Avsnitt

  • This week we review the dark and twisted retelling of the Cinderella fairy tale in The Ugly Stepsister.















    Synopsis



    As the name suggests, The Ugly Stepsister is a retelling of the Cinderella story from the ugly stepsister’s perspective. In this gritty realistic telling, it starts out with the marriage of Cinderella’s father and the revelation that both sides of the marriage are expecting great wealth from each other, but are actually poor. The step mother’s daughter Elvira dreams of marrying the Prince and is given a chance by being invited to his Ball. Her mother, knowing that a advantageous marriage is their only way out of poverty, plans on using her last money and her cunning to transform Elvira into a beauty. What follows is a series of visceral 19th century plastic surgeries, self inflicted illness, and a series of insults that turn Elvira into a pitiable and sympathetic protagonist.



    Review of The Ugly Stepsister



    The Ugly Stepsister is clever and a more complex retelling of the fairy tale that we all know and love. It’s a more realistic exploration of the power dynamics of money, privilege, and beauty. It tells two sides of the same fairytale, the original is really about overcoming poverty and class through natural beauty and magical helpers, this telling is about how despite class and access to money, you still need to overcome beauty standards. None of the characters are particularly “good”, including Cinderella. Each has their own motivations, and Elvira is essentially a pawn in her mother’s game. 



    Max is going to argue that this isn’t a horror movie, but it undeniably is. This movie at its core is a body horror movie. It explores the brutal reshaping of Elvira’s body through mechanical and organic means. She will stop at nothing and sacrifice everything for her goal.



    I thought it was really well done. It was clever, brutal, and at times even funny. It’s very similar in themes, but much more subtle than The Substance. 



    Score



    9/10

  • Synopsis



    Bring Her Back follows siblings Andy and Piper as they go into foster care after their father suddenly passes away. They are placed with a woman named Laura, who already has another foster child that seems a little bit off, somehow. As the kids try to stick together to mourn their father, Laura is trying to deal with her own grief in a shocking and disturbing way.



    Review



    This movie makes you feel really bad, like really really bad. I think some movies are exceptional at making you feel bad with no reprieve, i.e. Angst (1986), High Tension (2003), Funny Games (1997). But in order to properly achieve a good feel-bad movie, there needs to be some TLC put into the filmmaking and/or the viewer needs to care about the characters, whether they are good or bad people. In this film, I didn’t see much love of the craft put into the style of editing or shooting, and although I hated seeing the kids get hurt in this movie, I didn’t care that much for the characters. Maybe that’s due to minimal backstory, or maybe the script was not connecting for me.



    That’s not to say this isn’t a good film, per-say, because it is a horror movie unlike I’ve seen in awhile, it makes you feel really bad and it is pretty original while also utilizing tried and true horror tropes. I wanted to cry at the end of this movie. There were a lot of times where I audibly said what the fuck. It’s insane, vile, sad, and creepy but I just can’t say it’s amazing. It’s more shocking than anything, it wants to shock, and shock it did.



    I kind of want to rate this higher but I was just so baffled by all of it, and by the time something happens I really didn’t want to watch it anymore. I think this may be an evil film.



    Score



    7/10

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  • Today’s episode, voted by our patrons is I Saw the Devil, the Korean revenge thriller/horror film.











    Synopsis



    I saw the Devil is a 2010 Korean thriller about Soo-hyeon (Lee Byung-hun), a grieving husband seeking revenge against his wife’s killer (Choi Min-sik). Unlike most revenge films, this one is not about him finding the killer to bring them to justice, it’s about tormenting and psychologically breaking a monstrous serial killer. It helps that the husband is basically Korean James Bond and has accrued plenty of PTO.



    Review of I Saw the Devil



    This is legit one of the best thrillers I have ever seen. It’s well written, and it doesn’t waste a minute of it’s 2:24 runtime. It makes me miss the serial killer thrillers of the late nineties and 2000s. As with any thriller, people may argue whether or not it is a horror movie. I ignore these people, because they have too much time on their hands. and this is on letterboxes top 250 horror movies, so that’s something. I will say if you are looking for disturbing and gory imagery, this film has it.



