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Pearl Jam's short Australia/New Zealand is underway, and the next stop on the map is Melbourne! It's a city that has a very rich history with this band featuring countless of classic shows from the early 90's. Due to special Patreon request, this week we are covering the 2009 show. It's a different setlist than what we covered from Auckland last week, but we'll dig into more Backspacer deep cuts, crowd friendly moments and Ben Harper collaborations.
Some of you may know Javier's frustration with 2009 from a sound perspective, how they were using tube amps that did not aid some of the intricacies that Stone and Mike add to specific songs when they play. We'll have a good long discussion on how all of that works from both the technical and non-technical POVs, and present examples of songs it benefits and others that it doesn't. We have some great moments in this set to get into including Indifference and Red Mosquito with Ben Harper, Throw Your Arms Around Me with Liam Finn and a version of Porch that unleashes the best of Stone Gossard.
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Pearl Jam goes back on the road this week, and for the first time in ten years, they are making stops in Australia and New Zealand! The run will begin in Auckland, which is where our episode this week took place in on the 2009 Backspacer tour. Thanks to our Kiwi friend, Chris Warne, for putting in this episode request through our Patreon. He'll have info on some fun stuff going down at the shows, including the post-game reaction spots.
This show offers a very unique OTOTO performance that you'll only get when touring the country. With the help of Neil and Liam Finn, there's an excellent performance of a song called Not Given Lightly by local legend, Chris Knox. We'll spend good time on this rarity that you may not have heard before. Other big highlights include one of the best versions of Severed Hand you'll ever hear, an amazing version of Faithfull, the uber rare Hold On played for only the second time, a fired up main set closing with Better Man and Red Mosquito featuring Ben Harper on slide guitar.
All that, and we prepare for the upcoming tour starting this weekend!
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The 2024 election is upon us and there's no better way to celebrate than to cast your vote early or on this upcoming Tuesday. The second best way to celebrate is by going back and reliving Pearl Jam's 2004 run on the Vote For Change Tour! Through a run of six swing states including Pennsylvania, Ohio, Michigan, Missouri and Florida as well as North Carolina, which this episode will focus on, the objective for this tour was to get people to register to vote while speaking out against President George W. Bush and the Iraq War. As with their entire history, the democratic process has been incredibly important to Pearl Jam, and this is one of the most important runs that exemplifies that.
Because they were touring with Death Cab For Cutie and Tim Robbins project, GOB Roberts, setlists in 2004 were not quite the marathon shows that we got a glimpse of the prior year. This set is 21 songs long, but only features a 12 song main set. We'll talk about how this was not the best night for Ed's health as he was battling illness, which would leave a bit left to be desired on powerful vocal songs like Brain Of J and Grievance. There is also quite a memorable moment in Do The Evolution where an entire portion of the song was completely disregarded. An important one at that! We'll also talk about some great moments including Long Road opening up the encore and a Blitzkrieg Bop Daughter tag turned into "Hey Ho, Let's Vote!"
This episode was selected over 2004 shows due to the unfortunate devastation of Hurricane Helene through Asheville. Alongside this episode, we ran a fundraiser to donate to some local organizations helping to rehabilitate the community - Beloved Asheville, Asheville Survival and Pansy Collective. Stay tuned in this episode for our announcement of how much we were able to raise!
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Happy 34th birthday, Pearl Jam! This week we are celebrating the anniversary of the band's debut show from the Off Ramp back in 1990 by covering the show that happened on the last time they played the anniversary date in 2014. There are certain shows that are highly praised in their catalog for being marathon shows playing upwards of nearly 40 songs in a set. State College, Mansfield and The Spectrum are a few by name, but the tour closing show in Denver had a whopping 38 performances that could put this show in the neighborhood of the others previously mentioned.
