Avsnitt
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The seventh and final director interview Wilson conducted at this year’s Hong Kong International Film Festival is with the legendary Taiwanese filmmaker Tsai Ming-liang. Wilson asks one of his cinematic heroes about the state of filmmaking today, his methods for working with actors, and his decades-long collaboration with Lee Kang-sheng.
Kiss a melon in our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 intro
03:42 What do you hope new audiences will take from your films?
04:43 Rebels of the Neon god
06:20 Tsai and realism
07:35 The Hole
09:30 Tsai’s childhood
11:13 Theaters, streamers, and art museums
13:24 Video art versus narrative cinema
16:15 Fruits and vegetables (props and crops)
17:40 Abandoned buildings
19:27 Pacing and directing actors
21:22 Working with Lee Kang-sheng
22:35 Tsai’s Deep Cut picks
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The sixth of seven (6-7!!!) director interviews Wilson conducted at this year’s Hong Kong International Film Festival is with the British, experimental director Ben Rivers, creator of the child-focused, post-apocalyptic exploration Mare’s Nest. Rivers speaks about giving child actors the freedom to be themselves onscreen, receiving Don Delillo’s blessing to stage his play The Word for Snow in the film, and the intention behind his depiction of an adultless world.
Speak the word for snow in our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
02:03 Interview begins
03:32 Origins of Mare's Nest
06:07 Don Delillo
09:52 Children performing adult routines
13:14 Documentary versus fiction
19:09 Film-within-film
22:06 Moon walks into the past
25:02 Location filming
28:48 SEA filmmakers
31:25 Outro
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Saknas det avsnitt?
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The fifth of seven director interviews Wilson conducted at this year’s Hong Kong International Film Festival is with the thoughtfully impassioned Vladlena Sandu, director of the autobiographical drama Memory. Sandu shares her influences from Tarkovsky to Pajaranov, praises her collaborators on this film, how hypnotherapy helped her make this film, and her strong anti-war convictions.
Remember our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
02:15 Interview starts
04:03 Making Sandu happen
07:47 Childhood trauma through film
10:25 Personal truth
17:34 Motifs and repetition
23:48 Child actors
30:14 Production design
35:54 Influences: Tarkovsky, Parajanov, Pasolini
40:19 Ending of the film
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The fourth of seven director interviews Wilson conducted at this year's Hong Kong International Film Festival is with Edwin, director of the fantasy horror Sleep No More. Edwin shares his wide range of influences from Indonesian cinema history and beyond, speaks to his film’s commentary on labor rights, shares his own Deep Cut pick, and… shares a sing-along with Wilson?!
Take a nap in our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
04:04 Indoneisan horror film history
07:30 Edwin's influences
09:00 Indonesian politics and labor
15:38 Scary scenes
17:57 Casting
20:34 Special effects
23:12 Edwin's future horror
24:39 Edwin's Deep Cut Pick
25:57 Sing-along
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The third of seven director interviews Wilson conducted at this year's Hong Kong International Film Festival is with the outgoing, reflective Ang Geck Geck, director of the semi-autobiographical childhood drama Ah Girl. Wilson connects with the Singaporean director over the long road to producing Ah Girl, the research with social workers that informed the script, the parts of her own childhood and family that are in the film, and her own Deep Cut Pick.
Speak in Mandarin, English, or pretty much any other language in our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
02:32 Interview begins
07:03 Research with social workers
10:56 Child actors
15:09 Language
19:55 Personal history
26:00 Ending of the film
27:44 Next film
28:53 Deep Cut Pick
30:05 Outro
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The second of seven director interviews Wilson conducted at this year's Hong Kong International Film Festival is with the thoughtful, patient Ildikó Enyedi, director of the equally thoughtful and patient Silent Friend. Wilson connects with the Hungarian director over her pensive approach to the natural world, the special place that HKIFF holds in her experience as a filmmaker, and her admiration of star Tony Leung… whose interview with Wilson is also at the end of this episode!
