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The Rise of the Roguelite: Inside a Gaming Phenomenon (CRC Press, 2025) analyzes the wave of roguelite games that have appeared over the past decade, putting them in historical context, informing readers about their development out of and relation to the roguelike genre that inspired them. The book includes discussions of the historical development and significance of roguelites, critical perspectives on topics such as gender, politics, philosophy, analyses of the influence of roguelikes on roguelites, and discussions of design and mechanics. This book will appeal to those wishing to study and learn more about the roguelites, games studies students and researchers, and game designers interested in this genre.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
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Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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Saknas det avsnitt?
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In 1999: The Year Low Culture Conquered America and Kickstarted our Bizarre Times (2025, University of Kansas Press) journalist Ross Benes examines low culture in the late 1990s. From pro wrestling and Pokémon to Vince McMahon and Jerry Springer, Benes reveals its profound impact and how it continues to affect our culture and society today.
The year 1999 was a high-water mark for popular culture. According to one measure, it was the "best movie year ever." But as Benes shows, the end of the '90s was also a banner year for low culture. This was the heyday of Jerry Springer, Jenna Jameson, and Vince McMahon, among many others. Low culture had come into its own and was poised for world domination. The reverberations of this takeover continue to shape American society. During its New Year's Eve countdown, MTV entered 1999 with Limp Bizkit covering Prince's famous anthem to the new year. The highlights of the lowlights continued when WCW and WWE drew 35 million American viewers each week with sex appeal and stories about insurrections. Insane Clown Posse emerged from the underground with a Woodstock set and platinum records about magic and murder. Later that year, Dance Dance Revolution debuted in North America and Grand Theft Auto emerged as a major video game franchise. Beanie Babies and Pokemon so thoroughly seized the wallets and imagination of collectors that they created speculative investment bubbles that anticipated the faddish obsession over nonfungible tokens (NFTs). The trashy talk show Jerry Springer became daytime TV's most-watched program and grew so mainstream that Austin Powers, Sabrina the Teenage Witch, The Wayans Bros., The Simpsons, and The X-Files incorporated Springer into their own plots during the late '90s. Donald Trump even explored a potential presidential nomination with the Reform Party in 1999 and wanted his running mate to be Oprah Winfrey, whose own talk show would make Dr. Oz a household name. Among Springer's many guests were porn stars who, at the end of the millennium, were pursuing sex records in a bid for stardom as the pornography industry exploded, aided by sex scandals, new technology, and the drug Viagra, which marked its first full year on the US market in 1999.
According to Benes, there are many lessons to learn from the year that low culture conquered the world. Talk shows and reality TV foreshadowed the way political movements grab power by capturing our attention. Pro wrestling mastered the art of "kayfabe"--the agreement to treat something as real and genuine when it is not--before it spread throughout American society, as political contests, corporate public relations campaigns, and nonprofit fundraising schemes have become their own wrestling matches that require a suspension of disbelief. Beanie Babies and Pokémon demonstrate capitalism's resiliency as well as its vulnerabilities. Legal and technological victories obtained by early internet pornographers show how the things people are ashamed of have the ability to influence the world. Insane Clown Posse's creation of loyal Juggalos illustrates the way religious and political leaders are able to generate faithful followers by selling themselves as persecuted outsiders. And the controversy over video game violence reveals how every generation finds new scapegoats. 1999 is not just a nostalgic look at the past. It is also a window into our contentious present.
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CrossFit in the United States has become increasingly popular, around which a fascinating culture has developed which shapes everyday life for the people devoted to it. CrossFit claims to be many things: a business, a brand, a tremendously difficult fitness regimen, a community, a way to gain salvation, and a method to survive the apocalypse. In The Cult of CrossFit: Christianity and the American Exercise Phenomenon (NYU Press, 2025), Dr. Katie Rose Hejtmanek examines how this exercise program is shaped by American Christian values and practices, connecting American religious ideologies to secular institutions in contemporary American culture.
