Avsnitt
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What are we all doing here anyway? That's a question I've asked myself recently, not in purely existential terms so much as continuing to pursue some sort of platonic ideal of dance music. Something that means so many different things to so many different people.
Truncate is a key man in the world of Techno, a producer who i suspected might have been the most played artist on Aslice (he denies this), and a key DJ who spins all over the world. He's also a man of opinions and observations and therefore a great guest for this show.
We talk about topical stuff like the Aslice thing, the prevalence of DJ tools, and the influence of DJ tech on the music, as well as digging into his history and local scene in southern California.
I use far too much profanity in this episode, but don't worry about that - this was a fun with a key man in the scene and you're gonna enjoy it!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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This is an unedited recording of our LIVE EPISODE at Lost Village Festival in the UK last month featuring Hot Chip's Joe Goddard.
We rarely do these live episodes, so sign up to our Discord server to tell us what you think!
The next regular episode of the show will be out on the normal schedule of next Tuesday.
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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Saknas det avsnitt?
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If the medium is the message then surely anyone closely involved with Ableton over the past couple of decades can justifiably claim to have changed the world of music in that time.
Since our guest this week is a co-founder of the company, then his contribution should probably be described as world-changing. And not just electronic music, since all music today is to some extent running on tech. Ableton has done more than any other emergent piece of technology to enable vast, previously unprecedented numbers of people to make records.
But is that a good thing? We find out in this conversation.
Of course we also discuss Robert's contributions as an artist, in particular his new album as Monolake, entitled 'Studio'. We get into the process of making it, and the differences from his previous album projects. And we talk about the challenges and pressures of making music over time.
We also get deep into his story, moving from Munich to Berlin in 1990 and gradually developing the projects which would... well, change the world.
This is as good as I'm making it out to be, so make sure you get all the way through it!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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The potential of NFTs to save musicians was always pretty tenuous, and the more excitable proponents of the whole thing always sounded a bit too much like they were either trying to convince themselves about it. Or maybe that they were just scamming.
Our guest this week is deep in the world of digital art, but doesn't make any bold claims to be even linking it in much of a way to his first area of creative interest which was, of course, music.
Agoria is an important name in the history of the French scene, with a long career releasing records on the full spectrum of labels, throwing parties (including the key festival Nuits Sonores), and DJing all over the world. He's also a thoroughly nice chap who I've had the pleasuring of hanging out with a playing a good few b2b sets with over the years.
We discuss the whole web3 thing, his involvement in the digital art scene more generally, the Paris olympics, meeting President Macron, the Presidential art collection, the future of dance music, and a lot more besides.
I loved this conversation and you're going to too!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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In 2020, our guest this week was named an Artist in Residence at the Search for Extraterrestrial Intelligence (SETI). Thus we are finally able to continue the theme established on episode 84 with Matthew Dear, a line of enquiry which I know many of you were keen to see more fully interrogated on the podcast.
Daedelus has been making music since the 90s, releasing albums (on labels including Brainfeeder and Ninja Tune) almost every year this century, and performing with such virtuosity that they are now a professor of electronic music performance at Berklee's Electronic Production and Design Department.
So we had much to discuss during this conversation, including the nature of extra terrestrial communication, government efforts to support the creativity, intellectual property and sampling, the making of albums, and the views and expectations of the new generation of musicians.
This is a good one...
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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I'm on holiday currently but since we never actually take days off here's an unprecedented episode of the show with two guests and two separate interviews!
Gregor Tresher is DJ and producer from Frankfurt, Germany who's been releasing music since the 90s under his own name and under the Sniper Mode alias. We focus on production in this conversation, and specifically collaboration since much of his output in recent years as been working with other people, perhaps most notably in co-writing and producing Sven Väth's 2022 album Catharsis.
Juliet Fox is a breakthrough DJ from Australia who has been riding the wave of the current techno boom since the pandemic. We chart her journey from Adelaide, to Melbourne and on to Europe where she now lives in London, having enjoyed the customary spell in Berlin too.
Both of these conversations include discussion on the challenges facing the current dance scene, and the reasons to be optimistic. We get some interesting divergences AND convergences of opinion of the various issues, making this a pretty effective double header.
Stick it on by the pool!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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Mike Parker is one of the most singular practitioners of the discipline of Techno as is possible to identify. His biography describes his approach to music as 'experimental and ritualistic' and on detailed listening you'd have to agree.
He's also a professor of fine art at Daemen College in Buffalo, and a graduate of the art school at Carnegie Mellon University.
So this is an episode about Techno, but not typical of nominally similar episodes of recent weeks.
We discuss recording, work in the studio without a computer, his early experiences in bands, the influence (or not) of EDM, and the mid 90s east coast warehouse scene.
And we also get a definition of 'art' from someone who actually knows what they're talking about!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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Stream the video version of this episode: https://youtu.be/WoQuHAjWYMs
And listen to Triple Transit: https://push.fm/fl/tripletransit
This is the first in a new series entitled Studio Stories, in which I'll be sitting down with a producer and discussing a release in detail.