Befriend a tree in our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 - Intro
03:03 - Enyedi interview
04:16 - Working with Tony Leung
06:15 - Enyedi's relationship with trees
07:32 - Academia and science
09:36 - Intercutting timelines
12:25 - Dreams, psychedelics, ecology
15:02 - Production process
17:08 - Casting a tree
19:41 - Other Enyedi films
21:34 - Further explorations
23:13 - Enyedi's Deep Cut
25:48 - Tony Leung Interview
28:13 - Outro
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The first of 7 director interviews Wilson conducted at this year's Hong Kong International Film Festival. Mary Stephen is a legend in world cinema, having worked as an editor for Éric Rohmer and Ann Hui, and being a celebrated film director in her own right. Wilson chats with Mary about her latest film, the personal documentary PALIMPSEST: THE STORY OF A NAME — its twisty narrative structure, its relationship to memory and family, and her deep ties to the city of Hong Kong. They also dig into her remarkable career as an editor, from switching between film and digital, to her creative collaborations with Rohmer, Ann Hui, and Jessey Tsang, and what she carries from that work into her own filmmaking.
Links:
Trace your roots in our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Introduction
03:08 Mary presenting her film to Hong Kong audiences
05:03 Palimpsest's twisty narrative
07:04 How being an editor influenced her filmmaking
08:25 Narration and narrative in the film
10:27 Unused archive footage
12:27 Mary's relationship with her family
15:11 Mary’s relationship with Hong Kong
17:33 Editing: Switching from film to digital
19:20 Working with Eric Rohmer
30:13 Collaborations with Ann Hui and Jessey Tsang
35:41 Working with collaborators as a director herself
38:43 Closing
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Let’s, uh, frickin LOOK BACK at Marina De Van’s 2009 psychological thriller / body horror flick, Don’t Look Back. Sophie Marceau turns into Monica Bellucci; meanwhile, Eli tries to piece together the puzzle of De Van’s obscure career, Wilson notices the special effects, and Ben makes comparisons to soap operas.
Links:
Night Vision: Seeing Ourselves Through Dark Moods by Mariana Alessandri
Interviews with & articles on Marina de Van:
Rotterdam, 2019
Screenslate, 2022
Dread Central, 2022
The French Review, 2010
The Guardian, 2004
Pinnland Empire, 2012
Look at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
02:39 Introducing Don't Look Back
05:21 General reactions
15:17 Context
17:55 Comparing with In My Skin
21:59 What the heck is happening in this movie
28:06 Performances
31:34 De Van career arc
33:52 De Van's filmmaking
38:51 Wrapping up De Van... for now?
42:20 Outro
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Not for the faint of heart, Marina de Van’s film In My Skin challenges our stomachs, hearts and minds. While Wilson squirms, Ben gets to the heart of why Eli loves sicko mode movies. Can one of the most underrated New French Extremism films secretly be deeply empathetic?
Links:
The Art of Cruelty: A Reckoning by Maggie Nelson
“The Goon Squad” by Daniel Kolitz (Harpers Magazine, 2025)
Night Vision: Seeing Ourselves Through Dark Moods by Mariana Alessandri
Interviews with & articles on Marina de Van:
Rotterdam, 2019
Screenslate, 2022
Dread Central, 2022
The French Review, 2010
The Guardian, 2004
Pinnland Empire, 2012
Get in our skin (ew?) at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00:00 Intro
00:03:23 Introducing In My Skin
00:06:13 General reactions
00:11:29 Body fascination
00:14:37 Is it horror?
00:18:34 Eli goes sicko mode
00:26:04 Director background
00:32:12 Addiction / self-discovery
00:40:38 Characters
00:46:08 Female horror
00:49:45 Splitscreens and artmaking
00:55:12 The ending
01:00:28 g00ning
01:04:44 Dinner scene
01:12:16 Additional crew on In My Skin
01:16:31 Closing ideas
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哈囉 from Hong Kong! Wilson recaps a busy edition of the Hong Kong International Film Festival, including meeting and interviewing the one and only Tony Leung Chiu Wai for SILENT FRIEND. Wilson also chats about the seven(!) soon to come director interviews he conducted for the podcast, and some interesting classic films shown at this year’s edition of HKIFF. The trio also discuss some exciting new releases including new films from Hong Sang-soo, Carla Simon, and Anthony Chen.
