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Rewriting Buddhism: Pali Literature and Monastic Reform in Sri Lanka, 1157–1270 (UCL Press, 2020) is the first intellectual history of premodern Sri Lanka’s most culturally productive period. This era of reform (1157–1270) shaped the nature of Theravada Buddhism both in Sri Lanka and also Southeast Asia and even today continues to define monastic intellectual life in the region.
Alastair Gornall argues that the long century’s literary productivity was not born of political stability, as is often thought, but rather of the social, economic and political chaos brought about by invasions and civil wars. Faced with unprecedented uncertainty, the monastic community sought greater political autonomy, styled itself as royal court, and undertook a series of reforms, most notably, a purification and unification in 1165 during the reign of Parakramabahu I. He describes how central to the process of reform was the production of new forms of Pali literature, which helped create a new conceptual and social coherence within the reformed community; one that served to preserve and protect their religious tradition while also expanding its reach among the more fragmented and localized elites of the period.
Rewriting Buddhism is available for free open-access download at uclpress.com/buddhism.
Bruno M. Shirley is a PhD candidate at Cornell University, working on Buddhism, kingship and gender in medieval Sri Lankan texts and landscapes. He is on Twitter at @brunomshirley.
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Examining the interplay of religion, history, and literature through a case study of King Krsnadevaraya's celebrated Telugu poem Āmuktamālyada, Ilanit Loewy Shacham showcases the groundbreaking worldview that this often-overlooked poem embodies. Krsnadevaraya (r.1509-1529) ruled over the Vijayanagara Empire during its heyday, and his monumental poem situates all power and authority not in the imperial center, but in the villages and temples at the empire's outskirts; not in the royal court, but in a religious community - a worldview radically different from how literary and political histories portray the king and his empire.
Empire Inside Out explores the Āmuktamālyada as a reflection of one of South Asia's most culturally complex periods, highlighting its rich religious, political, historical and ethnographic detail. Moreover, Loewy Shacham examines the Āmuktamālyada as the work of a king imparting personal insights on empire, kingship, and individuality - specifically, that it is possible to be unbounded by the institution of kingship that he himself embodies. This book demonstrates that Krsnadevaraya's text connects the imperial domain to the village and temple settings, and to the south Indian community of Srivaisnava devotees-and indeed that it situates the source of authority and power not in the royal court but in the margins, where Srivaisnavism originated, giving the far Tamil south a central role in its imperial vision.
Employing close textual analysis of the Āmuktamālyada, supplemented by a rich corpus of texts in different languages and genres, Empire Inside Out illuminates a piece of literature that has been fairly neglected, owing to the particularized linguistic and literary training required. The core of the book is based in the historical context of sixteenth-century Vijayanagara, from which it moves to the various pasts that helped shape the Āmuktamālyada, and to our contemporary times and the use of the text in constructing (at times rewriting) history.
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Why yet another book on the Manusmriti? In From Fire To Light: Rereading the Manusmriti (Harper Collins, 2024), acclaimed academic Arvind Sharma argues that the present understanding of the Manusmriti - regarded as a text designed by the higher castes, especially brahmanas, to oppress the lower castes and women - only tells one side of the story. As he demonstrates, this perception, when examined against textual, commentarial and historical evidence, is limited to the point of being misleading (and sometimes downright wrong). Providing an alternative reading of the Manusmriti, From Fire to Light accepts some of the conclusions associated with the existing interpretation but presents them in a new light, mitigating and at times contradicting some of its other features. In taking the plural character of the Hindu tradition and the Manusmriti's historical context more deeply into account, it brings about a paradigm shift in our understanding of this ancient
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Applying the "influencer" concept to the study of religion, Gurus, Priestesses, Saints, Mediums and Yoginis: Holy Women as Influencers in Hindu Culture (MDPI, 2024) explores the varieties of strategies that holy women use for gaining and expressing power in diverse roles. It examines different concepts of holiness and leadership for men and women, the role of charisma, and the arenas of activity and accomplishment for holy women in India and abroad. By relating a new idea-that of the 'influencer'-to the study of women and religious authority, the Issue contributes fresh and refined analyses and explanatory models toward a greater understanding of women's evolving relationship to the Hindu tradition.
