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FilmWeek: 'Mickey 17,' 'Last Breath,' 'Art Spiegelman: Disaster Is My Muse', 'On Becoming a Guinea Fowl ' and More
Guest host Austin Cross and LAist film critics Claudia Puig and Tim Cogshell review this weekend’s latest movie releases in theaters and on streaming platforms.
Mickey 17
Riff Raff
Last Breath
Art Spielgelman: Disaster Is My Muse
Last Take: Rust and the Story of Halyna
Eephus
On Becoming a Guinea Fowl
The Accidental Getaway Driver
The Rule of Jenny Pen
The Empire
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At this year’s Academy Awards, the comedic drama Anora, came away 5 Oscar wins, including Best Picture. The film follows Ani, an exotic dancer and escort in Brighton Beach, who’s relationship with a Russian oligarch’s son takes her on an emotional rollercoaster. Having premiered at last year’s Cannes Film Festival, it received the festival’s prestigious Palme d’Or. Since then, it’s received critical acclaim and many awards. So for this week’s FilmWeek feature, we re-air our conversation on Anora, with Best Actress winner Mikey Madison, and 4-time Academy Award winner, filmmaker Sean Baker.
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Saknas det avsnitt?
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The 97th annual Academy Awards is this Sunday— with dozens of films having campaigned across 23 categories this awards season— and many spectators are unsure on which folks will come home with Oscars. With all that drama comes our 23rd annual FilmWeek Oscars Preview, which was held this year at the historic Alex Theatre in Glendale, CA. Eight of our FilmWeek critics joined host Larry Mantle on stage and broke down their picks in all the major categories; categories mentioned include Best Picture, Director, International Feature, Animated Feature, as well as each acting and screenwriting category.
For a list of all the nominees this year, click here.
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With Hollywood getting ready for the biggest awards show in movies, this episode of the new LAist Studios podcast NOBODY KNOWS ANYTHING is all about the Oscars! Hear Oscar nominees Peter Straughan and Kris Bowers, and actress Caitlin Reilly duke it out for the ultimate award — winning a game show where the points are made up by our host, Franklin Leonard.
Guests: Screenwriter Peter Straughan (“Conclave”), composer Kris Bowers (“The Wild Robot”), and actress and comedian Caitlin Reilly (“Hacks,” “Loot”).
NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler.
Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live.
New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.
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The Best International Feature category at the Academy Awards has grown in prominence over the years, coinciding with the inclusion of more international voters. It’s now meant more films typically confined to the Best International Feature category are now making their way to the conversation for Best Picture. This year, I’m Still Here and Emilia Perez serve as examples of films being nominated in both categories. In the recent past, we’ve seen the likes of Drive My Car and Parasite gain recognition from Academy voters in both categories. For this week’s FilmWeek feature, we’ll focus on this year’s crop of films for Best International Feature, and discuss our critics’ favorites. Joining us are Manuel Betancourt, Lael Loewenstein, and Christy Lemire.
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FilmWeek: 'The Monkey,' 'Bridget Jones: Mad About the Boy,' 'Millers in Marriage,' 'Cleaner' and More
Larry Mantle and LAist film critics Manuel Betancourt and Lael Loewenstein review this weekend’s latest movie releases in theaters and on streaming platforms.
The Monkey
Bridget Jones: Mad About the Boy
Millers in Marriage
Ex-Husbands
Cleaner
The Unbreakable Boy
Old Guy
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FilmWeek: 'Captain America: Brave New World,' 'Paddington in Peru,' Becoming Led Zeppelin,' 'Sky Lives! (aka the Burden of Black Genius),' and More
Larry Mantle and LAist film critics Christy Lemire and Tim Cogshell review this weekend’s latest movie releases in theaters and on streaming platforms.
Captain America: Brave New World
Paddington in Peru
Becoming Led Zeppelin
Sly Lives! (aka the Burden of Black Genius)
Universal Language
The Gorge
Mom
I Love You Forever
Kid Snow
Rez Comedy
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Feature: ‘Nickel Boys’ writer-director RaMell Ross discusses creative ways of adapting Colson Whitehead’s novel
Since the book was released in 2019, Colson Whitehead's historical fiction novel The Nickel Boys has reached great critical acclaim, having most notably won the 2020 Pulitzer Prize for fiction. So to adapt the book into a feature-length film seems like it’d offer a lot of pressure, but it’s one the RaMell Ross seemed willing to take on following his Oscar-nominated documentary Hale County This Morning, This Evening. This year, Ross now finds his Nickel Boys adaptation nominated for multiple Oscars, including Best Adapted Screenplay and Best Picture. Similar to the book, the film follows the lives of two boys at the now-defunct Nickel Academy, a reform school in Florida that had a track record of abusing the African American children who attended. Ross also takes a unique approach, leaning heavily into his protagonist’s perspective, with most of the film switching between Elwood and Turner’s first-person point of view. Joining us to discuss the work put into Nickel Boys is the film’s co-writer and director, RaMell Ross.
