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In the ancient annals of divine lore, amidst the verses of Ramcharitmanas, unfolds the tale of Lord Shiva's might and Parvati's unwavering devotion.
Once, in the celestial realm, Kamadeva, the harbinger of love, dared to interrupt Lord Shiva's profound meditation with his arrows of desire. Enraged by this disruption, Shiva, in his majestic form, unleashed the fire of his third eye, reducing Kamadeva to ashes.
Undeterred by the daunting challenge of winning Shiva's affection, Parvati embarked on a journey of penance and austerity. With fervent devotion in her heart, she sought to capture the attention of the mighty ascetic.
Her penance, akin to the sacred verses of ancient hymns, resonated through the heavens, drawing the gaze of the divine. Impressed by her steadfast determination and unwavering love, Shiva, the embodiment of grace and power, consented to accept Parvati as his eternal consort.
In the celestial tapestry of divine incarnations, Lord Shiva manifested as Chandrashekhar, the bearer of the crescent moon upon his brow. With the luminous crescent adorning his radiant visage, he symbolized the eternal dance of creation and destruction, the cycle of life itself.
As the celestial wedding approached, Chandrashekhar adorned himself in resplendent attire befitting the divine groom. Clad in a flowing silk dhoti, adorned with intricate motifs, and a silk shawl draped over his broad shoulders, he stood as a symbol of divine magnificence.
His matted locks, adorned with fragrant flowers and radiant jewels, cascaded gracefully down his divine form. Celestial ornaments adorned his being, accentuating his divine essence as he radiated an aura of timeless majesty and tranquility.
Thus, in the sacred verses of Ramcharitmanas, the tale unfolds of love's triumph over adversity as Parvati's devotion united her with the formidable Lord Shiva, in the divine embodiment of Chandrashekhar, in eternal union.Support the show
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In this episode, we will learn about how the name of Lord Ram is greater than Ram himself and how it liberates individuals. We will explore the birthplace of Lord Ram and the events during his exile, including the test administered by Devi Sati. Additionally, we will delve into why and how Devi Sati immolated herself in fire and the subsequent destruction of Prajapati Daksha. Furthermore, we will discover the birth of Mata Parvati.
इस भाग में हम जानेंगे कि राम बड़े हैं या राम का नाम। और किस प्रकार ये मनुष्यों को मुक्ति देता है। इसी प्रकार भगवान राम ने पृथ्वी पर अवतार किस उद्देश्य से लिया और उनके वनवास के दौरान देवी सती ने उनकी परीक्षा किस प्रकार ली? इस दौरान उन्होंने अपने आप को अग्नि में क्यों भस्म किया? और किस प्रकार उन्होंने कैसे पुनः पार्वती के रूप में जन्म लिया।Support the show
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धरती के रक्षक: महर्षि दधीचि की भूमिका - इंद्र को वृतासुर पर जीत दिलाने में
वृत्रासुर, एक प्रबल राक्षस, ने अत्यधिक शक्ति हासिल की और स्वर्गों में विनाश मचा रहा था। इंद्र, देवताओं के राजा, उसे पराजित करने का एक तरीका ढूंढ रहा था, लेकिन वह राक्षस के शक्ति के सामने असमर्थ महसूस कर रहा था। बेताबी में, वह ऋषि दधीचि से मदद मांगने के लिए मुड़ा।
ऋषि दधीचि को गहरे ज्ञान और बड़े संकल्प के लिए जाना जाता था। इंद्र की पुकार सुनकर, वह सहायता करने को सम्मत हुए। फिर दधीचि ने अत्यंत तपस्या की और लंबे समय तक ध्यान किया, अंत में वृत्रासुर को पराजित करने के लिए एक राज ही मिला।
इस ज्ञान के साथ, ऋषि दधीचि ने अपनी जीवन की बलिदान किया, जिससे इंद्र को उसकी हड्डियों से एक शक्तिशाली शस्त्र बनाने की संभावना हुई। इस शस्त्र को 'वज्र' कहा गया, और इंद्र ने इसके साथ वृत्रासुर के साथ एक भयानक युद्ध में उतरा और अंततः ऋषि दधीचि के बलिदान, ज्ञान और बुद्धिमत्ता के द्वारा विजयी हुआ।
यह कहानी स्वार्थ, बलिदान, और अच्छे के बुरे पर प्रभुत्व को बताती है।
Guardian of the Earth: The Role of Sage Dadhichi in Securing Victory for Indra over Vritasur.