This book is available open-access here.
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Scholars of religion have mostly abandoned the concept of "syncretism" in which certain apparent deviations from "standard" practice are believed to be the result of a mixture of religions. This is particularly relevant to Thailand, in which ordinary religious practice was seen by an earlier generation of scholars as a mixture of three religions: local spirit religion, Hinduism, and Buddhism. In part, the perception that Thai Buddhism is syncretistic is due to a misunderstanding of traditional Buddhism, which has always accepted the existence of local spirits and gods. Nevertheless, there are aspects of Thai Buddhist practice that still stubbornly appear syncretistic. Moreover, Thai Buddhists themselves are increasingly adopting the language of syncretism, referring to traditional Thai religion as a mixture of local, Hindu, and Buddhist practices. This raises the question: If syncretism is so wrong, then why does it seem so right?
In Holy Things: The Genealogy of the Sacred in Thai Religion (Oxford UP, 2024), Nathan McGovern answers this question through an in-depth study of the worship of spirits, gods, and Buddha images--all known as sing saksit, or "holy things"--in Thailand. He takes the reader on a historical and genealogical journey, showing how the category saksit began as a term to describe a power that is inherent to gods and spirits and accessible to Brahmans. Only later, when it was used in the nineteenth century to translate the Western concept of the "holy" did it become associated with Buddhist practice. McGovern shows that what appears to be syncretism is actually an illusion. The worship of "holy things" is not a mixture of different religions, but the category of "holy things" is a mixture of different ways of talking about religion.
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Visual Anthropology of Indian Films: Religious Communities and Cultural Traditions in Bollywood and Beyond (Routledge, 2024) provides a unique insider’s look at the world’s largest film industry, now globally known as ‘Bollywood’ and challenges existing notions about Indian films.
Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V. Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate issues, international locations and diaspora tourism, religious harmony and conflict, the India-Pakistan relationship, asceticism, and renunciation in Hinduism, Jainism, and Buddhism. Unlike many recent studies of Indian films, these chapters do not distinguish between popular and serious cinema. Many chapters focus on Hindi films, but others bring insights from films made in other parts of India and its neighbouring countries.
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An illuminating history of religious and political controversy in nineteenth-century Bengal, where Protestant missionary activity spurred a Christian conversion “panic” that indelibly shaped the trajectory of Hindu and Muslim politics.
In 1813, the British Crown adopted a policy officially permitting Protestant missionaries to evangelize among the empire’s Indian subjects. The ramifications proved enormous and long-lasting. While the number of conversions was small—Christian converts never represented more than 1.5 percent of India’s population during the nineteenth century—Bengal’s majority faith communities responded in ways that sharply politicized religious identity, leading to the permanent ejection of religious minorities from Indian ideals of nationhood.
Mou Banerjee details what happened as Hindus and Muslims grew increasingly suspicious of converts, missionaries, and evangelically minded British authorities. Fearing that converts would subvert resistance to British imperialism, Hindu and Muslim critics used their influence to define the new Christians as a threatening “other” outside the bounds of authentic Indian selfhood. The meaning of conversion was passionately debated in the burgeoning sphere of print media, and individual converts were accused of betrayal and ostracized by their neighbors. Yet, Banerjee argues, the effects of the panic extended far beyond the lives of those who suffered directly. As Christian converts were erased from the Indian political community, that community itself was reconfigured as one consecrated in faith. While India’s emerging nationalist narratives would have been impossible in the absence of secular Enlightenment thought, the evolution of cohesive communal identity was also deeply entwined with suspicion toward religious minorities.
Recovering the perspectives of Indian Christian converts as well as their detractors, The Disinherited: The Politics of Christian Conversion in Colonial India (Harvard UP, 2025) is an eloquent account of religious marginalization that helps to explain the shape of Indian nationalist politics in today’s era of Hindu majoritarianism.
Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh.
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Hindu Nationalism in South India: The Rise of Saffron in Kerala (Routledge, 2024) engages with a range of factors that shapes the trajectory of Hindu nationalism in Kerala, the southern state of India. Until recently, Kerala was considered a socio-political exception which had no room for Hindu nationalism. This book questions such Panglossian prognosis and shows the need to map the ideological and political growth of Hindu nationalism which has been downplayed in the academic discourse as temporary aberrations. The introduction to the book places Kerala in the context of South India. Arguing that Hindutva is a real force which needs to be contended within theoretical and empirical terms, the chapters in this book examine Hindu nationalism in Kerala in relation to themes such as history, caste, culture, post-truth, ideology, gender, politics, and the Indian national space. Considering the rise of Hindu nationalism in the recent years, this pioneering book will be of interest to a students and academics studying Politics, in particular Nationalism, Asian Politics and Religion and Politics and South Asian Studies.
Professor Mannathukkaren’s main research interests are focused on left/communist movements, development and democracy, modernity, the politics of popular culture (esp., the politics of mass cultural forms like the media, cinema and sport), and Marxist and postcolonial theories. The thrust of his research has been to develop a theoretical and empirical critique of postcolonial theory and postmodern thought. At the same time, he has argued for a dialogue with postmodern-inspired frameworks of knowledge and to creatively integrate them to overcome the serious deficiencies of many modernist understandings of human social reality (which have translated into arrogant and teleological assumptions).
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A hitherto unknown work of Sanskrit poetics edited and published for the first time based on manuscripts at the National Library (Paris), the India Office Library (London) and Bodleiden Library (Oxford).
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Given the continued challenges that face the higher education job market in the Humanities in North America, this multi authored volume offers (i) a critical assessment of the current situation of Humanities doctoral students, early career scholars, and those now working in doctoral degree-granting institutions in the U.S. along with (ii) concrete proposals for a way forward. In turn, these proposals (iii) are the starting point for constructive reflections by faculty now working in leading American doctoral programs. The aim for the volume is therefore to initiate and then move forward a conversation among future, current, and recent graduate students as well as those who train them concerning the content, process, and purpose of acquiring advanced research skills in the early twenty-first century university.
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This book introduces, edits and translates the Dattātreyayogaśātra, a Sanskrit text on yoga composed in about 1200 CE in South India. It teaches four types of yoga practice but devotes the majority of its 193 verses to haṭhayoga, which it divides into two varieties, one which consists of the eight auxiliaries first taught by Patañjali and one which has nine physical methods. It is thus the first text to combine the aṣṭāṅga system of Patañjali with physical techniques, and its teachings were highly influential on later authors and commentators of yoga texts. The book is addressed primarily to scholars but will also be of interest to students and practitioners of yoga.
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Whether it’s in commerce or conflict, today’s world pays rapt attention to the Persian Gulf. But the centrality of the Gulf to world history stretches far beyond the oil age–its ancient ports created the first proper trading system and the launching point for the spread of global Islam.
Allen James Fromherz’s new book The Center of the World: A Global History of the Persian Gulf from the Stone Age to the Present (University of California Press, 2024) puts the Gulf at the center of a centuries-long story of world history, showing how societies across the region worked around–or even shrugged off–empires to create a system of international commerce that persists today.
Allen James Fromherz is Professor of History and Director of the Middle East Studies Center at Georgia State University. He is author of Qatar: A Modern History (Georgetown University Press: 2012) and Ibn Khaldun: Life and Times (Edinburgh University Press: 2010) and editor of The Gulf in World History: Arabia at the Global Crossroads (Edinburgh University Press: 2018)
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Center of the World. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.”
For more information, go here.
