Avsnitt
-
This week we are rereleasing this conversation from August 2018 with painter and art critic Walter Robinson. Walter passed this past Sunday and we have lost a singular voice in the world of art. Walter’s impact on all of us who have met him or read his words was huge. I immediately thought of our conversation in his Queens studio when I heard the news. He was a joy to speak with and I hope this revisiting of our talk brings some relief to those missing him and for those who didnt know Walter, I think this is a good ‘get to know you’ chat between two artists. May he rest in peace.
-
Episode 460 / Greg Ito
Greg Ito (b. 1987, Los Angeles, CA) earned his BFA from San Francisco Art Institute. His work has been exhibited widely in solo and group exhibitions including at Institute of Contemporary Art, San Diego, CA; Long Beach Museum of Art, Long Beach, CA; Maki Gallery, Tokyo, Japan; Anat Ebgi, Los Angeles, CA; SPURS Gallery, Beijing, China; Lyles and King, New York, NY; Jeffrey Deitch, New York; NY and Yerba Buena Center for the Arts (YBCA), San Francisco, CA. Ito’s work is included in the permanent collections of public institutions including the Hammer Museum, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Institute of Contemporary Art Miami (ICA Miami); K11 Art Foundation, Hong Kong; and the Los Angeles County Museum of Art (LACMA). Greg lives and works in Los Angeles, CA. his current show MOTION PICTURES is at the Long Beach Museum of Art.
-
Saknas det avsnitt?
-
Episode 459 / Will St. John is a painter born in Harrisburg, Pennsylvania in 1983. Trained in the techniques of classical realism during his formative years in Italy, Will has since ventured into new territories under the influence of the contemporary New York art scene. His masterful renditions of Drag Queens and Trans models, intertwined with antique porcelain figurines, extend beyond traditional painting. Some portraits find their way into porcelain statues, snuff boxes, and lockets, freezing moments of beauty and authenticity in time. Will has exhibited in the US and abroad at locations such as Cealum Gallery, Spring Break, Arcadia Contemporary and others and he was a resident of the American Academy in Rome in Italy. He currently lives and works in New York City.
-
Episode 459 / Dana Piazza
Dana Piazza is a visual artist who creates abstract drawings and paintings on paper, panel, and canvas through a process of open-ended experimentation, repeating simple marks with brushes, markers, pens, and nibs. The meticulous forms that Piazza conjures on his flat surfaces depict the illusion of depth and movement; they seem voluminous, carrying significant visual weight. He approaches each work as though it were both a puzzle and an experiment, and lets the materials and tools determine the process.
Dana lives and works in Lenox, Massachusetts. He looks forward to featuring at Dallas Art Fair and having his first solo exhibition with TURLEY, by whom he is represented, in the Spring of 2025. His work has previously appeared in solo exhibitions at Art Austerlitz in Austerlitz, New York; Thompson Giroux Gallery in Chatham, New York; and Jennifer Terzian Gallery in Litchfield, Connecticut. His numerous group exhibitions include “Flat Files at OyG” at Ortega y Gasset Projects in Brooklyn; “Concentrated” at Galerie Manqué in Brooklyn; “Art on Paper” at Muriel Guépin Gallery in New York City; and “Guilty Pleasures” at Geoffrey Young Gallery in Great Barrington, Massachusetts. Piazza received a BFA from Purchase College, State University of New York.
This episode was recorded live at the https://www.williamsburgbiannual.org
Sound & Vision is sponsored by Soho Art Materials, Golden Artist Colors and Fulcrum Coffee Roasters. -
Episode 458 / Emily Wise
Emily Wise (born 1988, Baltimore, MD) received her BFA from the Pacific Northwest College of Art in Portland, OR, where she currently lives and works. Exploring themes related to femininity, intimacy, and the mysteries of the natural world, her paintings have been featured in national publications such as Juxtapoz and Artsy. She has exhibited across Portland, LA and NYC with Chefas Projects and DTLA based gallery Simard Bilodeau Contemporary.
-
As fires rage in LA and it's effect is shaking the creative communities there, I spoke to Emma Webster, painter and artist who lives and works there about the current situation and some ways to support our fellow artists.
Support Links:
Adolph and Esther Gottlieb Foundation, Inc.
Artists’ Benevolence Fund – Laguna Beach, CA
Artists’ Fellowship, Inc.