Vritrasura, a powerful demon, had gained immense strength and was wreaking havoc on the heavens. Indra, the king of the gods, sought a way to defeat him but found himself powerless against the demon's might. In desperation, he turned to Rishi Dadhichi for help.
Rishi Dadhichi was known for his deep knowledge and his ability to sacrifice everything for the greater good. Hearing Indra's plea, he agreed to help. Dadhichi then performed intense penance and meditated for a long time, eventually discovering the secret to defeating Vritrasura.
With this knowledge, Rishi Dadhichi selflessly sacrificed his own life, allowing Indra to fashion a powerful weapon called the Vajra (thunderbolt) from his bones. Armed with the Vajra, Indra confronted Vritrasura in a fierce battle and ultimately emerged victorious, thanks to Rishi Dadhichi's sacrifice and wisdom.
This story highlights the themes of selflessness, sacrifice, and the triumph of good over evil.Support the show
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The story of Märkandeya, the ageless sage
कहानी अमर ऋषि मार्कंडेय की.
Ek samay ki baat hai, mrikandu namak ek rshi apni patni marudavati ke saath rahte the. ve bahot lambe samay tak nihsantaan the tab markandu ne santaan prapti ke liye bhagvan shiv ki teevr tapasya ki. Markandu ke tapasya se prashann hokar mahadev apne poore vaibhav ke saath unke saamne prakat hue aur bole tumhari bhakti se me bahot khush hu.Mrikandu jo vardaan chaho mujhse maango.
Tab Markandu bole he prabhu, me nihsantaan hu kripaya mujhe putr pradaan karo, unki ye iccha sunn ke mahadev ne bola?
Kya aapko ek gunvaan, buddhimaan aur dharmaatma putr chahte hai, jo keval solah varsh tak jeevit rahe?
ya mandabuddhi, dusht svabhaav wala putr chahiye jo deerghakaal tak jeevit rahe?
Mahadev ki baate sunn ke Mrikandu bole he prabhu mujhe aisa putra deejiye jo buddhimaan ho, lekin jo buddhiheen aur dusht pravitti wala ho usse accha hai kam aayu ka ho taki usse me sahi uddeshy de saku.
Fir mahadev ne bola jaise aapki ichchha markandu vo tumhare paas hoga.
Kuch samay baad Mrikandu ke putra Rishi Markandey ka jamn hua,ve bachpan se hi vishesh roop se ek nipun rishi the aur mahadev ko samarpit the. unke manbhaavan tariko ne unhe apne shikshako ka priy bana diya aur markandey sabhi ko pasand the. is prakaar vah apne din bade sukh se jee kar rahe the. Apne manmohak roop aur madhur vyavahaar se sabhi ko prasann karte the,
samay aagye badta raha aur dekhte hi dekhte solahava varsh nikat aa gaye. markandu aur unki patni aashankit rahne lage. Unhe dar tha ki ve jald hi apne bete ko kho denge jise ve itna pyaar karte the.
Aur jab rishi markandey ko iss chij ki bhanak padi toh ve bahot pareshaan ho gaye aur rshi markandu se pucha, pitaji?
Aap itne udaas kyu ho kya dhikkat hai aap kripiya mujhe bataye apke dukh ka kya karan hai?
Tab Mrikandu bole he mere putr, bhagvan shiv ke vardaan ke anusaar tumhara keval solah varsh tak jeevit rahna niyat hai, tumhi batao putr ham ise kaise sahan kar sakte hai? hum asahaay hai aur nahi jaante ki kya kare?
Fir Rshi markandey bole pitaji, aapne mujhe ved, puran aur shaastr sikhaye hai.
aapne mujhe yah sikhaya hai, Mahadev sadaiv apne bhakto ki sachchi praarthanaye sunte hai aur ve mahadev hi hai, jinhone mujhe abhi tak solah varsh tak jeevit rahne ka aasirvad diya hai.
me unse prarthana karuga aur unse meri aayu badhane ke liye vinti karunga. vah meri sachchi praarthanao ka avashy uttar degye.
