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This year's winner of the Booker Prize is British author Samantha Harvey for her fifth novel, Orbital. The Booker judges were unanimous in their decision.
Orbital is set in the International Space Station and takes a bird's eye view of the earth as it orbits the world over a 24 hour period. The reader meets six astronauts and cosmonauts as they grapple with big questions of family, faith and grief, as well as mundane matters of domestic life in the space station.
Samantha Harvey spoke to The Book Show's Sarah L'Estrange about her long running interest in space and how she wanted to write about it "as our one remaining wilderness".
Here is more information about the award winning book.
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Australian crime writer Garry Disher has been writing for almost 50 years but has only recently been able to make a living and now he's published his 60th book, Sanctuary. Emily Maguire explores the medieval urban legend of a female pope in Rapture and in his novel, This Kingdom of Dust, David Dyer imagines what might've happened if the Apollo 11 mission didn't go to plan.
Australian crime-writing legend, Garry Disher has just published his 60th book in a career that ranges over four decades and began at a time when the cultural cringe towards Australian crime fiction meant it wasn't as popular as it is today. His latest novel Sanctuary draws on a side character, Grace, from his Peninsula Crime novels, that he couldn't let go. Garry shares how his love of writing began in childhood when his father told nightly bedtime stories with cliff hangers.
David Dyer's first novel, The Midnight Watch, was about the tragedy of the Titanic, and his second novel takes up another iconic event of the 20th century, the 1969 moon landing. In This Kingdom of Dust David imagines an alternative ending for the Apollo 11 mission.
Australian author Emily Maguire's latest novel, Rapture, is a work of historical fiction and is a sharp turn for Emily, who has made her name with contemporary novels, including Love Objects and her Miles Franklin shortlisted novel, An Isolated Incident. Rapture takes up the story of Joan, the female Pope. According to the legend, Pope Joan disguised herself as a man, followed a lover to a monastery and ended up rising to the throne of St Peter.
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For the first time in a decade, an Australian writer, Charlotte Wood has made the Booker Prize shortlist with her novel Stone Yard Devotional. Hear from Charlotte and the other shortlisted writers, including Rachel Kushner and Percival Everett, and find out who we think will win.
The Booker Prize is the most prestigious writing prize in the English speaking world and is open to books written in English, and published in England or Ireland in the last year. The winner takes home £50000 and expect a life-changing increase in book sales.
Claire Nichols and Sarah L'Estrange speak to all of the shortlisted authors:
James by Percival Everett
Orbital by Samantha Harvey
Creation Lake by Rachel Kushner
Held by Anne Michaels
The Safekeep by Yael van der Wouden
Stone Yard Devotional by Charlotte Wood
The winner of the Booker Prize will be announced on November 13, Australian time.
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A wild puma stalks through Robbie Arnott's haunting new novel, Dusk, Fiona McFarlane's homage to true crime podcasts in Highway 13 and Malcolm Knox raises the stakes in a Soviet era political thriller, The First Friend.
Australian author Robbie Arnott has published four novels, and two of them — The Rain Heron and Limberlost — have been shortlisted for the Miles Franklin Literary Award. His latest novel, Dusk, is a Western and it's about two siblings who are on the trail of a wild puma that's been terrorising local graziers. Robbie tells Claire about his fascination with the natural world and why he aims to capture animals "as they are, not what we want them to be".
Highway 13 is a crime novel with a difference, it's about the ripple effects of a serial killer's crimes - but not the crime itself - and is the fourth book by Australian born, US based author Fiona McFarlane. It's loosely based on the case of Australian serial killer Ivan Milat but is structured as interlinked stories about the murderer's former neighbours, the sister of his former wife and the brother of one of his victims. There's even a story written in the style of a true crime podcast.
Malcolm Knox is an award winning Australian journalist and novelist and his latest book The First Friend is a Soviet era satirical thriller. It draws on Malcolm's own interest in Russian fiction and history. It's a lesson in how to raise the literary stakes for fictional characters.
