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Ibrahim Fraihat’s latest book, Iran and Saudi Arabia: Taming a Chaotic Conflict (Edinburgh University Press, 2020) is much more than an exploration of the history of animosity between Saudi Arabia and Iran and its debilitating impact on an already volatile Middle East. It is a detailed roadmap for management and resolution of what increasingly looks like an intractable conflict. Based on years of field research, Fraihat builds a framework that initially could help Saudi Arabia and Iran prevent their conflict from spinning out of control, create mechanisms for communication and travel down a road of confidence building that could create building blocks for a resolution. Fraihat’s book could not have been published at a more critical moment. A devastating coronavirus pandemic has hit both Saudi Arabia and Iran hard. So has the associated global economic breakdown and the collapse of oil markets. The double whammies constitute the most existential crisis the kingdom has faced in at least half a century. They hit Iran particularly hard as it labours under harsh US sanctions. Fraihat offers a roadmap that would allow Saudi Arabia and Iran to ultimately extricate themselves from costly proxy wars in Yemen, Syria and Libya. By providing a detailed roadmap, Fraihat’s book makes a major contribution not only to a vast literature of conflict in the Middle East but also to policymakers in Saudi Arabia and as well as would-be mediators.
James M. Dorsey is a senior fellow at Nanyang Technological University S. Rajaratnam School of International Studies and the National University of Singapore’s Middle East Institute.
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In Iran and Palestine: Past, Present and Future (Routledge, 2019), Seyed Ali Alavi (SOAS University of London) surveys the history of the relationship between Iran – and especially the Islamic Republic of Iran - with Palestinian organisations and leadership. It also, quite obviously, deals with Iranian views of Israel and the Israeli-Palestinian conflict.
Analysing the connections of the Iranian revolutionary movements, both the Left and the Islamic camps’ perspectives are scrutinized. To provide a historical background to the post-revolutionary period, the genealogy of pro-Palestinian sentiments before 1979 are traced additionally.
Demonstrating the pro-Palestinian stance of post-revolutionary Iran, the study focuses on the causes of roots of the ideological outlook and the interest of the state. Despite a growing body of literature on the Iranian Revolution and its impacts on the region, Iran’s connection with Palestine have been overlooked. This new volume fills the gap in the literature and enables readers to unpack the history of the two states.
This unique and comprehensive coverage of Iran and Palestine’s relationship is a key resource for scholars and students interested in international relations, politics, Islamic and Middle East studies.
Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.
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Sari Nusseibeh's book Avicenna's Al-Shifā': Oriental Philosophy (Routledge, 2018) deals with the philosophy of Ibn Sina - Avicenna as he was known in the Latin West- a Persian Muslim who lived in the eleventh century, considered one of the most important figures in the history of philosophy.
Although much has been written about Avicenna, and especially about his major philosophical work, Al-Shifa, this book presents the rationalist Avicenna in an entirely new light, showing him to have presented a theory where our claims of knowledge about the world are in effect just that, claims, and must therefore be underwritten by our faith in God. His project enlists arguments in psychology as well as in language and logic. In a sense, the ceiling he puts on the reach of reason can be compared with later rationalists in the Western tradition, from Descartes to Kant -though, unlike Descartes, he does not deem it necessary to reconstruct his theory of knowledge via a proof of the existence of God. Indeed, Avicenna's theory presents the concept of God as being necessarily presupposed by our theory of knowledge, and God as the Necessary Being who is presupposed by an existing world where nothing of itself is what it is by an intrinsic nature, and must therefore be as it is due to an external cause. The detailed and original analysis of Avicenna's work here is presented as what he considered to be his own, or 'oriental' philosophy.
Presenting an innovative interpretation of Avicenna's thought, this book will appeal to scholars working on classical Islamic philosophy, kalām and the History of Logic.
