Relaterat
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"Presse"-Musikkritiker Wilhelm Sinkovicz präsentiert jeden Donnerstag seine Lieblingsaufnahmen und lädt uns ein, mit ihm in seiner Klassiksammlung zu wühlen und einzudringen in die Geheimnisse von Mozart, Bach, Beethoven und anderen. Ein Podcast für Kenner und Neulinge: Jeden zweiten Samstag stellt Katrin Nussmayr im Einsteiger-Format "Klassik für Taktlose" neugierige Fragen.
Jeden Donnerstag auf der Webseite der "Presse" und überall, wo es Podcasts gibt.
Produktion: Wilhelm Sinkovicz/www.sinkothek.at
Audio-Finish: Georg Gfrerer/ www.audio-funnel.com.
Redaktion/Konzeption: Anna Wallner
Grafik: Adobe Stock -
Shock’Wave es un programa de electro, que cuenta la historia de las corrientes de la música electrónica y que destaca todas las novedades del escenario de la electro mundial. Shock’Wave os hace descubrir Dj’s y colectivos que de manera muy creativa revolucionan la electro. Desde Kraftwerk pasando por Parov Stelar hasta Disclosure, con Shock’Wave entramos en la burbuja electrónica.
Shock'Wave is an electro show that tells the history of electronic music streams and highlights all the developments in the global electro scene. Shock'Wave makes you discover DJ's and creative groups that are revolutionizing the electro. From Kraftwerk passing by Parov Stelar to Disclosure, with Shock'Wave you’re part of the electronic bubble.
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Podcast highlighting high-profile album releases in pop music. Discussing the campaigns that grabbed the general public's attention (or should've). This includes the track-listing, singles, performances, and roll-out. You'll find artists like Lady Gaga, Lil Nas X, Britney Spears, and Taylor Swift.
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Einer von uns ist Jahrgang 1992, der andere Jahrgang 1981. Eine knappe Dekade, die uns trennt – in Sachen Popkultur eine Ewigkeit. Also reden wir drüber: Welche Musik wir geil fanden, welche Bands uns begeisterten, welche Filme wir liebten, generell: was uns popkulturell geprägt hat in unserer jeweiligen Jugend, und was es uns heute noch bedeutet. Ein Podcast von BERSERKER (Musikjournalist) und SCHIMANSKI (Musikproduzent), die in jeder Folge in die Zeitmaschine steigen, um den Blick zurück zu wagen. Denn: Früher war nicht alles besser. Früher war einfach. ACHTUNG: Dies ist die Variante ohne Musik, Musik + Talk-Episoden sind exklusiv auf Spotify. Kontakt, Instagram, etc. hier lang
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Подкаст "Коллекция Мюзиклов" - это аудио-шоу, посвященное самым известным мюзиклам, которые когда-либо ставились на сцене. В каждом эпизоде ведущие расскажут о том, как развивался жанр, какие мюзиклы считаются классикой жанра и почему они так популярны до сих пор.
Еще больше музыки на montecarlo.ru
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A focus on important musicians and the songs that changed, and are changing, the world.
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Was wären die großen Momente, Gefühle und Entwicklungen unserer Zeit ohne den passenden Soundtrack? Im uDiscover-Podcast „Sound Of …“ widmen wir uns der Musik, die unzertrennlich verbunden ist mit unserem Leben – nicht nur auf persönlicher, sondern auch auf kollektiver Ebene.
In der ersten Staffel „Sound Of Resistance“ konzentrieren wir uns auf die Genres, herausragenden Künstler:innen und Aufnahmen, die sich gegen den Status quo gestellt, gesellschaftlichen Wandel vertont und ganzen Bewegungen auf unterschiedlichste Weise eine Stimme gegeben haben.
„Sound Of” ist ein Podcast von uDiscover – deinem Zuhause von Platten, Musik und Popkultur. Hier kannst du dich zu unserem Newsletter anmelden, um keine Stories deiner Lieblingsartists mehr zu verpassen.
