Avsnitt
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This episode represents a new direction for the podcast, recorded on the eve of Jeremiah’s move to a new home base in Geneva. We start with a retrospective snapshot of the podcast’s beginnings – with many episodes recorded under the backdrop of COVID-19 – and then segue into our perennial concern, the plight of academic exchange in China, for which our consensus was “cautious optimism," while accepting an unsatisfying "new normal.” We sign off with future plans and ideas for the next phase of Barbarians at the Gate.
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In this episode, John Alekna talks about his fascinating new book Seeking News, Making China: Information Technology and the Emergence of Mass Society. In 20th-century China, the gradual importation and development of information technology had an enormous impact on the way that news was disseminated and accessed by the general public. When radio first appeared in the early 1920s, less than 8 in 1,000 people had access to newspapers, whereas, by the time of the Mao period, hundreds of millions of citizens were receiving daily news and information via radio, TV, and shortwave technology.
This book provides an enlightening “meta-historical” account of the evolving communications technologies that fueled the May 4th movement, KMT and CCP propaganda campaigns during WWII, and the mass information campaigns of the Mao era, such as the Cultural Revolution. The book describes how the various interlocking information technologies, infrastructure, and communication channels – what Alekna calls the “newsscape” – affect popular opinion, politics, and state power.
John Alekna is an Assistant Professor of History of Science, Technology, and Medicine at Peking University.
The publisher’s link for the book Seeking News, Making China: Information Technology and the Emergence of Mass Society.
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Saknas det avsnitt?
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In this episode, we welcome back to the podcast our good friend, Alec Ash, who has written a fascinating book recounting a year spent in the city of Dali, Yunan Province. Unlike Alec’s previous book, Wish Lanterns, his new book, The Mountains are High, is a highly personal account of his attempt to find solace and healing after a pivotal emotional crisis and his decision to disentangle himself from his urban Beijing life and escape to a simpler life in mountainous Yunnan Province. But Alec’s life in Dali was not completely hermitic. Quite the contrary, Alec found his new life interwoven with a peripatetic group of fellow escapees, a kaleidoscopic array of religious seekers, hippies, stoners, and disenchanted white-collar elites, all seeking solace or salvation through Buddhism, psychedelics, New Age mysticism, or just a simpler, more meaningful life.
We discuss the process of writing the book, the challenge of living off the grid, the struggle to resist the distracting allure of the Internet, and the hard work of transforming oneself to achieve a sense of contentment and peace.
Previous episodes featuring Alec Ash:
“China's New Youth” October 01, 2020
“Back to the Land: Author Alec Ash on escaping to Dali, rural retreats, and a return to England” October 30, 2022
Alec’s website information about The Mountains Are High
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In this episode of Barbarians at the Gate, our guest is Michael Wester, founder and publisher of True Run Media and The Beijinger. Mike is a long-time resident of Beijing, and we talked with him about running the city’s most-read expat publication, his experiences in organizing the “Safe and Sane” WeChat communities during the pandemic, and what the future holds for the international population of China’s capital. Later, Jeremiah surprises David and Mike with an announcement.
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In this episode, we chat with Andrew Stokols, who is currently a Ph.D. candidate at MIT researching varieties of digital urbanism globally, with an emphasis on China.
On the podcast, we briefly compare notes on the urban development of Beijing in the 21st century, including the contradictions between Beijing as a technologically advanced urban center and an ancient capital city. Andrew also provides updates on the progress of Xiong’an, the digital “smart city” being constructed in Hebei province, as a showcase for Xi Jinping’s vision for urban development. The urban plan was initially unveiled in 2017 to relieve pressure on Beijing and promote the coordinated regional development of the Beijing-Tianjin-Hebei region, but what Xi has called a “thousand-year plan of national significance” has run into numerous setbacks and controversy.