Does this show belong among the classic marathon shows? That will be a topic for discussion here as we have tons of material to break down. What's interesting to note is that this show features six of the eight songs that were played in that Off Ramp set, including Release as the opener. While the band may not have recognized the significance of the date prior to the show, they certainly rise to the occasion to make it a special night for their audience. It was a great show for deep cuts such as Ghost, Of The Earth, Don't Gimme No Lip, My Father's Son and Sleight Of Hand, and to really give the crowd something unique, Lukin is played with a slow burn intro.
As mentioned, there's 38 songs at play here so there's a lot to pack into this episode!
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You may not recognize this show by name, but Columbia, Maryland 1998 is a pivotal show in Pearl Jam history due to one moment that was immortalized on a record title Live On Two Legs (yes, it does feel weird to say that sometimes). This is the first instance that a little improv was introduced prior to the performance of MFC that to this day is known to the Pearl Jam Faithfull as Untitled. This episode spends a significant portion of time focusing on the impact that this song has made over time, it's importance to fans when hearing it on the live album, the meaning of the lyrics at the time of performance and how it ties in to another improv from an earlier era.
While Untitled dominates conversation here, there are plenty of topics that will focus on other stellar performances from this set. Hail, Hail opens this show for the fourth and final time to date and we'll discuss the dynamic of it kicking off a night. Immortality, State Of Love And Trust, Mankind, Alive, Black and Last Kiss will also big highlights from this show. And what does Charlie Sheen and Chevy Chase have to do with this episode that we'll need an extended conversation on?
Joining us for this episode is our Patron, Sheehan Perera (IG: @concertpants) who will share his great stories about this being his first show and celebrating it with his friends he grew up with in Malaysia. Also, the Gear Guru chimes in during this version of Do The Evolution to break down how Stone is creating a "washing" sound during the solo.
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¡Ole Ole Ole Ole! This week we're digging into one of the best places to see a Pearl Jam concert in Buenos Aires, Argentina! We all know those South American shows are special whether it be in Brazil, Chile or Peru, but there is something about the Argentinian crowd that makes your hair stand on end. The passion for the band mixed with their natural knack for singing along with the melodies of songs, even singing songs of their own when the band takes a minute to breathe, makes this one of the must see Pearl Jam crowds in the world. Javier was lucky enough to be in attendance for this one in 2011, so we'll get the scope of what it was like to be a part of that audience.
There's a cliche used on the show sometimes where we say "you're only as good as your last bootleg" which means that when fans get their hands on boots from the most recent tour year and hear how it went down, the next time the band comes around to their town, they want to be a part of that. This show in 2011 is the show that everyone went home and listened to, waited for two years in 2013 and absolutely turned the dial on to make that (in my personal opinion) the best Pearl Jam crowd of all time. This crowd sings along with just about everything from Release to Even Flow to Jeremy, Black, Better Man, and hell, even Last Kiss. But as you'll see with a song like Do The Evolution which is widely known for it's South American renditions, it wasn't quite the moment that we know of it to be now. We'll get into the possible reasons why, and how that continued to grow throughout their future runs down there.
We'll have fun raving about this crowd, but we'll also discuss whether or not the band should have been more involved with their celebrations, again as they would do in future years. Also! An old segment is back by popular demand, so don't miss it!
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We're picking up where we left off last week as this episode focuses on night two of the two show run from Pearl Jam's shows in Atlantic City in 2005. High octane performances, an intimate crowd and a Bruce Springsteen cover happen in night one, but what could possibly top that? A song debut from an unreleased album, Stone Gossard grabbing the mic and an appearance from a spaceman? Those three things could help the cause.
The band kicked off this show with a dynamite version of Present Tense and from there it just kept getting better and better. Immortality impacts the crowd with an intense ending, Not For You has a fun new section improved, they let Stone sing even though the crowd wanted to drop the Leash and we get the live debut of Avocado track Gone seven months before the album came out. We will spend a lengthy amount of time on the debut due to it's uniqueness in the catalog. The song was written that weekend in Ed's hotel room and featured no other band member's accompanyment. So how was it able to be as impactful as it was considering the elements? You'll find out in the show!