    I Saw the devil doesn’t shy away from giving us the killer Jang Kyung-chul’s perspective, which can be disturbingly voyeuristic and horrifying in its simplicity. The brutal confrontation scenes with the protagonist being a proto John Wick balances out the film with a sense of catharsis and perverse satisfaction of the killer getting his comeuppance. However, they come at a price. The film asks the viewer “can a man use evil against evil and come out unscathed?” .



    This is one of those movies that’s so perfect in its concept and construction that it makes me wonder how it hasn’t been done before. It’s deceptively simple, but is actually an impressive balancing act of being disturbing, thrilling, funny, and ultimately satisfying.



    Score



    10/10

  • Synopsis



    In a post apocalyptic world, Nic cage raises two teenage boys he rescued as babies. Unfortunately for cage he is made aware of the simple fact that teenagers don't stop being teenagers just because everyone's lives are at stake. These two boys couldn't be more different and are constantly arguing, picking on each other and getting into mischief. Each night the young boys and their father batten down the hatches and prepare for the invasion of strange and mystical creatures that threaten to break down the doors and devour them all. It is soon discovered that their bunker may not be as safe as they once hoped and the family must learn how to take responsibility for themselves and survive in this impossibly desolate world. 



    Review of Arcadian



    Another day, another random horror movie starring Nic cage. This man will really take any role at this point, which is unfortunate because I feel like he was underutilized in this film. Not that I think cage has to be the main character in every movie he is in, but his character is pretty quickly disposed of for the majority of the movie which i think may not have been the right move. This cant even really be classified as a true Nic cage movie, as he is more of a supporting character with very little screentime. Despite that, I think the other characters manage this movie pretty well on their own. I like the brothers and their differing personalities. Each one brings their own emotional struggle to the film and I felt like I could relate to each of them in different ways. For the first half of the movie the monsters are well obscured in the darkness, and the glimpses that we do get of them are pretty terrifying. However eventually we get a little more “showing the monster” than I think is warranted and they end up looking a little silly by the end of it. There is some good character development, emotional moments, and intense scenes which make this movie a pretty easy watch. I didn't find myself checking the time hardly at all, and I was really interested to see how things would play out. The themes of having to grow up too fast, and taking ownership of your own mistakes are well played out.



    Score 7/10

  • Synopsis



    In this installment of Final Destination a young woman named Iris defies death while on a romantic date with her boyfriend saving many lives. But death wont be cheated so easily. These sleepy citizens may have lived to see another day, but fate is on a mission to hunt them down. Years later, Iris’s children and grandchildren are caught in the crosshairs as death creeps along their bloodline leaving them in…shall we say…sticky situations. 



    Review of Final Destination: Bloodlines



    I have never been a fan of the final destination movies. They have one gimmick, and they stick to it no matter what which usually leaves me counting the remaining survivors in an attempt to guess how much longer I have to sit there and watch the movie. I was pleasantly surprised by this film. Don't get it wrong folks, it is exactly the same gimmick as before, but I felt like this movie uses a little more charm than other Final Destination movies I've seen. There are multiple nods and winks to the audience as the film sets up laughably stupid death scenes, just to pull back and be like “just kidding. You really thought we would kill the character off with this stupid trick?” Only for the rug to be pulled as another equally as stupid death scene unravels in a bloody mess. It subverted my expectations a couple times and genuinely caught me off guard with some horrific events that I did not see coming. The red herrings keep the movie interesting, as you can never really know when something is about to happen. The camera is zooming in on this warning label showing a man being crushed by a vending machine. Is that important? No. But for a second you thought it was. The deaths are gruesome but somehow look kind of real. These movies have a history of showcasing the most elaborate Rube Goldberg death scenes that while creative have never felt interesting to me. But this movie felt different. I really liked every death in the movie and I think its worth going to the theatre to experience them on the big screen. 