Rishi markandey ke mata-pita Marudvati aur Mrikandu ne unhe aashirvaad diya aur tapasya ke liye bhej diya. Markandey ghane jangal se hote hue nadi ke tat par pahuche vaha unhone ret se ek shivaling banaya aur ghor tapasya karne lage. vah turant hi gahan dhyaan me leen ho gaye aur din-raat beetane lage.
Aur vaha yamalok me yamraj ki tyaari chal rahi thi, yamraj ne apne sevako ko Rishi Markandey ki atma nikalne ka aadesh diya. Jaise hi yamdoot markandey ke sthaan par prakat hue, unhone markandey ko shivling ke saamne dhyaan karte hue dekha.
Markandey itne gahre dhyaan me the ki unse ek ajeeb si bhayankar roshani nikal rahi thi aur vo itni tej jal rahi thi ki yamdoot Rishi Markandey ke kareeb nahi pahunch sake.
Bahot prayas ke baad yam ke sevak ek dusare se bole ham uss tak kyu nahi pahunch pa rahe? yadi ham khali haath jaayenge to hamure swami hume dand degye, ab kya kare?
Usme se ek doot ne bola mujhe lagta hai vah koee sadharan ladka nahi hai.
Kyun ki shivaling uski raksha kar raha hai.
Thak-haar ke, Pahli baar asaphalata ka saamna karte hue yamdoot apne maalik ke paas laut aaye aur bole he Prabhu, hum markandey ko sampark nahi kar sake. usse kuch nikal raha tha.
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Lord Shiva's destructed three cities of Tripura, there were three demon brothers collectively known as the Tripurasuras, who were granted immense power by Lord Brahma. Over time, they became arrogant and began causing chaos in the world.
The demons created three flying cities made of gold, silver, and iron, which they called Tripura. These cities were virtually indestructible due to the boons they had received. The gods, unable to defeat the demons, sought Lord Shiva's help.
Lord Shiva, in his form as Tripurantaka (the destroyer of Tripura), agreed to intervene. He mounted his celestial vehicle, Nandi the bull, and set out to destroy the cities. As the cities flew in perfect alignment for a brief moment, Lord Shiva released a single divine arrow that pierced through all three cities, causing them to collapse and burn.
The destruction of the cities symbolizes the triumph of good over evil and the power of righteousness. Lord Shiva's act in this story showcases his role as a protector and destroyer of evil forces in the universe. The story also emphasizes the consequences of misuse of power and arrogance.Support the show
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Ananta, the source of Lord Śiva. Lord Ananta, whose body is completely spiritual, resides at the root of the planet Pātāla. He always lives in the core of Lord Śiva’s heart, and He helps him destroy the universe. Ananta instructs Lord Śiva how to destroy the cosmos, and thus He is sometimes called tāmasī, or “one who is in the mode of darkness.” He is the original Deity of material consciousness, and because He attracts all living entities, He is sometimes known as Saṅkarṣaṇa. The entire material world is situated on the hoods of Lord Saṅkarṣaṇa. From His forehead He transmits to Lord Śiva the power to destroy this material world. Because Lord Saṅkarṣaṇa is an expansion of the Supreme Personality of Godhead, many devotees offer Him prayers, and in the planetary system of Pātāla, all the suras, asuras, Gandharvas, Vidyādharas and learned sages offer Him their respectful obeisances. The Lord talks with them in a sweet voice. His bodily construction is completely spiritual and very, very beautiful. Anyone who hears about Him from a proper spiritual master becomes free from all material conceptions of life. The entire material energy is working according to the plans of Anantadeva. Therefore we should regard Him as the root cause of the material creation. There is no end to His strength, and no one can fully describe Him, even with countless mouths. Therefore He is called Ananta (unlimited). Being very merciful toward all living entities, He has exhibited His spiritual body.
