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Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.”
Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Catastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs. -
Kate Wolf and Eric Newman speak with Alexis Pauline Gumbs about Survival Is A Promise: the Eternal Life of Audre Lorde. A deeply researched and impressionistic biography of one of the most iconic figures of 20th century Black, queer, and feminist thought, Survival Is A Promise is a love letter to Lorde, pushing past her broad circulation in social media memes, inspirational quotes, and other forms of contemporary iconography. Gumbs’ book locates the tectonic forces Lorde at once brought into view and moved through herself.
Also, Rumaan Alam, author of Entitlement, returns to recommend Visitors by Anita Brookner. -
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Kate Wolf speaks to the author Deborah Levy about her new book, a collection of essays called The Position of Spoons: And Other Intimacies. The piece collected here cite Levy’s early influences from French writers like Colette, Simone de Beauvoir and Marguerite Duras to JG Ballard and Anna Quinn. The collection also moves through snippets of Levy’s life: her relationship to her mother, her youth in dreary London, her abiding interest in surrealism and psychoanalysis, the way inspiration strikes and then takes shape for her novels, and the sensual and aesthetic pleasures of food and nature. In her review of the book for LARB, Grace Linden writes: “It is evident to everyone who reads Levy that language is her plaything….her words are lit from within.”
Also, Emily Witt, author of Health and Safety: A Breakdown. returns to recommend A Song for the River by Philip Connors. -
In this special episode of the LARB Radio Hour and LARB Book Club, Medaya Ocher talks with Rumaan Alam about his new novel, Entitlement. We begin with the story of Brooke, a product of the upper middle class, who works for an aging billionaire looking for places to give away his fortune. Brooke comes to recognize all that she could do with a vast fortune of her own. Taut, unsettling, and alive to the seductive distortions of money, Entitlement is a riveting tale for our new gilded age, a story that confidently considers questions about need and worth, race and privilege, philanthropy and generosity, passion and obsession. It is a provocative, propulsive novel about the American imagination.
Also Garth Greenwell, author of Small Rain, returns to recommend Michael Gorra’s Portrait of a Novel: Henry James and the Making of an American Masterpiece. -
Kate Wolf and Medaya Ocher talk to Emily Witt about her latest book, Health and Safety: A Breakdown. A personal history that reflects on this past turbulent decade, the book begins right before the election of Donald J. Trump, a time when Witt finds herself ever more drawn to Brooklyn’s underground techno music scene. Quitting Wellbutrin in 2012, she’d already started experimenting with psychedelics, but once she’s going out dancing all night, her drug use transforms from a focused ritual under the rubric of the vaguely therapeutic to something more like hedonism: a brief accessing of utopia one party at a time. Then she meets a DJ named Andrew who's at the heart of the scene, and the kind of conventional domestic life she thought she was foregoing suddenly comes into focus, before the pandemic and social uprising of 2020 arrive and change everything. Health and Safety is about trying to find different ways to survive, live, and make family, as well as the changing landscape of New York, the ingenuity and creativity of promoters and DJs, and the shaky line between the collective and the individual in a world gone mad.
Also, Danzy Senna, author of Colored Television, returns to recommend Another Word for Love by Carvell Wallace. -
Eric Newman speaks with Garth Greenwell about his latest novel, Small Rain. The novel picks up the story of the same unnamed narrator from Greenwell's earlier novels, What Belongs to You and Cleanness, a poet and teacher now in his forties and settled down with his partner in the Midwest. Their placid life is upended when a sudden and excruciating pain sends the narrator to the hospital, where he's diagnosed with an aortic tear -- a life-threatening condition. Unfolding from this point, the novel explores how the narrator navigates his recovery as he's treated in a cramped hospital room in the midst of the COVID-19 pandemic. Dilating on the power of art and intimacy to buoy us up in moments of extreme suffering, as well as the moments in which suffering overwhelms the transcendent capacity of art, Small Rain reckons with how we make our way through the agonies and ecstasies, unique and mundane, of life itself.