Also, we see a rock legend join up with the band for Rockin' In The Free World here, and since we have finished up the North American run of our tour, we'll spend some time discussing some of the OTOTOs played at Ohana Festival. While we give Whale Song some love here, the episode was recorded before the band broke out Gremmie Out Of Control on night two. So perhaps you'll hear a voice talk about it real quick at a very opportune time!
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This episode begins a two-part series where we dig into the shows at the Borgata in Atlantic City from 2005. These shows were unique for the band because of the small venue size holding a little over 2,500 people, but also due to the general admission area which was something that they had not done very often since the Roskilde tragedy in 2000.
After a year of touring in Canada and testing out new songs and setlists on the road, this show has it's fair share of surprises and rarities for the time. Recently we saw Porch get played as the second song in Wrigley Field, and we'll get to talk about that when it comes to this show. Songs like Sad, Low Light and Man Of The Hour are in their early infancy, so we'll chat about how those songs were continuing to evolve at the time into the big performances that we're familiar with today. We'll dive into excellent versions of Save You, Crazy Mary and Rearviewmirror as well.
Javier joins in on this episode and will talk about some of the different things you're hearing at these shows including Cameron playing with an open snare and Mike's guitar featured behind in the mix. And we'll talk about our favorite performances of Dark Matter songs from this tour!
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When proposing an episode for this week's show, the goal was to put focus on a tour that we haven't discussed a whole lot on this podcast - the 2011 Canadian tour. The question here was which show would be the one to cover. So we crowd sourced it and got some great answers, but the best answer was a suggestion to do the episode in tribute of former Calgary Flames star, Johnny Gaudreau and his brother Matthew, who were tragically killed recently. This made the Calgary 2011 show a no brainer to talk about.
There is a big storyline that looms over this show. This happened to be the same day that R.E.M. called it a career. Hearing the band react to the news and play a very impassioned touching tribute to them with the song It Happened Today has been the consensus call back moment from this show. Pearl Jam could have made a decision to play one of their more well known radio singles like Losing My Religion, Everybody Hurts or Man On The Moon, but we'll talk about how they selected the right song for the right moment.
There are also songs in this setlist that connect to something that the band has done recently such as Brain Of J, Rats, Crazy Mary and even something relevant in concerns to Johnny Guitar!
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The 2024 tour keeps rolling forward for the next week with our next stop in Baltimore, Maryland. Four years ago, the plan was to return to Baltimore before Covid happened, and then when it came time to reschedule the tour, the arena was under construction. So now they return for the first time in eleven years, which happens to be the only time they've played Baltimore as of this writing. This episode will feature the 2013 show, a show which is centrally focused on the loss of a music industry titan, Lou Reed.
The band set the mood from the early going here as the local crowd would get a show that features songs they were hoping to hear along with a little bit of the unexpected. The idea of the setlist and lyrical content can certainly be traced to how they were handling the recently announced death of the Velvet Underground front man. Songs like Hard To Imagine and Given To Fly can be considered choices that reflect this, plus an inclusion of Take A Walk On The Wild Side as a Daughter tag, and more direct dedications like Man Of The Hour and a cover of Waiting For The Man. We'll also get into a little bit of a mystery as to what happened to Jeff at the end of this show, and a yellow shirt guy that had the time of his life.
Keep in mind that this episode was recorded prior to the Philadelphia shows, so any conversation that you're begging to hear on Brain Of J will have to either wait for next week or is available to our on our Patreon reaction episode. We will however talk about MSG night 2 and how incredible that night was, plus a rating on how well Randy sang It's The End Of The World As We Know It on karaoke!