अनंत, भगवान शिव का स्रोत। भगवान अनंत, जिनका शरीर पूरी तरह से आध्यात्मिक है, पाताल ग्रह के मूल में रहते हैं। वह हमेशा भगवान शिव के हृदय में रहता है, और वह ब्रह्मांड को नष्ट करने में उसकी मदद करता है। अनंत ने भगवान शिव को निर्देश दिया कि ब्रह्मांड को कैसे नष्ट किया जाए, और इस प्रकार उन्हें कभी-कभी तामसी, या "वह जो अंधकार की अवस्था में है" कहा जाता है। वह भौतिक चेतना के मूल देवता हैं, और क्योंकि वह सभी जीवित संस्थाओं को आकर्षित करते हैं, उन्हें कभी-कभी संकर्षण के रूप में भी जाना जाता है। संपूर्ण भौतिक संसार भगवान संकर्षण के फनों पर स्थित है। अपने माथे से वह भगवान शिव को इस भौतिक संसार को नष्ट करने की शक्ति प्रदान करते हैं। चूँकि भगवान संकर्षण भगवान के परम व्यक्तित्व का विस्तार हैं, इसलिए कई भक्त उनकी प्रार्थना करते हैं, और पाताल की ग्रह प्रणाली में, सभी सुर, असुर, गंधर्व, विद्याधर और विद्वान ऋषि उन्हें आदरपूर्वक प्रणाम करते हैं। प्रभु उनसे मधुर वाणी में वार्तालाप करते हैं। उनकी शारीरिक संरचना पूर्णतः आध्यात्मिक एवं अत्यंत सुन्दर है। जो कोई भी एक उचित आध्यात्मिक गुरु से उनके बारे में सुनता है वह जीवन की सभी भौतिक अवधारणाओं से मुक्त हो जाता है। संपूर्ण भौतिक ऊर्जा अनंतदेव की योजना के अनुसार कार्य कर रही है। इसलिए हमें उसे भौतिक सृष्टि का मूल कारण मानना चाहिए। उसकी ताकत का कोई अंत नहीं है, और कोई भी उसका पूरी तरह से वर्णन नहीं कर सकता, यहां तक कि अनगिनत मुंह से भी नहीं। इसलिए उन्हें अनंत (असीमित) कहा जाता है। सभी जीवों के प्रति अत्यंत दयालु होने के कारण, उन्होंने अपना आध्यात्मिक शरीर प्रदर्शित किया है।Support the show
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The lower planetary systems — Atala, Vital, Sutal, Talātal, Mahātal, Rasātal and Pātāal. Demons and Rakṣasas live in these lower planetary systems with their wives and children, always engaged in sense gratification and not fearing their next births. The sunshine does not reach these planets, but they are illuminated by jewels fixed upon the hoods of snakes. Because of these shining gems there is practically no darkness. Those living in these planets do not become old or diseased, and they are not afraid of death from any cause but the time factor.
निचली ग्रह प्रणालियाँ - अतल, वितल, सुतल, तलातल, महतल, रसातल और पाताल। दानव और राक्षस अपनी पत्नियों और बच्चों के साथ इन निचले ग्रहों में रहते हैं, हमेशा इंद्रिय संतुष्टि में लगे रहते हैं और अपने अगले जन्म से डरते नहीं हैं। इन ग्रहों तक सूर्य की रोशनी नहीं पहुँचती है, लेकिन ये साँपों के फनों पर लगे रत्नों से रोशन होते हैं। इन चमकते रत्नों के कारण व्यावहारिक रूप से कोई अंधेरा नहीं होता है। इन ग्रहों में रहने वाले लोग बूढ़े या रोगी नहीं होते हैं और उन्हें किसी अन्य कारण से नहीं बल्कि काल कारक से मृत्यु का भय रहता है।Support the show
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According to the Shrimad Bhagavatam Krishna is established as the supreme personality of Godhead. The Shrimad Bhagavatam presents detailed accounts of Krishna's divine pastimes, teachings, and qualities, emphasizing his supreme position. Here are some key points from the Shrimad Bhagavatam that support the idea of Krishna as the Supreme:
1. Krishna's Birth and Childhood Leelas: The Shrimad Bhagavatam describes the birth and childhood pastimes of Krishna in great detail. It portrays him as the incarnation of Lord Vishnu, born to establish righteousness and protect his devotees. Krishna's childhood leelas, such as the killing of demons like Putana and Trinavarta, highlight his divine nature and powers.
2. Rasalila and Gopis' Devotion: One of the central themes in the Shrimad Bhagavatam is the divine love between Krishna and the gopis (cowherd girls) of Vrindavan. The ecstatic Rasalila dance, where Krishna multiplied himself to dance with each gopi individually, signifies his omnipresence and the intensity of his love. The gopis' unwavering devotion to Krishna demonstrates his supreme attractiveness and the power of devotion to unite with him.