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Tim Winton explains his urgency for writing about climate change in his new novel Juice, beware the evil eye in Matia, the debut novel of West Australian writer Emily Tsokos Purtill and singer-songwriter turned novelist, Nardi Simpson, explains the ambition of her second novel The Belburd.
Tim Winton shares the anger and frustration that compelled him to write his latest novel Juice. It's set in a future north Australia where resources are scarce and people are scarred by the sun and spend months living underground to escape the heat. He reflects on the sense of urgency he feels around climate change and the role of fiction to address big topics. This is what Radio National critics had to say about Juice.
From a West Australian literary veteran to a debut novelist, Claire Nichols visits Emily Tsokos Purtill in Perth. Emily's novel Matia tracks four generations of Greek-Australian women, and the dark prophecy that hangs over all of them.
Nardi Simpson is a singer-songwriter turned novelist. Her award winning debut was Song of the Crocodile and her new book The Belburd is similarly ambitious. In one story strand there's a young poet in modern-day Australia and in the other is a sprite swimming through a cosmic ocean with the mythical Mother Eel.
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Former Booker Prize winner Pat Barker grapples with the lot of Cassandra in her latest Ancient Greek novel, The Voyage Home and Life After Life author, Kate Atkinson, returns to her famous character Jackson Brodie in Death at the Sign of The Rook. Plus debut novelist Raeden Richardson on the importance of Melbourne's iconic Degraves Street in The Degenerates.
Booker Prize winner Pat Barker is renowned for her World War One Regeneration trilogy. Her latest series draws on the mythology of the Ancient Greek Trojan War (Silence of the Girls and The Women of Troy) to re-imagine the lives of the women often sidelined in these myths. The latest, The Voyage Home, inhabits the plight of prophetess Cassandra, who's destined to never be believed. Pat reflects on the urgency she feels to write and why she's drawn to the tragedy of Clytemnestra.
Kate Atkinson is another legend of British fiction who's celebrated for her books Life After Life, A God in Ruins and Transcription. Kate also writes crime fiction and has released the sixth novel in her Jackson Brodie series, Death at the Sign of The Rook. It's set at a manor house where a murder mystery show is underway. She tells Claire how a character she imagined 20 years ago finally made it into this book.
Melbourne author Raeden Richardson describes his debut novel The Degenerates as a love letter to the city. It's about a woman known as Mother Pulse who gives new life to the stories of social outcasts. Raeden takes The Book Show to the iconic Degraves Street, one of the key landmarks in the book and explains how its multi layered history influenced the story.
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British author Onyi Nwabineli explores the scars of a child influencer in Allow Me to Introduce Myself, Ella Baxter writes back to her stalker in Woo Woo, and Melanie Cheng's The Burrow, a gentle novel about grief and a rabbit.
Onyi Nwabineli is a British novelist who tackles the minefield of mumfluencers and child stars in her second novel, Allow Me to Introduce Myself. It's about former child influencer, Anuri, who's now 25 and still dealing with the legacy of her childhood being shared on social media.
Australian visual artist and author Ella Baxter writes back to her stalker in her second novel Woo Woo (her first was New Animal), about a visual artist who confronts her stalker in the most powerful way she knows, through her art.
The Burrow is the latest novel by Melbourne writer and GP Melanie Cheng, and follows her award winning books Australia Day and Room for a Stranger. The Burrow is about a grieving family who bring a rabbit into their home. Will it be a witness to a family healing or to a family falling further apart?
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Today we take to you to two writers festivals: In Perth, Laura Jean McKay, Laurie Steed and Chemutai Glasheen reflect on what it means to bring their convictions to the page, and by the seaside in Sorrento, Victoria, poet, essayist and short story writer Nam Le retraces his roots as a storyteller.
At the Perth Festival Writers Weekend, Claire Nichols spoke to three authors whose recent short story collections unapologetically focus on their respective passions. Laura Jean McKay writes about non-human animals in her collection Gunflower and in her Miles Franklin shortlisted novel The Animals in That Country. Kenyan born, WA based writer Chemutai Glasheen's collection of young adult short stories, I Am the Mau, explores human rights and life in Africa. And Perth based author, Laurie Steed focuses on relationships and male vulnerability in his collection Greater City Shadows.