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Indian Philosophy and Yoga in Germany by Owen Ware (Routledge, 2024) takes the reader on a tour through the reception of Yoga philosophies in nineteenth-century German and the early twentieth century. European luminaries like Schlegel, Hegel, von Günderrode, Schelling, Humbolt, and Müller all engaged with works like the Bhagavad Gītā and Yogā Sūtras, though in very different ways, some reading yogic thought as entailing a threatening nihilism, others lauding it as superlatively philosophical. Ware shows how their responses to Indian thought illuminates our understanding of post-Kantian philosophy and its anxieties over pantheism indebted to Spinoza. He concludes with two chapters on a range of Indian scholars from Swami Vivekananda to K. C. Bhattacharyya, exploring how their work engages with this history of European readings, grappling with themes of freedom, morality, and devotion in yoga.
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In If All the World Were Paper: A History of Writing in Hindi (Columbia UP, 2024), Tyler W. Williams puts questions of materiality, circulation, and performance at the center of his investigation into how literature comes to be defined and produced within a language, specifically, premodern Hindi. Williams proposes new methods for working with written text artifacts and a new approach to theorizing and writing Hindi literary history. He responds to recent developments in quantitative and qualitative approaches to book history - including tools developed within the digital humanities - by applying new as well as traditional techniques of paleography, codicology, and bibliography to handwritten copies of romances, epics, songbooks, treatises, and scriptures.
To make the book more accessible and enjoyable for cross-disciplinary readers, Williams bookends (so to speak) each chapter with the story of a specific artifact - an ascetic's notebook, a Mughal general's storybook, a pandit's textbook, or a guru's copy of a sacred scripture - in order to pose and then apply the questions about writing, textuality, and performance that the chapter addresses. By combining distant and close reading that is mindful of the materiality of these manuscripts, Tyler reveals literary, intellectual, and religious practices that we would otherwise be unable to see.
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The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater (Open Book, 2024) presents a sophisticated and intricate examination of the parallels between Sanskrit and Greco-Roman literature. By means of a philological and literary analysis, Morales-Harley hypothesizes that Greco-Roman literature was known, understood, and recreated in India. Moreover, it is argued that the techniques for adapting epic into theater could have been Greco-Roman influences in India, and that some of the elements adapted within the literary motifs (specifically the motifs of the embassy, the ambush, and the ogre) could have been Greco-Roman borrowings by Sanskrit authors.
This book draws on a wide variety of sources, including Iliad, Phoenix, Rhesus and Cyclops (Greco-Roman) as well as Mahābhārata, The Embassy, The Five Nights and The Middle One (Sanskrit). The result is a well-supported argument which presents us with the possibility of cultural exchange between the Greco-Roman world and India – a possibility which, though hypothetical, is worth acknowledging.
This book is available open access here.
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The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance.
In Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India (Yale UP, 2022), Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.
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Extensively based on fieldwork material, From Tapas to Modern Yoga: Sādhus' Understanding of Embodied Practices (Equinox, 2024) primarily analyses embodied practices of ascetics belonging to four religious orders historically associated with the practice of yoga and hatha yoga. This focus on ascetics stems from the fact that yogic techniques probably developed in ascetic contexts, yet scholars have rarely focused their attention on non-international ascetic practitioners of yoga. Creating a confrontation between textual sources and ethnographic data, the book demonstrates how 'embodied practices' (austerities, yoga and hatha yoga) over the centuries accumulated layers of meanings and practices that coexist in the literature as well as in the words of contemporary sadhus. Drawing from conversations with these interlocutors, the book demonstrates the importance of ethnographic fieldwork in shedding light on past historical developments, transmissions, contemporary reinterpretation and innovation. The strength of the work lies in its methodological approach and in the richness of its materials: by analysing present situations through comparisons and the support of past evidence, the book not only fills an academic gap but also stimulates further research on this highly complex topic.
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When taught properly, yoga can be a healing and life-affirming practice for students experiencing mental illness. Lauren Tober's book Mental Health Aware Yoga: A Guide for Yoga Teachers (Singing Dragon, 2024) will cover the foundations of yoga psychology, therapeutic skills, the mental health crisis, and more. After reading, yoga teachers and trainees will feel confident creating a safe space for their practice.
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In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press), American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher.
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