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  • In The Highlands and Islands of Scotland: A New History (Birlinn, 2024) by Alistair Moffat, the chronicle begins millions of years ago, with the dramatic geological events that formed the awe-inspiring yet beloved landscapes, followed by the arrival of hunter gatherers and the monumental achievements of prehistoric peoples in places like Skara Brae in Orkney. The story continues with the mysterious Picts; the arrival of the Romans as they expanded the boundaries of their huge empire; the coming of Christianity and the Gaelic language from Ireland; the Viking invasion and the establishment of the great Lordship of the Isles that lasted for three hundred years.
    The Highlands are perhaps best known as the key battleground in Bonnie Prince Charlie’s doomed attempt to restore the Stuart monarchy and its dreadful aftermath, which saw the suppression of the clans and the whole of Highland culture. This situation was exacerbated by the terrible Clearances of the nineteenth century which saw tens of thousands evicted from their native lands and forced to emigrate. But, after centuries of decline, the Highlands are being renewed, the land is coming alive once more, and the story ends on an upbeat note as the Highlands look forward to a future full of possibilities.
    While this is an epic history of a fascinating subject, Moffat also features the stories of individuals, the telling moments and the crucial details which enrich the human story and add context and colour to the saga of Scotland.

    This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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  • Ramón Espejo's book The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues (Legenda, 2024) delves into the fascinating journey of American drama in Catalonia, exploring how the theatrical output of a world superpower has impacted (and transformed) the stages of an allegedly minor actor in the cultural scene of the 20th century. Yet, while Catalonia is the birthplace of such geniuses as Joan Miró, Salvador Dalí or Antoni Gaudí, it is also that of playwrights Joan Brossa, Manuel de Pedrolo, Fermín Cabal or Jordi Galcerán, among others. All of them grew up in, and imbibed, a theatrescape in which American borrowings were not only habitual (often the only foreign plays around) but inspiring and groundbreaking. If Alias Jimmy Valentine re-defined theatrical decorum in Catalonia in the early 1900s, The Vagina Monologues, in the 1990s, challenged prevalent sexual taboos. Throughout the 20th century, Catalonia went from a peripheral, marginalized region of a once vast empire to a booming and largely autonomous centre of culture, recognized all over the world and admired for its uniqueness and original artistic contributions. American plays accompanied, and often directly inspired, such a journey.
    Ramón Espejo is Full Professor of American Literature at the University of Seville, Spain, and is one of the leading American drama and theatre scholars in Europe.
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  • History has tended to measure war's winners and losers in terms of its major engagements, battles in which the result was so clear-cut that they could be considered "decisive." Marathon, Cannae, Tours, Agincourt, Austerlitz, Sedan, Stalingrad--all resonate in the literature of war and in our imaginations as tide-turning. But were they? As Cathal J. Nolan demonstrates in The Allure of Battle: A History of How Wars Have Been Won and Lost (Oxford University Press, 2019), victory in major wars usually has been determined in other ways. Even the most legendarily lopsided of battles did not necessarily decide their outcomes. Nolan also challenges the hoary concept of the military "genius," even of the Great Captains--from Alexander to Frederick and Napoleon--mapping instead the decent into total war.
    The Allure of Battle systematically recreates and analyzes the major campaigns among the Great Powers, from the Middle Ages through the 20th century, from the fall of Byzantium to the defeat of the Axis powers, tracing the illusion of "short-war thinking," the hope that victory might be swift and conflict brief. Such as almost never been the case. Even one-sided battles have mainly contributed to victory or defeat by accelerating erosion of the other side's defenses, resources, and will.
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  • Students in twelfth-century Paris held slanging matches, branding the English drunkards, the Germans madmen and the French as arrogant. On Crusade, army recruits from different ethnic backgrounds taunted each other’s military skills. Men producing ethnography in monasteries and at court drafted derogatory descriptions of peoples dwelling in territories under colonization, questioning their work ethic, social organization, religious devotion and humanness. Monks listed and ruminated on the alleged traits of Jews, Saracens, Greeks, Saxons and Britons and their acceptance or rejection of Christianity.
