Avsnitt
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Something is wrong in the woods.The artist notices him first — and says almost nothing. One remark, on the way to the station, barely above a murmur. Then the train comes, and he is gone.It falls to Van Cheele to find out what his friend meant. What he discovers, by the pool in the oak coppice, is a boy with light brown eyes that hold something tigerish in them, lying in the sun with an ease that belongs to no child he has ever met.The aunt will find him charming. The dog will not stay in the house.Saki understood that the old country — the country before the parishes and the property lines — was never entirely tamed. The animals there talk.
"Gabriel-Ernest" was first published in 1909 in the Westminster Gazette, and later collected in Reginald in Russia and Other Sketches (1910).
Saki was the pen name of Hector Hugh Munro (1870–1916), a writer of savage wit and supernatural unease. He was killed on the Western Front in the closing months of the Somme campaign.
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There is a house in Auburn, California, with a tragic history and a new tenant. Jean Averaud has come from New Orleans with money, with books, with a beautiful mute woman who watches him with eyes full of something between devotion and dread. He has come with a theory about evil — not the Devil, not sin, not the ordinary darkness of human nature, but evil as a cosmic force, a radiation from a black sun somewhere in the depths of space.
And he has come with a purpose. In the old Larcom house, with its history of sorrow and disaster, he has found exactly the conditions he needs. His neighbour, a novelist, finds himself drawn into Averaud's orbit.
Clark Ashton Smith's The Devotee of Evil is a quiet story. It does not rush. It thinks. And what it thinks about has been troubling philosophers and theologians for two thousand years.
The Devotee of Evil was first published in Smith's self-produced chapbook The Double Shadow and Other Fantasies in 1933, after failing to find a commercial publisher. It reappeared in Stirring Science Stories in February 1941.
Clark Ashton Smith (1893–1961) was a California poet, painter, sculptor and writer of weird fiction, one of the central figures of the Weird Tales circle alongside H.P. Lovecraft and Robert E. Howard, with whom he maintained a long correspondence.
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Saknas det avsnitt?
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A young man waits in a suburban lane for his sweetheart. She doesn't come. Walking home past her house, he finds the front door standing open, the windows dark. He goes in. He goes upstairs. He strikes a match. The next morning she is perfectly well, and the room he entered was locked all night, the key in her pocket.
But the almanack on the mantelpiece read the 21st of October.
And it was May.
"The Mystery of the Semi-Detached" was first published in Edith Nesbit's collection Grim Tales in 1893. Edith Nesbit (1858–1924) is best remembered today as the author of The Railway Children and Five Children and It, but she was also a prolific and accomplished writer of supernatural fiction, whose ghost stories combine suburban ordinariness with genuine dread to unsettling effect.
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A man reads about a murder in his morning paper over breakfast in his Piccadilly rooms. That should be the end of it. But something follows him from that reading — something that refuses to stay on the page. And when fate places him in the jury box at the murder trial itself, he begins to count his fellow jurymen, there there should be twelve, he counts thirteen...
Dickens wrote this story with a title that is itself a warning. Whether you take that warning as a comment on the narrator, on the law, or on the nature of what follows, is a question the story leaves carefully unanswered. *
"To Be Taken with a Grain of Salt"* was first published in the Christmas 1865 edition of *All the Year Round*, Dickens's own literary journal, as part of a collection entitled *Doctor Marigold's Prescriptions*. It was later republished under the titles *The Trial for Murder* and *The Thirteenth Man*.
Charles Dickens (1812–1870) was born in Portsmouth and is widely regarded as the greatest English novelist of the Victorian era. He was also one of the finest writers of ghost stories in the language, and this story was considered the definitive English ghost story for decades, before M.R. James arrived to claim that title.
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A Walk in the Park by William Bundy
There is a park at the edge of a sleeping city. A man walks through it at night — tall, cloaked, unhurried — as if he has walked this way before, many times, across many years. A boy watches from a window. Dreams come. And something waits outside in the moonlight, patient as stone, returning with every full moon whether it is wanted or not.
William Bundy's *A Walk in the Park* is a story about inheritance — the kind you don't choose.
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*A Walk in the Park* is published on William Bundy's Substack at redsaidwrites.substack.com, where you'll find more of his writing in the same vein.