Today I'm talking to Praveen Sharma, aka Braille, about his awesome new LP Triple Transit which was released today.
We get into the technical challenges of making the record, incorporating modular synths and designing an efficient workflow, as well as the emotional journey Praveen embarked upon in the period that he was making the tracks.
This is a great insight into an excellent piece of work and you're gonna enjoy the conversation!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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What is future music anyway? And is it any different from the future OF music?
Simon Reynolds is one of the most influential music writers of the last two decades, authoring such seminal works as 'Energy Flash' (on acid house and rave, 'Rip It Up And Start Again' (on the post-punk era), and 'Retromania' (on the obsession of popular culture with the past).
His latest book, the recently published 'Futuromania', is a discussion of future music, past and present. And over the course of this conversation we dig deep into its contents, written at various points since the early 2000s.
Also covered in the discussion are the current landscape of musical influence in culture, the changing nature of the global dance scene, the rise and fall of Autotune, Lady Gaga and Charli XCX, Burial and Omni Trio, and the influence of Skrillex.
I was looking forward to this one and it didn't disappoint!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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What do you call a music scene with no name?
The lack of a commonly-accepted moniker for the mid-to-late 90s movement centred around Ninja Tune and Gilles Peterson amongst others is a real anomaly in contemporary music. One of the most interesting insights from our guest this week, Mr Scruff, is the revelation not even the DJs themselves referred to it as anything in particular. That's pretty crazy!
This is a great conversation, a classic episode even. We discuss Manchester, sampling, tape editing, record collecting, as well as the AI stuff and the general making of ones way in the music scene.
You're gonna love this one...!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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The pandemic is a topic of conversation we studiously avoided for the first year or so of the podcast, it just seemed a bit boring and predictable. It was shit, basically, and there's only so much you can say about being locked inside for 18 months.
But what if you suddenly became a successful DJ in 2019? That was some of the worst timing possible, and must've posed a series of challenges to keep it going, both professional and psychological.
This week's guest had to deal with exactly that scenario, and he just about managed to come out of the other side. The pressures of success aren't intuitively easy to imagine from the outside but this particular case probably isn't that hard to empathise with. Work for years to achieve your dreams, manage to do it, and then face the prospect of it all going up in smoke through the most bizarre social circumstances in living memory.
Don't worry though, it's not all Covid chat this week, we also get into the music, some technical stuff, more discussion of the state of Techno today (the main theme of the show in recent weeks), and some much-needed detail on the scene in Spain.
Regal is a great guy and you're gonna enjoy this one!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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Afro House is not something we've covered in depth on the show to date, but this week we welcome one of the UK's foremost exponents of the form.
Kitty Amor was born in London, but cut her musical teeth running nights as a student Nottingham where she and her associates were instrumental in bringing the second wave of Grime, Funky, and other key London genres out of the capital.
Her sound as a DJ was also developed during that stint in the midlands, and upon returning to London she made a success in establishing herself on the scene, and put herself in a great position to kick on when the international opportunities came knocking as they inevitably did.
We discuss the challenges of getting started in the industry, the influence of musical parents, the peculiarities of running student nights, taking advantage of the time in lockdown, and the nature of the scene today.
Kitty has some great stories and you're gonna enjoy this episode!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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Join us at the D:U:2 listening party -> https://scubaofficial.bandcamp.com/merch/d-u-2-listening-party
Listen to the awesome Laurus Ascending EP by Bodhi -> https://ingrv.es/laurus-ascending-ya4-9
It's been a while since we had a promoter on the show, and this week's guest is one of the most influential in Europe since the turn of the century.
Having spent his 20s servicing in the military and fire brigade, Danny Whittle joined the Renaissance team direct from the job centre and since then has been running parties mostly in Ibiza but in other places too, including a memorable detour to Bondi Beach on Millennium Eve.
We get deep into his legendary 14 year stint running Pacha were he essentially invented the enduring trend of season-long DJ residencies on the island, and all of the benefits and problems which have come with that approach to music polices on the island. And we talk about his current job, programming the 'small' 1500 cap venue Chinois.
As well as interrogating the pros and cons of the current dance scene, we discuss the parallels with the late 90s, and of course cover what was one of the few major successes of what was supposed to be the biggest party night ever, that Bondi Beach rave with Carl Cox.
Danny is a real legend of the European club scene and we get a lot of info here that you can't get anywhere else!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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Are we partying like it's 1999? I mean what it was actually like in 99, not how Prince imagined it might be back in 1982.
Millennium eve was supposed to be the best thing ever. I was beside myself with excitement for months beforehand, possibly years. But when push came to shove, my group of friends didn't even bother going to a rave and spent an underwhelming evening drinking warm champagne on Brighton Beach before attending a number of deeply boring house parties.