    Ethnicity in Medieval Europe 950-1250, Medicine, Power and Religion (Boydell and Brewer, 2021), provides a radical new approach to representations of nationhood in medieval western Europe, the author argues that ethnic stereotypes were constructed and wielded rhetorically to justify property claims, flaunt military strength, and assert moral and cultural ascendance over others. The gendered images of ethnicity in circulation reflect a negotiation over self-representations of discipline, rationality and strength, juxtaposed with the alleged chaos and weakness of racialized others. Interpreting nationhood through a religious lens, monks and schoolmen explained it as scientifically informed by environmental medicine, and ancient theory that held that location and climate influenced the physical and mental traits of peoples. Drawing on lists of ethnic character traits, school textbooks, medical treatises, proverbs, poetry and chronicles, this book shows that ethnic stereotypes served as rhetorical tools of power, crafting relationships within communities and towards others.
    Claire Weeda is a cultural historian at the Institute for History at Leiden University, Netherlands. Her main fields of interest include ethnic stereotyping, the history of the body, Greco-Arabic medicine, and organic politics in Europe, 1100-1500.
    Evan Zarkadas is a graduate student of European history at the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.
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  • Matthew Kadane, Professor of History at Hobart and William Smith Colleges, talks about his just new book, The Enlightenment and Original Sin (University of Chicago Press, 2024). An eloquent microhistory that argues for the centrality of the doctrine of original sin to the Enlightenment. What was the Enlightenment? This question has been endlessly debated. In The Enlightenment and Original Sin, historian Matthew Kadane advances the bold claim that the Enlightenment is best defined through what it set out to accomplish, which was nothing short of rethinking the meaning of human nature. Kadane argues that this project centered around the doctrine of original sin and, ultimately, its rejection, signaling the radical notion that an inherently flawed nature can be overcome by human means. Kadane explores these ambitious, wide-ranging themes through the story of the largely unknown Pentecost Barker, an eighteenth-century "purser" and wine merchant. Examining Barker's diary and correspondence with a Unitarian minister, Kadane tracks the transformation of Barker's consciousness from a Puritan to an Enlightenment outlook, revealing in one man's transformation large-scale shifts in self-understanding whose philosophical reverberations would (and have continued to) shape debates on human nature for centuries.
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  • Polo B. Moji's book Gender and the Spatiality of Blackness in Contemporary AfroFrench Narratives (Routledge, 2022) approaches the study of AfroEurope through narrative forms produced in contemporary France, a location which richly illustrates race in European spaces.
    Moji adopts a transdisciplinary lens that combines critical black and urban geographies, intersectional feminism, and textual analysis to explore the spatial negotiations of black women in France. It assesses literature, film, and music as narrative forms and engages with the sociocultural and political contexts from which they emerge. Through the figure of the black flâneuse and the analytical framework of "walking as method", the book goes beneath spectacular representations of ghettoised banlieues, televised protests, and shipwrecked migrants to analyse the spatiality of blackness in the everyday. It argues that the material-discursive framing of black flânerie, as both relational and embodied movements, renders visible a politics of place embedded in everyday micro-struggles of raced-sexed subjects.
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  • The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt’s trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley’s novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley’s The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt’s writing of The First Last Man reflects Shelley’s own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley’s iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley’s Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt’s thesis about postapocalyptic literature, especially Shelley’s work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control.
    Hunt explains that Shelley’s pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley’s work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences.
    The First Last Man is a beautiful book, weaving together Mary Shelley’s work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley’s many skills as a writer in so many different genres and capacities.
    Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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  • Melancholy Wedgwood (MIT Press, 2024) is an experimental biography of the ceramics entrepreneur Josiah Wedgwood that reveals the tenuous relationship of eighteenth-century England to late-capitalist modernity. It traces the multiple strands in the life of the ceramic entrepreneur Josiah Wedgwood (1730–1795) to propose an alternative view of eighteenth-century England's tenuous relationship to our own lives and times, amid the ruins of late-capitalist modernity. Through intimate vignettes and essays, and in writing at turns funny, sharp, and pensive, Iris Moon chips away at the mythic image of Wedgwood as singular genius, business titan, and benevolent abolitionist, revealing an amorphous, fragile, and perhaps even shattered life. In the process the book goes so far as to dismantle certain entrenched social and economic assumptions, not least that the foundational myths of capitalism might not be quite so rosy after all, and instead induce a feeling that could only be characterized as blue.
