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The relationship between fear people experience in their lives and the government often informs key questions about the rule of law and justice. In nations where the rule of law is unevenly applied, interpreting the people involved in its enforcement allows for contextualized understanding about why that unevenness occurs and is perpetuated.
Joshua Barker’s State of Fear: Policing a Postcolonial City published by Duke University Press (2024) examines policing in Bandung, the capital city of the province of West Java in Indonesia, to show how fear and violence are produced and reproduced. He makes analysis of the emergence of informal and formal forms of political order in Bandung based on ethnographic and historical evidence about neighborhood watch groups, street-level toughs, vigilantes, and people in the police, from clerks to officers. This book provides a compelling interpretive framework for understanding episodes of violence and different forms of authority in Indonesian state-society relations as it does for many other parts of the world where unresolved colonial legacies shape the production of policing.
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The asylum--at once a place of refuge, incarceration, and abuse--touched the lives of many Americans living between 1830 and 1950. What began as a few scattered institutions in the mid-eighteenth century grew to 579 public and private asylums by the 1940s. About one out of every 280 Americans was an inmate in an asylum at an annual cost to taxpayers of approximately $200 million.
Using the writing of former asylum inmates, as well as other sources, Writing Mad Lives in the Age of the Asylum (Oxford UP, 2025) reveals a history of madness and the asylum that has remained hidden by a focus on doctors, diagnoses, and other interventions into mad people's lives. Although those details are present in this story, its focus is the hundreds of inmates who spoke out or published pamphlets, memorials, memoirs, and articles about their experiences. They recalled physical beatings and prolonged restraint and isolation. They described what it felt like to be gawked at like animals by visitors and the hardships they faced re-entering the community. Many inmates argued that asylums were more akin to prisons than medical facilities and testified before state legislatures and the US Congress, lobbying for reforms to what became popularly known as "lunacy laws."
Michael Rembis demonstrates how their stories influenced popular, legal, and medical conceptualizations of madness and the asylum at a time when most Americans seemed to be groping toward a more modern understanding of the many different forms of "insanity." The result is a clearer sense of the role of mad people and their allies in shaping one of the largest state expenditures in the nineteenth and early twentieth centuries--and, at the same time, a recovery of the social and political agency of these vibrant and dynamic "mad writers."
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In 2015, Patricia Roos’s twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment.
Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex’s friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis.
Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism.
Mentioned:
David Herzberg’s White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press.
Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion
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Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men.
In this bold, page-turning new history Thou Savage Woman: Female Killers in Early Modern Britain (HarperCollins, 2025), former police officer and historian Dr. Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator.
Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), Robin Bernstein tells the story of an Afro-Native teenager named William Freeman who was convicted of a horse theft he insisted he did not commit and sentenced to five years of hard labor in Auburn’s prison. Incensed at being forced to work without pay, Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s unforgettable story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom.
Through one Black man, his family, and his city, Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.
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"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain.
The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself.
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Surveillance is everywhere today, generating data about our purchasing, political, and personal preferences. Surveillance: A Very Short Introduction (Oxford University Press, 2024) shows how surveillance makes people visible and affects their lives, considers the technologies involved and how it grew to its present size and prevalence, and explores the pressing ethical questions surrounding it.
David Lyon is former Director of the Surveillance Studies Centre and Professor Emeritus of Sociology and Law, Queen's University, Kingston, Ontario.
Caleb Zakarin is editor at the New Books Network.
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As police racism unsettles Britain's tolerant self-image, Black Resistance to British Policing (Manchester UP, 2021) details the activism that made movements like Black Lives Matter possible. Adam Elliott-Cooper analyses racism beyond prejudice and the interpersonal - arguing that black resistance confronts a global system of racial classification, exploitation and violence.
Imperial cultures and policies, as well as colonial war and policing highlight connections between these histories and contemporary racisms. But this is a book about resistance, considering black liberation movements in the 20th century while utilising a decade of activist research covering spontaneous rebellion, campaigns and protest in the 21st century. Drawing connections between histories of resistance and different kinds of black struggle against policing is vital, it is argued, if we are to challenge the cutting edge of police and prison power which harnesses new and dangerous forms of surveillance, violence and criminalisation.
Black Resistance to British Policing is a must read for all those who are interested in the history of the British Empire, its enduring legacies, and anti-colonial and anti-racist resistance.