CERF+ (Craft Emergency Relief Fund)
Rauschenberg Medical Emergency Grants
https://www.gofundme.com/f/help-rebuild-the-lives-of-las-artists-and-art-workers
Remote / funding:
Art World Relief Grief and Hope
https://artworldfirereliefla.start.page/
https://www.instagram.com/griefxhope?igsh=NTc4MTIwNjQ2YQ==
Artists Affected by the fires:
https://docs.google.com/spreadsheets/u/1/d/e/2PACX-1vSDTcPGrWIBUUGQIg2aRhL5mvhybhT1aVUaz7KuuqGORKS4LCYOOMJy0IW1WsR-JiVTe9SD5uwMLB-f/pubhtml?urp=gmail_link%23&usp=embed_facebook#
For people in LA to help:
Fire Aid info: https://www.fireaid.info/
has different types of ais - shelters, animal, food, shelter, etc
MALAN (Mutal Aid LA Network)
follow them on IG for on the ground needs
https://docs.google.com/spreadsheets/d/1KMk34XY5dsvVJjAoD2mQUVHYU_Ib6COz6jcGH5uJWDY/edit?gid=0#gid=0
-
Episode 457 / Emily Noelle Lambert received her MFA in Painting from Hunter College in NYC and her BA in Visual Art from Antioch College in Yellow Springs, Ohio. Lambert has shown nationally and internationally including solo exhibitions at Freight+Volume Gallery (NYC), Denny Gallery (NYC), Lu Magnus Gallery (NYC) Art in Buildings (NYC), now defunct Thomas Robertello Gallery (IL), Gravity Gallery (MA) and IMART in South Korea. Her work has been included in numerous group exhibitions including at the Ringling Museum of Art (FL), The University of Michigan in Kalamazoo (MI), Torrance Art Museum(CA), Asya Geisberg (NY), Underdonk (NY) Katherine Markel Fine Art (NYC) and Alice Gauvin Gallery (ME). She has completed public art projects for the Department of Transportation in NYC and elementary schools in NYC and New Hampshire. Lambert has been awarded fellowships from MacDowell (NH), The Yaddo Foundation (NY), Fountainhead Residency (FL), Vermont Studio Center (VT), Dieu Donne (NY), The Alfred and Trafford Klots International Artist Residency (France),Lower East Side Printshop (NY), DNA Residency (MA), Edward Albee Residency (NY), Momozozo AIR (run by artist Paula Wilson) (NM) and Woodstock Byrdcliffe AIR(NY), Virginia Center for Creative Arts (VA) and Cushing Collaborative (organized by artist Maureen Cavanaugh) (ME). Lambert’s work has been reviewed in The International New York Times, The Observer, The Brooklyn Rail, Modern Painters, Art News, Two Coats of Paint, Greenpointer, Art in America, and artforum.com. Lambert is currently an Associate Professor of Drawing and Painting at Keene State College in New Hampshire.
-
Episode 456
Brian Boucher is an art writer, journalist and critic living in New York, with bylines at publications including the New York Times, New York Magazine, Artnet News, ARTnews, and many others. He previously served as a staff writer and editor at Art in America and a staff writer at Artnet News. He writes about crazy artists' projects (such as when Darren Bader offered his practice for sale), reports on the art market, covers developments in the art education field, and often reports on places where the art world and the wider world intersect, such as the potential cultural impact of the second Trump presidency and how Syrian artists and other cultural figures are looking ahead to a post-Assad era.
Here, he looks back on some of the shows, events and artworks that moved him in 2024, some of which he wrote about, including Bruce Nauman’s current show at Sperone Westwater, Marlon Mullen’s current show at MoMA, Guillaume Guillon Lethiere’s recent show at the Clark Art Institute, now at the Louvre, Christopher Wool’s recent self-organized show at a disused Lower Manhattan office space, the collective MSCHF’s piece “Met’s Sink of Theseus" in their recent Perrotin show, and some he didn’t write about, like the Maurice Sendak exhibition now at the Denver Art Museum and the Siena exhibition now at the Metropolitan Museum of Art.
He also talked about some of the live music that turned his crank in 2024, including Soul Coughing, Tigue, and the Jesus Lizard, and looks ahead to the farewell tour of the legendary British punk band Gang of Four.