We also hear from Andrew about how the Party is merging Marxist ideology with traditional Chinese culture in recent urban architectural projects, particularly the mammoth National Archives of Publications and Culture (Zhongguo guojia banbenguan 中国国家版本馆), described as a “seed bank” of Chinese civilization. These mammoth archives, being constructed in the four geographically significant locations of Beijing, Hangzhou, Xi’an, and Guangzhou, will house original and digitized editions of imperial archives such as the Complete Library of the Four Treasuries (the Siku quanshu四库全书), as well as historical artifacts, music, and literature from the Mao era, thus effecting the goal of “two combines” (liangge jiehe 两个结合), Xi Jinping’s goal of “combining Marxist theory with China’s outstanding traditional culture.”
Andrew's own online archive: https://www.andrewstokols.com/
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Has the Chinese government killed stand-up comedy in China?
In May of 2023, a popular standup comedian made an innocuous joke in which he mentioned a phrase used to laud the fighting spirit of the People’s Liberation Army. The next day, a complaint from a nationalistic netizen resulted in the Shanghai Xiaoguo Culture Media Company being fined a whopping $2 million and the temporary shutdown of virtually all the standup TV shows and comedy clubs in China’s major cities.
The immediate aftermath of the incident also cast a pall over other entertainment venues, leading to increased scrutiny of music and live entertainment in clubs and bars. In this episode, we talk with reporter and freelance writer Chang Che, who initially reported this incident and has been interviewing comedians and promoters grappling with the repercussions in the entertainment industry. Chang Che provides insights into how comedians, musicians, and creative media workers must function within a system where the lines for acceptable discourse are nebulous and ever-changing.
Chang Che’s writing has appeared in The New Yorker, The Washington Post, and The Atlantic, and he was formerly with the New York Times reporting on tech in Asia. His first article on this subject of the podcast can be found at this link:
No Joke: China Fines a Comedy Firm $2 Million for ‘Insulting’ the Military
Chang Che’s website
Our earlier episode on comedy in China:
Chinese Funny Business with Mark "Da Shan" Roswell
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On this episode of Barbarians at the Gate, I talk to Kristel Ouwehand, also known by her Tibetan language name, Tenzin Dolma, the founder of Snowland Academy in Gansu province where she lives with and teaches young Tibetan artists.
Beginning at age 17, Tenzin traveled across Central America, Europe, parts of the Middle East, and the east coast of Africa before settling in India. She stayed in India for 11 years, mastering the traditional art of thangka painting. She also learned to craft butter sculptures and sand mandalas, contributed as one of 30 artists painting a new prayer hall, and even organized and translated for a year-long fundraising arts tour in North America from 2005-2006.
In 2007, Kristel relocated to China, initially living in Sichuan until the earthquake in 2008, and then in Qinghai. In 2010, a pivotal moment occurred when a monk approached her, seeking art lessons. In the summer of 2014, she settled in Labrang (Xiahe), Gansu, where Snowland continues to operate today.
Link to Snowland Art:
http://www.snowlandart.org/about-us/
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Jeremiah kicks off the podcast with news that the decades-long Qing History Projectn being carried out by, among other institutions, Renmin University and the Chinese Academy of Social Science(CASS) seems to have been "put on ice" after the draft document produced by the team of Chinese historians was deemed as “politically unacceptable” by the authorities.
One of the specific objections to the project’s content was that it was “overly influenced by the New Qing History,” referring to a group of prominent Western historians who have used Manchu-language sources and new perspectives to offer an interpretation of Qing history that departs from earlier narratives that emphasized the "Sinicization" of the Qing Empire.
In the podcast, we discuss how the PRC government attempts to rewrite history to promote current-day political narratives, including revisionist attempts to downplay Mongol and Manchu influences in the story of China.
