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An episode from 5/9/22: Tonight, I continue my five-part series called Notes from the Grid. (A print version of NFTG has since been published.) I suggest that we don’t need to be missionaries for the culture and politics and even religion we love, and nor should we assume that anybody else needs the very things that we depend upon—“All things can console.” Alongside this, I talk about the virtue of uncertainty, and the difficulties of living with ambiguity of all kinds.
Other episodes from Notes from the Grid are here.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. Email me at [email protected].
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An episode from 10/20/21: Tonight, we hear anecdotes from the lives of two very different poets, Walt Whitman and W. B. Yeats. The remarks from Whitman come from the journals he kept while working out the poems that went into the first edition of Leaves of Grass, while the comments from Yeats span the first half of his life. Should we be surprised that both poets experienced extreme doubts not just at the beginning of their writing lives, but all through them?
The passage from Whitman can be found in the appendices of Gary Schmidgall's edition of Whitman's poems; the quotations from Yeats can be found in the first volume of R. F. Foster's biography of Yeats.
Listen to other episodes on creativity here.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. Email me at [email protected].
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Saknas det avsnitt?
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An episode from 12/19/20: Tonight, I begin perhaps the most important series of episodes on this podcast, a deep-dive into my favorite stories from mythology and religion. All episodes of The Great Myths are here.
I begin with the Mesopotamian epic of Gilgamesh. Reading from the translation by Andrew George (and an earlier one, by N. K. Sandars), I enter the story of Gilgamesh through his friendship with the typical "man of nature," Enkidu, and the "civilizing" process he undergoes.
Other episodes on Mesopotamian myth can be found here.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. Email me at [email protected].
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An episode from 10/8/24: Tonight, four years to the day after starting this podcast, I end it with a reading of Theodore Roethke’s (1908-1963) long poem, “The Rose.” I also reread the poem I shared in the very first episode, Louise Glück’s (1943-2023) “Messengers.”
Many thanks to my listeners over the past four years. You can continue find my books, notices about new publications, and daily poems from Old English till now, over at wordandsilence.com. You can always reach me at [email protected].
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An episode from 9/23/24: Tonight, I read seven poems by the American poet, H. D. (Hilda Doolittle, 1886-1961). Over the course of fifty years her work – which includes fiction, memoir and translation – provides an incredible example of how a writer can handle mythology, mysticism, sexuality and autobiography. The poems can be found in Collected Poems 1912-1944:
Sea Iris (1916) The Helmsman (1916) Adonis (1913-1917) Lethe (1924) Wine Bowl (1931) Eros (Uncollected/Unpublished poems, 1912-1944) Tribute to the Angels #29 (1945)You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. Email me at [email protected].
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An episode from 9/11/24: Tonight, I read six poems by the Welsh poet, R. S. Thomas (1913-2000). A priest in the Anglican church from 1936 until 1978, Thomas wrote some of the most moving poems we have about religious belief, rural life, and the simple feeling some of us have of belonging nowhere. It is said that he barely lost out on the Nobel Prize for literature in 1995. They can all be found in Collected Poems 1945-1990:
Affinity (1946) The Country Clergy (1958) Ap Huw’s Testament (1958) The Face (1966) Suddenly (1983) The Moor (1966)Audio of Thomas reading “The Moor” comes from the incredible collection R. S. Thomas Reading the Poems. Sections from his biography come from his page at the Poetry Archive and his obituary at the Guardian.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. Email me at [email protected].
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An episode from 8/30/24: Tonight, I read four poems by the American poet Kenneth Rexroth (1905-1982). A few years ago, when I began digging through anthologies of American poetry, Rexroth stood out immediately among the usual names from the twentieth century. I can't think of many American poets who have written so beautifully about nature, about being a parent, or about love:
Halley’s Comet (1956) When We with Sappho (1944) The Wheel Revolves (1965) Hapax (1974)They can all be found in The Complete Poems of Kenneth Rexroth.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 8/14/24: Tonight, I read excerpts from the poet Robert Pinsky’s 1995 interview with The Paris Review. It is fascinating to see how much of what he says seems timeless and wise (everything on creativity, writing habits, high and low speech, etc.), and those things that seem stuck in the amber of 1995 (the phenomenon of poets teaching at universities).
I end the episode with a reading of his incredible visionary poem, “The Figured Wheel.” (The poem is available in many books, but as I say in the beginning of this episode, it was an early collected volume with that name where I first discovered him.)