Adam Elliot-Cooper is a Lecturer (Assistant Professor) in Public and Social Policy at Queen Mary University of London. He is also co-author of Empire’s Endgame: Racism and the British State (Pluto Press, 2021). He sits on the board of The Monitoring Group, an anti-racist organisation challenging state racisms and racial violence.
Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
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For over a century Mexico has been embroiled in a drug war dictated by the demands of their neighbor to the north. In The Dope: The Real History of the Mexican Drug Trade (W. W. Norton, 2021), Benjamin T. Smith offers a history of the trade and its effects upon the people of Mexico. As he reveals, at the start of the 20th century drugs such as marijuana and opium were largely on the margins of Mexican society, used mainly by soldiers, prisoners, and immigrants. The association of marijuana with a bohemian subculture in the early 1920s prompted the first punitive laws against it, while the use of opium by Chinese immigrants led Mexican officials to target the drug as a means to arrest the country’s Chinese population.
Yet the drug trade thrived thanks to the growing demand for marijuana and heroin in the United States. In response, American officials pressured their Mexican counterparts to end drug production and distribution in their country, even to the point of ending the effort to provide heroin in a regulated way for the country’s relatively small population of heroin addicts. Yet these efforts often foundered on the economic factors involved, with many government officials protecting the trade either for personal profit or for the financial benefits the trade provided to their states. This trade only grew in the postwar era, as the explosion of drug use in the 1960s and the crackdown on the European heroin trade made Mexico an increasingly important supplier of narcotics to the United States. The vast profits to be made from this changed the nature of the trade from small-scale family-managed operations to much more complex organizations that increasingly employed violence to ensure their share of it. As Smith details, the consequences of this have proven enormously detrimental both to the Mexican state and to the Mexican people.
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In The Mysterious Case of the Victorian Female Detective (Yale UP, 2024), Sara Lodge tells stories of women who brought 19th century criminals to justice, in real life and popular culture, as unacknowledged crime-fighters and feminist icons.
On stage and in fiction, women detectives were sensational figures who fascinated the public with cross-dressing, fist-swinging heroines who captured thieves, flushed out cheats, and solved murders.
Few people realize that these characters were based on real women who were active as detectives in private agencies and in the Victorian police force. Far from the mythology of an all-male world, women were a daily presence in police activity, although often underpaid and overlooked. They did important and dangerous work in a variety of roles both openly and as undercover agents.
While the fictional characters were heroic figures who always saved the day, these morally ambiguous real women were sometimes paid to betray, deceive, or entrap in the murky underworld of Victorian society.
Related resources:
The interest in Victorian women detectives continues into the present with dozens of contemporary novels, film, and tv featuring Victorian female detectives.
Miss Scarlet on PBS is an original series by Rachael New. The Enola Holmes and Enola Holmes 2 films on Netflix are based on the original Enola Holmes books written by Nancy Springer.
More Sherlock Holmes adjacent charaters are Mary Russell by Laurie R. King and Lady Sherlock by Sherry Thomas.
While many actual female detectives were working class, fictional portrayals often feature upper class heroines as private detectives such as Lady Darby by Anna Lee Huber, Lady Emily by Tasha Alexander, and both Veronica Speedwell and Lady Julia Grey by Deanna Raybourn.
Author recommended reading
A Flat Place by Noreen Masud
Hosted by Meghan Cochran
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Police Matters: The Everyday State and Caste Politics in South India, 1900–1975 (Cornell UP, 2021) moves beyond the city to examine the intertwined nature of police and caste in the Tamil countryside. Radha Kumar argues that the colonial police deployed rigid notions of caste in their everyday tasks, refashioning rural identities in a process that has cast long postcolonial shadows.
Kumar draws on previously unexplored police archives to enter the dusty streets and market squares where local constables walked, following their gaze and observing their actions towards potential subversives. Station records present a textured view of ordinary interactions between police and society, showing that state coercion was not only exceptional and spectacular; it was also subtle and continuous, woven into everyday life. The colonial police categorized Indian subjects based on caste to ensure the security of agriculture and trade, and thus the smooth running of the economy. Among policemen and among the objects of their coercive gaze, caste became a particularly salient form of identity in the politics of public spaces. Police Matters demonstrates that, without doubt, modern caste politics have both been shaped by, and shaped, state policing.
