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I sat down with Miguel Reyna to talk about his production of The Thin Place at the Actors' Theater in Santa Cruz.
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Juneteenth, Santa Cruz Shakespeare, Solstice, and more!This may be my best solo podcast yet.I discuss the Juneteenth event organized in Santa Cruz by Thairie Ritchie. I delve into the issues surrounding the Black Lives Matter mural that was defaced in front of the City Hall and Abi Mustapha's search for meaningful reconciliation.I talk about my visit to Santa Cruz Shakespeare and the great interviews that I was lucky enough to do there with Charles Pasternak, Mike Ryan, and Paul Whitworth.I delve into what Summer means to me.
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Saknas det avsnitt?
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In this podcast, I discuss the power of supporting local businesses, artists, and media. If we want to build a bright and hopeful future, we must start at home by supporting the efforts of those within our own communities.
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The Little Mermaid’s remake as a live action movie improves upon the original in several important respects. The racial diversity of the movie not only helps to invite more people into the fantasy, but it also makes it a more interesting story and one that is truer to life. The ocean scenes are rendered more realistically, are sure to please ocean lovers, and might even entice some people to care more about the seas. The brilliant acting also takes this film to another level and allows viewers to empathize with all the characters and to respond emotionally to the narrative arc of the story. All in all, this version of one of Disney’s beloved classics has blown its predecessor out of the water in a big way.--- Support this podcast: https://podcasters.spotify.com/pod/show/jake-j-thomas/support
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SJSU’s MFA program held an opening for their exhibition “Liftoff” at Radius Gallery on Thursday and will participate in First Friday Santa Cruz on June 2nd 5-8:00pm with Artist Talks scheduled for Sunday the 4th at 3:30pm. 13 recently graduated artists are showing some of their work at one of the most compelling contemporary art galleries in Santa Cruz. With a wide variety of media, concepts, and artistic styles on display,this show is a great opportunity to experience some of the new energy in the South Bay art world. Discover a favorite emerging artist, explore a cutting-edge gallery, and feast your eyes and mind on artistic content at Radius Gallery’s events this weekend.--- Support this podcast: https://podcasters.spotify.com/pod/show/jake-j-thomas/support
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MAKING THE UNCONSCIOUS VISIBLEThe Radius Gallery at the Tannery in Santa Cruz recently hosted a group show entitled “What’s Home” organized by Andrew Purchin. This important and elegant exhibition sought to generate a conversation about one of the biggest problems in Santa Cruz County and beyond: housing. The inspiration for the show came from a painting Purchin did of the homeless encampment in Santa Cruz during the pandemic that went by the name “The Benchlands.” Purchin invited a selection of contemporary artists to create work along this theme.TAKE COVER: LINDA COVER’S INSTALLATIONI had the pleasure to visit the exhibition twice while it was open, and on my second visit I was able to speak with one of the installation artists, Linda Cover. The center of her installation was a series of prints made by artists answering the question: What does home mean to you? The prints featured nature, people, and things they loved. She displayed this elegant collection like freshly laundered garments hanging to dry on a clothes line. She also had a small garden of plants in pots, and a stack of sand bags. This minimalist display elegantly reminded us of the challenges faced by people when they lack one of the basic elements of survival: a home.CONTINUING THE CONVERSATIONThe exhibition is down, but the dialogue continues. Purchin told me that he is submitting one of the films made during the course of the show to a series of festivals, and you can check out the ongoing efforts to keep the discourse vital on the website, what’s home.org--- Support this podcast: https://podcasters.spotify.com/pod/show/jake-j-thomas/support
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I start the podcast out listening to a couple of minutes of Fog Machine by White Reaper from their new album "Asking for a Ride."
Next, I read a little bit from Don DeLillo's novel White Noise, recently made into a movie on Netflix that eerily foreshadowed the events that have taken place in East Palastine, Ohio.
Finally, I share some stories and information about the pieces I have available for purchase in a silent auction till 10:30am Thursday February 16th. If you want to place a bid, head over to my Instagram: https://https://www.instagram.com/jakejthomasphoto/
I will be doing a silent auction the 15th of every month for the rest of the year. Thanks for listening!
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I have three big announcements to make.