Hier gibt's die Playlist zum Podcast: https://open.spotify.com/playlist/65IjGmR9JQhDX1kI8zSv6b?si=bfb1cc3f5b1f44b8
Das Plattenregal zum Podcast: https://store.udiscover-music.de/p30-i3633
Hier findest du unser Online-Magazin: https://www.udiscover-music.de/
Executive Producer: Laura Langenbach, André Hofer
Moderation: Laura Langenbach
Produktion: Laura Langenbach, Christina Wenig, Stefan Ernst
Redaktion: Christina Wenig, Björn Springorum
Hosted on Acast. See acast.com/privacy for more information.
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Eine der unterschätztesten Bands überhaupt - Supertramp. Crime of the Century sollte einen wesentlich höheren Stellenwert in der Musikgeschichte haben - und Breakfast in America steht in keiner Liste, als das perfekte Popalbum. Damit sich das ändert, hat Markus Dreesen Stefanie Schweda eingeladen, die eine profunde Supertramp Kennerin ist und zusätzlich auch ein Herz hat, das für Roger Hodgson schlägt. Zusammen mit Markus Dreesen, der eher in der Rick Davies Fraktion ist, stellt sie 5 Gründe vor, warum jeder und jede Supertramp lieben müssen.
Hosted on Acast. See acast.com/privacy for more information.
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Kris Kristofferson - Pilgrim Poet Prophet
Kris Kristofferson wears many coats - gifted Grammy-winning singer-songwriter, Golden Globe actor, Country Music Hall of Fame inductee, tireless humanitarian. His storied career mixes artistic innovation and integrity with good old-fashioned rambling and rebellion. As one of the seminal figures crystallizing the progressive Outlaw Country scene in the 1970s, Kristofferson penned classic tunes recorded by legends Johnny Cash, Janis Joplin and Willie Nelson. His resonant baritone voice perfectly matched sensitive lyrics celebrating soulful nonconformists and walking wounded pilgrims. An enigmatic mix of brooding intensity, erudite charm and roguish humor both on screen and off, Kristofferson championed political justice from farm worker and Native American rights to opposing state-sanctioned violence. Now into his 80s, though considerably less hell-raising, his poetic propensity for wrestling with existential and romantic mysteries through song remains uncompromising.
Rhodes Scholar Rebel
Born in Texas border town Brownsville in 1936 to an Air Force Major father, Kristofferson enjoyed a peripatetic military upbringing before accepting a prestigious Rhodes scholarship studying English Literature at Oxford University. However, the staid academic track left him cold. After joining the Army as a helicopter pilot, Kristofferson soon found himself regularly going AWOL for weekends trying to break into Nashville’s music scene. The mounting tensions of avoiding expulsion from the military while itching for more creative freedom catalyzed Kristofferson to bitterly resign his coveted post in 1965 - a shocking life gamble that alienated family expecting further military distinction.
Now with everything staked on making it as a musician, Kristofferson weathered lean early years mopping floors in a recording studio while struggling to get songwriting breaks. But prolific output averaging a song a day matched by staunch refusal to tailor material towards safer radio-friendly country soon earned notice from fellow outliers like Johnny Cash. As Cash’s star producer, Bob Johnston began including Kristofferson originals on Cash’s late-60s albums, widespread exposure followed with peers clamoring for more of his soul-searching story-songs themed around seeking purpose through rootlessness. Vietnam protest anthems “The Soldier” advocating anti-war conscience and “Bobby McGee” celebrating hippie vagabond idealism particularly resonated as countercultural touchstones. Kristofferson’s early supporter Cash later hailed his poetic sensibility fused to rugged grit declaring him “a walking contradiction...fighting for freedom, speaking out against things he thinks are wrong, standing up for things he thinks are right.” Janis Joplin’s chart-topping cover of “Me and Bobby McGee” soon cemented Kristofferson’s reputation as one of music’s most sensitive truth-tellers. Outlaw Icon
The stunning success of “Me and Bobby McGee” bought Kristofferson breathing room to develop his idiosyncratic songcraft even further. Teaming up with maverick producer Fred Foster, his 1970 debut album Kristofferson emerged a phoenix from years of struggling obscurity. The lyrical ballad “Sunday Morning Coming Down” went straight to Number One that year and broadcast to Middle America the hungover pathos, loneliness and longing more often confined to country music shadows rather than pop spotlight. As Kristofferson’s original songs turned to romantic anguish fueling the dazzlingly prolific early 70s, his laconic charisma, Hollywood handsome looks and fearless vulnerability captivated listeners and famous admirers alike. Friend and collaborator Willie Nelson praised Kristofferson’s arresting introspection telling Rolling Stone “Here was this soldier/songwriter with some truly different ideas.” Kristofferson soon counted pals and partners ranging from Dennis Hopper, Billy Swan, Gary Busey and songstress Rita Coolidge who later became his wife.