And at the Sorrento Writers Festival, Sarah L'Estrange spoke to writer Nam Le about his collection of poetry 36 Ways of Writing a Vietnamese Poem as well as his writing journey and how he wrote his celebrated short story collection, The Boat (2008).
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Bestselling author of Leave the World Behind, Rumaan Alam explores money obsession in his novel Entitlement, plus Jock Serong gets magical in Cherrywood and writer-doctor Jumaana Abdu's debut novel, Translations.
American author, Rumaan Alam's bestselling last book, Leave the World Behind, was adapted to the screen starring Julia Roberts and Ethan Hawke. His new book is Entitlement and while it explores themes of power, race and class it also begs us to ask ourselves "does money really buy happiness?" Set in New York, it's about a young, middle class black woman, who's hired to help an old rich white man give away his billions. Rumaan also reflects on what the success of Leave the World Behind has given him as a writer.
Australian author Jock Serong's seventh novel Cherrywood is a mystery touched with a hint of magic and is a divergence from his previous, heavily researched fiction about Bass Strait and Australia's colonial past (The Settlement, Perseverance and The Burning Island). Cherrywood is a story about trees, love and grand follies and is a braided narrative about an early 20th century Scottish industrialist and a successful (but miserable) lawyer in 1990s Melbourne.
Doctor-turned-writer, Jumaana Abdu's debut novel, Translations, is about a woman who wants a small, quiet life but who discovers life doesn't always work out as planned. Jumaana explains how she wrote the novel while she was studying medicine and also, how Charlotte Bronte's Jane Eyre was an inspiration.
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Richard Osman has followed up his bestselling crime series The Thursday Murder Club with a new series, the first instalment is We Solve Murders. Plus Iranian-American poet Kaveh Akbar explains how dreams are woven into his novel Martyr! and Dylin Hardcastle on their novel that began with the idea of a kiss.
Richard Osman's The Thursday Murder Club and its sequels are so popular that a screen adaptation is underway. Not content with this success, Richard has begun a new crime series with a book called We Solve Murders. He explains who he writes for, why he prefers to stay home and watch snooker over jet setting, and why he calls himself a writer first and foremost.
Kaveh Akbar is an Iranian-American poet whose debut novel Martyr! has been championed by former US President Barack Obama in his 2024 Summer Reading List. The novel follows Cyrus Shams who's in his late 20s and is struggling with addiction and sobriety and channels his existential doubts into a poetry project about martyrdom. Lisa Simpson and Rumi also make cameos in the story.
The Australian writer Dylin Hardcastle's new book is A Language of Limbs. It's set in the 1970s and it's about the parallel lives of two women: one, a young queer woman who embraces her desires and her attraction to women and another who rejects them, in the hope of a more so-called 'conventional' life. Is it a sliding-doors narrative or are they different people?
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Celebrated British-Turkish author Elif Shafak follows a single drop of water through history in her novel There are Rivers in the Sky, Kaliane Bradley on her bestseller The Ministry of Time which has attracted Barack Obama's attention and Nicola Moriarty's latest domestic drama Every Last Suspect.
Elif Shafak is a British-Turkish author and activist. She was shortlisted for the Booker Prize for 10 Minutes 38 Seconds in this Strange World and for the Women's Prize for her novel, The Island of Missing Trees. Her new novel, There are Rivers in the Sky, is an epic in which three key stories are connected by raindrops, rivers and water.
The Ministry of Time by British-Cambodian author Kaliane Bradley is listed on former US president Barack Obama annual summer reading list this year. It's a time travel novel in which a handful of (mostly) fictional historical characters who've been transplanted from their time period to a near future England. It's about love, refugees, bureaucracy and the doomed Franklin Arctic expedition.
The Moriarty sisters — Liane, Jaclyn and Nicola — are a powerhouse family in Australian publishing. Each sister is a successful author in their own right, including the youngest Nicola. In her latest family drama, Every Last Suspect, as a woman lies dying she decides to use her final moments to figure out who did it.