3. Universal Form (Virat-Rupa): In the eleventh canto of the Shrimad Bhagavatam, Krishna reveals his universal form (Virat-Rupa) to his devotee Arjuna. The universal form encompasses all cosmic manifestations, including various gods, demigods, creatures, and elements. Krishna declares himself as the source and sustainer of everything, emphasizing his all-encompassing divinity.
4. Divine Teachings and Philosophy: The Bhagavatam presents Krishna's teachings on various aspects of life, spirituality, and the nature of the self. His profound discourse on Bhakti yoga (the path of loving devotion) and Jnana yoga (the path of knowledge) in the eleventh canto highlights his wisdom and supreme authority as the ultimate teacher and guide.
5. Devotees' Experiences and Testimonials: Throughout the Shrimad Bhagavatam, the experiences and testimonials of devotees affirm Krishna's supreme position. The narratives of great saints and devotees, such as Prahlada, Dhruva, and Uddhava, depict their deep connection with Krishna and their recognition of him as the ultimate object of worship and surrender.
The Shrimad Bhagavatam is considered a significant scriptural authority in this tradition, providing insights into Krishna's divine nature and his relationship with his devotees.
According to Vaishnava theology, Balarama is considered an expansion of Lord Krishna and is known by various names or forms. The expansions of Balarama are described as follows:1. Vasudeva: Balarama is considered the first expansion of Krishna, known as Vasudeva. He is also known as the original Sankarshana, the manifestation of Lord Krishna's internal pleasure potency. Vasudeva is depicted as a fair-complexioned, powerful deity who assists Krishna in his divine pastimes.
2. Sankarshana: Balarama is also known as Sankarshana, which means "the one who brings together" or "the one who attracts." Sankarshana is considered the source of the multitude of Vishnu forms, including Narayana, who is depicted as resting on the cosmic serpent Ananta Shesha. Sankarshana assists Krishna in his incarnations and is considered the ultimate support and shelter for all the universes.
3. Pradyumna: Pradyumna is the son of Krishna and Rukmini. Balarama manifests as Pradyumna, who possesses qualities similar to his father Krishna. Pradyumna is known for his beauty, intelligence, and prowess. He plays a significant role in various pastimes, including his marriage to Rukmavati and his role in the battle against the demon Sambara.
4. Aniruddha: Aniruddha
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Lifespan of Tridev.
त्रिदेव का जीवनकाल.भौतिक ब्रह्माण्ड की अवधि सीमित है। यह कल्पों के चक्रों में प्रकट होता है। एक कल्प ब्रह्मा का एक दिन है, और ब्रह्मा के एक दिन में चार युगों या युगों के एक हजार चक्र होते हैं:सत्य, त्रेता, द्वापर और कलि। सत्य के चक्र को गुण, ज्ञान और धर्म की विशेषता है, व्यावहारिक रूप से कोई अज्ञानता और बुराई नहीं है, और युग 1,728,000 वर्षों तक चलता है, त्रेता-युग में परिचय दिया गया है, और यह युग 1,296,000 वर्षों तक चलता है। द्वापर युग में पुण्य और धर्म में और भी अधिक गिरावट होती है, पाप बढ़ता है और यह युग 864,000 वर्षों तक चलता है।और अंत में कलियुग में (वह युग जिसे हम अब पिछले 5,000 वर्षों से अनुभव कर रहे हैं) वहाँ कलह, अज्ञानता, अधर्म और बुराई की प्रचुरता है, सच्चा गुण व्यावहारिक रूप से अस्तित्वहीन है, और यह युग 432,000 वर्षों तक चलता है। कलियुग में बुराई इतनी बढ़ जाती है कि युग के अंत में भगवान स्वयं कल्कि अवतार के रूप में प्रकट होते हैं, राक्षसों को पराजित करते हैं, अपने भक्तों को बचाते हैं, और एक और सत्य-युग की शुरुआत करते हैं। फिर प्रक्रिया फिर से चालू हो जाती है। इन चार युगों में, एक हजार बार घूमते हुए, ब्रह्मा, निर्माता भगवान का एक दिन शामिल होता है, और इतनी ही संख्या में एक रात होती है। ब्रह्मा ऐसे "वर्षों" में से एक सौ जीवित रहते हैं और फिर मर जाते हैं।पृथ्वी की गणना के अनुसार ये "सौ वर्ष" कुल 311 ट्रिलियन और 40 मि
The duration of the material universe is limited. it is manifested in cycles of kalpas. A kalpa is a day of Brahma, and one day of Brahma consists of a thousand cycles of four jugas or ages:
Satya, Tretā, Dväpara, and Kali. The cycle of Satya is characterized br virtue, wisdom and religion, there being practically no ignorance and vice, and the yuga lasts 1,728,000 years, In the Treta-yugavice is introduced, and this yuga lasts 1,296,000 years. In the Dvapara-yuga there is an even greater decline in virtue and religion, vice increasing, and this yuga lasts 864,000 years.