    Iris Moon is Associate Curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. She is the author of Luxury after the Terror and coeditor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France. She teaches at the Cooper Union for the Advancement of Science and Art.
    Rachel Pafe is a writer and researcher interested in modern Jewish thought, critical theories of mourning, and the boundaries of biographical writing.
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  • The crusade movement needed women: their money, their prayer support, their active participation, and their inspiration.
    Helen J. Nicholson's book Women and the Crusades (Oxford UP, 2023) surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations. Although its main focus is the women of Latin Christendom, it also looks at the impact of the crusades and crusaders on the Jews of western Europe and the Muslims of the Middle East, and compares relations between Latin Christians and Muslims with relations between Muslims and other Christian groups.
    Helen J. Nicholson is Professor of Medieval History at Cardiff University, UK. She has published extensively on the crusades, the military orders, and various related subjects, including a translation of a chronicle of the Third Crusade and an edition of the Templar trial proceedings in Britain and Ireland. She has just completed a history of Queen Sybil of Jerusalem (1186-1190).

    Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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  • Adam Zientek, Assistant Professor of History at UC Davis joins Jana Byars to talk about his new book, A Thirst for Wine and War: The Intoxication of French Soldiers on the Western Front (McGill-Queen's University Press, 2024). Beginning in the fall of 1914, every French soldier on the Western Front received a daily ration of wine from the army. At first it was a modest quarter litre, but by 1917 it had increased to the equivalent of a full bottle each day. The wine ration was intended to sustain morale in the trenches, making the men more willing to endure suffering and boredom. The army also supplied soldiers with doses of distilled alcohol just before attacks to increase their ferocity and fearlessness. This strategic distribution of alcohol was a defining feature of French soldiers’ experiences of the war and amounted to an experimental policy of intoxicating soldiers for military ends.
    A Thirst for Wine and War explores the French army’s emotional and behavioral conditioning of soldiers through the distribution of a mind-altering drug that was later hailed as one of the army’s “fathers of victory.” The daily wine ration arose from an unexpected set of factors including the demoralization of trench warfare, the wine industry’s fear of losing its main consumers, and medical consensus about the benefits of wine drinking. The army’s related practice of distributing distilled alcohol to embolden soldiers was a double-edged sword, as the men might become unruly. The army implemented regulations and surveillance networks to curb men’s drinking behind the lines, in an attempt to ensure they only drank when it was useful to the war effort. When morale collapsed in spring 1917, the army lost control of this precarious system as drunken soldiers mutinied in the thousands. Discipline was restored only when the army regained command of soldiers’ alcohol consumption.
    Drawing on a range of archives, personal narratives, and trench journals, A Thirst for Wine and War shows how the French army’s intoxication of its soldiers constituted a unique exercise of biopower deployed on a mass scale.
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  • Pet Revolution: Animals and the Making of Modern British Life (Reaktion, 2023) by Dr. Jane Hamlett & Dr. Julie-Marie Strange tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives.
    For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions – industrial, agricultural, political – to highlight how animals contributed to modern British life.

    This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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  • Nick Underwood's Yiddish Paris: Staging Nation and Community in Interwar Paris (Indiana University Press, 2022) is a captivating study of the culture and politics of the vibrant community of Yiddish-speaking immigrants to Paris in the 1920s and 1930s. Making their way to the French capital from various sites in Eastern Europe, members of this Jewish community developed their own cultural institutions, including theatre companies, musical groups, and choruses. Left-leaning in their politics, these newly French Jews typically understood their cultural and community work as expressions of a Socialist or Communist politics. This political orientation also drew non-Yiddish-speaking and non-Jewish audiences to the work of these organizations and artists, establishing forms of solidarity across cultural and religious groups and classes, in Yiddish and in French. 
    Throughout the book, Underwood examines closely the history of key cultural organizations that brought Yiddish speakers in Paris together and worked to disseminate Yiddish language and culture throughout a wider community in France. Understanding their efforts as profoundly modern, even avant-garde, these cultural and political actors forged and expressed a Jewish diaspora nationalism they regarded as compatible with French republicanism. France was a space of multicultural possibility that seemed the perfect place to build the future. 