Links:
Tony Leung Interview
The Blade Video Essay
Radu Jude on Hong reel
Take the MTR to our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00:00: Intro
00:07:34 Meeting Tony Leung
00:14:23 Silent Friend (2025) dir. Ildiko Enyedi
00:16:27 Sleep No More (2026) dir. Edwin
00:20:04 Ah Girl (2026) dir. Ang Geck Geck
00:23:33 Memory (2025) dir. Vladlena Sandu
00:30:48 Palimpsest: The Story of a Name (2025) dir. Mary Stephen
00:36:37 Mare’s Nest (2025) dir. Ben Rivers
00:39:40 Vive L’amour (1994) dir. Tsai Ming Liang
00:43:48 Panelstory or Birth of a Community (1981) dir. Věra Chytilová
00:45:54 Ah Ying (1983) dir. Allen Fong
00:49:13 The Horse Thief (1986)dir. Tian Zhuangzhuang
00:51:03 Unknown Pleasures (2002) dir. Jia Zhangke
00:53:30 Days and Nights in the Forest (1970) dir. Satyajit Ray
00:54:55 Final Victory (1987) dir. Patrick Tam
00:59:20 We Are All Strangers (2026) dir. Anthony Chen
01:06:37 We’re Nothing at All (2026) dir. Herman Yau
01:10:40 My Father’s Shadow (2025) dir. Akinola Davies Jr.
01:11:45 The Day She Returns (2026) dir. Hong Sang Soo
01:18:20 Magellan (2025) dir. Lav Diaz
01:22:15 Romeria (2025) dir. Carla Simon
01:24:40 The Voice of Hind Rijab (2025) dir. Kaouther Ben Hania
01:27:50 Writing Life – Annie Ernaux Through the Eyes of High School Students (2025) dir. Claire Simon
01:31:00 Blue Heron (2025) dir. Sophy Romvari
01:36:00 The Drama (2026) dir. Kristoffer Borgli
01:40:15 Outro
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“[Reichardt] makes you love these dicks.” – Wilson
How on earth does she do that? Does she have the mind of a master? Join us as we find out how Reichardt’s idiosyncratic style in The Mastermind helps you love this one dick despite all the hairy situations he’s entangled in. We debate the film’s reception during the AMC secret screening debacle, Reichardt's constantly zagging career, and her place in the American cinema landscape amidst dwindling cultural literacy.
Links:
Filmstage interviewMind of a master video
Master your mind at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
05:18 General reactions
13:55 The ending
19:28 Reichardt films and public reactions
28:19 Parts we liked about the movie
32:24 Josh O’Connor
36:03 More on the public’s reaction
44:16 Alana Haim
49:51 Outro
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After an 8-year hiatus, Lynne Ramsay has returned with her latest feature, Die My Love, and we're here to keep up with the Scottish auteur!
After an 8-year hiatus, Lynne Ramsay has returned with her latest feature, Die My Love, starring Jennifer Lawrence and Robert Pattinson. On this Deep Cut Upkeep episode, we find out if it was worth the wait and consider what’s next for the Scottish auteur. Eli helps define the subgenre of “mommy horror,” Ben questions the depth of the movie’s characters, and Wilson draws comparisons to Marielle Heller’s Nightbitch and Darren Aronofsky’s Mother!.
Links:
Kelsey E. Henry, “Monstrous Motherhood” from The Point
Don’t die, my love, at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
03:30 General reactions
14:03 Maternal madness pictures
19:14 Linearity
22:19 Why Ramsay for this film
26:02 Comparing with Ramsay's other works
28:31 A good trailer
29:58 The ending
32:07 Mommy horror
40:34 "A crazy love story"
44:26 Last words / outro -
Wilson takes a trip to Peng Chau to visit Ariel and Pearl of Kani Releasing, a North American film distribution company specializing in Asian cinema, to chat about their work, the films in their catalog and the changing film landscape for theatrical/physical media distribution.