Mentioned in the podcast:
China Digital Times, Qing History another front against Western Influence
More from Jeremiah, Chinese Academy of Social Sciences Throwing Shade at the New Qing History
Young Tsu-wong review of Qingchaoshi de jiben tezheng zai tanjiu: Yi dui beimei xin Qingshi guandian de fansi wei zhongxin 清朝史的基本特徵再探究: 以對北美新清史觀點的反思為中心 [A New Look at the Fundamental Characteristics of the Qing Dynasty History: Focus on Rethinking the Views of the New Qing History School of North America by Zhong Han
Guo Wu, New Qing History: Dispute, Dialog, and Influence
The Art, “Blocked show on Genghis Khan finally opens in France,”
Christian Henriot, "Who owns China's Past? American Universities and the Writing of Chinese History"
Jeremiah’s review of Ian Johnson’s new book Sparks: China's Underground Historians and Their Battle for the Future, on the China Project
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In today’s episode, we talk with journalist and travel writer Thomas Bird about his latest book, The Harmony Express.
Entering an uncertain new chapter of his life several years ago, Bird decided to embark on an exploration of the People’s Republic of China via the country’s vast web of railroad lines. In the spiritual footsteps of travel writers such as Paul Theroux (Riding the Iron Rooster and The Great Railway Bazaar), Bird took the trains as his trajectory, exploring and documenting the diverse ethnic, geographical, linguistic, and culinary worlds of China by rail.
With solid Mandarin skills, an intrepid, often foolhardy willingness to immerse himself into unfamiliar surroundings, and an ethnographer’s voracious intellectual appetite for detail, Bird gives the reader vivid accounts of the diverse places and personalities he encounters in his journey.
We also talk about his impetus for writing the book, the evolution of train travel from the 绿皮火车 lüpi huoche “green trains” to the new sci-fi-style bullet trains, and what has changed – and not changed – in China.
Thomas Bird, Harmony Express. (Earnshaw Books, 2023)
Amazon Link
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Warning: GEEKY CONTENT
Hosting solo in this week’s episode, David takes a geeky deep dive into the digital revolution in Chinese language learning in conversation with Chinese language pedagogy expert Matt Coss. The Sisyphean task of learning to write hundreds of Chinese characters has long been the bête noire of Chinese language students. The explosion of digital devices and apps for processing Chinese characters is giving rise to a radical rethinking (no pun intended) of the handwriting and dictation components of Chinese language curricula.
Matt Coss is on the front line of a new generation of Chinese language educators who advocate a drastic reduction, if not outright elimination, of the handwriting requirement for Chinese language learners. Topics covered include the disturbing drop in the number of American students studying Mandarin, the implications of AI tools such as ChatGPT for Chinese language learning, and the escalating problem of native Chinese speakers forgetting how to write common characters (“character amnesia” tíbǐ wàngzì提笔忘字).
Matt Coss holds a BA in Hispanic Linguistics and Asian Studies (Chinese) and an MA in Second Language Acquisition from the University of Maryland College Park. Matt has taught Chinese classes at George Washington University and Georgetown University and has worked as a Second Language Acquisition Specialist on the STARTALK project at the National Foreign Language Center. He is currently a PhD Student in Second Language Studies (Michigan State University)
Mentioned in the podcast:
Transforming L2 Hanzi Teaching & Learning in the Age of Digital Writing: Theory and Pedagogy (《电写时代汉字教学的理论与实践》) published by Routledge 2023
https://scholarworks.brandeis.edu/esploro/outputs/bookChapter/Save-Your-Strokes-Further-Studies-on/9924210987301921
L1: First language (i.e., native language)
L2: Second language
“The New Paperless Revolution in Chinese Reading.” Olle Linge’s Hacking Chinese Site. https://www.hackingchinese.com/the-new-paperless-revolution-in-chinese-reading/
“Character Amnesia Yet Again” Victor Mair, Language Log, April 28, 2022.
https://languagelog.ldc.upenn.edu/nll/?p=54465
Hanzi Yingxiong 《汉字英雄》 “Chinese Character Heroes” https://www.youtube.com/watch?v=FaoxdiwKaHo&t=337s
Zhongguo Hanzi tingxie dahui《中国汉字听写大会》”Chinese Character Dictation Competition.”