And finally in Kali: yuga (the yuga we have now been experiencing over the past 5,000 years) there is an abundance of strife, ignorance, irreligion and vice, true virtue being practically nonexistent, and this yuga lasts 432,000 years. In Kali-yuga vice increases to such a point that at the termination of the yuga the Supreme Lord Himself appears as the Kalki avatara, vanquishes the demons, saves His devotees, and commences another Satya-yuga. Then the process is set rolling again. These four yugas, rotating a thousand times, comprise one day of Brahma, the creator god, and the same number comprise one night. Brahma lives one hundred of such "years" and then dies.
These "hundred years" by earth calculations total to 311 trillion and 40 million earth years. By these calculations the life of Brahma seems fantastic and interminable, but from the viewpoint of eternity it is as brief as a lightning flash. In the causal ocean there are innumerable Brahmas rising and disappearing like bubbles in the Atlantic. Brahma and his creation are all part of the material universe, and therefore they are in constant flux.
Each manvantara lasts for 306,720,000 years (852,000 divine
years; 1 divine year = 360 solar years) and repeats seventy-
one Yuga Cycles (world ages). In a kalpa (day of Brahma), which lasts for 4.32 billion years (12 million divine years or 1,000 Yuga Cycles), there are a total of fourteen manvantaras (14 × 71 = 994 Yuga Cycles), where each is followed by and the first preceded by a manvantara-sandhya (fifteen sandhyas) with each sandhya lasting for 1,728,000 years (4,800 divine years; the duration of Satya Yuga). During each manvantara-sandhya, the earth (Bhu-loka) is submerged in water.
One year of Brahma is one day of Vishnu (Vishnu as per his calculation he live for 100 years) and one year of Vishu is one of Shiv. (Shiv as per his calculation he live for 100 years)Support the show
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Brahma is one of the three major gods, alongside Vishnu and Shiva. Brahma is often depicted as the creator of the universe, and is typically depicted with four heads and four arms.
However, in the story you're referring to, Brahma is portrayed as a curious being who wants to discover his own identity. According to the story, Brahma became curious about who he was and decided to go in search of his identity, Where Brahma goes inside a lotus stem and could not find anything, After hearing the Akashvani Frustrated Brahma decided to meditate and seek answers within himself. After years of meditation, Brahma finally got the sight of Lord Vishnu and brahma got bewitched and after Brahma and Vishnu were arguing about who was more powerful among them. Just then, a gigantic lingam appeared before them, and both Brahma and Vishnu were amazed by its size.They both decided to find the top and bottom of the lingam, with the winner being the one who could complete the task first. Brahma, who had turned himself into a swan, flew upwards to find the top of the lingam, while Vishnu, who had transformed himself into a boar, dug downwards to find the bottom.
After a long search, neither Brahma nor Vishnu could find what they were looking for, and they met each other at the middle of the lingam. Suddenly, the lingam split open, and Shiva appeared before them. Shiva was angry with Brahma for lying that he had seen the top of the lingam, and cursed him that he would never be worshiped by anyone in an another story even Ketki flower also cursed by lord shiva.
Shiva also praised Vishnu for his honesty and declared that he would be worshiped by everyone.This story is often interpreted as a lesson on the importance of truthfulness and the dangers of arrogance. It also highlights the concept of the trinity in Hinduism, with Brahma representing the creator, Vishnu the preserver, and Shiva the destroyer.