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Global adoption of the Internet has exploded, yet we are only beginning to understand the Internet's profound political consequences. Authoritarian states are digitally catching up with their democratic counterparts, and both are showing a growing interest in the use of cyber controls--online censorship and surveillance technologies--that allow governments to exercise control over the Internet. Under what conditions does a digitally connected society actually help states target their enemies? Why do repressive governments sometimes shut down the Internet when faced with uprisings? And how have cyber controls become a dependable tool in the weapons arsenal that states use in civil conflict?
In Repression in the Digital Age: Surveillance, Censorship, and the Dynamics of State Violence (Oxford University Press, 2023), Dr. Anita R. Gohdes addresses these questions, and provides an original and in-depth look into the relationship between digital technologies and state violence. Drawing on large-scale analyses of fine-grained data on the Syrian conflict, qualitative case evidence from Iran, and the first global comparative analysis on Internet outages and state repression, Dr. Gohdes makes the case that digital infrastructure supports security forces in their use of violent state repression. More specifically, she argues that mass access to the Internet presents governments who fear for their political survival with a set of response options. When faced with a political threat, they can either temporarily restrict or block online public access or they can expand mass access to online information and monitor it to their own advantage. Surveillance allows security forces to target opponents of the state more selectively, while extreme forms of censorship or shutdowns of the Internet occur in conjunction with larger and more indiscriminate repression. As digital communication has become a bedrock of modern opposition and protest movements, Repression in the Digital Age breaks new ground in examining state repression in the information age.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Across the Green Sea: Histories from the Western Indian Ocean, 1440-1640 (University of Texas Press, 2024) by Dr. Sanjay Subrahmanyam presents a history of two centuries of interactions among the areas bordering the western Indian Ocean, including India, Iran, and Africa.
Beginning in the mid-fifteenth century, the regions bordering the western Indian Ocean—“the green sea,” as it was known to Arabic speakers—had increasing contact through commerce, including a slave trade, and underwent cultural exchange and transformation. Using a variety of texts and documents in multiple Asian and European languages, Across the Green Sea looks at the history of the ocean from a variety of shifting viewpoints: western India; the Red Sea and Mecca; the Persian Gulf; East Africa; and Kerala.
Dr. Subrahmanyam sets the scene for this region starting with the withdrawal of China's Ming Dynasty and explores how the western Indian Ocean was transformed by the growth and increasing prominence of the Ottoman Empire and the continued spread of Islam into East Africa. He examines how several cities, including Mecca and the vital Indian port of Surat, grew and changed during these centuries, when various powers interacted until famines and other disturbances upended the region in the seventeenth century. Rather than proposing an artificial model of a dominant center and its dominated peripheries, Across the Green Sea demonstrates the complexity of a truly dynamic and polycentric system through the use of connected histories, a method pioneered by Dr. Subrahmanyam himself.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Bedross Der Matossian's The Armenian Social Democrat Hnchakian Party: Politics, Ideology and Transnational History (Bloomsbury, 2023), based on new research, sheds light on the history of the Social Democrat Hnchakian Party, a major Armenian revolutionary party that operated in the Ottoman Empire, Russia, Persia and throughout the global Armenian diaspora. Divided into sections which cover the origins, ideology, and regional history of the SDHP, the book situates the history of the Hnchaks within debates around socialism, populism, and nationalism in the 19th and 20th centuries. The SDHP was not only an Armenian party but had a global Marxist outlook, and scholars in this volume bring to bear expertise in a wide range of histories and languages including Russian, Turkish, Persian and Latin American to trace the emergence and role this influential party played from their split with the Armenian Revolutionary Federation and the events of the Armenian genocide to the formation of the first Armenian Republic and then Soviet Armenia. Putting the Hnchaks in context as one of many nationalist radical groups to emerge in Eurasia in the late 19th century, the book is an important contribution to Armenian historiography as well as that of transnational revolutionary movements in general.
Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Twitter and IG: @robbyref Website: www.robertomazza.org
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For almost seven centuries, two powers dominated the region we now call the Middle East: Rome and Persia. From the west: The Roman Republic, later the Roman Empire, later the Byzantine Empire. From the East: The Parthian Empire, later replaced by the Sasanian Empire.
