experimentation and innovation.
When filmmakers have access to the same tools as large studios, they can experiment, take risks, and push boundaries.
And without the worry of high subscription costs, more filmmakers would feel free to explore, iterate, and improve their craft.
Consider independent horror films, which often lead innovation with creative effects and storytelling on tight budgets.
Accessible software allows filmmakers to explore genres without financial risk, bringing fresh ideas to screens worldwide.
4. Bridging the Gap Between Indie and Professional Filmmaking
Traditionally, there has been a wide gap between the tools used by indie filmmakers and large studios.
But software like DaVinci Resolve is closing this gap, allowing independent creators to use the same tools as Hollywood pros.
This democratization of technology helps indie filmmakers produce work that’s polished and professional, whether it’s a festival submission or a feature film.
The film Moonlight was edited using industry-standard software but had an indie budget.
With software that levels the playing field, filmmakers everywhere can compete on quality, not budget.
Examples of Industry-Standard Software That Offer Free Access
Let’s look at some examples of industry-standard software that have adopted freemium models or offer free access to their tools:
* DaVinci Resolve: Known for its high-quality editing, color grading, and visual effects capabilities, DaVinci Resolve is a favorite among professional editors, and the free version has features that rival paid competitors.
* Blender: An open-source 3D creation suite that provides tools for animation, VFX, and game development. Used by professionals and hobbyists alike, Blender’s free access model has built a strong community and is now even used in major studio productions.
* Audacity: A free, open-source audio editing tool that is popular in film post-production and podcast editing. Although not as feature-packed as some paid software, it offers enough to get most editing jobs done.
By providing free or accessible versions, these tools allow filmmakers to hone their skills and create high-quality content without heavy financial investment.
The Benefits of Industry-Standard Software Being Free
1. Learning Without Financial Pressure
For students, learning how to use industry-standard software without subscription costs is invaluable.
Free software allows new filmmakers to explore, learn, and even fail without a financial hit.
As these filmmakers enter the industry with professional skills, they’re more prepared to tackle real projects from day one.
Imagine a film student, fresh out of school and eager to start creating.
If they’re saddled with expensive subscriptions, they’re at a disadvantage.
But if they have access to free tools, they can jump into the industry with skills already sharpened.
2. Increasing Diversity in Filmmaking
When software is free, it opens doors to a broader range of voices.
Not everyone has the resources to invest in expensive software, which often limits the field to those who can afford it.
With free, accessible software, filmmakers from diverse backgrounds can bring their stories to the screen, adding unique perspectives to the industry.
Films like The Florida Project, which captures the perspective of children living in poverty, benefit from fresh voices who often come from non-traditional backgrounds.
With free software, these voices become louder, more varied, and more impactful.
3. Building Loyal User Bases
Free software models also benefit the software companies themselves by building a loyal user base.
When filmmakers start using a particular tool from the beginning of their careers, they’re likely to stick with it, recommend it to others, and even upgrade as they advance.
The trust and loyalty built through free access is invaluable.
DaVinci Resolve, for instance, has become a mainstay for many filmmakers, and as they progress in their careers, they often choose to invest in the studio version for advanced features.
4. Creating New Avenues for Filmmakers to Monetize
With more filmmakers able to create high-quality content without upfront costs, there’s more potential for them to monetize their work.
Filmmakers can create content for YouTube, short films, or even client projects at a professional level without needing to offset massive software expenses.
Consider High Maintenance, which began as a web series and evolved into a hit show on HBO. The creators started on a small budget, with free or low-cost tools, allowing them to build a following and eventually monetize their work on a grander scale.
Why It Matters: The Power of Free Filmmaking Software
To recap, here’s why it’s essential for industry-standard software to be free:
* Increases Accessibility: Levels the playing field for new filmmakers and allows access to professional tools without a financial burden.
* Drives Innovation: Enables creators to experiment, innovate, and produce high-quality work without worrying about budget constraints.
* Encourages Diversity: Brings diverse voices to the industry by removing financial barriers, enriching the stories that reach audiences.
* Builds Loyalty and Trust: Creates lasting relationships between software companies and users, establishing long-term loyalty.
* Supports Monetization Opportunities: Allows filmmakers to produce professional content that can be monetized without having to offset heavy software expenses.
Final Thoughts
The case for free industry-standard software in filmmaking is clear: it levels the playing field, brings diverse stories to the forefront, and enables innovation that drives the industry forward.
For filmmakers who dream of telling stories, breaking creative boundaries, and contributing to the industry, accessible tools are essential.
Filmmaking is about storytelling, not budgets, and every filmmaker should have the tools they need to bring their vision to life—without breaking the bank.
Cheers,
Mike Rekola
P.S. Catch up on the rest from TheModernFilmmaker.co:
* 👉 Buy: The Modern Filmmaker’s On Set Filmmaking Dictionary, today.
* 👉Some Filmmakers to Know: David Lynch & Ingmar Bergman…
* 👉 Some Filmmaking Terms: Above-the-Line & Back to First Marks…
* 👉 Some Stories: So there I was… About to Launch a Pilot…
* 👉 Some Thoughts: Celebrating Victories is a Good Thing… Failures too.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit www.themodernfilmmaker.co/subscribe