Nickel Boys is out in select theaters and is now on VOD/digital.
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Feature: 'Soundtrack to a Coup d'Etat' director discusses Jazz greats and their relationship to post-colonial Africa
The Oscar-nominated documentary Soundtrack to a Coup d'Etat has received critical success through it’s focus on an international incident, a relationship between developing countries in a post-colonial era, and how artists can unknowingly play a role in this. The documentary, directed by Johan Grimonprez, uses jazz music from the likes of Louis Armstrong and Max Roach as an entryway into post-colonial Africa. Grimonprez spends much of the documentary getting into newly independent African nations, the most notable being the Democratic Republic of Congo, and how their relationship with colonial powers involved in the United Nations can impact their new democracies. This narrative is put together with prominent jazz musicians at the time and how their performances in these new nations were used for political purposes unbeknownst to them. So, for this week’s FilmWeek feature, we sit down with Johan Grimonprez, director of Soundtrack to a Coup d'Etat.
“Soundtrack to a Coup d'Etat” is out now in select theaters and available on VOD
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FilmWeek: 'Love Hurts,' 'Jazzy,' 'Parthenope,' 'Bring Them Down,' and More
Larry Mantle and LAist film critics Manuel Betancourt and Tim Cogshell review this weekend’s latest movie releases in theaters and on streaming platforms.
Love Hurts
No Other Land
Parthenope
Suze
Jazzy
Armand
Dark Nuns
Bring Them Down
Hazard
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FilmWeek: 'Companion,' 'Liza: A Truly Terrific Absolutely True Story,' 'Dog Man,' and More
Larry Mantle and LAist film critics Charles Solomon, Lael Loewenstein, and Tim Cogshell review this weekend’s latest movie releases in theaters and on streaming platforms.
Companion
Liza: A Truly Terrific Absolutely True Story
Dog Man
You're Cordially Invited
Love Me
Valiant One
Lucca's World
Oscar Animated Shorts
*Only one film (Wander to Wonder) is available online; all the animated shorts will be bundled up in a limited theatrical release starting February 14*
Beautiful Men
In the Shadow of the Cypress
Magic Candies
Wander to Wonder
Yuck!
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New Book ‘Falling in Love at the Movies” highlights the history of the romantic comedy
In her new book Falling in Love at the Movies, entertainment journalist Esther Zuckerman takes readers through the history of romantic comedies. A beloved genre, having built a reliable audience at the box office and some films even winning Academy Awards, the romcom has held a cultural impact that’s left many longing for romances depicted in Roman Holiday and When Harry Met Sally. So for this week’s FilmWeek feature, we speak to Esther Zuckerman about the rich history and extensive research that went into Falling in Love at the Movies: Rom-Coms from the Screwball Era to Today.
Esther will be doing a book signing, in partnership with Skylight Books, on Friday, Feb. 14 at 6:30 PM at the Los Feliz 3. Following that, she’ll be introducing a 7 PM screening of “Broadcast News.” For ticket information, click here.
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Feature: New book ‘Louis B. Mayer and Irving Thalberg: The Whole Equation’ tells the story of two MGM visionaries
Moviegoers nowadays might not know much of Metro-Goldwyn-Mayer Studios’ history outside of its iconic mascot, a lion who introduced each film with it’s iconic roar. It was an introduction that was meant to prepare viewers for not just a film, but a spectacle. A new book by retired film critic Kenneth Turan shares the studio’s rich history of spectacle through the work of co-founder Louis B. Mayer, and Irving Thalberg, who served as its head of production following MGM’s inception. For this week’s FilmWeek feature, we’ll speak to former film critic Kenneth Turan, about his forthcoming book Louis B. Mayer and Irving Thalberg: The Whole Equation, and give listeners a glimpse as to how they contributed to Hollywood.
“Louis B. Mayer and Irving Thalberg: The Whole Equation” is available for pre-order, and releases February 4th; click here to learn more.