The two ancient superpowers spent centuries fighting for influence, paying each other off, encouraging proxy fights in their neighbors, and seizing opportunities while the other was distracted with internal strife. The relationship culminates in an almost-three-decade long war that so exhausts the two powers that they both end up getting overrun by the Arabs years later.
Adrian Goldsworthy gives a detailed account of this long history in his recent book Rome and Persia: The Seven Hundred Year Rivalry (Basic Books: 2023), starting from the (alleged) first contact in 92 BC through to the collapse of Persia in the seventh century. The two of us are going to try our best to talk about this long history in our interview today.
Adrian Goldsworthy is an award-winning historian of the classical world. He is the author of numerous books about ancient Rome, including Hadrian’s Wall (Basic Books: 2018), Caesar: Life of a Colossus (Yale University Press: 2008), How Rome Fell: Death of a Superpower (Yale University Press: 2010), Pax Romana: War, Peace and Conquest in the Roman World (Yale University Press: 2016), and Augustus: First Emperor of Rome (Yale University Press: 2014).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Rome and Persia. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Scholarly discussions on Islam in print have focused predominantly on the role of Urdu in the development of North Indian Muslim publics (Dubrow, 2018; Robb, 2020), ʿulama and Islamic jurisprudence (Tareen, 2020) and relations between Islam and colonial modernity (Robinson, 2008; Osella & Osella, 2008).This special issue of International Journal of Islam in Asia (Sept, 2023) instead offers fine-grained investigations on technology and labour; print landscapes, networks and actors; subaltern languages; and popular Islam. We critique the idea of an “epistemic rupture” brought about by colonial modernity, providing a more systematic analysis of continuities and changes in Islamic knowledge economy. Examining two centuries of print authored by South Asian Muslims, the articles in the issue provide new ways of thinking about questions of knowledge production, distribution, circulation and reception. The issue broadens the scope of earlier scholarship, examining genres such as cosmology, divination, devotional poems, salacious songs, romances and tales of war in Urdu, Persian, Arabic, dobhāṣī do Bangla, Arabic Malayalam, Sindhi, Balochi and Brahui. The articles show the different ways that pre-colonial practices and cultures of writing and reading persisted in the print landscape, in terms of copying, adaptation, translation and circulation of texts. They inquire into new technologies, labour and networks that evolved, and how it provided fertile ground for both new and traditional forms of religious activities and authorities. The articles present new Muslim publics, geographies, and imaginaries forged through the vernacularisation of Islam, and their relationship to the transnational or global community.Nur Sobers-Khan is a researcher and curator of Islamic manuscripts, art and archival collections. She served as director of the Aga Khan Documentation Center, a research centre and archive for the study of visual culture, architecture and urbanism in Muslim societies (2021-22).Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law, the occult sciences, and the environment across the Western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.Learn more about your ad choices. Visit megaphone.fm/adchoices
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In this episode of International Horizons, Colin Clarke, director of research at the Soufan Center, discusses the possible trajectories of the Israel-Palestine conflict with RBI director John Torpey. Clarke introduces the linkages of Hamas with Iran and the way in which the Iranian government backs a number of different proxy groups in the Middle East. He argues that Hamas miscalculated the attack on Israel and that Israel’s overreaction (backed by the U.S.) is very dangerous, threatening a wider war in the region. Clarke also comments on the role of the "international community" in all this, as there are no credible brokers to negotiate peace, potentially making the conflict harder to end. Moreover, Clarke contends that Israel acknowledges that it will be criticized internationally no matter what it does; thus, the focus of Israel's policy is on domestic public opinion, which may be backfiring for Netanyahu.
International Horizons is a podcast of the Ralph Bunche Institute for International Studies that brings scholarly expertise to bear on our understanding of international issues. John Torpey, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.