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Welcome to Live On 4 Legs' officially unofficial 300th podcast episode! The timing worked out perfectly on this because in order to hit a milestone, you have to do something special. It just so happens that the band is in Madison Square Garden this week, and that's a pretty special venue to go back to. Since we covered every Garden show from 1998-2016 back in 2019, the only one left to do was from two years ago on the Gigaton tour.
The show took place on the 21st anniversary of 9/11, which you couldn't have asked for a more important stage and city to play on. The weight of the tragedy was on everyone's minds and many of the song choices were picked to reflect the emotion that this date naturally brings. Songs like Release, Come Back and Chloe Dancer/Crown of Thorns were just a few that captured the moment of what that night was. We'll get into some emotional Ed's speeches where he hares stories from first responders and calls for unity in America.
Also, Randy happened to be at this show and had a very lofty goal he was looking to accomplish to bring back a former Garden moment from their history. He'll gush over his favorite performances such as Present Tense, Porch, Sonic Reducer and how Rockin' In The Free World almost made him need a hearing aid.
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As Pearl Jam is preparing for another memorable weekend at Wrigley Field this week, we were put in a somewhat difficult spot as to what we should cover to get you guys excited for the show. The dilemma was that we had already covered all five Wrigley shows back in the summer of 2020, so what would we do? Well, there's a little show that took place in Chicago in 2005 that doesn't get discussed as much as it should. To raise money for Hurricane Katrina relief funds, Robert Plant and Pearl Jam combined forces to create an out of this world all-star show. Our friend Jason Brown was lucky enough to be there that night, and he'll join us to tell the stories of how it all went down.
To get into this show that took place in an intimate venue that has a capacity of less than 2,000, you had to make a $1,000 donation in order to get in. Jason made that donation, but you'll want to hear the wild story of how it happened. As legendary Led Zeppelin front man Robert Plant and his band The Strange Sensation opened up the night, the place was abuzz of whether the two rock 'n' roll titans would combine forces. Lo and behold, they did! The set they played with Plant was pretty remarkable, a combination of Given To Fly and Going To California as a wink wink to the song's influence kicked things off, followed by a few standard 1960s songs such as Little Sister and Money (That's What I Want). And then the band truly breaks out the Zeppelin heavy hitters - Fool In The Rain and Thank You. We'll have a very interesting discussion on Fool In The Rain featuring facts that may surprise you.
The Gear Guru also joins us for this show and while we spend some time talking Zeppelin with him, we'll dig into Save You, Porch and Rearviewmirror that may or may not have sounded like other Pearl Jam songs.
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With the new tour firing up this week in Montana, on Monday Pearl Jam will be heading to Indianapolis to take care of some unfinished business. Last year was set to be the band's first appearance in the city in 13 years until illness took over and caused a postponement. As they make good on their promise to return, this episode covers the last instance where they visited Indiana's capital back in 2010. We'll get you hyped up for the return of the tour and answer some of the questions that you guys posed to us via social media!
With a new show on the horizon, is it fair to say that Indianapolis doesn't have a Pearl Jam show that's considered an all-timer? While neighboring places like Detroit, Pittsburgh, St. Louis and Milwaukee have all laid claim to have hosted shows that people hold in very high regard, this year may be Indianapolis's year. 2010 is not by any means a bad show, but does it stand out among a very good slate from that US run that year? With the conditions not going the way of a typical concert, marred with a 90 minute delay due to thunderstorms, the band came out and played a very efficient set that took two hours and ten minutes to play an impressive 29 songs. Most of these songs are of the shorter, pop-rock variety to keep the mood of what may have been an anxious crowd after a rain delay lighthearted and fun. The positive outlook of the Backspacer era tunes helped that cause with songs like Unthought Known and Supersonic flourishing in this spotlight.
We'll spend our time talking about some big moments that include a fantastic rendition of Off He Goes, Force Of Nature, Wishlist and a nod to hometown heroes, the Jackson 5.