1. I am moving from the Westside of Santa Cruz after 8 fun-filled years of living here.
2. I am clean and sober having given up alcohol and cannabis.
3. My dear sweet father sadly passed away and I have been grieving.
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Today, there is a crisis in the world. Well, actually there are lots, but I just want to focus on one to begin with. A solution to this particular crisis might offer auxiliary positive results for other problems. Drought is an existential problem in much of the world. In California, and probably elsewhere, we are mostly advised to conserve. I'm sorry, that is untenable, giving up and even deleterious. We need to supply water through desalinization--massive amounts of water. The water would not only supply human needs, it would benefit wild animals, trees, plants--our environment. We are partners in this endeavor. It is more ambitious and vital that super fast trains and trips to the moon or Mars. A plan that could be feasible is piping ocean water far enough from the shore. Once on the shore, solar panels would be placed on the pipes powering heat and pumps. These pipes would run twenty to one hundred miles to areas that could be created into reservoirs and at that point over the constant heating would be opened into the reservoirs. It would be necessary to add natural chemicals to make the water healthy and suitable for people and plants. The next phase would be to send the water to cities, towns, rivers, aquifers, forests and farmlands. This is a rough idea, but I am counting on your brain power, hard work, and will to solve the problems. Let me go over some of the problems. As the water is being pumped and heated there must be immediate safeguards for rips or tears. We can't have saltwater spilling on our land. There will be an enormous amount of salt. Some of it can be used commercially, some maybe for power stations, but most of it will have to be secured safely. The next problem is work force and funding. These jobs will be meaningful with many facets and skills. Plus, there could easily be training to improve people's job skills. Unions, the military, private enterprise, the federal and state governments could all coordinate and work together. The funding should also be cooperative--federal, state, local, insurance, manufacturers, Wall Street, agriculture, pharmaceutical--anyone who has a stake in the survival of us all. In California, we will need to be aware of our restrictions. Be careful, but move as fast and as much as we can. Right now, the super forest fires are destroying more plants and trees than ever before. If we give these environments enough water on the ground and in the aquifers, we will still have forest fires but they will be less powerful. We will give them a fighting chance.
https://jakejthomasphoto.com/2022/10/01/a-message-from-my-dad-water/
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This is the most important sequence so far. In these poems, the poet delineates a poetics. In their description of form, the poet discusses the idea that less is more in the expression of love. This has been consistent throughout the poems. Consistency is the strongest attribute of the collection, and at its core is this idea that describes the beloved and also the poetry: Fair, Kind, and True. Fair, meaning beautiful beyond all else; Kind, meaning in service of others; and true, meaning not duplicitous: these are the tenets of Shakespeare's poetry.
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The separation is complete. The poet speaks about the reputation of their beloved being both good and bad for the same reasons. They are praised for their youthful easygoing ways and criticized for them too.
The poet meditates on what it is like to live without their beloved. The changing of the seasons is full of shadows of memories.
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This sequence of sonnets goes into the questionable relationship between appearance and reality, between beauty and goodness. He is still dependent upon the beloved for a sense of value, of self worth and in order maintain his own will to live he willingly allows himself to be deceived.
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In this sequence, the poet is coming to terms with the finality of their separation. In the first poem, they discuss a recent writer's block and what caused it. Very specifically it was NOT the quality of his rival's poetry. In fact, they go to great pains to discuss how the rival poet relies upon other writers to craft their poems. One of those, he refers to as a ghost. The poet has a ghost writer.
Still, even in despair and being rejected both by their beloved and by their society generally, the faith of their love never vacillates. They continue to place their love in the beloved even if it means speaking poorly of themselves.
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The poet turns a corner and shares their thoughts about their worth in relation to other poets. The premise is that the poet believes they are superior in relation to other poets because they recognize the true worth of the beloved. A person so full of beauty doesn't need embellishment.
We can see that the poet has become more accustomed to their separation. They accuse the beloved of being fond of flattery, which accelerates the proliferation of bad flowery poetry surrounding them.
Thanks for listening!
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This sequence delves into the poetics contained within this collection. It is here in the moment of recognizing the death of a relationship, after meditating on his own mortality, when the poet crystalizes their view of what matters most in poetry.
It is not literary technique that matters most, but the truthfulness of the love the writing contains and expresses.
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This cycle of sonnets delves into some thoughts of death, or uses thoughts of mortality to describe the process of breaking up.