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A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina.
James White's book Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India (Bloomsbury, 2023) demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread.
James White is Departmental Lecturer of Asian and Middle Eastern Studies at Oxford University.
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.
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Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity.
In The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production (Cambridge UP, 2023), Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
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The Persian Gulf today is home to multiple cosmopolitan urban hubs of globalization. This did not start with the discovery of oil. The Medieval Persian Gulf (ARC Humanities Press, 2023) tells of the Gulf from the rise of Islam until the coming of the Portuguese, when port cities such as Siraf, Sohar, and Hormuz were entrepots for trading pearls, horses, spices, and other products across much of Asia and eastern Africa. Indeed, products traded there became a key part of the material culture of medieval Islamic civilization, and the Gulf region itself was a crucial membrane between the Middle East and the world of the broader Indian Ocean. The book also highlights the long-term presence of communities of South Asian and African ancestry, as well as patterns of religious change among Jews, Christians, Zoroastrians, and Muslims that belie the image of a region long polarized between Arabs and Persians and Sunnis and Shi'ites.
Brian J. Ulrich is a Professor of History at Shippensburg University. His interests include early Islamic history and the history of the Gulf. He has published on early Islamic history and worked with the archaeological excavations at Kazima in Kuwait. He is the author of Arabs in the Early Islamic Empire: Exploring al Azd Tribal Identity (Edinburgh University Press, 2019).
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.
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The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It’s core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it’s unique as one of the few books in the Bible that doesn’t mention God. At all.
But it’s also useful as a historical document, as Lloyd Llewellyn Jones writes in his most recent book, Ancient Persia and the Book of Esther: Achaemenid Court Culture in the Hebrew Bible (I. B. Tauris, 2023). While not perhaps entirely accurate, the book refers to political divisions, court customs, and gender politics that align with what we know about Ancient Persia.
In this interview, Lloyd and I talk about the Book of Esther, what it tells us about Persian history, and whether other parts of the Bible might act as good historical sources.
Lloyd Llewellyn-Jones holds the chair in ancient history at Cardiff University and is the director of the Ancient Iran Program for the British Institute of Persian Studies. He has published widely on ancient history. His other books include Persians: The Age of the Great Kings (Basic Books: 2022), Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press: 2018), and Aphrodite's Tortoise: The Veiled Woman of Ancient Greece (Classical Press of Wales: 2004).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Persia and the Book of Esther. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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The “Middle East” has long been an indispensable and ubiquitous term in discussing world affairs, yet its history remains curiously underexplored. Few question the origin of the term or the boundaries of the region, commonly understood to have emerged in the twentieth century after World War I.
In Inventing the Middle East: Britain and the Persian Gulf in the Age of Global Imperialism (McGill-Queen's UP, 2022), Guillemette Crouzet offers a new account in Inventing the Middle East. The book traces the idea of the Middle East to a century-long British imperial zenith in the Indian subcontinent and its violent overspill into the Persian Gulf and its hinterlands. Encroachment into the Gulf region began under the expansionist East India Company. It was catalyzed by Napoleon’s invasion of Egypt and heightened by gunboat attacks conducted in the name of pacifying Arab “pirates.” Throughout the 1800s the British secured this crucial geopolitical arena, transforming it into both a crossroads of land and sea and a borderland guarding British India’s western flank. Establishing this informal imperial system involved a triangle of actors in London, the subcontinent, and the Gulf region itself. By the nineteenth century’s end, amid renewed waves of inter-imperial