https://www.youtube.com/watch?v=insD5qbJw2g&list=PL0eGJygpmOH4xEZ7Gu2IluCL07GYcHiZu
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Isabel Nepstad’s passion for nature, food, and agriculture can be traced back to her childhood growing up in Belém, a city on the mouth of the Amazon River in Brazil. Her connection to China dates to Isabel’s experience studying Chinese at the Beijing Foreign Studies University and economic development and environmental science at Yunnan University while still an undergraduate. For over 11 years, Isabel has worked in the food and agriculture industry in the United States, Brazil, the Netherlands, and China. From 2011 to 2012, she worked as an Analyst for a Brazilian NGO, Alliança da Terra, in Cuiaba, Brazil, and as a Program Manager for Solidaridad Network based in Beijing. In 2021, she founded BellaTerra Consulting to provide sustainability consulting in the food and agriculture supply chains, bridging China and the world.
Isabel takes time out of her busy schedule to drop by the Barbarians at the Gate studio to share her career journey, give advice to those looking to pursue their professional lives in China, and discuss the challenges and opportunities in the environmental and agricultural sectors in China and around the world.
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On this episode of Barbarians at the Gate, Jeremiah talks to Brian “DJ Bo” Offenther. From being the FKFDJ (First Known Foreign DJ) to play in Pyongyang since 1945 to putting together the first Elvis Festival in Mainland China, DJ Bo has been at the center of China’s music scene for over a decade. The self-proclaimed "Shanghai's #2 DJ" is a DJ and event producer based in Shanghai who has performed in 29 countries and 42 cities around China. He’s involved in many cultural activities, including lecturing at universities, hosting the streaming The Critical Music Club, producing ARTGER, presenting public domain events, writing/editing, and more. DJ Bo also created a wonderfully curated Spotify playlist that accompanied past BATG guest Andrew Field’s book Rocking China.
With David off on summer shenanigans, Jeremiah flies solo as DJ Bo, in town for a couple of gigs, regales us with his adventures performing across China, what drives his passion for music, and makes a case for Shanghai, that other city, as the true birthplace of Rock n’ Roll.
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David and Jeremiah are on holiday this week, but we hope you enjoy this encore episode with educator Jiang Xueqin, originally released in February 2022.
Contrary to the common stereotype that Chinese education is regimented and mired in tradition, the education system in China is actually one of the most dynamic sectors of Chinese society, with core aspects such as the gaokao college entrance exam constantly in flux. On the podcast, this week to discuss the evolution of Chinese education is Jiang Xueqin, an educational consultant who has worked with schools throughout China to promote the ideas of creativity and critical thinking skills.
Topics include the new emphasis on ideology in the curriculum since the ascent of Xi Jinping, the massive effort to turn elite Chinese universities into “world-class” institutions to compete with schools such as Harvard and Oxford, and the plight of cross-national educational projects and international schools in these years of Covid-19 shutdowns and US-China “decoupling.”
Jiang Xueqin has published two books: Creative China, which recounts his experiences working in the Chinese public school system, and Schools for the Soul, which presents his approach to fostering creativity in secondary education.
Jiang’s articles have appeared in publications such as The Wall Street Journal and Chronicle of Higher Education.
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This episode of the podcast addresses a worrisome question: Is China’s “cultural space” shrinking?
The recent crackdown on stand-up comedy content and the scrutiny of foreign musicians performing in bars have raised worries that other artistic domains will soon be targeted. Over the past decade, there has been a perception of a “death by a thousand cuts,” as increasing scrutiny and tightening regulations have slowly sanitized, squelched, or strangled many areas of artistic and cultural expression.
The once vibrant LGBTQ scene in Beijing, characterized by thriving queer film festivals and active “tongzhi” websites, is now virtually moribund. Venues such as the Bookworm, where freewheeling literary festivals and public talks were tacitly allowed, are now a thing of the past. And the numerous academic exchanges that collapsed during the COVID-19 years do not show signs of reviving soon.
In the podcast, we discuss questions such as: What are the implications of this trend for Chinese soft power? Can alternative “safe spaces” allow creative activity to continue? And what are the ramifications for the foreign exodus from China, as many ex-pats find the country less welcoming than in times past?
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In this episode, we welcome back Andrew Field to discuss his new book Rocking China: Rock Music Scenes in Beijing, Shanghai and Beyond.