    Taking the reader through the work of various figures and groups, Underwood follows the solidarity, performances, and pluralism of the Yiddish community in interwar Paris up to the eve of the Second World War. Attentive to the devastating experiences that awaited so many French and European Jews after 1939, the book remains focused on the present of the interwar period throughout, emphasizing the community's hopes for an inclusive French society respectful of forms of religious, racial, cultural, and linguistic difference.
    Drawing on a wealth of archival materials the author pursued in sites in multiple countries, the book includes some very real and moving stories. Apart from the historical actors Underwood sought out directly and through family members, the lives and experiences of so many actors, singers, musicians, and engaged community members spring off many of the book's pages. It's a compelling book that will be of great interest to scholars across subfields and disciplines, and I hope you enjoy our conversation. 
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  • This volume proposes a method for reading Milton's De Doctrina Christiana as an artifact of his process of theological thinking rather than as a repository of his doctrinal views. Jason A. Kerr argues that reading in this way involves attention to the complex material state of the manuscript along with Milton's varying modes of engagement with scripture and various theological interlocutors, and reveals that Milton's approach to theology underwent significant change in the course of his work on the treatise. Initially, Milton set out to use Ramist logic to organize scripture in a way that drew out its intrinsic doctrinal structure. This method had two unintended consequences: it drove Milton to an antitrinitarian understanding of the Son of God, and it obliged him to reflect on his own authority as an interpreter and to develop an ecclesiology capable of sifting divine truth from human error.
    Consequently, Milton's Theological Process: Reading de Doctrina Christiana and Paradise Lost (Oxford UP, 2023) explores the complex interplay between Milton's preconceived theological ideas and his willingness to change his mind as it develops through the layers of revision in the manuscript. Kerr concludes by considering Paradise Lost as a vehicle for Milton's further reflection on the foundations of theology--and by showing how even the epic presents challenges to the fruits of these reflections. Reading Milton theologically means more than working to ascertain his doctrinal views; it means attending critically to his messy process of evaluating and rethinking the doctrinal views to which his prior study had led him.
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  • In the second volume of The Weight of Words Series, In Fielding's Wake (St. Augustine's Press, 2022), Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike.
    Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it.
    Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer.
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  • 'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change?
    The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law.
    We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’.
    Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today.

    This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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  • Apart from an opening survey of modern study of ancient Jewish history, which emphasizes the foundational role of German-Jewish scholars, the studies united in Ancient Jewish Historians and the German Reich: Seven Studies (de Gruyter, 2024) apply philological methods to the writings of four of them: Heinrich Graetz, Isaak Heinemann, Elias Bickerman(n), and Abraham Schalit. In each case, it is argued that some seemingly trivial anomaly or infelicity, in a publication about such ancient characters as Antiochus Epiphanes, Herod, and Josephus, points to the way in which the historian constructed, and revised, his understanding of the Jews’ situation under Greeks or Romans in light of his perception of the Jews’ situation under the Second or Third Reich. The collection also includes a study that focuses on a Jewish medievalist, Philipp Jaffé, and unravels the indirect but inexorable process that led from a scholarly feud about the editing of medieval Latin texts, in the 1860s, to the “Berlin Antisemitism Dispute” (Berliner Antisemitismusstreit) of 1879–1881, which is commonly viewed as the opening act of modern German antisemitism.
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  • People experience and comprehend time in different fashions in response to events occurring around them. The experience of time and the speed at which change is perceived to occur may alter during eras of crisis. Time can feel compressed for some and broad or flat for others. These comprehensions of time in turn give form to political views and provide impetus for actions in the political sphere. Political reforms may seem to fast and without foundation for some and not nearly fast enough for those desperately seeking change. Using French thinkers and activists of the radical left and right between the Dreyfus Affair and the First World War as a case study, Dr. Alexandra Paulin-Booth argues that time provides an important means of exploring how concepts such as nationalism, revolution, and social change were understood at the turn of the century. 
    In her latest work, Time and Radical Politics in France: from the Dreyfus Affair to the First World War (Manchester University Press, 2023) Dr. Paulin-Booth argues French political and intellectual figures differed in opinion as to whether a glorious future was within their grasp or perhaps the past promised salvation for the embattled French Third Republic.