Radha Kumar is Assistant Professor of History at the Maxwell School in Syracuse University. Dr. Kumar holds a PhD in History from Princeton University, where she specialized in Modern South Asian Studies. She has conducted archival research in a range of cities including Madurai, Tirunelveli, Bangalore, Chennai, Delhi, and London, and was supported by the History Department at Princeton University and by the Princeton Institute for International and Regional Studies.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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Beverly Hills Noir: Crime, Sin, & Scandal in 90210 (Post Hill Press, 2024) explores the city’s true crime history, delving deep inside cases that made headlines, scandals that engulfed Hollywood legends, and more strange-but-true tales that could only happen in the 90210. Beverly Hills Noir chronicles an assortment of jaw-dropping true crime stories spanning the legendary city’s history, each with oh-so-90210 twists—including a high-profile murder mystery in the city’s most extravagant mansion, the daring exploits of a handsome cat burglar with movie star looks, a toxic Tinseltown love triangle that ended in gunplay, a brazen Rodeo Drive jewelry store holdup with tragically stunning finale, an Oscar nominated actress on shoplifting spree and more—complete with major roles and countless cameos by Hollywood idols and cultural icons. A gripping, century-long tour of the glamorous city’s shadowy underbelly through crimes and misdemeanors as over-the-top as the city itself, Beverly Hills Noir collects the kinds of stories you’d expect to be swapped if James Ellroy and Dominick Dunne had met Jackie Collins and Ryan Murphy for cocktails at the Polo Lounge. It’s Sunset Boulevard and Once Upon a Time… in Hollywood turned sordid, face-down-in-the-pool reality.
Scott Huver has covered the inner workings of Beverly Hills, the entertainment industry, and the Los Angeles-area elite for three decades.
Caleb Zakarin is editor at the New Books Network.
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Victim participation at the International Criminal Court (ICC) has routinely been viewed as an empty promise of justice or mere spectacle for audiences in the Global North, providing little benefit for victims. Why, then, do people in Kenya and Uganda engage in justice processes that offer so little, so late? How and why do they become the court’s victims and intermediaries, and what impact do these labels have on them?
Victims and the Labour of Justice at the International Criminal Court: The Blame Cascade (Oxford UP, 2024) offers a response to these poignant questions, demonstrating that the notion of ‘justice for victims’ is not merely symbolic, expressive, or instrumental. On the contrary — as Leila Ullrich argues — the ICC’s methods of victim engagement are productive, reproducing the Court as a relevant institution and transforming victims in the Global South into highly gendered and racialized labouring subjects. Challenging the Court’s interplay with global capitalist relationships, the book makes visible the hidden labour of justice, and how it lures, disciplines, and blames both victims and victims’ advocates. Drawing on critical theory, criminological analysis, and multi-sited ethnographic fieldwork in The Hague, Kenya, and Uganda, Victims and the Labour of Justice at the International Criminal Court illuminates how the drive to include victims as participants in international criminal justice proceedings also creates and disciplines them as blameworthy capitalist subjects. Yet, as victim workers learn to ‘stop crying’, ‘be peaceful’, ‘get married’, ‘work hard’, and ‘repay debt’, they also begin to challenge the terms of global justice.
Dr. Leila Ullrich is an Associate Professor of Criminology at the University of Oxford's Faculty of Law. Her research lies at the intersection of international criminal justice, transitional justice, victimology, and border criminology. Her work focuses on how global justice institutions construct gendered and racialized subjects and how these groups engage with or resist these processes. Outside academia, Leila worked as social stability analyst on the Syrian refugee crisis at the United Nations Development Programme in Lebanon and she has also worked as an intern for the ICC. She has also worked for the German Bundestag and the BBC World Service.
Alex Batesmith is an Associate Professor in Legal Professions in the School of Law at the University of Leeds, and a former barrister and UN war crimes prosecutor, with teaching and research interests in international criminal law, cause lawyering and the legal profession, and law and emotion.