Wilson takes a trip to Peng Chau to visit Ariel and Pearl of Kani Releasing, a North American film distribution company specializing in Asian cinema, to chat about their work, the films in their catalog and the changing film landscape for theatrical/physical media distribution. The chat about select titles in the Kani library, including Deep Cut favorite Marilou Diaz Abaya’s Moral (Ep 71) and Karnal, Patrick Tam’s My Heart is That Eternal Rose, and Nao Yoshigai’s Shari.
Links:
Kani Releasing
Crabwalk over to our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00:00 Intro
00:01:42 Introducing Kani Releasing
00:10:37 Path to Kani Releasing
00:20:01 Karnal / Moral (dir. Marilou Diaz-Abaya)
00:30:06 Archiving in the Philippines
00:33:19 Bona (dir. Lino Brocka)
00:38:17 Kisapmata (dir. Mike de Leon)
00:44:13 Changing Filipino film culture
00:50:07 Kani's geography
00:53:07 Shari (dir. Nao Yoshigai)
01:02:21 My Heart is That Eternal Rose (dir. Patrick Tam)
01:11:47 Bye Bye Love (dir. Isao Fujisawa)
01:14:16 Looking for an Angel (dir. Akihiro Suzuki)
01:15:46 Amiko / Desert of Namibia (dir. Yoko Yamanaka)
01:21:00 Batang West Side (dir. Lav Diaz)
01:22:48 What's next for Kani Releasing
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Flowers bloom at night… it’s not scary. With our first of presumably many Deep Cut Upkeeps on prolific South Korean auteur Hong Sang-soo, we explore What Does That Nature Say to You? We flesh out our theory of how Hong achieves authenticity and immediacy while eliding simple meaning, unpack the latest Hong male lead, and catch Hong’s reference to 6-7.
Bow at our grandmothers’ trees at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
05:12 General reactions
12:20 Glazing the boyfriend
14:30 Context
20:50 Dong-hwa as a Hong man
29:50 Girlfriend's family
38:58 Hong surrogacy: where is he in WDTNSTY?
44:12 Hong's image quality (or lack thereof)
51:22 Other notable scenes
57:35 Last words on Hong for now
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Film critic and Events Chair of the Los Angeles Film Critics Association Ryan Swen joins us to discuss his Hong Sang-soo Deep Cut Pick, Hill of Freedom. Swen has had a huge hand in shaping our Hong series through his ongoing criticism project, Hong Sang-soo Notarized. We all take a look at the non-chronological narrative of Hong’s meditation on misogyny, Japan and Korea, and the unsurprising consequences of drinking too much.
Drop your letters at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00:00 Intro
00:01:40 Ryan Swen introduction
00:04:29 Hong Sang Soo Notarized Project
00:12:21 Hill of Freedom introduction and general reactions
00:21:29 Lost (and Found) in translation
00:27:21 Japan and Korea
00:32:53 Narrative structure
00:39:41 Mori and Misogyny
00:45:47 Hongisms
00:52:57 The ending
01:00:40 Actors
01:03:11 Outro
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Writer, film curator, and leading Hong Sang-soo scholar Dennis Lim brings a personal favorite from Hong’s oeuvre–– 2022’s The Novelist’s Film–– to Deep Cut. As the DC trio and their esteemed guest enjoy the luxuriate in Hong’s complex, joyous depiction of collaborating artists-in-exile, Dennis shares his background with Hong, this film’s shape, and the model Hong sets for young, independent filmmakers.