-
Episode 455 / Mark Thomas Gibson
Mark Thomas Gibson (b. 1980, Miami, FL) received his BFA from The Cooper Union in 2002 and his MFA from Yale School of Art in 2013. He was most recently named a recipient of the 2022 Louis Comfort Tiffany Foundation Grant and was awarded a 2022 Guggenheim Fellowship. He was also a 2021-22 Hodder Fellow at Princeton University and received a Pew Fellowship from the Pew Center for Arts and Heritage in 2021. He was awarded residencies at Yaddo, Saratoga Springs, NY, and the Elizabeth Murray Artist Residency by Collarworks, Troy, NY, in 2021; he was also a resident at the MacDowell Colony, Peterborough, NH, in 2017. In 2016, Gibson co-curated the traveling exhibition Black Pulp! with William Villalongo. He has released two artist books, Early Retirement (2017), and Some Monsters Loom Large (2016).
-
Episode 454 / Xander
Xander is a Boston-based multi-genre music producer and artist. His sound has been greatly influenced by electronic music. To make his compositions stand out in a multiplicity of genres, Xander continues to incorporate a variety of experimental electronic sounds, striving to push the boundaries of any genre he enters. He has produced with and for musicians such as David Guetta, Riton, Kevin Garrett, Meek Mill and other artists. Xander’s work remains driven by experimentation and overcoming limitations of genre and sound.
-
Episode 453 / Ray Hwang
Ray Hwang is an artist from LA, living and working out of Ridgewood, NY. His work consists primarily of acrylic painting and drawing, in which he abstracts and layers imagery from his personal history to explore themes of family, home and inter-cultural contradiction. He received his BFA from the School of Visual Arts in 2016 and has since exhibited throughout New York City and internationally. He has been featured in Art Maze Magazine, Vast Magazine, and has been a recipient of the Keyholder Residency at the Lower East Side Printshop (New York, NY), the Plum Lime Residency (Brooklyn, NY), and the Moosey Residency (Norwich, UK). He has shown with Tube Culture Hall (Milan, Italy), LaiSun Keane Gallery (Boston, MA), 81 Leonard Gallery (New York, NY), and at Spring/Break Art Show (New York, NY). He opened his first solo exhibition in New York with Latitude Gallery in 2023, and is currently a member of the gallery and curatorial collective Below Grand on the Lower East Side in NY.
-
Episode 452 / Liv Aanrud earned her B.F.A in painting from the University of Wisconsin—Eau Claire(2001) and her M.F.A from Mason Gross School of Art, Rutgers University(2011). She has taught at ARTworks Charter School, Santa Barbara City College, the Armory Center for the Arts, and has designed and led textile workshops in the U.S and Canada.
Aanrud’s work has been the subject of one-person exhibitions at Kravets Wehby Gallery in New York City, and BozoMag, New Image Art, Arvia, 1700 Naud and TSA-LA in Los Angeles. Solo shows also include Finlandia University in Hancock MI, Sierra Nevada College, Lake Tahoe, Pamela Salisbury Gallery, and John Davis Gallery, Hudson, NY, Oasis Gallery, Marquette, MI and Steven Harvey Fine Art Projects, New York City.
Her work has been shown in group exhibitions across the U.S., Taiwan, Germany, and Spain.
She currently lives and works in Los Angeles, California.
S&V Sponsored by the NY Studio School:
The 60-credit, two-year MFA curriculum immerses aspiring artists in a rigorous program of study – awakening students’ imagination, ambition and dedication to artistic production. Each semester begins with an intensive two-week Marathon developed to ignite new ideas and generate momentum. The first year offers a range of studio classes, with a shift to personal development in the second year. Classes are bolstered by the Evening Lecture Series, technical workshops, one-on-one faculty guidance, group critiques, visiting artists, and faculty-guided trips. The weekly Critical Studies seminar explores a range of theoretical approaches to artmaking and culminates in a written thesis paper and Thesis Exhibition. NYSS faculty are internationally distinguished artists and teachers, dedicated to the School’s experiential pedagogy. They encourage students to work hard and think searchingly, establishing ethical and philosophical frameworks for their life’s work. Enrollment is limited to 15 MFA candidates per cohort each academic year. The priority application deadline for programs starting fall 2025 is January 15, 2025 - apply today at nyss.org.
-
Episode 451 / Jason Jägel
Jason Jägel born in 1971, Boston, MA is a 2023-24 Pollock-Krasner recipient. A monograph of his work entitled, Seventy-Three Funshine was published in 2008 by Electric Works, San Francisco. His work is featured in the collections of the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, the UCLA Hammer Museum, among others. His 2018 public commission, The Author & Her Story, is a 13x34-foot ceramic tile mosaic at San Francisco International Airport. Landscape, his 2024 solo exhibition, was presented by Michael Benevento Gallery, Los Angeles.
