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We have been itching to do this episode FOREVER, and it’s finally here! Is the Big Mac a work of art? We explore this provocative question and the million questions that follow. In the same way that a painting exists in a museum, and a movie in a theater, where does the Big Mac exist? When is it a work of art — when it’s being made, when it was designed, or when you’re actually eating it? Things get even more tricky from there: who made the Big Mac, both literally and functionally? Has this one immaculate burger transcended the bounds of trademark and copyright to occupy the same cultural space as the American flag or the Statue of Liberty? Join us for this bucket list breakdown of that most special of burgers, all the way from the special sauce to the sesame seed bun, on this very special episode of Second Breakfast with Cam & Maggie.
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Season Eight finds Diablo IV in a pretty rough place. This episode is a frank discussion of live service grind, difficulty balancing, aggressive monetization, and the limits of class design. In every way, ‘Belial Rising’ is more and less Diablo IV, and it might just be time to get off the hamster wheel.
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Saknas det avsnitt?
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Prepping the notes for this episode was unusually difficult. Cam said that he’s never felt this conflicted about a game before. Doom: The Dark Ages lives in the shadow of multiple, inescapable influences — from Halo to Gears of War to God of War and even the other modern Doom sequels — but it’s also a great standalone game. After discussing all the unfavorable comparisons that those influences invite, we zoom out to analyze Doom: The Dark Ages on its own terms.
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How has it taken us five years to do an episode on an Elder Scrolls game? Luckily, the new Oblivion Remaster has arrived to fix all that. Cam reflects on the heroic fantasy ideal, Bethesda’s charming jank, the pitfalls of modern gaming, accidental vampirism, and the collaborative wonder of a game that makes the audience feel like they’re simultaneously playing, creating, and living the ultimate expression of the fantasy genre.
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We’re diving back into the MCU to analyze Thunderbolts* as an allegorical pandemic-era period piece. This is an unusually personal discussion of mental health, lost time, and the unironic power of friendship.
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What’s this? A polarizing story about art and excess starring the Weeknd that is equally self-indulgent and self-loathing? That’s right, as the world’s foremost defenders of The Idol, we’re back to discuss Hurry Up Tomorrow. In this episode, Cam wrestles with Abel’s self-sabotaging self-promotion, toys with that ambiguous ending, unpacks an avalanche of influences, and breaks down the uncomfortable, familiar sense of embarrassment he felt while watching this film.
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What’s the best Doom game? Well, that might be a trick question. In this episode, Cam argues that ‘The Ancient Gods’ — the overlooked two-part expansion to Doom Eternal — might just be the best entry in the franchise. With massive story implications, fascinating gameplay evolutions, and a running length that rivals all the modern mainline entries, The Ancient Gods is a stealth sequel in the proud tradition of Halo: ODST and Gears 5: Hivebusters. Rip, tear, and spread the word!
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Five years after the wildly divisive ‘Doom Eternal’ was released, Cam has given the game a second chance — and fallen in love with it. This discussion charts his history with the franchise, the frustrations of that first playthrough, and the unique combat rhythm that turned a simple demon killing formula into a wildly addictive white knuckle chess match.
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Don’t believe the marketing, this body horror remix of Cinderella has a lot more in common with our favorite Jane Austen adaptations than it does with The Substance. Our discussion of The Ugly Stepsister centers around the tragic, almost universal sympathy that the film imbues within the central cast. How does this character focus affect the film’s body horror? How is empathy twisted and weaponized throughout the story? How accurate is all of this surreal brutality to the reality of the female experience?
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Revenge of the Sith is not just the most climactic and sweeping and melodramatic Star Wars film, it’s also perhaps the most tragic entry — and that’s where we come in. We analyze the film by tracing it’s roots through three giants in the field, starting with Lord of the Rings and an avalanche of Gollum / Anakin parallels, moving on to Macbeth and the realization that the Jedi masters are the three witches, and finishing with a Doctor Faustus framing that almost redeems Anakin as a lone Faustus in an endless sea of Mephistopheles.
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Rewatching House of Cards in 2025 is a fascinating and uneven experience — because the titular house never seems to fall. This episode traces the Watergate-like ‘Underwood Exposé’ that simmers just below the surface for seventy-three episodes, but never arrives. It’s a reflection on implicit promises to the audience, shifting focus, and botched endings (with some Richard III sprinkled on top).
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Despite their wildly different tones, House of Cards and The West Wing are shockingly similar. We run through ten eerie similarities between the two shows before opening up the discussion to figure out when and why House of Cards became an accidental remake of The West Wing. We then analyze the attitudes and eras that shaped each show and consider them as deeply intertwined, transitional period pieces.
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This grand finale of our chapter-by-chapter coverage of the first A Song of Ice and Fire novel is a deep-dive retrospective of all the major thoughts, theories, and literary analysis we’ve brought to the world of Westeros. We work together to cover each and every POV character and our most fruitful overarching umbrella theories. Grab a crust of bread and horn of ale – and dig in – there’s a lot to get to!
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Sinners is a fantastic drama, a killer horror movie, and a great vampire story - but it's something else too. Cam argues that the film feels almost like a blues biopic, going beyond Sammie's story to chart the story of the genre itself. Using plot analysis and personal anecdotes, we investigate the magic and myth of Ryan Coogler's latest masterpiece.
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A Game of Thrones ends with a massive curveball that threatens to totally upend the philosophy of life and death we’ve been tracking for 73 chapters. We work together to unravel these cycles of life, death, and rebirth and ultimately recalibrate the binary conflict at the center of this series.
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After hundreds of hours, ups, downs, delights, and disappointments, The Light & Darkness saga of Destiny 2 is finally done. Cam is happy to report that The Final Shape is not only a great expansion, but also a great ending to this epic, sweeping, and messy story. Join us for a discussion of character-focused gameplay, staggering art direction, and the overwhelming, emotional, 12-player finale mission, ‘Excision’.
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So many chapters of this book have felt like ghost stories, but this is something else entirely. Cam argues that Catelyn’s final chapter brutally resolves the central conflict between the living and the dead. Maggie questions Catelyn’s capacity to adapt in a rapidly changing world. Littlefinger’s tongue makes an unwelcome appearance.
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The Woman in the Yard is the best Blumhouse movie since Insidious. Why? Its relentless and bold family drama, unflinching negotiation of tough topics, and scrappy, indie spirit that only ever makes it feel more creative and inspired.
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The final Jon chapter poses a challenging question about his direwolf, Ghost: is he a loyal dog, an attentive wolf, or a superior reasoning intellect on the level of Tolkien’s dragons? Cam chases down these provocations while Maggie considers Jon’s larger breaking point as he considers desertion.
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Does a book have to be “necessary” to be worth reading? Maggie explores this idea in our spoiler-free discussion of the latest installment in the Hunger Games series, Sunrise on the Reaping. Topics include fan service, recurring narrative structures, the age of legacy prequels, and the trappings of continuity.
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- Visa fler