Film your novel at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
02:08 Introducing guest
03:47 Lim's background with Hong
11:15 DC trio's current thoughts on Hong
15:41 Why the Novelist's Film / general reactions
26:13 Hong's regular actors
28:04 Formal discussion
38:33 Shapes
41:16 Lee Hye-young
46:25 Ha song-guk
47:06 Waste, exile, potential
50:19 Hong's business, life, and art model (good for young filmmakers)
55:53 Outro
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Sorry Baby, but it’s One Battle After Another, as we clash and debate our favorite films of 2025! We’re covering obligatory mentions of the biggest films of the year and picking up our Weapons to dunk on some that we’re Regretting You watched.
Which of these films will we look back on with strong Sentimental Value, 28 Years Later? Which are winners, which are Sinners?
I’m afraid you’re going to have to Wake Up Dead Man from your Dreams (Sex Love), some might even call that a Resurrection, because you’ve got No Other Choice but to listen and find out.
Links
Wilson's Reviews: News from Home, Eat Drink Man Woman
Ben's Reviews: Avatar: Fire and Ash, What Does That Nature Say to You
Eli’s Sinners Review
Ben’s Kinetoscope Piece: The Spirits in the Medium
List: Full List of films discussed on Letterboxd
List: Deep Cut’s Top 12 of 2025
Tell us your faves at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00:00 Intro
00:02:58 General 2025 thoughts
00:12:08 Non-2025 gems
00:16:22 2025 on Deep Cut
00:20:16 Eli's fave Letterboxd reviews from Wilson and Ben
00:21:46 Obligatory Mentions
00:22:06 Marty Supreme dir. Josh Safdie
00:24:08 The Secret Agent dir. Kleber Mendonça Filho
00:25:44 Frankenstein dir. Guillermo del Toro
00:28:38 Sentimental Value dir. Joachim Trier
00:30:59 Hamnet dir. Chloé Zhao
00:38:36 Hamnet spoiler
00:40:27 If I Had Legs I'd Kick You dir. Mary Bronstein
00:42:27 Bugonia dir. Yorgos Lanthimos
00:44:13 Kpop Demon Hunters dir. Maggie Kang & Chris Appelhans
00:46:55 Train Dreams dir. Clint Bentley
00:48:49 Avatar: Fire and Ash dir. James Cameron
00:54:30 Mission Impossible: The Final Reckoning dir. Christopher McQuarrie
00:56:48 Eddington dir. Ari Aster
00:57:14 Wicked For Good dir. Jon M. Chu
00:58:16 No Other Choice dir. Park Chan-wook
00:59:48 Magellan and Phantosmia dir. Lav Diaz
01:01:54 The Phoenician Scheme dir. Wes Anderson
01:05:34 Weapons dir. Zach Cregger
01:12:28 Materialists dir. Celine Song
01:13:40 Materialists Spoiler
01:18:02 Regretting You dir. Josh Boone
01:19:38 Sirat dir. Oliver Laxe
01:22:27 Sirat Spoiler
01:25:41 Sirat Spoiler 2
01:26:19 Deep Cut Upkeep Overview
01:28:35 Honorable Mentions
01:28:40 Viet and Nam dir. Truong Minh Quy
01:29:14 Blue Moon dir. Richard Linklater
01:30:25 Boys Go to Jupiter dir. Julian Glander
01:31:04 Baby dir. Marcelo Caetano
01:31:33 Nouvelle Vague dir. Richard Linklater
01:32:48 Black Bag dir. Steven Soderbergh
01:34:36 Cactus Pears dir. Rohan Kanawade
01:35:35 Seaside Serendipity dir. Satoko Yokohama
01:36:33 Sorry Baby dir. Eva Victor
01:37:58 Misericordia dir. Alain Guiraudie
01:39:06 Silent Friend dir. Ildikó Enyedi
01:41:20 Caught by the Tides dir. Jia Zhangke
01:42:48 Put Your Soul on Your Hand and Walk dir. Sepideh Farsi
01:44:51 My Sunshine dir. Hiroshi Okuyama
01:46:56 Superman dir. James Gunn
01:48:52 100 METERS dir. Kenji Iwaisawa
01:53:31 Reflection in a Dead Diamond dir. Hélène Cattet & Bruno Forzani
01:54:28 Afternoons of Solitude dir. Albert Serra
01:57:05 The Wedding Banquet dir. Andrew Ahn
01:57:19 Top 5
01:57:30 One Battle After Another dir. Paul Thomas Anderson