    Score 7/10

  • Tigers Are Not Afraid is a harrowing tale of young children trying to survive among cartels, ghosts, and dream logic. Listen to our full review this week on Horror Movie Talk.















    Synopsis



    Tigers Are Not Afraid is a horror/fantasy/drama that takes place in a border Mexican town devastated by drug cartel crime. Estrella is a young girl who is given three wishes by a teacher and after she discovers her mother has been killed, she joins a gang of other child orphans. While they are on the run from a cartel, Estrella tries to use her wishes, but they don’t come true how she wants them to, and she is haunted by the ghosts of cartel victims.



    Review of Tigers Are Not Afraid



    This is a beautiful and ugly movie. Very quickly you realize that the real horror in the movie is the reality in which these kids live and not from the supernatural elements. It is reminiscent of early Guillermo del Toro movies and reminded me of the Brazilian City of God. However this film is unique in its composition and blend of genres. The majority of the plot and suspense comes from the dramatic real life elements of the story. You are drawn in by these children who are too young, too helpless, and too poor. They are pathetic in the truest sense of the word, since the strongest emotions elicited by the film are pity and sadness.



    The supernatural and horror elements of the film are ever present, but take a backseat for the most part. The audience is give. room to interpret whether they are “real” or only in the mind of estrella.



    For me, it’s an undeniably effective film. I was brought to tears several times throughout the movie, especially at the end.



    It’s a beautiful evocative film. Moments of beauty are created in the ugly apocalyptic surroundings. Moments of wonder and hope are present but rare, giving contrast to the horrors surrounding them.



    It’s a great film, and has stuck with me for the past three days since watching it. I’d put it up against any of my favorites in the genre.



    Score



    10/10



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  • Synopsis



    This film follows Kakihara, a sadomasochistic yakuza whose boss goes missing. He sets out on a path of kidnapping and torture to find the man who did this, only to find out that the culprit, Ichi, is a complete sadistic psychopath. Chaos and gore ensue.



    Review



    This movie is a lot better than I remember, and I remember loving it. The opening sequence hooks you immediately, with sped up camera movements and manga like color grading at times. This reveals to the viewer that what you’re about to watch isn’t a typical action/horror film. This movie does have its problems, as it has laughably bad CGI at times, but if you can get past those three or four shots you can enjoy this movie. My other issue with the film is the treatment of the women on screen. It’s absolutely devastating, depraved, and nausea inducing. To be fair, mostly everyone dies in this movie and whether you’re a woman or not in this world, you’re gonna get tortured. So I guess it’s kinda fair in the end.



    At first glance it’s very much torture porn, but there’s a real story there that provokes humanity’s most suppressed subconscious emotions. Ichi the Killer exemplifies the unpredictability of human perseverance and the utmost underbelly of society.



    This movie does not beg you to sympathize or revel in its grotesqueness. It wants you to be uncomfortable, it does not want you to like these characters at all. I love cinema that makes me squirm. I would be remiss not to mention that the costumes are divine, especially our main man Kakihara's fly suits. The iridescent one he wears in his final scene is stunning. 



    I really do love this movie, it can be extremely tough to watch at some particularly gory times, but it’s great if you can stomach it. Just don’t try to eat dinner while you watch it. 



    Score



    8/10

  • Synopsis



    Peter Neal played by Anthony Franciosa is a famous author of crime/mystery novels. After the release of his new hit book Tenebrae, Peter travels to Rome to promote his story through interviews and morning talk shows. However, Peter is quickly caught up in a real-life mystery involving brutal deaths linked to his book. The police (big fans of his work by the way) keep Peter in the loop as they work together to crack the case, but things quickly get out of hand as the murders stack up. But forget about the violent crimes, the real question everyone is dying to know the answer to is, “Are Peter’s books sexist?”