Drawing upon years of immersing herself in CrossFit gyms in the United States and across six continents, this book illustrates how US CrossFit operates using distinctly American codes, ranging from its intensity and patriarchal militarism to its emphasis on (white) salvation and the adoration of the hero and vigilante. Despite presenting itself as a secular space, Dr. Hejtmanek argues that CrossFit is both heavily influenced by and deeply intertwined with American Christian values. She makes the case that the Christianity that shapes CrossFit is the Christianity that shapes much of America, usually in ways we do not even notice. Offering a new cross-cultural perspective for understanding a popular workout, The Cult of CrossFit provides a window into a particularly American rendition of a Christian plotline, lived out one workout at a time.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
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In 2018, the United States Supreme Court opened the floodgates for states to legalize betting on sports. Eager for revenue, almost forty states have done so. The result is the explosive growth of an industry dominated by companies like FanDuel and DraftKings. One out of every five American adults gambled on sports in 2023, amounting to $121 billion, more than they spent on movies and video games combined.
The rise of online sports gambling—the immediacy of betting with your phone, the ability of the companies to target users, the dynamic pricing and offers based on how good or bad of a gambler you are—has produced a public health crisis marked by addiction and far too many people, particularly young men, gambling more than they can afford to lose. Under intense lobbying from the gaming industry, states have created a system built around profit for sportsbooks, not the well-being of players.
In Losing Big: America's Dangerous Sports Gambling Boom (Columbia Global Reports, 2025), historian Jonathan D. Cohen lays out the astonishing emergence of online sports gambling, from sportsbook executives drafting legislation to an addicted gambler confessing their $300,000 losses. Sports gambling is here to stay, and the stakes could not be higher. Losing Big explains how this brewing crisis came to be, and how it can be addressed before new generations get hooked.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.
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Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul’s middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls.
In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea’s global-polarization.
Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.
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Starting from the observation of the ubiquity of fan podcasts engaging in media commentary, Fan Podcasts: Rewatch, Recap, Review (Routledge, 2024) explores three fan podcast genres in which commentary manifests as a structuring form: rewatch and reread podcasts, recap podcasts, and review podcasts.
Anne Korfmacher conducts a formalist genre analysis of these podcasts, close reading nine case studies to describe how the three genres function and how different fan labor manifests in podcasting. Each case study teases out the themes, style, and formal constellations of the three podcast genres, shows how different fans activate the affordances of podcasting and commentary, and reveals the distinct generic functions of the three podcast genres.
This book will be of significant interest to scholars and students in podcast studies, fan studies, cultural studies, and literary studies who are interested in fan podcasts, podcast genre analysis, and ways of close reading podcasts as texts.
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In Enough is Enuf: Our Failed Attempts to Make English Eezier to Spell (Dey Street Books, 2025), Gabe Henry presents a brief and humorous 500-year history of the Simplified Spelling Movement from advocates like Ben Franklin, C. S. Lewis, and Mark Twain to texts and Twitter. Why does the G in George sound different from the G in gorge? Why does C begin both case and cease? And why is it funny when a philologist faints, but not polight to laf about it? Anyone who has ever had the misfortune to write in English has, at one time or another, struggled with its spelling. So why do we continue to use it? If our system of writing words is so tragically inconsistent, why haven't we standardized it, phoneticized it, brought it into line? How many brave linguists have ever had the courage to state, in a declaration of phonetic revolt: "Enough is enuf"?
The answer: many. In the comic annals of linguistic history, legions of rebel wordsmiths have died on the hill of spelling reform, risking their reputations to bring English into the realm of the rational. This book is about them: Mark Twain, Ben Franklin, Eliza Burnz, C. S. Lewis, George Bernard Shaw, Charles Darwin, and the innumerable others on both sides of the Atlantic who, for a time in their life, became fanatically occupied with writing thru instead of through, tho for though, laf for laugh, beleev for believe, and dawter for daughter (and tried futilely to get everyone around them to do it too). Henry takes his humorous and informative chronicle right up to today as the language seems to naturally be simplifying to fit the needs of our changing world thanks to technology--from texting to Twitter and emojis, the Simplified Spelling Movement may finally be having its day.
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The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak’s 1963 classic children’s book, Where the Wild Things Are, was destructive, disruptive and disrespectful.
Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock’s Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period’s fictions—in film, television, comics, children’s books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era’s emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American.
Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From Peanuts comic strips and TV specials to The Cat in the Hat, Dennis the Menace, and Jonny Quest, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from Mary Poppins to Lost in Space, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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Have you ever noticed that in areas of everyday life, rather than being addressed like a mature adult, you're increasingly treated like an irresponsible child in constant need of instruction and protection?
Noticing society's creeping descent into infantilisation is one thing, however understanding the roots and causes of the phenomenon is not quite so easy. But in this topical and vitally important new work, cultural theorist and academic, Dr Keith Hayward, exposes the deep social, psychological and political dangers of a world characterised by denuded adult autonomy.
But importantly Infantilised is no one-dimensional, unsympathetic critique. Brimming with anecdotes and examples that span everything from the normalisation of infantilism on reality TV to the rise of a new class of political 'infantocrat', Infantilised: How Our Culture Killed Adulthood (Constable & Robinson, 2025) also offers an insightful and at times humorous account of infantilism's seductive appeal, and details some suggestions for avoiding some of the pitfalls associated with our increasingly infantilised world.
Keith Hayward is Professor of Criminology at Copenhagen University
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John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result.
In John Cale’s Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved.
Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009).
Mark Doyle on Bluesky.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025).
Bradley Morgan on Bluesky.
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Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.
The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.
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On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.
Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.
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As part of the TV Milestones Series, Bridget Kies explores Murder, She Wrote (Wayne State University Press, 2025). Embark on a journey through the mysteries of Cabot Cove to learn why Murder, She Wrote is a timeless classic. Discover the secrets behind the enduring appeal of Murder, She Wrote (CBS, 1984-96) in this captivating investigation of the long-running mystery series. Kies details the show's lasting impact owing to several interconnecting factors tied to the series' genre, cast, and reception. Murder, She Wrote was a trailblazing "cozy" murder mystery, blending suspense and charm to captivate a wide and varied audience. Bolstered by Angela Lansbury's established star power, the iconic amateur sleuth Jessica Fletcher is beloved by fans across generations and around the world. Kies also points to the series' extratextual tie-in novels, made-for-TV movies, licensed products, and crossovers and attempted spinoffs that helped create a franchise universe that lives on today. With insights into the show's twelve remarkable seasons, its rise to global fame, and data from fandom interviews, this book is a must-read for fans and newcomers alike. Embark on a journey through the mysteries of Cabot Cove and beyond to learn why Murder, She Wrote remains a timeless classic.
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Elena Razlogova is an Associate Professor of History at Concordia University. She is the author of The Listener’s Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles in American Quarterly, Radical History Review, Russian Review, Journal of Cinema and Media Studies, Radio Journal, Cultural Studies, Social Media Society, and more.
Elena’s someone I’m always excited to talk to when I see her at conferences and I thought it would be fun talk to her on this podcast. In this episode we discuss some of her research interests including U.S. radio history, audience research, music recommendation and recognition algorithms, and her current book project, which centers on freeform radio station WFMU and the rise of online music.
Toward the end of the episode we talk about Elena’s research strategies as a historian working in the digital age.
And for our Patrons we’ll have Elena’s What’s Good segment, featuring something good to read, listen to, and do. You can join at patreon.com/phantompower.
Today’s show was edited by Nisso Sacha and Mack Hagood.
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NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become.
Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport.
About D.D. Miller
D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports.
A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships.
About Hollay Ghadery:
Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.
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Rough Music: Folk Customs, Transgression and Alternative Britain (Reaktion, 2025) by Liz Williams explores transgression and shame in British folklore and customs from ancient Britain to the present day. From Bonfire Night to Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like street football and the Cooper’s Hill Cheese-Rolling and Wake, Liz Williams reveals the roots and roles of violence, mockery, protest and public shaming. She also looks at alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival, as well as interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides.This engaging book offers an entertaining and revealing look at British folklore and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
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Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century.
Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise’s repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek’s sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling.
Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas.
Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
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From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies.
From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive.
Suturing together fact and fantasy, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
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