Avsnitt
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After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment.
Playgrounds: The Experimental Years (Reaktion, 2024) tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities--and above all--about the value of play.
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Detroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023 (Lever Press, 2024) provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture.
The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself.
Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.
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Fear was the unacknowledged spectre haunting the streets of London during the Second World War; fear not only of death from the German bombers circling above, but of violence at the hands of fellow Londoners in the streets below. Mass displacement, the anonymity of shelters, and the bomb-scarred landscape offered unprecedented opportunities for violent crime.
In this absorbing, sometimes shocking account, titled Under Cover of Darkness: Murders in Blackout London (Yale University Press, 2024) Dr. Amy Helen Bell uncovers the hidden stories of murder and violence that were rife in wartime London. Dr. Bell moves through the city, examining the crimes in their various locations, from domestic violence in the home to robberies in the blacked-out streets and fights in pubs and clubs. She reveals the experiences of women, children, and the elderly, and focuses on the lives of the victims, as well as their deaths.
This groundbreaking study transforms our understanding of the ways in which war made people vulnerable—not just to the enemy, but to each other.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Earth That Modernism Built: Empire and the Rise of Planetary Design (University of Texas Press, 2024) by Dr. Kenny Cupers traces the rise of planetary design to an imperialist discourse about the influence of the earthly environment on humanity. Dr. Cupers argues that to understand how the earth became an object of design, we need to radically shift the terms of analysis. Rather than describing how new design ideas and practices traveled and transformed people and places across the globe, this book interrogates the politics of life and earth underpinning this process. It demonstrates how approaches to modern housing, landscape design, and infrastructure planning are indebted to an understanding of planetary and human ecology fueled by settler colonialism and imperial ambition.
Dr. Cupers draws from both canonical and unknown sources and archives in Germany, Namibia, and Poland to situate Wilhelmine and Weimar design projects in an expansive discourse about the relationship between soil, settlement, and race. This reframing reveals connections between colonial officials planning agricultural hinterlands, garden designers proselytizing geopolitical theory, soil researchers turning to folklore, and Bauhaus architects designing modern communities according to functionalist principles. Ultimately, The Earth That Modernism Built shows how the conviction that we can design our way out of environmental crisis is bound to exploitative and divisive ways of inhabiting the earth.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Civil Rights in Bakersfield: Segregation and Multiracial Activism in the Central Valley (University of Texas Press, 2024), Oliver Rosales uncovers the role of the multiracial west in shaping the course of US civil rights history. Focusing on Bakersfield, one of the few sizable cities within California’s Central Valley for much of the twentieth century in a region most commonly known as a bastion of political conservatism, oil, and industrial agriculture, Rosales documents how multiracial coalitions emerged to challenge histories of racial segregation and discrimination. He recounts how the region was home to both the historic farm worker movement, led by César Chávez, Dolores Huerta, and Larry Itliong, and also a robust multiracial civil rights movement beyond the fields. This multiracial push for civil rights reform included struggles for fair housing, school integration, public health, media representation, and greater political representation for Black and Brown communities. In expanding on this history of multiracial activism, Rosales further explores the challenges activists faced in community organizing and how the legacies of coalition building contribute to ongoing activist efforts in the Central Valley of today.
*At around 1:07:00, Oliver said Teresa Rodriguez instead of the correct name, Rebecca Flores.
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To understand elders' experiences of aging in place, sociologist Stacy Torres spent five years with longtime New York City residents as they coped with health setbacks, depression, gentrification, financial struggles, the accumulated losses of neighbors, friends, and family, and other everyday challenges. The sensitive portrait Torres paints in At Home in the City: Growing Old in Urban America (University of California Press, 2025), moves us beyond stereotypes of older people as either rich and pampered or downtrodden and frail to capture the multilayered complexity of late life.
These pages chronicle how a nondescript bakery in Manhattan served as a public living room, providing company to ease loneliness and a sympathetic ear to witness the monumental and mundane struggles of late life. Through years of careful observation, Torres peels away the layers of this oft-neglected social world and explores the constellation of relationships and experiences that Western culture often renders invisible or frames as a problem. At Home in the City strikes a realistic balance as it highlights how people find support, flex their resilience, and assert their importance in their communities in old age.
Interviewee: Stacy Torres is Assistant Professor of Sociology in the School of Nursing at the University of California, San Francisco.
Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
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Casting an eye toward the frantic vertical urbanization of Toronto, Condoland: The Planning, Design, and Development of Toronto’s CityPlace (UBC, 2023) traces the forty-year history of the city’s largest residential megaproject. James T. White and John Punter summarize the tools used to shape Toronto’s built environment and critically explore the underlying political economy of planning and real estate development in the city.
Using detailed field studies, interviews with key actors, archival research, and with nearly two hundred illustrations, White and Punter reveal how a promise to reproduce Vancouverism, a celebrated model of Canadian urban development, unravelled under an alarmingly flexible approach to planning and design that is acquiescent to the demands of a rapacious development industry. Through a uniquely design-focused evaluation of a phenomenon increasingly known as “condo-ism,” Condoland raises key questions about the sustainability and long-term resilience of city planning.
James T. White is a professor of planning and urban design at the University of Glasgow, Scotland, and deputy director of the UK Collaborative Centre for Housing Evidence. His published work focuses on how the design of the built environment is shaped by policy, regulation, and the market in both UK and Canadian contexts.
This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.
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At a time of increased pressure for new urban development, where there is a focus on either object-based architecture or the rolling out of developer-designed suburban sprawl, there is a concern that the lessons learned about the creation of a general attractive ‘townscape’ or ‘streetscape’ have become forgotten or obscured.
Featuring 26 of the most attractive and interesting historic town centres, Streetscapes: Historic Routes Through English Towns (Lund Humphries, 2024) by Ptolemy Dean analyses key routes and the urban or visual incidents along them and explains why they might provoke different sensations of joy, interest or containment for the inhabitant or passer-by.
Each of the town studies includes two historical maps – one created by John Speed in the C16th, which explains the general overall layout of a town, its shape, size, defensive walls, and river crossings, and the other a first edition OS map from the late C19th, which reveals the extent that medieval arrangements have survived, or not. Key routes within selected towns are then selected and illustrated as a way to explaining the topography and layout of these towns and how one still experiences them. In particular, there is the recurring theme about how the town might naturally draw you through to its centre, the subtlety of character and placing of key buildings as markers, each of which is uniquely different for each town. The drawings which illustrated the town studies are not only beautiful, but can be discriminate in aspects emphasised.
While, individually, the case studies are insightful and full of fascinating history and detail, as the book moves through these towns, themes, patterns and natural groupings of towns emerge. Thus, as a whole, the volume allows comparisons and explores similarities and contrasts which enrich the book’s findings and lessons.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Abandoned airports. Shipping containers. Squatted hotels. These are just three of the many unusual places that have housed refugees in the past decade. The story of international migration is often told through personal odysseys and dangerous journeys, but when people arrive at their destinations a more mundane task begins: refugees need a place to stay. Governments and charities have adopted a range of strategies in response to this need. Some have sequestered refugees in massive camps of glinting metal. Others have hosted them in renovated office blocks and disused warehouses. They often end up in prefabricated shelters flown in from abroad.
Fragments of Home: Refugee Housing and the Politics of Shelter (Stanford University Press, 2024) by Dr. Tom Scott-Smith focuses on seven examples of emergency shelter, from Germany to Jordan, which emerged after the great "summer of migration" in 2015. Drawing on detailed ethnographic research into these shelters, the book reflects on their political implications and opens up much bigger questions about humanitarian action. By exploring how aid agencies and architects approached this basic human need, Dr. Scott-Smith demonstrates how shelter has many elements that are hard to reconcile or combine; shelter is always partial and incomplete, producing mere fragments of home. Ultimately, he argues that current approaches to emergency shelter have led to destructive forms of paternalism and concludes that the principle of autonomy can offer a more fruitful approach to sensitive and inclusive housing.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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From Broadway to the Bronx: New York City’s History through Song (Intellect, 2024) tells the history of New York City in song across a variety of different genres that the city has been home to and instrumental in developing, covering everything from early twentieth-century sheet music to Broadway’s musical theater, hip-hop, disco, punk, dancehall, but also contemporary metal, rock, and pop. It features an analysis of the work of artists with intimate connections to the city like Billy Joel, Lin-Manuel Miranda, Debbie Harry, Shinehead, and the Wu-Tang Clan, as well as an exclusive interview with RENT original cast member, Anthony Rapp. The collection includes essays from authors across the disciplines of cultural studies, media studies, cultural history, and musicology, resulting in a far-ranging treatment of the interconnection of the city space and its musical history.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, "another world." During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations.