    Review of Tenebrae



    Tenebrae is a 1982 Italian Giallo film written and directed by Dario Argento, who you may recognize from the hit classic Suspiria. For some reason, I really struggled to get into this movie for the first thirty minutes, but as the themes of the movie started to reveal themselves I became far more interested in seeing the rest of the film play out. I expected this movie to be just as easy to predict as most mystery horror -who-done-it movies tend to be these days, but I was pleasantly surprised to find that I guessed the killer incorrectly not once, not twice, but like six times. The movie does a great job at misdirecting your focus and creates a web of motives for everyone involved until you are sure the killer is definitely this person! Only for that person to die in the very next scene. This happens all the way up to the end of the movie, and the audience is left in the dark about a lot until the last 10 minutes. I enjoyed this more than I expected to. 



    Score 8/10

  • Synopsis



    Until Dawn follows Clover and her group of friends as they travel the country following her missing sister Melanie’s trail. After meeting a kind old man at a gas station who points them in the right direction, the crew finds themselves waiting out a rainstorm in a spooky abandoned motel. Clover is desperate to find her sister, and clues within the building lead her to think that Melanie was here. All seems to be going according to plan until disaster strikes and our young hip protagonists are plunged into a life-or-death fight with a masked maniac Michael Myers wanna be.



    Review of Until Dawn



    I did not know that this was a movie adapting a video game until the movie started with the PlayStation Logo. Having not seen the trailer and bringing zero experience playing Until Dawn into my viewing experience, I think I was set up perfectly. The premise of the movie, which I'm going to spoil now so if you don't want to know skip this part but I assume it gives this away in the trailer and game, is that people who enter the motel are stuck in some sort of hellish time warp, causing them to relive their deaths over and over. The movie did a great job of setting up the characters in the beginning and I was starting to feel very invested in their relationships when suddenly every character except for Clover was killed within 5 minutes. I was baffled and about ready to give this movie a very low score for undermining its own character development, when suddenly I was introduced to the time warp aspect and it all finally made sense. Its a really fun idea, and it has the built-in advantage of being able to pack in lots of fun and gory death scenes without losing its main cast or requiring a ridiculous amount of characters. I felt that the acting was pretty good, the story was far more filled out than most video game movies are, and the themes that emerged towards the end were satisfying. The movie suffers from some of the same things other video game movies like Silent Hill suffer from, such as needing to introduce all of the iconic bad guys without having the time to tell the audience who or what they are. Who is this masked killer? Don't worry about it. He's just evil. Who is this witch? Don't think too hard. She's just one of the bad guys. I enjoyed this movie quite a lot more than I expected to, but it is still far from a perfect film.



    Score



    8/10

  • This week we review Ryan Coogler’s Sinners. Is this movie cursed, or is Horror Movie Talk cursed? Stay tuned to find out.















    Synopsis



    Sinners stars Michael B Jordan and Michael C Jordan as twin brothers Smoke and Stack returning from Chicago with ill gotten gains to their hometown in rural prohibition era Mississippi. They immediately work on establishing their own juke joint to entertain and profit off the locals. They go around town recruiting old friends and relatives to help and successfully have a grand opening. When the music pierces the time and space as it is prone to do, it captures the attention of nearby evil… things. Wacky hijinx ensue.



    Review of Sinners



    Ryan Coogler writes and directs his first horror film coming off of his success with blockbusters like Black Panther and Creed. Here he obviously draws inspiration from Robert Rodriguez’s From Dusk Till Dawn, where it feels like one genre and then suddenly shifts into a horror film. However, we are given fair warning from the opening scene that shit is about to go down.



    There is a lot going on in this film. It explores a lot of ideas about good and evil, guilt, exploitation, racism, the transcendence of music, and pro tips on how to eat pussy. Not all of these themes are fully explored or necessarily land, but I have to respect the ambition and swing for the fences attitude of Coogler with this film.



    The film does have a great cast, with fully fleshed out characters and relationships. It spend a lot of time with the setup so that when the killing starts to happen there are real stakes (no pun intended). It feels like a Stephen King novel in the best way.