    Professor Alexandra Paulin-Booth is a Postdoctoral Researcher & Academic Coordinator with Humboldt-Universität in Berlin. Dr. Paulin-Booth completed her Masters degrees at Durham University before studying for Ph.D. in History at the University of Oxford. She has also taught at Balliol College, Oxford and Durham University.
    Rick Northrop is an undergraduate student of History in Calgary, Alberta.
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  • When suffragette Emily Wilding Davison hid overnight in the Houses of Parliament in 1911 to have her name recorded in the census there, she may not have known that there were sixty-seven other women also resident in Parliament that night: housekeepers, kitchen maids, domestic servants, and wives and daughters living in households. Necessary Women: the Untold Story of Parliament's Working Women (The History Press, 2023) is their story.
    Women have touched just about every aspect of life in Parliament. From ‘Jane’, dispenser of beer, pies and chops in Bellamy’s legendary refreshment rooms; to Eliza Arscot, who went from reigning as Principal Housemaid at the House of Lords to Hanwell Asylum; to May Ashworth, Official Typist to Parliament for thirty years through marriage, war and divorce; and Jean Winder, the first female Hansard reporter, who fought for years to be paid the same as her male counterparts; the lives of these women have been largely unacknowledged – until now.
    Drawing on new research from the Parliamentary Archives, government records and family history sources, historians and parliamentary insiders Dr. Mari Takayanagi and Dr. Elizabeth Hallam Smith bring these unsung heroes to life. They chart the changing context for working women within and beyond the Palace of Westminster, uncovering women left out of the history books – including Mary Jane Anderson, a previously unknown suffragette.
    This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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  • What is the relationship between seapower, law, and strategy? In Balancing Strategy: Seapower, Neutrality, and Prize-Law in the Seven Years' War (Cambridge University Press, 2024) Dr. Anna Brinkman uses in-depth analysis of cases brought before the Court of Prize Appeal during the Seven Years' War to explore how Britain worked to shape maritime international law to its strategic advantage. Within the court, government officials and naval and legal minds came together to shape legal decisions from the perspectives of both legal philosophy and maritime strategic aims. As a result, neutrality and the negotiation of rights became critical to maritime warfare. Balancing Strategy unpicks a complex web of competing priorities: deals struck with the Dutch Republic and Spain; imperial rivalry; mercantilism; colonial trade; and the relationships between metropoles and colonies, trade, and the navy. Ultimately, influencing and shaping international law of the sea allows a nation to create the norms and rules that constrain or enable the use of seapower during war.
    This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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  • From the seventeenth to the nineteenth century, the industrial revolution transformed Britain from an agricultural and artisanal economy to one dominated by industry, ushering in unprecedented growth in technology and trade and putting the country at the center of the global economy. But the commonly accepted story of the industrial revolution, anchored in images of cotton factories and steam engines invented by unfettered geniuses, overlooks the true root of economic and industrial expansion: the lucrative military contracting that enabled the country's near-constant state of war in the eighteenth century. Demand for the guns and other war materiel that allowed British armies, navies, mercenaries, traders, settlers, and adventurers to conquer an immense share of the globe in turn drove the rise of innumerable associated industries, from metalworking to banking.
    Bookended by the Glorious Revolution of 1688 and the end of the Napoleonic Wars in 1815, Empire of Guns: The Violent Making of the Industrial Revolution (Bloomsbury, 2019) traces the social and material life of British guns over a century of near-constant war and violence at home and abroad. Priya Satia develops this story through the life of prominent British gun-maker and Quaker Samuel Galton Jr., who was asked to answer for the moral defensibility of producing guns as new uses like anonymous mass violence rose. Reconciling the pacifist tenet of his faith with his perception of the economic realities of the time, Galton argued that war was driving the industrial economy, making everyone inescapably complicit in it. Through his story, Satia illuminates Britain's emergence as a global superpower, the roots of the government's role in economic development, and the origins of our own era's debates over gun control and military contracting.
    Priya Satia is the Raymond A. Spruance Professor of International History and Professor of British History at Stanford University. She is the author of Spies in Arabia: The Great War and the Cultural Foundations of Britain's Covert Empire in the Middle East (2009), and her writing has appeared in Slate, the Financial Times, the Nation, and the Huffington Post, among other publications.
    Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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