Venice: The Remarkable History of the Lagoon City (Oxford UP, 2023) reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera.
This richly illustrated volume offers a stunning portrait of this most singular of cities.
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They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience (Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.
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Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation.
Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today
BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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From one of today's most inspired architects and urban advocates, a manifesto for architecture as a force for addressing our biggest social challenges.
The world is facing unprecedented challenges, from climate change and population growth, to political division and technological dislocation, to declining mental health and fraying cultural fabric. With most of the planet's population now living in urban environments, cities are the spaces where we have the greatest potential to confront and address these problems. In this visionary book, Vishaan Chakrabarti argues for an "architecture of urbanity," showing how the design of our communities can create a more equitable, sustainable, and joyous future for us all.
Taking readers from the great cities of antiquity to the worldwide exurban sprawl of our postindustrial age, Chakrabarti examines architecture's relationship to history's greatest social, technological, and environmental dilemmas. He then presents a rich selection of work by a global array of practicing architects, demonstrating how innovative design can dramatically improve life in big cities and small settlements around the world, from campuses and refugee camps to mega-cities like São Paulo, Lima, Los Angeles, New York, Paris, and Tokyo.
Lavishly illustrated with a wealth of original graphics, data visualizations, photographs, and drawings, The Architecture of Urbanity: Designing for Nature, Culture, and Joy (Princeton UP, 2024) eloquently explains why cities are the last, best hope for humanity, and why designers must, alongside political, business, community, and cultural leaders, steward the healing of our planet.
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The city of Lahore was more than one thousand years old when it went through a violent schism. As the South Asian subcontinent was partitioned in 1947 to gain freedom from Britain's colonial hold, and the Islamic Republic of Pakistan was formed, the city's large Hindu and Sikh populations were pushed toward India, and an even larger Muslim refugee population settled in the city. This was just the latest in a long history of the city's making and unmaking.
Over the centuries, the city has kept a firm grip on the imagination of travelers, poets, writers, and artists. More recently, it has been journalists who have been drawn to the city as a focal point for a nation that continues to grab international headlines. In Disrupted City: Walking the Pathways of Memory and History in Lahore (New Press, 2024), acclaimed historian Manan Ahmed Asif brings to life a diverse and vibrant world by walking the city again and again over the course of many years. Along the way he joins Sufi study circles and architects doing restoration in the medieval parts of Lahore and speaks with a broad range of storytellers and historians. To this Asif juxtaposes deep analysis of the city's centuries-old literary culture, noting how it reverberates among the people of Lahore today.
To understand modern Pakistan requires understanding its cultural capital, and Disrupted City uses Lahore's cosmopolitan past and its fractured present to provide a critical lens to challenge the grand narratives of the Pakistani nation-state and its national project of writing history.
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Carceral Recovery: Prisons, Drug Markets, and the New Pharmaceutical Self (Lexington Books, 2023) explores the interrelation between carceral conditions and substance use by considering the intersections between drug markets, sidewalks, households, and prisons in Baltimore. Sanaullah Khan argues that while housing, medicalization, and incarceration fundamentally create the conditions for substance use, individuals are increasingly experiencing the paradoxes of care and punishment by being propelled into a new regime of recovery which creates new pharmaceuticalized identities. By shedding light on how addiction and the impetus for healing moves through families and institutions of the state, Khan provides an account of the different competing forces that shape substance use, recovery, and relapse. Through a combination of archival research and ethnography, the book makes a case for disentangling punishment from recovery.
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Long before Manchester gave the world titans of industry, comedy, music and sport, it was the cosmopolitan Roman fort of Mamucium. But it was as the ‘shock city’ of the Industrial Revolution that Manchester really made its mark on the world stage. A place built on hard work and innovation, it is no coincidence that the digital age began here too, with the world’s first stored-program computer, Baby.
A city as radical as it is revolutionary, Manchester has always been a political hotbed. The Peterloo Massacre is immortalised in British folklore and the city was a centre for pioneering movements such as Chartism. Suffragette Emmeline Pankhurst hailed from here and the city still treasures its wilful independence.
Manchester’s spirited individuality has carried through into its artistic output too, bringing the world Anthony Burgess, L.S. Lowry, Jeanette Winterson, Joy Division and Oasis. Mention United or City almost anywhere and you’ll find fans, and opinions.