    A large element of the film is the music, with several musical sequences featuring blues, folk music, and weird afro-blues-rock-hiphop-pop fusion. The musical director on the film is swedish composer Ludwig Göransson, which is probably the most promising new film composer in recent years having scored The Mandelorian, Oppenheimer, Black Panther, and more. In my opinion, he is out of place here, and a lot of the musical score seems out of place and distracting. For a film about delta blues and juke joints, they seem almost embarrassed to include a lot of it.



    Overall, the film was very good. It held my attention, features a setting and characters that are interesting, and delivers some great monster moments.



    Score



    9/10

  • Synopsis



    Eight college friends reunite the evening before one of their weddings to catch up, hang out, and unexpectedly play a game that will change all of their lives forever.



    Review



    I like this movie a lot. It’s so much fun. It’s fast paced, the lighting and editing keeps you highly engaged, and the plot is simple but effective. I love the interpersonal drama that carries most of the movie, and without giving too much away, how it all plays out is very interesting. The first time I watched this I definitely didn’t anticipate the final twist, which was really exciting. Although this isn’t traditionally scary, the thought of it happening to you sends a shiver down your spine. It’s a very fun, lively movie and I had a blast watching it again for the pod. Before we get into any spoilers whatsoever, I believe this is a movie watched best going in blind, so pause the show here and come back when you’ve seen this.



    Score



    8/10

  • Synopsis



    The Woman in the Yard is a blumhouse produced movie about a family living on a farm trying to make ends meet after a disastrous car accident which left the father dead, and mother crippled. As this broken home traverses the everyday trials of a grieving family, a mysterious woman appears on a chair in their front yard. Attempting to speak to the woman reveals very little about her motivations, so the family barricades themselves in the house hoping to wait her out. Without electricity, a working vehicle or cell phones, the mother and her two children are completely isolated.



    Review of The Woman in the Yard



    The cinematography is strikingly beautiful for such a low effort film. While the acting ranges from really good at times to borderline over-acting, the script does not do our actors any favors. This leaves the film lacking in character development and meaningful relationships. The movie is very barebones as far as plot, and hardly anything of interest happens most of the movie. It starts with a good idea, but completely undercuts it by having the woman in the yard be normal looking and unthreatening. The ending is ambiguous, which may be a good thing for some viewers, but for me it contains too many loose ends and "what if"s.



    Score



    3/10

  • This week we review Death of a Unicorn! Stay tuned to find out whether the laughs are real or mythological.















    Synopsis



    Paul Rudd plays the hapless single father Elliot to Jenna Ortega’s, art history student Ridley. They both go on a work trip to a remote estate of Elliot’s boss in a former wilderness preserve. While on driving there, they accidentally collide with a horse beast with a horn protruding out of it’s head. Just a single horn. Like a uni-horn. When they try to hide the evidence from the CEO and his family, wacky low jinks ensue.



    Review of Death of a Unicorn



    While this film has an interesting premise and a good cast, the words that kept playing through my mind while watching this is “half baked”. Not like the wacky movie staring Jim Bruer and Dave Chappell, but more like a mouthful of hot brownie batter. It sounds good, but is actually disappointing. While there were a few situations in which I did laugh, they were few and far between, because what this horror comedy lacked most was jokes and bits. 



    The characters were all 2 dimensional, which in a comedy can be counteracted with broad caricature, but the writing here attempts to be subtle and low key with poor results. In fact, Paul Rudd’s character, ostensibly the second protagonist ends up being so wishy washy, that I was confused if he was supposed to be one of the villains. Jenna Ortega isn’t as stone faced as usual, but she doesn’t have much to work with here. In fact most of her dialogue felt like it must have read [fill in later]. Probably the most successfully subtle character is Anthony Carrigan’s Griff the butler.



    There were some good gory death moments. The expected impalements are here. There are some good headsplosions. But it’s not enough.



