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In the Fifth Session Brajsundar Das started the third canto of Srimad Bhagavatam delves into the creation and cosmology of the universe. He describes the process of creation by Lord Brahma, the emergence of different planetary systems, and the birth of various demigods. The story of Kapila Muni, who teaches his mother Devahuti the path of spiritual knowledge (Sankhya philosophy). Includes profound discussions on the nature of the soul, the material elements, and the purpose of life. Overall, the third canto elucidates essential philosophical concepts and deepens understanding of the cosmic manifestation and the soul's journey within it.
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In session four Brajsundar Das captured when Maharaja Parikshit asked Sukadeva Goswami what humans should hear, chant, remember, and worship, as well as what they should avoid. Sukadeva advised hearing the glories of the Supreme Lord and His devotees, chanting His holy names, remembering His divine pastimes, and worshiping Him with love and devotion. He cautioned against engaging in sinful activities, which lead away from spiritual progress. This guidance emphasizes the importance of cultivating a devotional attitude through positive actions and thoughts while avoiding negativity that hinders spiritual growth.
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Continuing with conversation between narada muni and Vyasadev, Revising the Srimad Bhagavatam and making it more detailed. How the most compassionate Draupadi forgave the killer of her 5 sons , Ashvathama? How the supreme personality of Godhead Sri Krishna took up the part of a mere carriage driver and showed Arjuna the Warfield so that he could fight a good battle with his kinsmen. Giving him the true instructions of Bhagavad-Gita, hearing the prayers of Queen kunti, Lord Krishna proceeds towards the great pitama bhisma dev.
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The painful departure of the Supreme Lord made the Pandavas seek solace in the words of Vidhura.
Kali personified attacks the helpless bull and cow signaling the start of kaliyug. He finally allows him to reside in the five places. These are corner stone of the international society of Krishna conscious movement. ISCKON
Parikshit Maharaj enquires about the purpose of life for a dying man from Shukh dev goswami. He was cursed by the boy shringi who in a fit of anger when King Parikshit threw a dead snake at his meditative father.
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One Purpose with Brajsundar Das
by Brajsundar Das
Brajsundar Das is on a mission to spread the ancient wisdom of Bhagavata purana and Bhagavad Gita to a wider audience. His One Purpose podcast offers revealed knowledge from the Vedas, the oldest and most widely recognized source of transcendental science in the world. Listeners can tune in to the latest episodes on alternate days from anywhere they get their podcasts.
The podcast offers practical learning from our rich history, drawing real-life lessons from the examples set by great personalities throughout time. Whether you're looking to deepen your spiritual understanding or simply seeking inspiration to live a more fulfilling life, One Purpose has something for everyone.
With Brajsundar as your guide, you can explore the profound wisdom of the Vedas and discover how it can help you navigate the challenges of modern life with greater ease and grace. Tune in to One Purpose today and start your journey towards greater spiritual growth and understanding!
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Srimad Bhagavatam consists of twelve cantos in total. Each canto explores different aspects of spiritual wisdom, cosmic creation, divine incarnations, and the transcendental pastimes of Lord Krishna, providing a comprehensive guide to the path of devotion and self-realization.Canto 1 of Srimad Bhagavatam introduces the cosmic creation and the essence of spiritual wisdom through the dialogue between sage Narada and Sage Vyasa. Canto 2 delves into the genealogy of great personalities, emphasizing devotion as the ultimate goal. Canto 3 explores the cosmic manifestation and the journey of Lord Kapila, unraveling the principles of Sankhya philosophy. Canto 4 reveals the life story of Dhruva Maharaja, illustrating the transformative power of devotion. Canto 5 details the conversation between King Rahugana and Jada Bharata, underscoring detachment and self-realization. Canto 6 narrates the history of Ajamila, illustrating the redeeming potency of chanting God's name. Canto 7 elaborates on the Lord's incarnations and pastimes. Canto 8 describes the churning of the cosmic ocean and the emergence of nectar. Canto 9 depicts the dynasty of Lord Rama. Canto 10 unfolds the childhood pastimes of Lord Krishna. Canto 11 conveys Lord Krishna's teachings to Uddhava. Canto 12 concludes the epic with the departure of Lord Krishna and the onset of the age of Kali, emphasizing constant remembrance of the divine.
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Once there were two brāhmaṇas, one elderly and the other young, who were inhabitants of a place known as Vidyānagara. After touring many places of pilgrimage, the two brāhmaṇas finally reached Vṛndāvana. The elderly brāhmaṇa was very satisfied with the service of the young brāhmaṇa, and he wanted to offer him his youngest daughter in marriage. The young brāhmaṇa received the promise of his elder before the Gopāla Deity of Vṛndāvana. Thus the Gopāla Deity acted as a witness. When the two brāhmaṇas returned to Vidyānagara, the younger brāhmaṇa raised the question of this marriage, but the elderly brāhmaṇa, due to obligations to his friends and wife, answered that he could not remember his promise. Because of this, the younger brāhmaṇa returned to Vṛndāvana and narrated the whole story to Gopālajī. Thus Gopālajī, being obliged by the young man’s devotional service, accompanied him to southern India. Gopālajī followed the younger brāhmaṇa, who could hear the tinkling sound of Gopālajī’s ankle bells. When all the respectable gentlemen of Vidyānagara were assembled, Gopālajī testified to the promise of the elderly brāhmaṇa. Thus the marriage was performed. Later, the king of that country constructed a fine temple for Gopāla.
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Rama was extremely distraught on hearing the news, but finally told Lakshmana thatas a king, he had to make his citizens pleased and the purity of the queen of Ayodhya has to be above any gossip and rumour. With a heavy heart, he instructed him to take Sita to a forest outside Ayodhya and leave her there.
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The words mad-dharmātma-mano-ratiḥ mean that all of one’s love and affection should be devoted to pleasing the Supreme Personality of Godhead. It is not indicated here that one should try to relish selfish satisfaction in devotional service, but rather that one should be attracted to the Lord’s own satisfaction, which one achieves by faithfully executing the order of a bona fide spiritual master coming in disciplic succession from Lord Kṛṣṇa Himself. Attachment to one’s own satisfaction, even within devotional service, is materialistic, whereas attachment to the satisfaction of the Lord is pure spiritual emotion.
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The Supreme Personality of Godhead’s awareness is never disrupted by anything. Only out of ignorance could one imagine Him to be an ordinary human being subject to material conditions. Mortal beings are covered by their entanglement in fruitive activities and their consequent happiness and distress, but the Supreme Lord cannot be covered by what are in fact His own expansions. Analogously, the immense sun is the source of the relatively insignificant phenomena of clouds, snow and eclipses, and so it cannot be covered by them, though the ordinary observer may think that it is.
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The Lord’s activities of saving the devotees and killing the demons (paritrāṇāya sādhūnāṁ vināśāya ca duṣkṛtām) take place side by side. Kṛṣṇa actually appears for the deliverance of the sādhus, or bhaktas, but by killing the demons He shows them mercy also, for anyone killed by Kṛṣṇa is liberated. Whether the Lord kills or gives protection, He is kind to both the demons and the devotees.
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