Also, Sofia Samatar, author of Opacities, returns to recommend two books by Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives. -
Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christpoher Isherwood, Christopher Isherwood Inside Out. The book moves along the horizons of Isherwood's many journeys as a pathbreaking British writer whose work excavated fascist terrors and queer pleasures alike: in plays, films, memoir, voluminous diaries, and celebrated novels such as Goodbye to Berlin and A Single Man. Bucknell's biography examines the tectonic forces of the 20th century that shaped Isherwood's life and career, spanning two world wars, gay liberation, the AIDS crisis, and the spiritual awakening in America of the 1950s and '60s. It brings into intimate relief an enigmatic writer whose experience shuttled between the visceral physicality of erotic desire and the gossamer abstractions of ascetic life, often-conflicted, but always yearning for deeper understanding, and committing everything to the page.
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Kate Wolf talks to Danzy Senna about her latest novel, Colored Television. It follows a writer named Jane Gibson who’s finally making headway on her second book, a magnus opus her husband calls the “mulatto War and Peace” that’s been nearly a decade in the making. Jane’s helped along by her family’s stay in the tony, Eastside Los Angeles home of a friend of hers—a former fiction writer who long ago sold out to work in TV. Jane and her husband, Lenny, help themselves to this friend's wine and clothes, and Jane yearns for his financial stability. When her novel is rejected by her agent, she decides to try on his career in Hollywood as well. Colored Television is a hilarious unpacking of class, marriage, race, midlife, exploitation, Los Angeles, and what it takes to be an artist when no one cares about your work.
Also, Charlotte Shane, author of An Honest Woman, returns to recommend a trilogy of historical novels by Sharon Kay Penman: Here Be Dragons, Falls the Shadow, and The Reckoning. -
Sofia Samatar speaks with Kate Wolf about her new book Opacities: On Writing and the Writing Life. Opacities is addressed to a fellow writer, Samatar’s close friend Kate Zambreno, and considers both the process of composing a book—the wellspring of inspiration, wishes and anxieties that accompany it— as well as the distance between a work and its author. Samatar explores how to stay alive as a writer through things such as community, extensive reading, and research alongside the dissonant ways writers are often asked to codify their identities and constantly promote themselves. Drawing on the words of writers like Eduard Glissant, Maurice Blanchot, Clarice Lispector, and Theresa Hak Kyung Cha, Opacities is at heart a book about the furnace of creativity, and the fuel that keeps it burning despite its many trials, risks, and disappointments.
Also, Eugene Lim, author of Fog and Car, returns to recommend Too Loud a Solitude by Bohumil Hrabal. -
Charlotte Shane joins Kate Wolf to speak about her latest book, An Honest Woman: A Memoir of Love and Sex Work. Detailing Shane’s many years as a sex worker, the book is also a candid examination of her own sexuality, as well as her deep fascination with the sex lives and interior worlds of men. Shane writes about the importance of her early “sexperimentation” with a group of close guy friends in high school; the nuances of her relationship to her father, her husband, and her clients—especially the almost decade long bond she shared with one of them named Roger. She comes to sex work, and even heterosexuality, with both curiosity and empathy, as well as a feminist perspective. Her book focuses less on matters of harm and power than the intricacies of desire and the variety of intimacy possible between women and men.
Also, Sarah Manguso, author of Liars, returns to recommend Soldier Sailor by Claire Kilroy. -
Eric Newman speaks with Eugene Lim about his novel Fog & Car. First published in 2008 and freshly brought back into print this year, the novel dilates on the experiences of a couple making a life on their own in the wake of their divorce, the novel explores loneliness, grief, and the struggles of human relation through rotating perspectives of each member of the former couple as well as the friend they share in common. Walking through the novel's key moments, the discussion also explores how the passage of time has changed Lim's relationship to the characters and the existential loneliness that orbits the core of Fog & Car.