The subsequent inquest carried out in the pages of Mixmag, DJ Mag, and the rest suggested that our experience wasn't unusual. Promoters lost unfathomable amounts of money that night and the overall impression was that an enormous bubble had prematurely burst with the least fanfare possible.
The current landscape lacks a similar finishing line, but the bug-eyed faux enthusiasm and lip-smacking commercialism which seems to define everything in the dance scene right now definitely has a similar feel to the end of the 90s. But what, if anything, is going to let the air out this time? 1999 was also the time that our guest this week, Steve Bug, and some of the Superstition Records gang from Hamburg started Poker Flat Recordings, one of the labels that would define the minimal sound that emerged from the wreckage of Millennium Eve.
Steve has been pretty outspoken in his interviews of the last few years on above topics, so of course I wanted to get him on the podcast to talk about it. This conversation dovetails nicely with last week's episode with Radio Slave, in which I noted that 'if something is shit, then you should say it's shit, and this [the current dance scene] is shit'.
There is a reasonable degree of constructive comment in this episode though, as well as the doom. I think there is anyway!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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At what point does criticism of changes in culture become overly reactive? This is a question I've wrestled with continuously over the past couple of years, but I can't get past the conclusion that if something isn't good then pointing that fact out is never really a bad thing... right?
My conversation with Radio Slave this week doesn't pull any punches on what is wrong with dance music currently. It's no longer cool. Social media is rewarding the wrong stuff. The history of the thing is being trampled on and turned into something that bears no resemblance to the original vision.
But over the top of all that is a sense that good things are still happening, and that maybe it wouldn't take much for the forces of commercialism too be swept away and something great to emerge. Kind of like what happened after the turn of the millennium, a period which felt quite a bit like it does now.
We also discuss the new Radio Slave album, the changing nature of running a label in this space (Rekids, in this instance), and try to anticipate how it's all going to develop... positive or negative!
Matt Edwards is a don of the scene and you're going to enjoy this conversation!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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It's the week after the week before.... no guest this week, but a deep dive into my experiences with live electronic music in the audience as well as being on stage myself.
And on stage I was, last week in London, Bristol, and Manchester. Huge thanks to all of you who attended the shows, had so much great feedback it's been a bit overwhelming actually. If you missed it then there will be more later in the year!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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D:U:LIVE is coming this week!! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live
How many proper recording studios are there left in big cities in 2024? And how many of those are used regularly for making proper dance music?
Probably not that many but one of them is run by this week's guest, a recoding engineer with a ton of house and techno credits and one half of the Lost Souls Of Saturn alongside previous NDP guest Seth Troxler.
Phil Moffa is a born-and-raised New Yorker, with the accent to prove it. He's also a great person too discuss many of our favourite topics with, including the historic club scene of NYC, the ethics of music technology, and the current state of house and techno.
We also get deep into Phil's journey through music as a DJ, engineer, and lecturer.
This is a good one!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live
We've been covering techno quite a lot on the show recently, but mostly from a legacy perspective. This week we are joined with one of the last few years' breakdown names on the production side.
Based in Krakow, Poland, Karol Mozgawa aka Deas emerged largely via the Audio River festival, a truly world class event which is now its seventeenth year. Releases on CLR, Dynamic Reflection, Planet Rhythm, Materia and others have cemented his name in the DJ sets of the biggest and best techno jocks on the circuit.
Karol is a proper studio guy, with a room full of kit in his house outside Krakow, so we get into the weeds a bit with audio interfaces and outboard gear in this conversation.
But we also delve into more familiar territory too, addressing the state of the current scene, the good points and bad, as well as some scene-specific stuff in Poland too.
This is a good one, you're gonna enjoy it!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live
Tom Vek is a solo artist from the UK who has been signed to majors, indies, and been self released. He was in the news recently in the debate surrounding James Blake's Vault platform, penning an opinion piece on the subject in the Guardian.
So obviously we discuss all that stuff in this conversation, as well as his own contribution to the music distribution development conversation - the Supercollector blockchain platform.
We also get into his journey as a musician, from his extremely great first album 'We Have Sound' through a difficult period on Island/Universal, via his various excursions in tech and up to the present day.
Tom is a great guy whose music I've been a fan of for many years and you're gonna enjoy this conversation!
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
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D:U:LIVE is coming in June! My first live shows since 2013.... London / Bristol / Manchester - all tickets: scubaoficial.io/live
Is it possible for the music to do the talking in 2024?
Maybe, but probably not the extent that Paranoid London managed it for the first few "vinyl-only, no interviews" years of their career. Quinn joins us on this episode for a chat that includes a lot more laughter than usual for an episode of this podcast. But that's a good thing!
And we talk about some interesting stuff too, like their new album, the effect of playing on big stages, how great London is right now, recording techniques... and a lot more.
This is a good one, you're gonna enjoy it.
If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.
You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.
Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.
Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlist
Follow Scuba: twitter instagram bandcamp spotify apple music beatport
Hosted on Acast. See acast.com/privacy for more information.
- Visa fler