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Meena Kandasamy is an Indian born poet, novelist, rebel and activist who's been threatened and harassed for her writing. From the Byron Writers Festival she explains why she keeps going despite the threats.
She is also celebrated for her innovative approach to storytelling. Her debut novel The Gypsy Goddess (2015) was about the 1968 massacre of Dalit agricultural workers. Her book When I Hit You: Or, A Portrait of the Writer as a Young Wife is about her own experience of domestic violence. Her latest work is a collection of poetry called Tomorrow Someone Will Arrest You.
She told Claire Nichols about the importance of ego as a writer, her family background raised in a house of academics and rebels and the challenge of being an activist.
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Award-winning author Evie Wyld on her new book The Echoes, and why there are so many sharks in her fiction. Plus, Catherine McKinnon's epic war novel To Sing of War and Jordan Prosser's band road trip novel, Big Time.
Evie Wyld is one of the few Australian writers to win both the Miles Franklin and the Stella Prizes (the Miles for All the Birds, Singing, and the Stella for The Bass Rock). She is drawn to the paranormal and gothic in her fiction and this atmosphere imbues her new book, The Echoes, which is partly narrated by a ghost. Evie shares her go to writing tip (yes, it has to do with sharks) and the appeal of the TV series Neighbours when she was growing up in England.
Catherine McKinnon is a playwright, critic and novelist. Her second novel Storyland was shortlisted for the 2018 Miles Franklin. Catherine's third book, To Sing of War, is set during World War 2 and asks what makes this war different. It's a braided story that threads multiple perspectives from characters in different places, including the Australians fighting against the Japanese in New Guinea and those developing of the atomic bomb in New Mexico, USA.
Big Time is the debut novel from Australian screenwriter-turned novelist Jordan Prosser. It's a band road trip story set in a futuristic, fascist Australia where a popular drug gives users a glimpse of their future.
August is Australian Poetry Month and to celebrate Radio National is bringing you brand new poems commissioned by Red Room Poetry. Laura Panopoulos is a Tasmanian-based poet who also runs Silver Words, a monthly open mic spoken word event in Hobart. Laura's poem is called Perimeter of Rectangles. For more information about Poetry Month, visit Red Room Poetry.
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Booker Prize shortlisted Nigerian author Chigozie Obioma joined Claire Nichols at Byron Writers Festival to discuss his latest novel The Road to the Country about civil war in Nigeria.
Now based in the US, Chigozie Obioma's first two novels The Fishermen (2015) and An Orchestra of Minorities (2019) were shortlisted for The Booker Prize. His third novel The Road to the Country is about the Biafran War that tore through Nigeria from 1967 to 1970.
At the Byron Writers Festival, he reflected on the idea imparted by his mother that 'stories of war are never complete', why she hasn't read his book and tells Claire Nichols what it was like growing up in a large family.
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For Science Week, The Book Show goes intergalactic in a star themed episode. Ceridwen Dovey, Alicia Sometimes, Nardi Simpson, Max Barry and Emily St John Mandel explore how celestial tales reveal deep truths about our lives on earth.
From the fabulously weird stories about space junk in Only the Astronauts (Ceridwen Dovey) to the star dust fuelled poetry of Stellar Atmospheres (Alicia Sometimes) we pay tribute to the connections between the night sky and literature.
Books and authors mentioned:
Song of the Crocodile by Nardi Simpson
Only the Astronauts by Ceridwen Dovey
Stellar Atmospheres by Alicia Sometimes
Providence by Max Barry
Sea of Tranquillity by Emily St John Mandel
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Hollywood star Keanu Reeves and British science fiction author China Miéville reveal how they collaborated to to write the novel The Book of Elsewhere. Plus, Taffy Brodesser-Akner, author of Fleishman Is In Trouble and Indigenous Australian author, Anita Heiss.
The Book of Elsehwere (Del Rey) is based on a comic book series that Keanu Reeves developed called BRZRKR. It's gory and it's novelisation by science fiction guru China Miéville is just as gory. Claire finds how how and why they worked together on this project.
