Avsnitt
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The return of Wallace & Gromit to our screens also coincides with a return visit for Nick Park to the Film Stories podcast. He's joined by his co-director too, Merlin Crossingham, as the pair chat about their new film, Wallace & Gromit: Vengeance Most Fowl.
The conversation covers timescales, writing, studio notes... and a little bit of clingfilm...
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In a very special episode of Film Stories, Simon is joined by Andrew Davis, perhaps best known for directing films such as The Fugitive, Under Siege, Holes and more. Those movies certainly come up in the extensive conversation between the pair.
Davis has also, with Jeff Biggers, written his first novel, Disturbing The Bones, and there's a strong movie link to it as well. And the chat also takes in Stony Island, The Fugitive sequel, Steal Big Steal Little and a whole lot more...
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Saknas det avsnitt?
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In the final regular Film Stories episode of 2024, we start with a 1989 movie that's gone on to become something of a Christmas favourite.
National Lampoon's Christmas Vacation saw John Hughes writing again, and a first time director in Jeremiah Chechik. The former protected the latter from studio notes, and even a potential lack of snow turned into the opposite problem. Still: what happened to the UK cinema release?
Clint Eastwood's Juror #2 remains one of the more curious film stories of 2024. A movie made for a modest sum, that Warner Bros then gave the impression of simply not really wanting to release it.
Stories of both are told in this episode...
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It took some time for writer/director J C Chandor to break into the movie business. When he did, it was with the mini-budget Margin Call, a film that would snag him an Oscar nomination.
Since then, he's brought to the screen All Is Lost, A Most Violent Year, Triple Frontier and now Kraven The Hunter, arguably his highest profile feature to date. In this special episode, he talks through his new film, and a whole lot more...
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It's fairly well known that the role of Detective Harry Callahan was originally set to be played by Frank Sinatra, before he had to pull out as production neared. Yet when Clint Eastwood decided to accept, he had several versions of a script to choose from - and decided to put a call into someone he trusted: Don Siegel. The pair would go on to fashion a cinema classic.
The journey to 2002's Anita And Me meanwhile began with the publication of Meera Syal's semi-autobiographical novel in 1996. Work began to then turn it into a film - but the challenge of making an independent film in the UK, with two young, unknown leads? That'd be quite the test.
Stories of both are told in this episode.
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In a potty-mouthed Film Stories podcast special, Simon welcomes back Kevin Smith. It's a chat centred around Smith's new film,. The 4.30 Movie - and how he came to make it. That tale involves buying a cinema, and digging deep into his own youth.
Beyond that, they chat about the length of the end credits, they segue into Waterworld, and consider some of the bumps in life. Not least reviews, and a rejection from the Sundance Film Festival.
The 4.30 Movie is available to buy and rent on video on demand.
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In a special episode of Film Stories, Simon is joined by Kevin Costner and John Debney.
Costner is, of course, the star, director and co-writer of Horizon: An American Saga, which he conceived and part-financed. Debney is a composer working on his fourth Kevin Costner-related project. The pair share their stories of making Horizon.
The conversation also looks at funding films, a few films from both Kevin Costner and John Debney's back catalogues, and a whole lot more...
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In a very special episode of the podcast, the Chief Creative Officer of Walt Disney Animation Studios - Oscar-winner Jared Bush - joins Simon for a chat about his work and career.
They start off with Moana 2, which is in cinemas now. But the conversation goes right the way back to Jared Bush's time as a script reader for Robert Zemeckis, and then through to the future of Walt Disney Animation Studios.
Plus: the sliding doors moment that could have taken Jared Bush's career in a very different direction...
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1993 was a banner year for Sylvester Stallone, thanks to two films that gave him quite the comeback. First up was Cliffhanger. Not far behind? That'd be the much-loved Demolition Man. Ahead of its 4K Ultra HD Blu-ray debut, let's take a look at a movie that one of its co-stars loathed making. And also try to work out why its director moved away from feature films straight after.
Then there's Hundreds Of Beavers, a 2022 film that for reasons explained, most could only get to see in 2024. It involved a long shoot, lots of beaver costumes, and a fair amount of expertise in Adobe After Affects too...
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Vicky Jenson's directorial career got off to a hell of a start. As co-director of Shrek, she went to the Cannes Film Festival, she won an Oscar, scored a massive box office hit. Then Shark Tale followed, another hit. Then a live action movie, Post-Grad - but that didn't hit. And she paid a career price.
This story gets better though, as Jenson's now made the animated feature Spellbound, which is available on Netflix. And she's chatting to us for this special episode of Film Stories. Hers is quite the story...
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It was following the success of The Fugitive that Hollywood started plundering (again) the archives of television for its movie ideas. Sony wanted a Charlie's Angels film, and was looking for pitches. Drew Barrymore, then making Never Been Kissed, was interested.
