Avsnitt
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Material Histories of Medieval Iberia, held on Wednesday 2 June 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).
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Material Histories of Medieval Iberia, held on Wednesday 26 May 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).
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Material Histories of Medieval Iberia, held on Wednesday 19 May 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).
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Material Histories of Medieval Iberia, held on Wednesday 12 May. Part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).
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Material Histories of Medieval Iberia, held on Wednesday 5 May 2021. Part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).
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Material Histories of Medieval Iberia, held on Wednesday 28 April 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).
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Professor David Ekserdjian gives his seventh Slade Lecture on Barocci’s drawings for the Madonna del Popolo. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'.
David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication. -
Professor David Ekserdjian gives his fifth Slade Lecture on Parmigianino’s drawings for the Madonna of the Long Neck. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'.
David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication. -
art, drawing, painting, visual arts, italy David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'.
David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication. -
Professor David Ekserdjian gives his third Slade Lecture on Raphael’s drawings for the Stanza della Segnatura in the Vatican Palace. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'.
David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication. -
Professor David Ekserdjian gives his second Slade Lecture on Michelangelo’s drawings for the Sistine Chapel Ceiling. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'.
David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication. -
Professor David Ekserdjian gives his first Slade Lecture on Drawing in Italy before 1500. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'.
David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby’s and Christie’s, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication.