Also, Mark Krotov co-editor of The Intellectual Situation: The Best of n+1’s Second Decade, retruns to recommend Alan Hollinghurst's The Swimming Pool Library. -
On July 18th, Los Angeles Review of Books and The Berggruen Institute hosted a panel discussion titled "Writing Climate Futures," featuring David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake.
As our planet faces a climate crisis, questions about the role and efficacy of environmental writing assume greater urgency by the day. Through education, envisioning fictitious new worlds, and pushing forward the public discourse, writing holds the power to move the conversation we have around the future of our planet. LARB and The Berggruen Institute convened exciting voices in the climate movement from across genres to discuss how writing can enact change.
David Wallace-Wells is the author of The Uninhabitable Earth: Life After Warming (Penguin Random House, 2019), which argues that the state of the world, environmentally speaking, is “worse, much worse, than you think.” He is a weekly columnist and staff writer for the New York Times, deputy editor of New York Magazine, and he was previously the deputy editor of The Paris Review. He writes frequently about climate and the near future of science and technology.
Jenny Offill is the author of three novels, Last Things, Dept. of Speculation, and most recently, Weather, which was shortlisted for the Women's Fiction Prize and the Joyce Carol Oates Prize. She is also the recipient of a Guggenheim fellowship. She teaches at Bard College and lives in upstate New York.
Dr. Bharat Jayram Venkat is an Associate Professor at UCLA with a joint appointment spanning the Institute for Society & Genetics, the Department of History, and the Department of Anthropology. His forthcoming title—tentatively titled Swelter: A History of Our Bodies in a Warming World— is about thermal inequality, the history of heat, and the fate of our bodies in a swiftly warming world riven by inequality. Dr. Venkat is the founding director of the UCLA Heat Lab, which investigates thermal inequality from a variety of disciplinary perspectives, ranging from biology and history to anthropology and urban planning.
Jonathan Blake directs the Planetary Program at the Berggruen Institute. He is the coauthor, with Nils Gilman, of Children of a Modest Star: Planetary Thinking for an Age of Crises and author of Contentious Rituals: Parading the Nation in Northern Ireland. -
Could feeling bad actually be good? In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman consider the uses of pessimism in our approach to contemporary politics. Digging into Joshua Foa Dienstag’s 2006 book Pessimism: Philosophy, Ethic, Spirit they discuss this branch of philosophical thought: its core beliefs and practitioners, how it’s been misunderstood, and how we might use it to navigate the boomeranging emotions of our present political climate.
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Kate Wolf and Medaya Ocher speak to Sarah Manguso about her new novel, Liars, which focuses on a marriage and its disintegration. Jane is a writer, and her husband John is an artist and entrepreneur. Even early on in their relationship, John gives Jane plenty of reason to doubt their future. By the time they have their first child, Jane is subsumed by the role of wife and mother, responsible for tackling the domestic work as well as the chaos of John’s finances and shifting career ambitions, and ultimately his betrayal. The novel focuses on the trespasses of a single relationship, but it’s also about art, wifehood, and the institution of marriage itself, as well as the stories we tell about it from inside and outside its vows.
Also, Dayna Tortorici, co-editor of The Intellectual Situation: The Best of n+1’s Second Decade, returns to recommend All Fours by Miranda July. -
Editors Dayna Tortorici and Mark Krotov join Kate Wolf and Medaya Ocher to speak about 20 years of the magazine n+1, as well as their new anthology The Intellectual Situation: The Best of n+1’s Second Decade. The book collects n+1 essays, short stories, and reviews from the last ten years, covering the rise of Bernie Sanders and democratic socialism, the George Floyd protests, #MeToo, and the Covid pandemic. The guests discuss the ins and outs of running a small magazine, the current media landscape, their commitment to formal experimentation and political discourse, and their vision for the future of print.