S&V is sponsored by the New York Studio School. Register for their programs here:
https://nyss.org
-
Episode 450 / Bob Linder
Bob Linder received his MFA from Stanford University, his BFA from the San Francisco Art Institute and attended the Skowhegan School of Painting & Sculpture. He lives and works in Los Angeles, California. Bob is currently the Program Director for gallery Michael Benevento, Los Angeles. Consistent among exhibiting artists is a willingness to take risks, a total commitment to unique practices, and the precise and thoughtful execution of ideas. He is also a co-founder of the art-damaged, post punk, noise project, Total Shutdown.
Bob previously served as Head Curator at The David Ireland House at 500 Capp Street, where he curated challenging, relevant, and forward-thinking exhibitions and public programs. Prior to joining 500 Capp Street, Linder co-owned and directed CAPITAL, a contemporary art gallery located in the Mission District of San Francisco, where he programed more than thirty exhibitions with a focus on emerging and mid-career artists.
Sound and Vision is supported by the New York Studio School. For 60 years students have come to study drawing, painting, and sculpture in the historic building on 8th Street in New York City. The school’s full-time programs: a two-year MFA and a three-year in-person or virtual Certificate program, prioritizes learning through creating with a dedicated faculty of active artists. The programs cultivate studio skills, materials knowledge, and self-development methods. Whether you are an aspiring artist or an experienced artist, the rigor, community, and intense art practice taught at the New York Studio School will prepare you for a lifetime of artmaking. The priority application deadline for programs starting fall 2025 is January 15, 2025 - apply today at nyss.org. -
Episode 449 / Fred Tomaselli
(born 1956, Santa Monica, CA) Fred has been the subject of solo exhibitions at institutions including the Joslyn Art Museum, Omaha, NE (2019); Oceanside Museum of Art, Oceanside, CA (2018); Toledo Museum of Art, Toledo, OH (2016); Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang Museum in Saratoga, NY and the Brooklyn Museum, Brooklyn NY (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright-Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999). His works have been included in international biennial exhibitions including Sydney (2010); Prospect 1 (2008); Site Santa Fe (2004); Whitney (2004) and others. Tomaselli’s work can be found in the public collections of institutions such as the Museum of Modern Art; Whitney Museum of American Art; Metropolitan Museum of Art; Brooklyn Museum; Albright Knox Art Gallery; Hirshhorn Museum and Sculpture Garden; San Diego Museum of Contemporary Art; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the Orange County Museum of Art, Santa Ana, CA; and many others.
-
Episode 448 / Akari Uragami is a Japanese multi-disciplinary artist whose work delves into the essence of human existence as a living organism. Her artistic expression, primarily through oil paintings and soft sculptures crafted from natural materials and textiles, offers a profound exploration of what human is.
Akari earned her bachelor's degree in textiles from Musashino Art University, where she immersed herself in the art of traditional Japanese dyeing techniques. Her dedication earned her the Outstanding Graduate Award, and this deep connection to tradition subtly informs her practice.
Her work has been showcased in exhibitions and projects across Japan, Korea, the USA, and Mexico, connecting with audiences far and wide. She has also completed a number of public murals across Japan and abroad including Tokyo, Kobe and Manchester (UK).
-
Episode 447 /
Aaron Glasson (b Auckland, 1983) is a New Zealand born multi-disciplinary artist based in Mexico, City. Since completing a Bachelor's degree in Art and Design at the Auckland University of Technology in 2005 he has been exhibiting and creating public art works internationally. His diverse portfolio consists of participatory installations, paintings, drawings, sculpture, architecture, assemblage, murals and film.
Though working in a diverse array of mediums Aaron has developed an abstract visual language that unifies his practice as a whole. His paintings rooted in geometry but inspired by time spent in the wilderness offer glimpses into micro and macro environments. Similar forms are applied to large scale interactive site-specific installations that encourage viewer engagement and participation as well as functional objects that explore arts practical potential outside of traditional contexts.
Aaron has worked as an artist extensively within numerous environmentalism efforts, community organizations and educational institutions, using his art as tool for connection and learning. His art has been in group exhibitions at the East Hawaii Museum of Contemporary Art, the Oceanside Museum of Art, Heron Arts, Maia Contemporary, Goodmother Gallery, Spoke Art, the Straat Museum along with solo exhibitions at ICA San Diego, Swish Projects, Louis Buhl & Co, Maia Contemporary and Curators Cube.