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William Bundy is a UK-based writer of dark and supernatural fiction whose work spans short stories, essays, and film. Find his writing at williambundy.com, his Substack at redsaidwrites.substack.com, his film work on Instagram at instagram.com/redsaidfilms, and all his links gathered in one place at linktr.ee/williambundy.
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A man drives out to the Norfolk Broads one February night to look at a holiday bungalow. Snow is falling. The marshes are silent. Not even the waterfowl are stirring. Then, close to midnight, headlamps appear on the road — a car has broken down, and a young woman is alone with an engine that won't start. He does what anyone would do.
He helps. He offers whisky. He thinks nothing of it.
But there is something not quite right about her. Something in the way she watches the road behind her. Something in the way she keeps to the shadows.
"My Adventure in Norfolk" by A.J. Alan, first collected in Good Evening, Everyone!, published by Hutchinson in 1928. The story was originally broadcast live on the BBC in the mid-1920s.
A.J. Alan was the pseudonym of Leslie Harrison Lambert, a senior intelligence officer who worked at Bletchley Park and served as Vice-President of the Magic Circle. He broadcast only a handful of stories each year and never revealed his true identity to the public during his lifetime.
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This is for Terry Illikainen. No commentar.y As an experiment, I will do the commentary as a separate post. In a sombre Elizabethan pile above Lake Windermere, the air is thick with more than just decay. Miss Prunella Pendleham, the last of a long line, watches her companion, Amelia, wither into a gaunt and listless shadow. Amelia is the sixth companion; three before her never left these walls alive. Amidst the rattle of mountain rain, thin, high screams echo through the stone-vaulted halls. Is it the onset of madness, or is the house reclaiming a brutal, hidden history? As the light fades, the only certainty is the tightening grip of a terror that will have its say. The Triumph of Death first appeared in The Arkham Sampler, Autumn 1949. It was later collected in Strayers from Sheol (1961) and The Best Ghost Stories of H. Russell Wakefield (1978). H. Russell Wakefield (1888--1964) was an English writer best known for his unsettling ghost stories. Drawing on clerical, military, and publishing-world experience, he brought a sharp psychological edge to the classic British supernatural tale. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
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Tom Enderby is a widower who would like to remarry. There is nothing unusual in that. He has found a woman he is fond of, a gentle and pretty woman who is fond of him in return. There is nothing unusual in that either. What is unusual is what keeps happening to the white linen. His first wife Gloriana has been dead for four years. She asked only one thing of him before she died — a small, strange, domestic request — and he honoured it. He made no promises. He is bound by nothing. And yet. H. D. Everett's "The Death Mask" is a ghost story about what we owe the dead, and about the debts that accumulate, unnoticed, in the ordinary fabric of a marriage. The fabric, in this case, is quite literal. --- "The Death Mask" was first published in 1920 as the title story of *The Death-Mask and Other Ghosts* (London: Philip Allan, Quality Court, Chancery Lane), issued under the name Mrs. H. D. Everett. Henrietta Dorothy Everett (1851–1923) was an English writer of supernatural fiction and historical novels who published her first book at the age of forty-four under the male pseudonym Theo Douglas, and whose ghost stories drew admiring notice from both M. R. James and H. P. Lovecraft. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out. You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month. Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices
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Lost Hearts by M R James (1862-1936) Join my patreon: https://patreon.com/barcud There is a house in Lincolnshire where a scholar lives alone with his books and his learning and his carefully recorded dates. He is a kind man, by all appearances — generous to orphaned children, interested in the old religions, methodical in his habits. The kind of man that academics find reliable. M. R. James wrote this story in 1895. His erudition encompassed the respectable and the less so, and he knew the darker currents of the archive as well as any man alive. Something — or someone — has been waiting in that house. Waiting, with considerable patience, for the third. "Lost Hearts" was first published in the Pall Mall Magazine in 1895, and collected in Ghost Stories of an Antiquary, published by Edward Arnold in 1904. Montague Rhodes James (1862–1936) was a medieval manuscript scholar, Provost of King's College Cambridge and later of Eton, and the most influential writer of English ghost stories of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices
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On a forgotten platform at a junction no map records, a man waits for a train he half-remembers from childhood nightmares. In his hands, a battered red book falls open, again and again, to the same impossible picture: a tunnel mouth, a lamp, a solitary figure who will not quite turn his face to the light. As the night thickens and the pages repeat themselves, memory and prediction begin to trade places, and the question of who is watching whom will not stay safely inside the story. First published in The London Mercury in November 1935; later collected in the volume The Sun Cure (1936). Now widely reprinted in anthologies of supernatural and psychological horror, where it has earned a reputation as a minor classic. Alfred Noyes (1880–1958) was a British poet and prose writer, best known for poems such as “The Highwayman”. Alongside his popular verse, he wrote a small but influential body of uncanny fiction, of which “Midnight Express” is the most celebrated. Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal Learn more about your ad choices. Visit megaphone.fm/adchoices
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Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal A man arrives at a desert fortress to visit an old friend. The friend is not there. The English servant says he will return shortly. The heat presses down. The water tastes wrong. And the waiting stretches on in ways that are difficult to explain. Edith Wharton set this story not in her usual territory of New York drawing rooms, but somewhere in North Africa, in a crumbling pile of Crusader stonework and Arab plasterwork, where the palms rattle like rain above an ancient well, and the desert stretches out in every direction, golden and merciless. She wrote it without a single ghost. She didn't need one. First published in the Saturday Evening Post in March 1926 under the title "A Bottle of Evian," the story was collected in Certain People (1930) and later reprinted in Wharton's posthumous ghost story anthology Ghosts (1937). Edith Wharton (1862-1937) was an American novelist and short story writer, the first woman to win the Pulitzer Prize for Fiction, awarded for The Age of Innocence in 1921. She published more than forty books across four decades. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
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The moon lifts off the water and climbs the sky over Calabria. Two men sit on the stones of an old tower above the coast, sipping the local wine, basking in the warm dark. Below them, where the rock runs down toward the sea, there is a mound in the earth. One of them notices something in the gorge far below. He descends to look. The other sits, and watches, and says nothing. When the first man climbs back up, his companion turns to him quietly and asks: do you want to hear the story of what you saw there, and also what you didn't? First published in Collier's Weekly, 16 December 1905. Collected in Wandering Ghosts, 1911. F. Marion Crawford (1854–1909) lived most of his adult life in Italy. In his own time he was one of the most widely read novelists in the English language. He is less remembered now than he deserves. New type of image because I was recently told that my Audiobook style images were the reason that my channel's growth has stagnated. Hope you like it!!!!! 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
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In an old private chapel attached to a country house, a trusted servant keeps night watch beside the ancient altar, alone behind a locked door. By morning he is found dead, a dagger from the chapel’s peculiar mechanism driven clean through his heart—though no human hand should have been able to strike the blow. No tracks, no witnesses, only the oppressive sense that something in that dim, little sanctuary has moved unseen. As Thomas Carnacki retraces the dead man’s final hours and tests the chapel’s sinister contrivance for himself, the silence around the altar begins to sound like an answer of its own. First published in the 1909 collection The Ghost Pirates, A Chaunty, and Another Story, “The Thing Invisible” later appeared in The New Magazine (January 1912) before being collected in Carnacki, the Ghost-Finder (1913). The story is in the public domain. William Hope Hodgson (1877–1918) was an English writer of sea stories, supernatural fiction, and weird horror. He is best known for his visionary novels The House on the Borderland and The Night Land, as well as his stories featuring the occult detective Carnacki. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
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There is a house at the end of a lane. You have seen it before — or something like it. Palladian, still, its pale stone holding the last of the May light as if reluctant to let the evening come. The chestnut trees stand tall around it. The air is warm and gold and very quiet. Charles Dash stops his car. He is trespassing, he knows, but the house is empty, surely? And it is such a beautiful house. Worth seeing, if only for a few minutes. And then the car key goes missing. He cannot find it anywhere. And the owner appears — such a welcoming man, such a pressing, generous, will-not-take-no-for-an-answer kind of man. Do come in. Stay for dinner. The night is drawing in. Why not stay? Why not? A Recluse was first published in 1926 and collected in On the Edge, Faber and Gwyer, 1930. Walter de la Mare (1873–1956) was an English poet, novelist and short story writer, regarded as one of the supreme masters of the uncanny in the English language. His ghost stories occupy a singular place in the tradition — atmospheric, oblique, and finally inexplicable. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work. After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi’s portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein’s monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