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Fragile Hope: Seeking Justice for Hate Crimes in India (Stanford University Press, 2024). Against the backdrop of the global Black Lives Matter movement, debates around the social impact of hate crime legislation have come to the political fore. In 2019, the UN Commission on Crime Prevention and Criminal Justice urgently asked how legal systems can counter bias and discrimination. In India, a nation with vast socio-cultural diversity, and a complex colonial past, questions about the relationship between law and histories of oppression have become particularly pressing. Recently, India has seen a rise in violence against Dalits (ex-untouchables) and other minorities. Consequently, an emerging "Dalit Lives Matter" movement has campaigned for the effective implementation of India's only hate crime law: the 1989 Scheduled Castes/Scheduled Tribes Prevention of Atrocities Act (PoA).
Drawing on long-term fieldwork with Dalit survivors of caste atrocities, human rights NGOs, police, and judiciary, Sandhya Fuchs unveils how Dalit communities in the state of Rajasthan interpret and mobilize the PoA. Fuchs shows that the PoA has emerged as a project of legal meliorism: the idea that persistent and creative legal labor can gradually improve the oppressive conditions that characterize Dalit lives. Moving beyond statistics and judicial arguments, Fuchs uses the intimate lens of personal narratives to lay bare how legal processes converge and conflict with political and gendered concerns about justice for caste atrocities, creating new controversies, inequalities, and hopes.
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In 1980, Charles Wetli---a Miami-based medical examiner and self-proclaimed “cult expert” of Afro-Caribbean religions---identified what he called “excited delirium syndrome.” Soon, medical examiners began using the syndrome regularly to describe the deaths of Black men and women during interactions with police. Police and medical examiners claimed that Black people with so-called excited delirium exhibited superhuman strength induced from narcotics abuse. It was fatal heart failure that killed them, examiners said, not forceful police restraints.
In Excited Delirium: Race, Police Violence, and the Invention of a Disease (Duke University Press, 2024), Aisha M. Beliso-De Jesús examines this fabricated medical diagnosis and its use to justify and erase police violence against Black and Brown communities. Exposing excited delirium syndrome’s flawed diagnostic criteria, she outlines its inextricable ties to the criminalization of Afro-Latiné religions. Beliso-De Jesús demonstrates that it is yet a further example of the systemic racism that pervades law enforcement in which the culpability for state violence is shifted from the state onto its victims. In so doing, she furthers understanding of the complex layers of medicalized state-sanctioned violence against people of color in the United States.
Aisha M. Beliso-De Jesús is Olden Street Professor of American Studies at Princeton University and author of Electric Santería: Racial and Sexual Assemblages of Transnational Religion.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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How does a Black man in Austin get sent to prison on a 70-year sentence for stealing a tuna sandwich, likely costing Texas taxpayers roughly a million dollars? In America, your liberty--or even your life--may be forfeit not simply because of what you do, but where you do it. If the same man had run off with a lobster roll from a lunch counter in Maine it's unlikely that he'd be spending the rest of his life behind bars.
The U.S. incarcerates more people than any other industrial democracy in the world. We have more ex-prisoners than the entire population of Ireland, and more people with a felony record than the populations of Denmark, Norway, New Zealand and Liberia combined. Why did the United States become the world's biggest jailer? And, just as importantly, what has it done to us? What are the costs--socially, economically, and politically--of having the world's largest population of ex-prisoners? And what can we do about it?
In The Jailer's Reckoning: How Mass Incarceration Is Damaging America (Rowman & Littlefield, 2024), Kevin B. Smith explains that the United States became the world's biggest jailer because politicians wanted to do something about a very real problem with violent crime. That effort was accelerated by a variety of partisan and socio-demographic trends that started to significantly reshape the political environment in the 1980s and 1990s. The force of those trends varied from state to state, but ultimately led to not just historically unprecedented levels of incarceration, but equally unprecedented numbers of ex-prisoners. Serving time behind bars is now a normalized social experience--it affects a majority of Americans directly or indirectly. There is a clear price, the jailer's reckoning, to be paid for this. As Smith shows, it is a society with declining levels of civic cohesion, reduced economic prospects, and less political engagement. Mass incarceration turns out to be something of a hidden bomb, a social explosion that inflicts enormous civic collateral damage on the entire country, and we must all do something about it.
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In this episode of High Theory, Faye Raquel Gleisser tells us about Risk. A calculable danger in economics, athletics, sociology, or healthcare, risk has become a socially constructed danger that changes who we are and how we move through the world. Faye asks us to think about how risk management and risk literacy shaped the conceptual and performance work of American artists in the late twentieth century. Who is at risk? Who is safe? And how do we know?