-
Episode 446 / Christopher Daharsh is an artist who was born in 1990 in Omaha, Nebraska. He received a BFA in Painting and Art History from the Kansas City Art Institute in 2012. Christopher has attended a number of residencies since then, including two yearlong residencies from the Charlotte Street Foundation (Kansas City, Missouri), Art Farm (Marquette, Nebraska), the Factatory (Lyon, France), Hayama Residency (Hayama, Japan) and Goldey House (Huletts Landing, NY).
Recently Christopher has shown work at Haw Contemporary (Kansas City), the Nerman Museum of Contemporary Art (Overland Park, Kansas), Mother (Beacon, NY), Capsule Bikini (Lyon, France), Les Limbes (St. Etienne, France), Deanna Evans (NYC), New Collectors (NYC), Underdonk (Brooklyn), My Pet Ram (NYC), Picture Theory (NYC) and Koki Arts (Tokyo, Japan).
He currently lives and works in Queens.
-
Episode 445 / Henry Ward is an artist, writer, and educator living in London.
He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation.
He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He was included in the inaugural “The Football Art Prize” in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, “Shed Paintings – Henry Ward”, was published in February 2021 by Hato Press and features 101 works on paper and an essay by Ben Street.
He is the Director for Freelands Foundation and launched the Freelands Painting Prize in 2020. Previously he was Head of Education at Southbank Centre and worked in a variety of roles at Welling School, a Specialist Visual Arts College, where he led on the school’s specialism. In 2002 he established the alTURNERtive Prize, an annual award celebrating outstanding student practice. In 2011 he founded the biannual arts and education periodical, æ. He is a visiting lecturer at UK art schools including Bath Spa University, University of Brighton, Manchester School of Art, Plymouth College of Art and Wolverhampton School of Art, and a mentor on the Turps Art School Correspondence and off-site courses.
He has written and lectured widely on the arts and education, with a particular focus on teaching as an artistic practice. He was an advisor for Martin Gropius Bau, Berlin from 2018-21 and curated a two day event, “Assembly”, investigating approaches to public engagement in 2018 and a follow up, “Assembly II” in 2021.
In 2023 he undertook a residency at the Albers Foundation in Connecticut.
-
Episode 444 / Larry Madrigal is a Mexican-American painter based in Phoenix, Arizona. Originally from Los Angeles, where his parents stayed after migrating from Mexico, Madrigal spent many of his early summers in Colima where his extended family lives. In 1998, during his elementary years, his family left California and moved to Phoenix where they remain to this day. Madrigal studied at Arizona state University and received his BFA in 2017. During this time, he developed a skill for traditional figurative and portrait painting through his close relationship with emeritus professor, Jerry Schutte, and his wife Anne Schutte. Jerry’s strong knowledge of figurative and landscape painting combined with Anne’s masterful sense of abstraction and gesture were significant influences. After graduation Madrigal continued in portraiture for several years culminating in his first museum group exhibition “Body Language: Figuration in Modern and Contemporary Art” at the Tucson Museum of Art in 2016.
In 2017, Madrigal returned to ASU for his MFA. Besides this new venture, he and his wife decided to start a family, and his daughter was born two weeks before the start of the program. Madrigal’s initial artistic ambitions were thwarted by the new and urgent demands of parenthood. He inevitably found himself paying close attention to daily rhythms with more profound questions. Finally after two years of resisting, he eventually surrendered to this calling and moved towards a focus on the quotidian. The commonplace became his arena for painting, a strong move away from the current focus on identity politics prevalent in academia at that time.This newly found obsession with the mundane led Madrigal on a quest to rehabilitate the genre in it’s purest form. His work would now be marked by “a suspension and celebration of the precariousness by which our most mundane daily rituals are balanced on a precipice just above total anarchy.” — Ben Lee Ritchie Handler, Global Director Nicodim Gallery.
During his MFA Madrigal was a three-time recipient of the Elizabeth Greenshields Foundation Artist Grant and a finalist in the AXA XL Art Prize. Six months after graduation in 2020, Madrigal had his first solo exhibition, “Scattered Daydream” at Nicodim Gallery in Los Angeles. Since then, he has had solo shows in New York, Los Angeles, Bucharest, and Madrid (Forthcoming), along with group shows in Paris, Tokyo, and Tel Aviv.
Madrigal’s paintings have continued to focus on the relatable nature of the human experience from his earnest and contemplative perspective, adopting a sincere attitude towards figuration, with a touch of darkness and humor.
He currently lives in Phoenix Arizona with his wife and two kids, and works out of his downtown studio. - Visa fler