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Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work. After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi’s portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein’s monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
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A young doctor, recovering from illness, is sent to the Derbyshire hills for his health. He takes lodgings at a remote farm, where he notices the family's reluctance to discuss the valley below. There's a Roman mine nearby that no one acknowledges, and a particular opening in the earth that unsettles him. His diary records what starts as mild interest in local folklore. But as he explores the mine workings beneath the Blue John caverns, his entries shift. The question becomes less about what might exist in the old tunnels, and more about what happens to a man who goes looking for it. First published in The Strand Magazine in August 1910, “The Terror of Blue John Gap” was later collected in The Last Galley: Impressions and Tales in 1911. It draws on the real Blue John Cavern near Castleton, with its distinctive banded fluorite. Sir Arthur Conan Doyle (1859–1930) was a Scottish physician and author, best known as the creator of Sherlock Holmes. Beyond detective fiction, he wrote historical novels, science‑fiction romances, and a rich vein of ghostly and weird tales. Get the last copies of the first edition of Once in a Haunted House, our print magazine. Not many left! Here: https://payhip.com/b/fE1Gz Learn more about your ad choices. Visit megaphone.fm/adchoices
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A man takes a sunlit shortcut through an English wood and finds that something is missing. There is no thrush, and no blackbird, and no rustle of wings – only a strange dimming of the light, and a silence that feels willed, and watchful, and almost hungry. At his friend's house the dogs will not cross the tree-line, and they bare their teeth at empty air. In the evenings, that grey band of trees seems to lie under a shadow that falls from nowhere anyone can see. There is something in the wood, something that makes the dogs keep away and the birds fall silent. His friend suspects it, and his friend's wife avoids talking about it, and neither will say what they believe it might be. First published in Woman magazine in December 1926, and later collected in Spook Stories (Hutchinson, 1928). Public domain text sourced from Project Gutenberg Canada. Edward Frederic Benson (1867–1940) was an English novelist, and biographer, and master of the uncanny short story. Best known for his Mapp and Lucia comedies and his eerie tales of the supernatural, he wrote across nearly every genre of early twentieth-century popular fiction. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
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Two noble houses. Centuries of hatred. A prophecy that may mean nothing—or everything. In medieval Hungary, the young Baron Metzengerstein encounters a horse—gigantic, fiery-colored, unlike any creature in his stables. He rides it obsessively. Dawn and midnight. Sickness and health. Riveted to the saddle as if becoming one with the creature. It performs impossible feats. The servants whisper of things they cannot explain. Some souls dwell only once in flesh. After that—only the scarcely tangible resemblance. Publication Details: "Metzengerstein" first appeared anonymously in the Philadelphia Saturday Courier on January 14, 1832, making it Edgar Allan Poe's first published tale. It was later revised and included in Tales of the Grotesque and Arabesque in 1840. Author Biography: Edgar Allan Poe (1809-1849) was an American writer, poet, and literary critic who pioneered the modern short story and detective fiction. His works of Gothic horror and psychological complexity remain among the most influential in world literature. Learn more about your ad choices. Visit megaphone.fm/adchoices
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A solitary man, lost in the Welsh hills, stumbles through thick mist—his only companion a mounting sense of unease. The landscape is indifferent; the path vanishes; every familiar landmark dissolves into obscurity. Rescue appears in the form of an enigmatic stranger, whose kindness feels both matter-of-fact and unsettling. A map changes hands, but the mist has a memory longer than any traveller’s, and the hills have their own way of keeping secrets. What follows is not a tale of terror, but a quiet reckoning with the uncanny—a story in which benevolence and danger are not so easily separated. “An Encounter in the Mist” by A. N. L. Munby, first published in The Alabaster Hand (1949). A. N. L. Munby (1913–1974) was a British librarian, bibliographer, and author, best known for his ghost stories and scholarly work on rare books. Join Our Podia Community for 100s of Ad Free Ghost Stories https://www.classicghost.com/ghost-stories-episodes/buy Learn more about your ad choices. Visit megaphone.fm/adchoices
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