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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In 1747, the city of Kerman in Persia burned amidst chaos, destruction and death perpetrated by the city's own overlord, Nader Shah. After the violent overthrow of the Safavid dynasty in 1722 and subsequent foreign invasions from all sides, Persia had been in constant turmoil. One well-appointed house that belonged to the East India Company had been saved from destruction by the ingenuity of a Company servant, Danvers Graves, and his knowledge of the Company's privileges in Persia. This book explores the lived experience of the Company and its trade in Persia and how it interacted with power structures and the local environment in a time of great upheaval in Persian history. Using East India Company records and other sources, it charts the role of the Navy and commercial fleet in the Gulf, trade agreements, and the experience of Company staff, British and non-British living in and navigating conditions in 18th-century Persia. By examining the social, commercial and diplomatic history of this relationship, Peter Good's The East India Company in Persia: Trade and Cultural Exchange in the Eighteenth Century (Bloomsbury, 2022) creates a new paradigm for the study of Early Modern interactions in the Indian Ocean
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Hamid Keshmirshekan's book The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary (Edinburgh UP, 2023) deals with the exploration and theorization of Modern and Contemporary art of Iran through the examination of art movements and artistic practices in relation to other cultural, social and political discourses during the twentieth and twenty-first centuries. It focuses on discourses and their impact on art movements and practices and aims to selectively explore certain prevailing debates in action during this time. To come to grips with the way that artistic trends in Iran can be traced within the intellectual and political landscape of the country mainly from the 1940s to the present, Keshmirshekan articulates new ideas for relating art to its wider context--whether social, cultural or political--and to bring together critical and historical evidence in order to provide an insight into current artistic concerns. The book explores these underlying themes and discourses through a series of case studies, including through close scrutiny of works of artists.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
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Sexuality and gender have come to serve as measures for cultural belonging in discussions of the position of Muslim immigrants in multicultural Western societies. While the acceptance of assumed local norms such as sexual liberty and gender equality is seen as successful integration, rejecting them is regarded as a sign of failed citizenship. Focusing on premarital sex, homosexuality, and cohabitation outside marriage, Sexual Self-Fashioning: Iranian Dutch Narratives of Sexuality and Belonging (Berghahn Books, 2022) provides an ethnographic account of sexuality among the Iranian Dutch. It argues that by embracing, rejecting, and questioning modernity in stories about sexuality, the Iranian Dutch actively engage in processes of self-fashioning.
Rahil Roodsaz is an Assistant Professor of Anthropology at the University of Amsterdam.
Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.
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Amir Artaban Sedaghat’s Translating Rumi into the West: A Linguistic Conundrum and Beyond (Routledge, 2023) engages Rumi, the 13th-century Muslim Persian mystic and a best-selling poet, and the paradoxes of English translations associated with him. Sedaghat explores generative questions from translation to audience reception using translation studies and theories of semiotics.
The book addresses linguistic and pragmatic questions of translations, such as how text, gender, language, and lexicon can or cannot be translated into languages like English and what's lost in the process. To highlight the latter example, Sedaghat masterfully maps various translators' works over the years, such as Orientalist scholars (Arberry and Nicholson) to contemporary Rumi enthusiasts (Coleman Barks), to show how these various translations have resulted in negotiations informed by translators own particularities (i.e., beliefs, linguistic abilities, and social locations etc). The book further considers how Rumi’s poetry is also defined by kinetic and musical dimensions, which cannot be translated. What then are the ethical challenges to these paradoxes of untranslatability and reception politics of Rumi into the global west? This book will be of interest to any Rumi enthusiast, scholars of translation, linguistics, and semiotics, and mysticism, Sufism, Persian/Iranian Studies and much more.
Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at [email protected]. You can follow her on Twitter via @shobhanaxavier.
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In this conversation, we discuss Haleh Liza Gafori's masterful new translations of poetry by Rumi, the 13th-century Persian mystic and poet. Rumi's work is well-known in the West, but has often been encountered through the work of translators without direct knowledge of Persian language or culture. Haleh Liza Gafori's intimate knowledge of both, as well as her singer's knack for the sound of language, lends these translations both authoritativeness and beauty. The poems in Gold (New York Review of Books, 2022) are about ecstatic love, both of God and of our fellow human beings. Newcomers to Rumi will discover a new favorite poet, while longtime fans will encounter this major voice of world literature anew.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
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The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.
In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.
Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
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