    I usually think it’s a cop out to say a movie’s CGI is bad, but for a movie dependent on monster design, they should have spent a little more time and money dialing in the unicorns.



    Score



    4/10

  • Synopsis



    Hush follows Maddy (Kate Siegel), a deaf writer living in the middle of nowhere. She settles in for a quiet night of working when her friend turns up screaming and bloody at her door, but Maddy does not notice. The assailant figures out Maddy is deaf and a deadly game of cat and mouse ensues.



    Review



    The first time I watched this movie I really enjoyed it, but upon second watch it wasn’t as effective for me. I think it’s because if you know how it ends, it’s not going to be as exciting the second time around. I still liked it and Mike Flanagan is an incredible director, I very much enjoy most of the stuff he puts out. It’s a typical home invasion movie and the twist of having a deaf protagonist is inventive and works well. Kate Siegel is always great to watch, and the antagonist is pretty good as well. It’s a simple movie, and it works best to watch it without knowing what happens. It’s not the best, but it’s a quick 80 minutes and satisfies the horror itch.



    Score



    6/10



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  • Synopsis



    Eraserhead is a movie about an awkward man named Henry who reconnects with his lost lover Mary over a lovely dinner of small chickens. They're the same as the big chickens except for small. After finding out the shocking news that Mary has given birth to Henry's child, the two get hitched and strap in for the slow steady life of a settled family. The baby soon causes turmoil in the young couple's life and Henry must learn what fatherhood truly means in the depths of the sleepless nights and constant screaming. There's some other stuff that happens but honestly I don't know what any of it means.



    Review of Eraserhead



    Eraserhead is one of those movies that I want to like more than I do. The whole time I'm watching it I'm sitting there thinking to myself “Yes! This is so unique and thought-provoking. I'm so glad art like this exists! …how much longer is left of this movie? I found myself checking the runtime at several points hoping it was almost over only to realize only 15 minutes had passed by. However, to this movie’s credit, it truly is a spectacle. Many have likened this movie to what experiencing a nightmare or a strange dream feels like. Time moves awkwardly slow, a low hum and sharp static hang over most of the scenes, and even the mere movements of the characters feel so off. If you are going into this movie expecting to understand it or get the message, you may be disappointed to find that there may not even be one. Though despite Lynches ethereal style of movie making I still feel like I caught themes of the stress of marriage and fatherhood, dealing with overbearing prudish in-laws, and the horror that is whatever newborns simply are. As a father of a small baby myself, I felt an attachment to the small creature that they attempted to pass off as a premature child, and the sheer fragility of an infant felt close to home for me. This movie pulled off the exact feat it was going for. It made me feel something. Even if that something was an eerie, stilted, boring, nervous feeling, at least its something. I said a lot of negative things but in reality I actually do find value and even enjoyment in this movie in a weird kind of way.



    Score 7/10

  • Due to recent controversy with the recent Scary Movie episode featuring Horror Movie Talk (HMT) owner David Day, We are releasing the following announcement to the press.

  • This week we’re reviewing SCARY MOVIE, a spoof of 90s slashers and more. Here to defend 90s humor with me is David Day, stay tuned.















    Synopsis



    A masked killer stalks a group of dumb teenagers a year after they accidentally kill a man. Borrowing from the major plot lines and scenes of Scream and I know what you did last summer, this slapstick raunchy comedy properly spoofs the major teen horror movies of the late nineties.



    Review of Scary Movie



    It’s been a long time since I originally saw Scary Movie in the theater, and to me it was a breath of fresh air. You can debate the consistency of the quality of humor, but what you can’t debate is the pace of the humor. The jokes per minute is strong in this movie, and even if one bit doesn’t land, there will be another one that will in about a minute. What is really crazy is how timely some of the jokes are in a movie 25 years old. You’ve got mentions of diddy parties, trans in competitive sports, and teacher sex scandals. 