Kristofferson also attracted major acting opportunities in cult films like Pat Garrett and Billy the Kid alongside longtime influence Bob Dylan. Major lead roles opposite Barbra Streisand and in Martin Scorsese’s Alice Doesn’t Live Here Anymore further revealed magnetic screen presence. Kris and Rita Coolidge’s slice of Malibu bohemia hosted celebrated musicians like Bob Dylan while championing native and farm worker justice amidst 1970s frontline activism. However, crises followed in the wake of early grammy collecting triumphs. Kristofferson’s escalating substance use and womanizing fueled turbulent family life and career inconsistencies for much of the late 70s. Yet signature classics kept coming including 1977’s epic “To Beat the Devil” showcasing the songwriter’s muscular focus and masterful economy of language: “If you waste your time talking to the people who don't listen/To the things that you are saying, who do you think gonna hear/And if you should die explaining how the things that they complain about/ Are things they could be changing, who do you think's gonna care?”
Lion in Winter
As the 1980s unfolded, Kristofferson continued exploring acting with grittier character portrayals in more obscure films while raising his young children in pastoral isolation he dubbed The Shoal Creek Saloon. Musical output winnowed down to a trickle until a new creative lease followed clean living and third marriage in 1983. Several critically acclaimed late-career albums put musical punctuation marks on a distinguished legacy with sparse acoustic backdrop letting timeworn vocals shine. While film opportunities dried up, Kristofferson joined fellow Outlaw geriatrics Willie Nelson, Johnny Cash and Waylon Jennings for supergroup The Highwaymen's chart success and touring from 1985-95 cementing their era-defining status.
Slowing down in his mid-70s, lifetime recognition arrived through induction to the Songwriters Hall of Fame and Country Music Hall of Fame. After decades of amplifying marginalized voices since his Vietnam-era glory days, Kristofferson’s latter decades keep his political conscience intact protesting against corporate agriculture and mass incarceration while supporting LGBT equality.
From Army captain to wasted Nashville song-plugger to charismatic ladies’ man, Kris Kristofferson took an unorthodox path to reach heroic cultural influence. His fiercely independent spirit shares poetic dispatches from the frontlines of a rand life where shadow and light dance. Through over 500 songs and 70 acting credits burnishing his legacy as a consummate artist, Kris Kristofferson modeled creative authenticity and bridge-building conscience few achieve with his boldness. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts. -
On the register, we listen to an album in its entirety and discuss it. We talk about possible lyric meaning, our likes and dislikes, and our overall feeling about the album. This podcast is opinion based and meant to be fun. We are in no way, shape, or form music critiques or experts. Our goal is to discover new music, revisit albums from our past, and albums we may have missed along the way. In the future we will invite friends and other guests to give their perception.
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Bay Area Radio Personality Marla Davies Hosts Festival Nation - which Celebrates The Magical World of Music Festivals. Each week we'll talk to musicians, cultural icons and fans about the Festival spirit and the enduring power of music to influence, enlighten and empower. Proud part of Pantheon - the podcast network for music lovers.