The film she'd help steer to the screen though wasn't without behind the scenes incidents, though.
Sylvester Stallone was all set to earn $60m for three movies in the mid-1990s meanwhile, he just had to make sure he picked the right projects. He committed to filming D-Tox in the late 1990s. But years after it was finished, it'd been through three titles, assorted cuts, and Hollywood smelt trouble.
Stories of both films are told in this episode...
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In a Film Stories podcast special, producers Lucy Fisher and Douglas Wick - the latter an Oscar-winner for the original Gladiator - join Simon to talk about their work.
A lot of the chat is taken up with Gladiator II, working with Ridley Scott, and trying to get an epic production off the ground. There is a very odd left turn when Stuart Little comes into the conversation, and a cat's bottom is discussed...
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Two twisty behind the scenes stories here. Originally, 1980's Superman II was being shot alongside the original Superman, with Richard Donner directing both. But frictions behind the scenes led to an eventual parting of the ways, a retooling of Superman II, and an eventual emergence of a second cut of the film.
Toys meanwhile? From the director of Rain Man and starring Robin Williams? It should have been huge, not least because its script had been revered for over a decade. In fact, the film was supposed to have been made nearly a decade before. And when it did eventually happen? The challenge turned out to be how to sell it...
The behind the scenes stories of both are told in this episode...
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The new film from director Jake Kasdan is Red One, now playing in cinemas, and itself a massive, expensive Christmas blockbuster film. On the flip side, he started his directorial career with a microbudget indie by the name of Zero Effect back in 1998. In this special episode of Film Stories, he takes his through his work.
He and Simon talk about his blockbuster movies (Jake's, not Simon's), but also the indie film that got lost a little, The TV Set. Plus there's chat about the physical side of filmmaking, and a whole lot more...
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Ah, Tombstone. The 1993 western with a cast led by Kurt Russell, and basically co-starring everyone else who wasn't in the rival project - Wyatt Earp - telling a similar story. But heck, behind the scenes, there were all sorts of problems.
Examples? A director who got fired. A release date that couldn't move. A script that needed urgently hacking to hit the production deadline. A star who was rumoured to be ghost directing the movie.
Meanwhile, following the success of 1992's The Muppet Christmas Carol, director Brian Henson liked the idea of taking another classic tale and adding The Muppets to it. But the first announced version of what became Muppet Treasure Island would slightly differ from the actual movie...
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Paul Reiser first came on my radar, as he did for many, with 1986's Aliens. We touch on that very briefly here, as we chat independent film, The Problem With People, a bit of Diner, and the challenges of getting films made.
Plus! Colm Meaney going to the wrong bar, a date set for 19 years into the future, and a whole lot more...
The Problem With People is in UK cinemas from 8th November.
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When the script for Passengers turned up on the famous Hollywood black list of the best unproduced screenplays, it seemed it'd be just a matter of time before it got made. Keanu Reeves and Reece Witherspoon were attached, a director was in place - what could go wrong?
Well, a few things. And when the movie did get made? More problems weren't far behind.
The 1983 hit Flashdance meanwhile launched numerous careers - but also had its fair share of behind the scenes dramas. That, and some Hollywood executives watching a hosepipe...
Stories of both are told in this episode....
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None of the Hollywood studios wanted to make 2010's Kick-Ass, a comic book movie with an R-rated edge. All of them turned it down, and so the film came to life in tandem with the comics, exploding into cinemas in 2010. It would be fair to say that not everyone in the media was pleased about it, as quite a backlash bubbled up.
There were problems with 1999's Payback too, but they came down to a different of opinion between star Mel Gibson and writer/director Brian Helgeland. It got to a point where just days after Helgeland won an Oscar for L.A. Confidential, he was, er, 'removed' from Payback.
The behind the scenes stories of both films are told in this episode...
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In a special episode of the Film Stories podcast, Simon is joined by Oscar-nominee Chris Sanders, for a conversation and his latest film and career.
The latest film? The Wild Robot, a box office smash and a break in style for DreamWorks Animation. It's now in UK cinemas and we go through the journey of the movie.
Plus! Gene Kelly pops up in conversation, as does Lilo & Stitch and a few other moments from Chris' career...
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The Terrifier movie franchise has now led to a number one box office hit - but the story behind the first film involves short films, a crowdfunding campaign that missed its target, a shoot that went on longer than originally planned and financiers dropping out. And then there was the battle to get the film noticed in the first place. Plus, how a tiny team gave the impression of a crew of 100.
Writer/direcotr Osgood Perkins meanwhile had been mulling about a possibe character who would become Longlegs long before he embarked on an unusual serial killer film. Made on a budget of around $10m, and marketed for roughly the same amount - so how did Longlegs become the box office surprise of 2024?
Stories of both are told in this episode...
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