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I’ve also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected]
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An episode from 8/1/24: Tonight, I read seven poems from Seamus Heaney’s 1974 collection, North. Few poets from the last century took on the reality of violence in the ancient and modern world the way Heaney does in his poems about Iron Age bog bodies, the Troubles in Northern Ireland, and ruminations through mythology and Viking history. I also read four poems from Heaney’s previous books, that can serve as a prologue to North:
Personal Helicon (from Death of a Naturalist) Dream (from Door into the Dark) Bogland (from Door into the Dark) The Tollund Man (from Wintering Out)Poems from North:
Belderg Funeral Rites Bone Dreams pt. II Bog Queen The Grauballe Man Punishment KinshipAudio of Heaney reading “Personal Helicon” comes from his 1971 appearance at the 92nd Street Y. The episode also includes excerpts from Dennis O'Driscoll's Stepping Stones: Interviews with Seamus Heaney, and The Letters of Seamus Heaney. This episode is revision and complete re-recording of an episode first released in June, 2021.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 7/19/24: Tonight, I read the small biographies of nearly two dozen poets, the kind of colorful summaries usually found in poetry anthologies. In many cases, reading a paragraph or two about twenty people is enough to get the sense of a life, and of just how varied the lives of poets (or anybody) can really be. The biographies come from Volume One and Volume Two of the Poem a Day series.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone.
Email me at [email protected].
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An episode from 7/5/24: Tonight, I devote an hour to wondering how we talk about childhood and memory, how we live with memory and meaning, how we perceive time and recollect the most vivid events of our lives.
For me, music is inseparable from all of this, and I play a few songs in this episode: Mother Nature’s Son (The Beatles), High Hopes (Pink Floyd), T. S. Eliot reading from East Coker, the Molto Adagio from String Quartet #15/Op. 132 (Beethoven), Mishima (Closing) (Philip Glass), American Beauty (Thomas Newman), the Andante Adagio from String Quartet #3: Reflections on my childhood/Childhood Fantasia in New England (Alan Hovhaness).
This episode grew out of a conversation with Tom Hart at Sequential Artists Workshop, and I dedicate to him.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 6/18/24: This is the seventh in a series of readings from biographies of Walt Whitman. I continue with Paul Zweig's Walt Whitman: The Making of the Poet, which focuses on the years preceding the publication of Leaves of Grass. Previous readings from Whitman biographies are here.
Tonight, Zweig discusses the nature of Whitman's notebooks and journals up through the 1855 publication of the first edition of Leaves of Grass. The necessity Whitman felt, even in his notebooks, for addressing a public audience, and the influence of prose (Carlye, Emerson, the King James Bible) on his revolutionary poetry, all offer great insight into how Whitman was able to achieve what he did.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I’ve also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 06/06/2024: Tonight, I share two stories from the Shoah, or Holocaust.
The first is about the Sonderkommando, those prisoners forced to do the most devastating work in the concentration camps. During a 2015 Fresh Air interview with László Nemes and Géza Röhrig about their 2015 film, Son of Saul, a brief story about an actual Sonderkommando member is told. It remains one of the most overwhelming minutes that I have ever heard.
In the second part, I read from Daniel Mendelsohn’s 2006 book, The Lost: A Search for Six of Six Million. The book is Mendelsohn’s attempt to discover what happened to six members of his family who were murdered in the Holocaust, and the section I read from is about the difficulty of truly entering the mind and situation of a sixteen year-old girl, who is rounded up with a thousand other Jews, and murdered.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I’ve also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 5/20/24: Tonight, after a long hiatus, we return to Norse myth with the story of Sigurd’s killing of the dragon, Fafnir. Couched in a much longer narrative that contains shape-shifting, war, revenge, brief appearances by Odin and Loki, and finally Sigurd’s ability to hear the language of birds and animals, it is a brilliant and vivid example of storytelling in the twelfth and thirteenth centuries.
I read from the two great sources of the story, the Volsung Saga (in the Jesse Byock translation) and Snorri Sturluson’s Prose Edda (in the Anthony Faulkes translation). I also discuss the history of the story, and its reworking in the Nibelungenlied, and Wagnerian opera.