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dublab Radio presents a monthly series featuring some of the best live performances captured in its LA studio and beyond. Subscribe and experience the ever-curious and cross-genre explorations that have come to define dublab over its 20 years of broadcasting.
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Wir reden über Musik. Konkret: Wir reden über Jazz! Wir, das sind Dieter und Stefan aus dem eh immer schönen Wien. Wir lieben Musik, wir lieben vor allem Jazz. Wir haben uns vorgenommen, in unseren Podcast-Folgen jeweils über ein bestimmtes Thema, sei es ein Musiker, eine bestimmte Spielart des Jazz, ein Instrument, oder wozu auch immer wir Lust haben, zu sprechen - nicht als Profis, sondern als Musik- und vor allem Jazzliebhaber.
Bitte beachtet auch unsere Playlists auf Spotify. -
Engaging interviews with established and rising electronic music producers. Insights from leading voices and influencers. Covering a wide array of micro genres for a truly deep look into the diversity and vibrancy of electronic music.
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Aus allen musikalischen Genres und Zeitepochen gibt es Musikstücke, die die Mehrheit der Menschen kennen. Oft weiß man aber nicht wer den Hit geschrieben hat, wer ihn singt oder was überhaupt dahinter steckt.
Eine Mischung aus Musikgeschichte und Gesprächen mit ausgewählten Gästen (Musiker*innen, Sänger*innen, etc.) - gemacht für alle Musikbegeisterten!
Gastgeberin ist Angelika Ortner, Musikerin aus Wien, die mit Witz, Leidenschaft und kompetenter Lässigkeit durch jede Episode führt. Am Ende wird immer die Frage "Was können Kunst und Kultur zu einer besseren Zukunft beitragen" gestellt und natürlich auch von allen Interviewpartner*innen beantwortet ... -
"Pelham & Wehn retten die Welt" - der alle drei Wochen erscheinende Podcast von und mit Moses Pelham und Jan Wehn, bei dem vermutlich die Welt nicht endgültig und vollumfänglich gerettet werden kann.
Moses Pelham ist Produzent, Autor, Rapper und Betreiber des Frankfurter Musiklabels 3p. Jan Wehn ist Musikjournalist und Buchautor und in diesem Betätigungsfeld eine der angesehensten Persönlichkeiten im deutschsprachigen Hip-Hop. Die beiden sprechen in ihrem Podcast über alles, was sie gerade bewegt.
Hosted on Julep Hosting https://www.julep.de/hosting/ -
Salsa romántica Marcos Rivera
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BACKSPIN steht für Hip-Hop. In Love'N'Hate sprechen Boogiedown Base, Niko und Emma über Rap, DJing, Breakdance und Graffiti. Dazu sollte man wissen, dass die Hip-Hop-Heads im ewigen Clinch mit dem liegen, was heute unter dem Begriff Hip-Hop verbreitet wird und versuchen mit dem Podcast das Gleichgewicht für die klassischen Werte zu halten.
Dinge unter'm Radar, ein kritisches Auge auf's aktuelle Zeitgeschehen, aber immer mit viel Liebe für Hip-Hop. Das ist Love'N'Hate.
Das zweite Format "Talkin' with the B-Base" geht in eine ähnliche Richtung: Darin sprechen Niko und Base über Künstler:innen aus dem Deutschrap-Untergrund. Dazu gibt's noch Kurz-Interviews mit den Rapper:innen und natürlich ist auch Dan hier dabei und sorgt für die musikalische Untermalung. Checkt das aus! -
“Out of the Main” is a podcast celebrating one of the most proficient and accomplished eras of musicianship and studio production, including yacht rock, west coast AOR, and related sophisticated music from the 1970s and 80s. “Out of the Main” was launched by two of the era's biggest fans—both musicians themselves—who, like a growing wave of aficionados all around the world, have been exploring the history, the enjoyment, and now the future potential of the West Coast sound, even as it continues to this day. Join the revelry. Partake in the nostalgia. Tune in to artist interviews. Discover Support this podcast: https://podcasters.spotify.com/pod/show/outofthemain/support