    Score



    10/10

  • Synopsis



    This film follows the teenage Jessie, played by Elle Fanning, who moves to LA with dreams of becoming a model. She meets some veterans in the industry, Rubi, Gigi, and Sarah and forms a friendship turned rivalry with them as they all try to make it to the top. Jessie soon learns the ways of the cutthroat world of modeling, and how everyone around her would do heinous things for her youthful beauty.



    Review



    I absolutely love this film. This is my third watch, and I swear it has gotten better every time I’ve seen it. The cinematography, coming from the iconic Nicolas Winding Refn, is something to be revered. The way he uses color and light and blocking to symbolize changes in character’s personalities and ways of life is astounding. This film is gorgeous, and the message it conveys is something that women can all understand and relate to, regardless if you’re a model or not. It’s a deep dive on beauty standards and the predatory nature of society towards women, and little girl's beauty in general. This isn’t scary at all visually, but there are some horrific scenes and imagery that might make you look away from the screen. All in all, it’s a fantastic film, and criminally underrated.



    Score



    10/10

  • Are you scared of toy monkeys? Should you be? Listen/watch our review of The Monkey (2025) to find out.















    Synopsis



    When twin brothers Bill and Hal discover a treasure trove of souvenirs in their absentee father’s closet, they find a toy drumming monkey. Soon they discover that whenever they turn it’s key, a horrific death occurs in their vicinity. After inadvertently killing a loved one, they decide to hide the monkey down a well to protect others. Two decades later Hal discovers that the monkey is killing again, and he must track down the Monkey and stop it with his teen son.



    Review



    This film is Osgood Perkins followup to Longlegs and is an adaptation of a Stephen King short story. I didn’t know what to think going into it. The trailer had a a strong sense of dark humor, but since Perkins’ other films didn’t rely on humor as much, I wasn’t sure if he could deliver.



    But deliver he did. This fast paced death fest is fueled by a great script full of dry dialogue as a counterpoint to the absurdity of the plot. It’s like a cross between Final Destination movies and Dragnet.



    Theo James does the heavy lifting as the hapless Hal being tortured by not only The Monkey, but also by almost everyone he meets. His resigned everyman is the perfect straight man for the insanity happening around him.



    The insanity takes the form of crazy, over the top deaths that are served in a steady drip line throughout the movie. It’s got decapitations, explosions, trampling, and more.



    Score



    9/10

  • Bullying works! I finally made the guys watch a David Lynch Film!











    Synopsis



    Fire Walk With Me serves as a prequel to the hit 90s tv show Twin Peaks, following the seemingly inexplicable murder of a high school girl named Teresa Banks, investigated by FBI Agent Chet Desmond (Chris Isaak) and Agent Sam Stanley (Kiefer Sutherland). Flash forward to a year later and we get to go back to Twin Peaks to see the last few days of the tragic Laura Palmer’s (Sheryl Lee) life, and the events that led to her untimely demise.



    Review



    I originally watched Twin Peaks in high school due to seeing so much about it on Tumblr and it ended up being my intro to Lynch’s work. I love the show so I checked out the movie afterwards and it blew my mind. This is either the third or fourth time I’ve seen it, and it’s just as effective as the first. It’s eccentric and unsettling enough to keep you on your toes as you watch, but it also keeps so many secrets to the truth about Twin Peaks, about Bob, about Laura that it leaves you wanting more (and then you can watch The Return to satisfy that itch). It’s an incredibly dreadful movie, starting with the jarring beginning played like a buddy cop movie, with a dead girl who isn’t Laura, within a town not as welcoming and heartwarming as Twin Peaks is. Cut to Laura’s final days, and as a fan you are excited to feel some sense of stability, of normalcy, but that is all soon ripped away from you as you experience the horrors alongside Laura. It’s a harrowing film, a divisive film, a horrifying and dreadful viewing experience with little catharsis but a whole lot of secrets that without watching it you would feel lie you missed out on something special. This is truly one of my favorite films of all time, and definitely my favorite David Lynch movie. It is such a special thing to peer into Laura’s world, albeit very stressful and depressing.



    Score



    10/10