Listen to the other Great Myths here.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 5/8/24: Tonight, I read fourteen poems from Ted Hughes's 1970 collection, Crow. His books Crow, Moortown Diary, Remains of Elmet, and River contain his best poetry, and they are models for any artist in how handle nature, animal life, myth, and autobiography in their work. The poems that read are:
A Childish Prank (the audio of Hughes reading the poem comes from here) Crow's First Lesson Crow Tyrannosaurus Crow & the Birds Crowego Crow Blacker than Ever Crow's Last Stand Crow & the Sea Fragments of an Ancient Tablet Notes for a Little Play Lovesong Littleblood Crow's Courtship Crow's Song about GodThis is a revision and complete re-recording of an episode first posted in August of 2021, which included fewer poems. I've used the opportunity to also read from Jonathan Bate's biography of Hughes, Hughes's later notes to the book, as well as handful of letters he wrote about the collection.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 4/17/24: Tonight, I read a handful of poems on modern life—whatever “modern” might mean in words spanning the seventeenth to the twentieth centuries. In many of the poems we hear the complaint of every age, that “the world has never been so bad.” In others, descriptions of the suburbs are enough, or of car culture, or of how we get our news or even begin to live with stories of atrocity and war. Some poems ask us to pay attention to the work and details of everyday life, others wonder if we shouldn’t look to past poets for wisdom and guidance. If a “modern” mindset means anything, it seems to mean proliferation and flux, a sense of not being settled. The poems I read are:
Lawrence Ferlinghetti (1919-2021), “In Goya’s greatest scenes” Kathleen Jamie (1962- ), “The Way We Live” Laurie Sheck (1953- ), “Headlights” Derek Mahon (1941-2020), “A Disused Shed in Co. Wexford” Ted Kooser (1939- ), “Late February” Philip Larkin (1922-1985), “Here” Robinson Jeffers (1887-1962), “New Mexican Mountain” T. E. Hulme (1883-1917), “Image” Edgar Lee Masters (1868-1950), “Editor Whedon” Walt Whitman (1819-1892), “The blab of the pave” William Wordsworth (1770-1850), “London 1802” Mary Robinson (1758-1800), “A London Summer Morning” Jonathan Swift (1667-1745), “A Description of the Morning” William Shakespeare (1564-1616), “The queen, my lord, is dead” R. S. Thomas (1913-2000), “Suddenly”You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I’ve also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 4/3/24: Tonight, I interview the poet, novelist, and translator, Amit Majmudar. You can find a full list of his books here, but we spend most of our time talking about his 2018 translation of the Bhagavad Gita, Godsong. Along the way, we also get his take on many of the preoccupations of this podcast: how a life devoted to creativity, religion, family, and an awareness of history and tradition can still be maintained in this strange time of ours.
His book recommendations at the end are:
John D. Smith’s abridged translation of the Mahabharata S. Radhakrishnan's translation of the principal Upanishads The Princeton edition of the Ramayana Roberto Calasso’s ArdorYou can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I’ve also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 3/15/24: Tonight, I read eleven poems from Ted Hughes's 1979 collection, Remains of Elmet. His books Crow, Moortown Diary, Remains of Elmet, and River contain his best poetry, and they are models for any artist in how handle nature, animal life, myth, and autobiography in their work. The poems that I read from Remains of Elmet are:
Light Falls through Itself Crown Point Pensioners "Six years into her posthumous life" These Grasses of Light Walls Heather Remains of Elmet Where the Millstone of Sky The Ancient Briton Lay under His Rock Heptonstall Cock Crows (the audio of Hughes reading the poem comes from here)This is a revision and complete re-recording of an episode first posted in April of 2021, which included only seven poems. I've used the opportunity to also read from Jonathan Bate's biography of Hughes, Hughes's later notes to the book, as well as handful of letters he wrote about the collection.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 3/3/24: Tonight, I read from a handful of what I call “visionary” poems. After an introductory section of familiar nineteenth- and twentieth-century poets, I go back to the sources of those, which are found in religious scripture and myth:
W. B. Yeats: “The Second Coming” T. S. Eliot: sections from The Waste Land and “East Coker” Walt Whitman: the first section of “Crossing Brooklyn Ferry” William Wordsworth: from the thirteenth book of The Prelude William Blake: from his long poem Milton The first chapter of Ezekiel (from the JPS audio Tanakh) A speech from Euripides’s Bacchae, tr. William Arrowsmith Part of the eleventh book of the Bhagavad-Gita, tr. by Amit Majmudar in his Godsong I close the episode with a reading that will not surprise long-time listeners.You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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An episode from 2/19/24: Tonight, I read eleven essential poems by the American poet Wallace Stevens (1879-1955). All of them can be found in his Collected Poems. I also read from his letters, and the essay about Stevens at The Poetry Foundation. The poems are:
Anecdote of the Jar The Snow Man Six Significant Landscapes Anecdote of Men by the Thousand How to Live. What to Do Gallant Château Bouquet of Belle Scavoir The Poem that Took the Place of a Mountain The Planet on the Table Final Soliloquy of the Interior Paramour The Idea of Order at Key West (read by Stevens)The biographies of Stevens that I mention are the two-volumes by Joan Richardson, and The Whole of Harmonium, by Paul Mariani. The 1988 documentary on Stevens, part of the Voices and Visions series, is also a great introduction.
You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.
Email me at [email protected].
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