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FilmWeek: 'Presence,' 'Flight Risk,' 'Eternal You,' and More
Larry Mantle and LAist film critics Christy Lemire and Peter Rainer review this weekend’s latest movie releases in theaters and on streaming.
Presence
Flight Risk
Inheritance
Eternal You
Brave the Dark
Grafted
Rose
Global Harmony
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Larry Mantle and LAist film critics Manuel Betancourt and Amy Nicholson review this weekend’s latest movie releases in theaters and on streaming.
FilmWeek: 'One of Them Days,' Wolf Man,' 'I'm Still Here,' 'Hard Truths,' and More
Larry Mantle and LAist film critics Manuel Betancourt and Amy Nicholson review this weekend’s latest movie releases in theaters and on streaming.
One of Them Days
Wolf Man
I’m Still Here
Grand Theft Hamlet
Hard Truths
Eno
DIG! XX
Don't Die: The Man Who Wants to Live Forever
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David Lynch, the filmmaker celebrated for his uniquely dark vision in such movies as “Blue Velvet” and “Mulholland Drive” and the TV series “Twin Peaks,” has died just days before his 79th birthday.
His family announced the death in a Facebook post on Thursday. The cause of death and location was not immediately available, but Lynch had been public about his emphysema. Lynch was a onetime painter who broke through in the 1970s with the surreal “Eraserhead” and rarely failed to startle and inspire audiences and peers in the following decades. His notable releases ranged from the neo-noir “Mulholland Drive” to the skewed Gothic of “Blue Velvet” to the eclectic and eccentric “Twin Peaks.” Joining us today on FilmWeek is Lael Loewenstein, Manuel Betancourt and Peter Rainer.
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Larry Mantle and LAist film critics Tim Cogshell, Manuel Betancourt, and Peter Rainer review this weekend’s latest movie releases in theaters and on streaming.
A Complete Unknown
Babygirl
Nosferatu
Better Man
The Fire Inside
2073
Vermiglio
From Ground Zero
Harbin
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Feature: Wallace & Gromit return to the big screen with ‘Vengeance Most Fowl,’ we talk to the directors
It’s been 19 years since the intuitive, Wensleydale-loving Wallace and Gromit graced the big screen, with their last feature being The Curse of the Wererabbit; now the duo returns with Vengeance Most Fowl, which also marks the return of an old foe, the silent penguin Feathers McGraw. Having begun as a graduation project at the National Film and Television School, and now being a three-time Academy Award-winning cast of characters, Wallace & Gromit creator Nick Park has teamed up with longtime collaborator Merlin Crossingham to direct this latest feature. So for this week’s FilmWeek feature, Larry sits down with Wallace & Gromit: Vengeance Most Fowl directors Nick Park and Merlin Crossingham to discuss all the work that went into making this stop-motion animated feature a reality.
Wallace & Gromit: Vengeance Most Fowl will be released in select theaters on December 18 and streaming on Netflix on January 3.
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FilmWeek: 'The Brutalist,' 'Sonic the Hedgehog 3,' 'Mufasa: The Lion King,' 'The Count of Monte Cristo,' and More
Larry Mantle and LAist film critics Christy Lemire and Wade Major review this weekend’s latest movie releases in theaters and on streaming.
The Brutalist
Mufasa: The Lion King
Sonic the Hedgehog 3
Homestead
The Room Next Door
The Count of Monte Cristo
Counted Out
The Wages of Fear (1953)
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Feature: 1972 Munich Hostage Crisis broadcast gets revisited in ‘September 5,’ we discuss the film with its director.
Movies centered on journalists have been somewhat of a trend over the years, with Spotlight and The Post serving as recent examples, and some older classics like All The President’s Men and The Insider. Writer-director Tim Fehlbaum’s latest project, September 5, looks to add to the tradition with a timely story of broadcast journalists attempting to cover an international incident in real-time. The film follows the 1972 Munich Olympics, with its inciting incident being 11 Israeli hostages held by Palestinian militants. It was coverage that was watched by roughly 900 million viewers, showing just how serious this event was. Hansjörg Weißbrich, the film’s editor, creates tension despite most of the film being set in one building; his work on the film has since been acknowledged by the Los Angeles Film Critics Association, which awarded September 5 for its Best Editing category. For this week’s feature, we talk to filmmaker Tim Fehlbaum about the making of September 5 and the work it took to revisit a dark moment in history.
- Visa fler