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We're getting you prepped up for Pearl Jam's second North American leg of the Dark Matter tour by once again featuring shows in the locations that they'll be playing. First up is a hometown show for Mr. Jeff Ament as we cover the Missoula show from 1995. This is the beginning of the Vitalogy era and is the send off show before they embarked on a trip through the Pacific Rim.
As always with this era, this show is all about Jack Irons leading the charge. His time in the band was still in its infancy, but you can see the direction that the band wanted to go with him. While the brand new Vitalogy songs were squarely in the forefront, it pushed aside songs from Ten that had been extremely popular only three years prior. There's only two songs from Ten in this show (feel free to include State Of Love And Trust from the time period) and the way those songs were attacked was in a way to trying something different to make them feel fresh. Porch was lifted from it's normal closing role to the fifth spot in the set that saw it's typically iconic live solo abridged, Even Flow experimented with a new intro and pieces of the song that strayed from the radio version, and SOLAT is a completely different monster that they did not continue moving forward with. This show also has killer versions of Spin The Black Circle, Immortality and one of three full versions of W.M.A. that Jack has played on. Also, we have a song that's a Live On 4 Legs first at this show!
Javier's segment will focus on that incredibly insane version of W.M.A. and we invite one half of the Hallucinogenic Recipe podcast, Patrick Boegel, to break down the circulation of the bootleg tape from this show.
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This episode takes us back to a time when Pearl Jam's popularity was skyrocketing. MTV Unplugged had took place, the Jeremy music video was out and the band garnered a lot of attention traveling on the Lollapalooza tour as one of the afternoon openers. This episode covers a Lollapalooza show from Fairfax County, Virginia where the band were in their prime and "all the rage". The episode will cover not just Pearl Jam's impact on the festival, but also the festival's impact on the culture of the early 90's.
This show is seen as somewhat of a pillar moment for the band this summer because as they were rising up the charts, so were their Seattle brethren Soundgarden traveling on the same tour. Right around this time as both Vedder and Cornell became the defacto faces of the grunge scene, people were starting to pick up on the collaboration that they did for Temple Of The Dog a year prior. Hunger Strike was blossoming into a massive hit and wasn't something that was played often until they decided to join forces at this show. From there, it became one of those rare moments that people salivated for. They'd continue to bust it out on occasion during this tour, including during a random side stage performance in Phoenix.
This episode is produced a little bit differently since we are only working with eight songs. You'll get the rare experience of listening to an entire show on this podcast! Of course we stop and chat in between, but every song will be played in full with Even Flow as a lone exception. This episode also features a conversation about the newly retired Aerosmith and how that happening this past week tied in perfectly with this episode.
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It's Olympics week, and since we've been following heavily on some of Pearl Jam's past European shows lately, why not add one more into the fold to keep the theme alive? This show from Vienna is like running a marathon as the band treats us to nearly 3 hours of an excellent 35-song set. Everything was on the table here as they dipped into songs from nearly every album, including many of the check list songs for all of the serious collectors.
The theme for this show? Less talk, more rock. The band wasted no time at the beginning of the show going on a run of eight straight songs to start the show. This was not necessarily a night for chatting, it was a night for amazing bass grooves and solos ala Gossard. We'll talk about how great they both sound at this one and highlight songs such as Hail, Hail and Brain Of J where they both thrived. But the rarities also dominate the night as it's the last time to date that they've played Can't Keep, Rats and the deep Backspacer cut Speed Of Sound is also featured at this show. We also hear some rare covers involved including Rain, Public Image and Needle And The Damage Done.
We'll also get into a deep conversation about how meaningful encore 2 sets are outside of creating the party atmosphere to close your night.
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It's time to cover our first show from Pearl Jam's Dark Matter tour, which also happens to be the first show from Pearl Jam's Dark Matter tour! It all got started back in May as the band headed north of home to Vancouver to try some new ones out on the Canadian crowd. With 17 shows under our belt now, this is a good opportunity to look back and get a sense of how the new songs are being implemented within their setlists every night.