New York writer, Taffy Brodesser-Akner talks about the difficult second novel. She had a dream run with her debut, Fleishman Is in Trouble, which was longlisted for the Women's Prize for Fiction and was adapted to the screen. Her second novel, Long Island Compromise (Wildfire), is the saga of the Fletcher family who are a rich, Jewish family that has lived through an unimaginable ordeal and come out the other side, or have they?
And Indigenous Australian author Anita Heiss has a new work of historical fiction called Dirrayawadha which is centred around the Wiradjuri Wars. These were the violent conflicts in and around Bathhurst between the Wiradjuri people and white settlers in the 1800s.
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Alexis Wright is the 2024 winner of the Miles Franklin Literary Award for her novel Praiseworthy. She makes history as the only writer to have won both the Stella and Miles Franklin awards twice each.
Alexis first won the Miles Franklin in 2007 for her epic novel Carpentaria. Like that novel, Praiseworthy (Giramondo) - which also won the 2024 Stella Prize - is an epic told on a grand scale. It's about a fictional town, a haze cloud, injustice, Indigenous land rights, global warming, and donkeys.
Alexis told Claire Nichols that there's "a lot of nutrition in a good story" and in this pod extra, she explains her vision for Australian fiction and why writing this novel was daunting.
Listen to The Book Show's guide to the Miles Franklin shortlist here.
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Samantha Shannon has such power as a bestselling writer that she's reissued her fantasy Bone Season series with new edits. In a revealing conversation she tells Claire Nichols what it takes to reach such heights.
Samantha Shannon was just 20 when she won a six-figure publishing deal for this series. She also has another series on the go called Roots of Chaos which begins with the bestselling The Priory of the Orange Tree.
Samantha Shannon spoke to Claire Nichols at the recent Sydney Writers Festival to find out how she's navigated being published from such a young age, the challenge of being compared to J.K. Rowling and the influence of the film DragonHeart on her beginnings as a fantasy author.
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'Flabbergasted' and 'surprised' — ahead of the winner announcement, the Miles Franklin shortlisted writers tell you about their books and what it means to be on the shortlist.
The Miles Franklin is the most prestigious writing prize in Australia and is awarded to a novel of "the highest literary merit that presents Australian life in any of its phases".
This year's shortlisted works cover themes of art, obsession, colonialism, time, fathers, and the self.
These are the authors - and their books - in contention for the $60 000 prize:
Hossein Asgari, Only Sound Remains (Puncher & Wattmann)Jen Craig, Wall (Puncher & Wattmann)Andre Dao, Anam (Hamish Hamilton/Penguin Random House)Gregory Day, The Bell of the World (Transit Lounge)Sanya Rushdi, Hospital (Giramondo Publishing)Alexis Wright, Praiseworthy (Giramondo Publishing) -
American author R.O. Kwon's novel, Exhibit, explores the taboo topic of female desire; Jenny Ackland exacts feminist revenge in Hurdy Gurdy and Jessie Tu's Honeyeater is a story of translation and miscommunication.
Korean-born, American author R.O. Kwon is not afraid of topic topics. She's behind the bestselling 2018 novel The Incendiaries and is co-editor of a story collection called Kink. Her new novel Exhibit is about two women who run deep with desire and find in each other a way to get what they want. Reese explains why this novel was such a challenge to write.
Hurdy Gurdy is the third novel by Melbourne writer Jenny Ackland whose previous novel Little Gods was shortlisted for the Stella Prize. Hurdy Gurdy imagines a future Australia ravaged by climate change and poverty and follows an all-female travelling circus while a conservative preacher trails them with his warmings of fire and brimstone. Jenny shows off her writing space to The Book Show where she also records her podcast My Mum's Bad Diaries.
Continuing the theme of female desire, Jessie Tu made a splash with her debut novel A Lonely Girl is a Dangerous Thing which centred a young woman and her various desires. Jessie's new novel The Honeyeater is about a young translator, her complicated relationship with her mum and an even more complicated relationship with a married man. Jessie shares why she was thinking about her mother while writing this book.
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