Also, Yasmin Zaher, author of The Coin, returns top recommend The Kingdom by Emmanuel Carrere. -
Kate Wolf speaks with writer and journalist Yasmin Zaher about her debut novel, The Coin. An allegorical tale of alienation, loneliness, and repulsion, the book follows a Palestinian woman who’s recently fulfilled her family’s dream of moving to America. In New York, working as a middle school teacher, she finds herself disillusioned with the filth of the city and its poverty. She’s beset with a deep unease at her own body and haunted by memories, especially that of a coin—a shekel—she swallowed on a car ride as a child just moments before a horrible accident. Estranged from the few people she knows in the city, her behavior becomes increasingly unhinged and bizarre in ways that complicate standard stories of immigration, and instead imagine the path of a character who sees through America’s promise and realizes she has nothing to lose.
Also, Nell Irvin Painter, author of I Just Keep Talking, returns to recommend three books and one magazine: The Plague Edition of Konch Magazine edited by Ishmael Reed and Tennessee Reed’s; Black Art and Aesthetics: Relationalities, Interiorities, Reckonings edited by Michael Kelly and Monique Roelofs; James: a Novel by Percival Everett; and Changing My Mind: Occasional Essays by Zadie Smith. -
Eric Newman is joined by historian Nell Irvin Painter to discuss I Just Keep Talking: A Life in Essays, a compendium of Painter's writing about art, politics, and race across nearly four decades. The wide-ranging discussion moves from how researching Sojourner Truth inspired Painter to get her MFA in visual art, to the struggle over what can be taught and known about American history, to the ways modern information technology impacts our experience of the present and its echoes in the past, and to how we might navigate a bleak present in which fascism seems newly on the march.
Also, Emily Nussbaum, author of Cue the Sun! The Invention of Reality TV, returns to recommend Strangers to Ourselves: Unsettled Minds and the Stories That Make Us by Rachel Aviv. -
Eric Newman and Medaya Ocher are joined by New Yorker staff writer and former television critic Emily Nussbaum to discuss her book Cue the Sun! The Invention of Reality TV. Nussbaum's overview of the most dominant genre of our time moves from reality TV's origins in radio to its role in forging the public image of a US president. In a sweeping conversation, the hosts and Nussbaum break down some of the unsung heroes and incredible stories behind the creation of our nostalgic reality TV touchstones, the harbingers of a darker genre to come, and its relationship to broad, tectonic social and political changes in American life.
Also, Patrick Nathan, author of The Future was Color, returns to recommend Housemates: A Novel by Emma Copley Eisenberg. -
Medaya Ocher and Eric Newman speak with author Patrick Nathan about his latest novel, and this month's LARB Book Club pick, The Future Was Color. The novel chronicles the life of Hungarian immigrant writer George Curtis. When we meet George, he's writing the hacky sort of monster movies that are today's cult classics, trying to find sex and love amid the closeted ambiance of life between the wars and in the midst of the McCarthyite purges of communists and homosexuals that plagued the mid-century film industry. As George demurs writing the studio's next big hit to create something of greater substance about Hungary and the war from his exile perspective, he follows a passionate affair with his coworker in the writers' room. But when he departs the studio office for a residency of sorts with a Malibu actress and her gay husband, a dramatic chain reaction brings new motivations and possibilities to light. A novel about a moment in time that is also in so many ways timeless, The Future Was Color is an exploration of the line between the personal and political, between safety and risk, the art we create and the art that creates us.
Also, Claire Messud, author of This Strange Eventful History, returns to recommend Susie Boyt's novel, Loved and Missed. -
Medaya Ocher and Kate Wolf are joined by celebrated writer Claire Messud, the author of six works of fiction including the highly-acclaimed bestseller The Emperor's Children. Messud's latest novel is This Strange Eventful History, which follows the Cassars, a Pied-Noir family from Algeria, who find themselves constantly displaced by the changing tides of history, first by World War II and then by Algerian independence. Partly based on her own family's story, the book traces the story of each family member, across three generations, as they encounter the world as well as their own personal joys and tragedies. The novel is, of course, about history, both personal and global, as well as the ways people build homes outide of their homelands.
- Visa fler