The first night of the tour saw nine of the eleven album songs played, everything except Waiting For Stevie and Got To Give. Right away you can tell how hard the band had worked on these songs to make them stand out in front of their dedicated crowd. A few things we'll touch up on with the new ones is how hyper-focused they were during Scared Of Fear in comparison to the looseness of React/Respond, Why Dark Matter has yet to fully flourish, the complexities to how the intro in Upper Hand comes together and why Setting Sun has been an absolutely perfect closer so far.
Those topics, plus some fun versions of other songs in their catalog such as Wash, Red Mosquito, Chloe Dancer/Crown Of Thorns and more!
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It's been a rare occurance throughout Pearl Jam's history to see them as the opening act on a tour. They toured in support of Neil Young in the early 90's, and famously for a set of shows for the Rolling Stones in 1997, but for six shows in 2006, Pearl Jam appeared as the opening act for Tom Petty and the Heartbreakers. Pretty good company to cede the headline to, right? This episode covers the second night of Milwaukee's Summerfest from that run.
A majority of this episode is dedicated to talking about what Tom Petty means to not only us personally, but music and pop culture as a whole. We'll share stories of our favorite memories getting acquainted with his music, and what he meant to the band as an influence. For a 17-song set, this could have been seen as a typical festival set, but they took advantage of the opportunity and cranked out some special moments. Last Kiss was played as the opener at this show, an occasion that's only happened two other times, we get rarities such as Sad and Around The Bend and Smile with a little dedication to how the story of the song came to be.
We'll also discuss the performances of The Waiting and American Girl from the Heartbreakers set that Eddie got to help out with, and the Javier segment is a little bit different this week, so stay tuned for what's in store!
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As we plan to bid farewell to a rocky European tour this week, we're prepping for the final show of the run in Lisbon, Portugal by covering their performance at the NOS Alive Festival from 2018. This is the same festival that they'll play this week that they've played two other times in previous years. We'll get to talk about a very special guest who appeared on this show to partake in Rockin' In The Free World, the legendary Jack White!
The theme of this episode will circle around the stigma that festival shows get for being way too run of the mill setlist wise and too casual crowd wise. For a crowd in Portugal who goes through extended stretches without seeing this band, this show absolutely bucks the trend of being what some may consider a more generic set. This crowd has a few big moments that transpire here like Low Light being used as an opener with Better Man as the follow up, big crowd participation moments on Daughter, Black and Rearviewmirror, a few deeper cuts thrown in like Rats and In My Tree, and a song that we barely get to talk about on this podcast, Can't Deny Me.
Check out the usual rundown of the setlist, but at the top of the episode we'll do a quick reaction to the recent shows that took place in Barcelona!
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Well. Originally this episode was slated to get you guys excited for the shows taking place in Berlin this week, but while the band was forced to cancel their plans, we've decided to stick with ours. Berlin is one of Pearl Jam's best cities to play in that perhaps nobody ever talks about. This crowd comes into every show ready to bring their a-game, and at this show in 2014, nothing was spared. From waving their arms in the air to clapping in rhythm, bouncing up and down and singing every lyric and guitar melody, the fans in Germany absolutely know how to give this band the best they got.
This Lightning Bolt era show went for nearly 3 hours and featured 34 songs from every variety of rarities to the radio hits. This show will have plenty of great crowd moments, including on songs like Do The Evolution and Sirens where the band is greeted with post-performance melodies. Checklist songs galore here that include God's Dice, Sleight Of Hand, You Are, Who You Are, All Those Yesterdays, Bee Girl and one of the rarest songs in the Pearl Jam catalog, Hold On played for only the fourth of a total of five times. But that's not all! Find out why this crowd needed to hear the dulcet tones of the voice of their favorite guitar player, and the hilarious ensuing result.
We'll of course start the show reacting once again to the news of cancelations, and once again bring more context to the situation.
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