And Brahma's search for his identity teaches us that sometimes the answers we seek can only be found within ourselves. It also highlights the importance of self-discovery and the journey of exploring one's own identity.
विष्णु और शिव के साथ ब्रह्मा तीन प्रमुख देवताओं में से एक हैं। ब्रह्मा को अक्सर ब्रह्मांड के निर्माता के रूप में चित्रित किया जाता है, और आमतौर पर उन्हें चार सिर और चार भुजाओं के साथ चित्रित किया जाता है।
हालाँकि, जिस कहानी का आप उल्लेख कर रहे हैं, उसमें ब्रह्मा को एक जिज्ञासु प्राणी के रूप में चित्रित किया गया है जो अपनी पहचान की खोज करना चाहता है। कहानी के अनुसार, ब्रह्मा को जिज्ञासा हुई कि वह कौन हैं और उन्होंने अपनी पहचान की तलाश में जाने का फैसला किया, जहां ब्रह्मा कमल के तने के अंदर गए और उन्हें कुछ भी नहीं मिला, आकाशवाणी सुनने के बाद निराश ब्रह्मा ने ध्यान करने और अपने भीतर उत्तर खोजने का फैसला किया। वर्षों की तपस्या के बाद, अंततः ब्रह्मा को भगवान विष्णु के दर्शन हुए और ब्रह्मा उन पर मोहित हो गए और ब्रह्मा और विष्णु के बीच इस बात पर बहस होने लगी कि उनमें से कौन अधिक शक्तिशाली है। तभी, उनके सामने एक विशाल लिंग प्रकट हुआ और ब्रह्मा और विष्णु दोनों उसके आकार को देखकर आश्चर्यचकित रह गए।
उन दोनों ने लिंगम के ऊपर और नीचे खोजने का फैसला किया, विजेता वह था जो पहले कार्य पूरा कर सकता था। ब्रह्मा, जिन्होंने खुद को हंस में बदल लिया था, लिंगम के शीर्ष को खोजने के लिए ऊपर की ओर उड़ गए, जबकि विष्णु, जिन्होंने खुद को सूअर में बदल लिया था, नीचे की ओर खोजने के लिए नीचे की ओर खुदाई की।
लंबी खोज के बाद, न तो ब्रह्मा और न ही विष्णु को वह मिला जो वे ढूंढ रहे थे, और वे लिंगम के बीच में एक-दूसरे से मिले। अचानक, लिंगम टूट गया, और शिव उनके सामने प्रकट हुए। शिव झूठ बोलने के लिए ब्रह्मा से क्रोधित थे कि उन्होंने लिंगम का शीर्ष देखा था, और उन्हें शाप दिया था कि उनकी कभी भी किसी के द्वारा पूजा नहीं की जाएगी, यहां तक कि केतकी फूल को भी भगवान शिव ने श्राप दिया था।
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Once upon a time Lord Brahma and Lord Vishnu were arguing over Supremacy among themselves, then Lord Shiva manifested as a cosmic pillar of fire and asked both of them, to find the start and end of the column.
Both, Lord Vishnu and Brahma couldn't find out the start and end of cosmic pillar of fire. After Lord Shiva appeared from the fire column, He encouraged Brahma and Vishnu to perform their respective roles as Creator and Preserver, while He Himself took on the responsibility of Destroyer.
एक बार की बात है, भगवान ब्रह्मा और भगवान विष्णु आपस में सर्वोच्चता को लेकर बहस कर रहे थे, तब भगवान शिव अग्नि के एक ब्रह्मांडीय स्तंभ के रूप में प्रकट हुए और उन दोनों से स्तंभ के आरंभ और अंत का पता लगाने के लिए कहा।
भगवान विष्णु और ब्रह्मा दोनों ही ब्रह्मांडीय अग्नि स्तंभ के आरंभ और अंत का पता नहीं लगा सके। भगवान शिव के अग्नि स्तंभ से प्रकट होने के बाद, उन्होंने ब्रह्मा और विष्णु को निर्माता और संरक्षक के रूप में अपनी-अपनी भूमिकाएँ निभाने के लिए प्रोत्साहित किया, जबकि उन्होंने स्वयं विनाशक की जिम्मेदारी ली।Support the show