The poet spins out a bunch of metaphors describing their own exhaustion, the end of their time. They meditate on their own death as a way of bringing into focus what remains important.
The poet doesn't want their name to be remembered. When it boils down to their essence, the distillation of a life, it is only the love that exists in the poetry they care to have considered.
Is this a kind of false grieving, designed to evoke pity? Or is it authentic expression of disappointed love?
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The poet reaches a truly dark place in this section of sonnets.
Sonnet 66 begins with a suicidal pronouncement. The poet says "Tired with all these, for restful death I cry."
And, following this terrible sentiment they issue a list of complaints. He is over it. The wrong people have power and if it were not for their beloved, the poet would leave the world.
This pain is enhanced by the poet's beloved being with someone else, someone unworthy. Shakespeare looks back to ancient times to find a world suitable to quality of his love for his beloved.
The problem for the poet is that inferior minds are seducing his beloved. He doesn't take credit for knowing that the beloved is beautiful, as that is common knowledge, but remains steadfast in their supposition that their love is different because it is true.
Adding more to the mix, it seems that in addition to being courted by other poets, the beloved has become a target of gossip and slander. The poet attempts to use this as a wedge to create a gap between their beloved and the other poets.
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Shakespeare can teach you how to survive the emotional dangers of love. The sonnets are instructive as much as they are beautiful. They are about how a poet can rise above their status through truthful expression. Love is a driving force, but it has many dangers and downsides.
The first most important thing to know about love is that the love of self is the primary component. While the poet is humble and knows that they have less status than their beloved, the power of that love emanates from within the poet themselves. Though the poet obsesses about their beloved, it is in the service of expressing their own true feelings. The feelings attach to the love object but originate from within.
One of the overarching arguments made in the poems is that true love is always the most important and powerful and can overcome not only status and class but also time and death. So much of the poetry speaks to it being read in the future. This is based on the idea that the truth of the love motivating the expression is stronger than the present moment.
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Thanks for tuning into another episode of the Dialogic Podcast, the Changing the Conversation series.
If you want to follow along, you can find the sonnets for free online at the Folger Shakespeare Library's online edition.
In this sequence, Shakespeare begins with a call for moderation. He suggests that greed spoils love, and that it is possible to regenerate your powers by fasting. Waiting makes the moment of communion more powerful.
He then goes on to describe himself as a slave to the beloved. The poet's self abnegation reaches a new nadir as he identifies as a slave helpless to make decisions for himself under the rule of his beloved.
He also makes an argument that his beloved should be his master and should do whatever it is that pleases him, even it that means going somewhere else.
You can follow me on Instagram at: @BecomingJakepeare
You can check out my website at: jakejthomasphoto.com
Thanks for leaving comments and reviews. Subscribing and sharing this podcast will help it to grow.
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Thanks for tuning into another episode of the Dialogic Podcast, the Changing the Conversation series.
If you want to follow along, you can find the sonnets for free online at the Folger Shakespeare Library's online edition.
This sequence starts with the second poem using a horse as a metaphor for leaving a love. It is a slow horse and the poet suggests that if the beloved were to return his feeling, his desire would rush back and he would return to the relationship faster than any horse could run.
The next sonnet compares the love to a treasure kept in a chest, that the poet will only indulge in once in awhile. This is strategic, so as to preserve the effect, to savor the experience.
The next sonnet continues to praise the beloved. It suggests that they are the living example of human beauty that even the Greeks couldn't reproduce in their art. Beyond all worldly compare, Spring is merely a hint of the beauty possessed by the beloved.
From the agrarian metaphors of Spring, the poet moves on to add another dimension of value to the beloved. Beyond being beautiful, the truthfulness of their value is revealed in their scent. While other beauties can sometimes be a fraudulent representation and really have some flaw, some rot at their core, this beauty is true.
This sequence finishes with the idea that the poetry in honor of the beloved's beauty will outlive wars and plagues and famines. Though it is made out of words written in ink, it is more durable than marble. This is because people will continue to read it. A poet's boast.
You can follow me on Instagram at: @BecomingJakepeare
You can check out my website at: jakejthomasphoto.com
Thanks for leaving comments and reviews. Subscribing and sharing this podcast will help it to grow.
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