Faye’s book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (U Chicago Press, 2023) studies how artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance.
As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists’ experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists’ anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society.
Faye Raquel Gleisser is an associate professor of art history at Indiana University and curator, whose work focuses on three main subject areas: art and tactical intervention; the racial logics of archives; and curatorial ethics and canon formation. By bridging curation, art history, and performance studies, she investigates histories of art that challenge intertwined anti-Black societal structures and patriarchal, white-centering notions of value that have long limited the canon of “American art.” She approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter.
In the episode Faye names several artists including Asco, Chris Burden, the Guerrilla Girls, Tehching Hsieh, and Adrian Piper. This image for this episode is a photograph by Harry Gambota Jr. titled First Supper (After a Major Riot), 1974 that documents a performance by the Chicano art group Asco in Los Angeles. See the Artsy page about the photograph for more about the art and the artist.
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The United States incarcerates its citizens for property crime, drug use, and violent crime at a rate that exceeds any other developed nation – and disproportionately affects the poor and racial minorities. Yet the U.S. has never developed the capacity to consistently prosecute corporate wrongdoing. This disjuncture between the treatment of street and corporate crime is often narrated as hypocrisy. Others suggest that the disparity is rooted in a conservative backlash after the civil rights movement and the Great Society or a legacy of slavery, Jim Crow, and the racialization of crime.
In Dual Justice: America's Divergent Approaches to Street and Corporate Crime (U Chicago Press, 2024), Dr. Anthony Grasso interrogates the intertwined histories of street and corporate crime to find that the differences in punishment are more than modern hypocrisy. Examining the carceral and regulatory states' evolutions from 1870 through today, Grasso argues that divergent approaches to street and corporate crime share common, self-reinforcing origins. During the Progressive Era, scholars and lawmakers championed naturalized theories of human difference such as eugenics to justify instituting punitive measures for poor offenders and regulatory controls for corporate lawbreakers. These ideas laid the foundation for dual justice systems: criminal justice institutions harshly governing street crime and regulatory institutions governing corporate misconduct.
Even after eugenics was discredited, criminal justice and regulatory institutions have developed in tandem to reinforce politically constructed understandings about who counts as a criminal. Using an impressive array of sources and methods, Dr. Grasso analyzes the intellectual history, policy debates, and state and federal institutional reforms that consolidated these ideas, along with their racial and class biases, into America's legal system.
Dr. Anthony Grasso is an assistant professor of political science at Rutgers University Camden. His research focuses on American political development, law, and inequality.
Mentioned:
Susan’s interview with Dr. Joanna Wuest on Born This Way: Science, Citizenship, and Inequality in the American LGBTQ+ Movement
David Vogel, Fluctuating Fortunes: The Political Power of Business in America (Beard Books, 1989)
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Carceral Recovery: Prisons, Drug Markets, and the New Pharmaceutical Self (Lexington Books, 2023) explores the interrelation between carceral conditions and substance use by considering the intersections between drug markets, sidewalks, households, and prisons in Baltimore. Sanaullah Khan argues that while housing, medicalization, and incarceration fundamentally create the conditions for substance use, individuals are increasingly experiencing the paradoxes of care and punishment by being propelled into a new regime of recovery which creates new pharmaceuticalized identities. By shedding light on how addiction and the impetus for healing moves through families and institutions of the state, Khan provides an account of the different competing forces that shape substance use, recovery, and relapse. Through a combination of archival research and ethnography, the book makes a case for disentangling punishment from recovery.
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We recently marked the 50th Anniversary of Terry vs. Ohio, the US Supreme Court case that dramatically expanded the scope under which agents of the state could stop people and search them. Taking advantage of a North Carolina law that required the collection of demographic data on those detained by the police during routine traffic stops, Frank Baumgartner and his colleagues analyzed twenty million such stops from 2002-2016. They present the results of this research in Suspect Citizens: What 20 Million Traffic Stops Tell Us about Policing and Race (Cambridge University Press, 2018). Join us as we speak with Baumgartner about what they found—and what we can do to reduce the most discriminatory features of the practice.
Stephen Pimpare is Senior Lecturer in the Politics and Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).
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