02:05:57 Resurrection dir. Bi Gan
02:07:51 Peter Hujar's Day dir. Ira Sachs
02:12:19 Christmas Eve in Miller's Point dir. Tyler Taormina
02:17:10 I'm Still Here dir. Walter Salles
02:19:14 28 Years Later dir. Danny Boyle
02:21:06 Dreams (Sex Love) dir. Dag Johan Haugerud
02:25:37 Resurrection dir. Bi Gan
02:26:29 Wake Up Dead Man: A Knives Out Mystery dir. Rian Johnson
02:28:07 It Was Just an Accident dir. Jafar Panahi
02:32:05 Cloud dir. Kiyoshi Kurosawa
02:33:32 Left-Handed Girl dir. Tsou Shih-Ching
02:37:29 One Battle After Another dir. Paul Thomas Anderson
02:40:04 Sinners dir. Ryan Coogler
02:45:41 Outro
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In this episode, we get into Ben’s favorite Hong film of all time, Yourself and Yours. If On The Beach At Night Alone is Hong’s first reflection on the scandalized reception to the reveal of his relationship with Kim Min-hee, Ben shares the theory that Yourself and Yours is secretly the one about its beginning.
In our discussion, we try to pin down Minjung’s slippery personas, pick apart the film’s dream sequences, define the qualities of Hong’s surrealist and yet mundane approach, and ask, what does it take to be a Hong film that believes in love?
Links:
Yourself and Yours segmentation
Inexplicable doppelganger list
Hong Sang-soo Notarized: Yourself and Yours
Break a leg at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
02:00 Film Intro
04:05 General reactions
09:12 AFA Post screening discussion
11:45 Film context
15:20 Structure / segmentation
20:28 Doppelgangers and dreams
26:06 Perception of Mnjung
31:09 The ending
33:47 Context in Hong’s career
36:25 Ben’s favorite scene
40:15 Parallel characters and Hong-isms
46:00 Reflection on discussion
53:45 Outro
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What do Inception, Tim Robinson, Luis Buñuel, Woody Allen, and Chantal Akerman have in common? They all get compared to Hong Sang-soo’s On the Beach at Night Alone in this episode of Deep Cut! Listen on as we unpack the movie that’s loosely about Hong’s and Kim Min-hee’s career-changing relationship, digest more awkward dinner scenes, and discuss the merits of going to the beach in the winter.
Links:
Scold your friends for being inauthentic at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
02:31 General reactions
08:00 Context / Hong+Kim relationship
14:32 SG public opinion survey
18:04 Hong Sang-soo's 'Inception'
20:08 Hong Sang-soo / Tim Robinson
21:43 Hong / Buñuel
25:45 Hong not planning era
27:17 Ryan Swen Notarized and dinner scene
33:16 What to do with this movie?
38:13 Hong's Chantal Akerman
41:10 Hong as Woody Allen 😬
43:35 Shape of this film
46:43 Outro
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Is traveling through Europe too expensive? Then hop aboard a train with the Deep Cut trio and Chantal Akerman for another sensitive, lightly autobiographical story of a surrogate character experiencing ennui and/or despair. Along the road trip, there’s sex, ‘70s outfits, and… windows. Ultimately, we struggle to decide: how well can we know Akerman through her work (or, for that matter, anyone)?
Meet Ben, Wilson, and Eli (kinda) at our FREE patreon, discord server, and our socials @ www.deepcutpod.com
Timestamps:
00:00 Intro
03:46 Summary
04:27 General reactions
11:33 Jeanne Dielman vs The Meetings of Anna
16:39 Mom and Akerman herself
22:37 Plot sequence and Akerman’s subjectivity
30:32 Other Akerman films
34:20 Akerman and loneliness
37:39 Ending
40:12 Sex
43:29 Singing
- Visa fler