Until Made in Manchester: A People's History of the City That Shaped the Modern World (Harpernorth, 2024), this magnificent city did not have its definitive history. From Brian Groom, the author of the bestselling Northerners, this work of unrivalled authority and breadth tells the story of a changing place and its remarkable people.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Poverty, Gender and Health in the Slums of Bangladesh: Children of Crows (Routledge, 2024) provides comprehensive ethnographic accounts that depict the daily life experiences and health hardships encountered by young women and their families living in the slums of Dhaka city and the injustices they face.
The analysis focuses on two specific historical eras: 2002-2003 and 2020-2022 and shows that despite recent improvements in employment opportunities and greater mobility for young women, their lives reflect ongoing challenges reminiscent of those faced two decades earlier. While national and global organizations acknowledge the nation's economic and social progress, those on the outskirts of society continue to grapple with enduring poverty. They are excluded from the advantages of economic growth, oppressed by unjust local, national, and global systems, discriminatory laws, and policies. Their struggles go unnoticed as they confront a slew of challenges, including slum evictions, enforced lockdowns, income losses, food insecurity, and ongoing crises related to health, injuries, fatalities, and exploitation and harassment by law enforcement and influential individuals within the slum and the city. After two decades, these obstacles persist, and life remains tenuous, with health severely compromised. This book will appeal to students, academics, and researchers in the fields of Public Health, Medical Anthropology, Gender Studies, Urban Studies, Development Studies, Social Sciences, as well as professionals engaged in urban health and poverty-related work.
Rituparna Patgiri is an Assistant Professor of Sociology at the Department of Humanities and Social Sciences, Indian Institute of Technology (IIT), Guwahati. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Every year a relatively small number of canonic operas are produced around the world. Many companies shy away from new works, afraid of alienating a predominantly white, older, wealthy audience who are comfortable with operatic traditions. But opera can also be a site of incredible innovation.
Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age (University of Michigan Press, 2024) by Megan Steigerwald Ille examines one of the most disruptive opera companies in the United States. The Los Angeles-based company, The Industry, wants to make opera for everyone by breaking down hierarchies, undermining the expectations of both audiences and performers, and confronting how opera is part of harmful systems of exclusion and marginalization. Rather than simply analyzing some operas and interviewing a handful of key players in the company, Steigerwald Ille spent years observing rehearsals and interviewing many of the participants in the Industry’s productions. Focusing on the period between 2012 and 2020, her ethnographic work yields a thorough and nuanced analysis of the company and its operas and the many ways they challenge the conventions of Western classical music.
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In Lifehouse: Taking Care of Ourselves in a World on Fire (Verso, 2024), Adam Greenfield presents a compelling vision for collective resilience in an age of perpetual crisis. As we grapple with what Greenfield terms the "Long Emergency"—an era marked by cascading disasters from pandemics to climate-driven catastrophes—this timely book explores how we might reclaim agency and foster community in the face of overwhelming challenges.
Greenfield's central argument is both radical and deeply pragmatic: by synthesizing diverse tactics of mutual aid and community organizing, we can construct a coherent way of life that not only helps us survive but potentially thrive amidst upheaval. Drawing inspiration from a rich tapestry of historical and contemporary examples, he illustrates how grassroots networks of care and solidarity can serve as powerful bulwarks against despair and disempowerment.
The author takes readers on a journey through various models of collective action and self-organization. He examines the Black Panthers' survival programs and the remarkable effectiveness of Occupy Sandy's disaster relief efforts in the wake of Hurricane Sandy. Greenfield also highlights the crucial role played by neighborhood-based mutual aid groups during the COVID-19 lockdowns, demonstrating how local initiatives can fill gaps left by institutional failures.
However, Greenfield's vision extends beyond ad hoc responses to specific crises. He invites readers to consider larger-scale experiments in participatory democracy and communal living, such as the municipalist movements in Spain and the autonomous region of Rojava in Syria. These examples serve as proof of concept for alternative forms of social and political organization that prioritize collective well-being and ecological sustainability.
Lifehouse is both a manifesto and a call to action. It is an invitation to rediscover and nurture our individual and collective capacities that have long been suppressed under late capitalism. Greenfield argues that by building robust networks of mutual support and reimagining local power structures, we can create resilient communities capable of weathering the storms ahead.
This book arrives at a critical juncture as the effects of climate change become increasingly apparent and traditional institutions struggle to address mounting global challenges. Greenfield's work offers not just a critique of the current system but a roadmap for creating meaningful alternatives rooted in solidarity and shared purpose.
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