While having already conducted valuable research into the history of Shanghai jazz, in 2007, Andrew began a deep dive into the nascent Chinese underground rock scene of the early 2000s with the passion of a rock fan and the intellectual fascination of an anthropologist. He spent years haunting the indie rock bars and performance venues of Beijing and other cities, interviewing the performers, observing the audience reactions, and taking extensive “field notes” (pun intended), all documenting this explosive chapter in the evolution of rock music in the PRC.
Andrew followed seminal groups such as the Carsick Cars, Subs, and Hedgehog, giving first-hand accounts of the performance ambiance and providing fascinating portraits of performers like Yang Haisong, Kang Mao, and Wu Hao.
Andrew has become one of the go-to documentarians of popular music in China:
Rocking China: Rock Music Scenes in Beijing, Shanghai & Beyond
Spotify playlist for Rocking China by DJ BO
Shanghai’s Dancing World: Cabaret Culture and Urban Politics, 1919–1954
The Chinese University of Hong Kong Press, 2010
Documentary: A Century of Jazz in Shanghai
Andrew Field's website
http://shanghaisojourns.net/
Mentioned on the show:
China with a Cut: Globalisation, Urban Youth and Popular Music
Jeroen de Kloet (IIAS Publications series)
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Fueled by too many red bulls (Jeremiah) and some pretty good pharmaceuticals following an emergency root canal (David), our intrepid cohosts throw caution to the wind and attempt to fix US-China Relations in a single podcast. For those outside of China, the ups and downs of this troubled bilateral relationship are sometimes felt as a rather abstract quandary. Still, for those of us who have invested decades of our lives in this China, the often juvenile skirmishes between the two superpowers have existential consequences. In this episode of BATG, Jeremiah and David describe the deterioration of US-China relations brought about by an ongoing series of reciprocal clashes. The conversation includes media bias, tit-for-tat sanctions and expulsions, what-about-ism, ideological silos, historical grudges, diplomatic standoffs, national humiliation, and “face,” -- all problems for which we provide absolutely no solutions, but for which ranting can be cathartic. Grab a red bull (or four) and/or your favorite pharmaceuticals and join the conversation.
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This week we catch up with Jesse Appell, an English-Chinese standup comedy star better known to his more than 3 million Chinese followers as Ai Jiexi 艾杰西. Jesse talks about how he parlayed his Fulbright Fellowship research on Chinese humor into a stellar comedy career in China. Stuck in the US for several years during the Covid-19 crisis, Jesse had to find ways to continue his successful comedy career outside China. Jesse recounts how he began to make a name for himself in the media environment of the vast number of diaspora Chinese living and working in America and other countries. We explore the cultural differences between these more Westernized diaspora audiences and those of mainland China. We also hear about the struggles of maintaining a successful career as a standup comedian in the world of Chinese media.
Jesse on Instagram (comedy): @whatxisaid
Jesse on Instagram (tea): @jessesteahouse
Jesse's Tea House
Jesse's World Podcast
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In this episode, we are delighted to talk with James Zimmerman about his new book, Peking Express: The Bandits who Stole a Train, Stunned the West, and Broke the Republic of China. The book is an enthralling account of a largely forgotten chapter in Chinese history, the harrowing 1923 raid on a luxury train by Chinese bandits and the ensuing 37-day hostage standoff. Jim fills us in on the backstory of the incident, based on the treasure trove of diaries, newspaper accounts, and personal testimony, which he skillfully knits together into a fascinating narrative of a China in turmoil, contrasting the poverty-stricken villages caught in the crossfire between bandits and warlords with the opulent lifestyles of the elite group of western tourists.
Jim Zimmerman is a lawyer who has lived and worked in Beijing for over 25 years and served four terms as the chairman of the Beijing American Chamber of Commerce.
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In this episode, we are joined by Ben Cubbage, who calls in from the lofty heights of Xining, the capital of Qinghai province. Ben co-founded Elevated Trips, an organization that offers specialized tours in the remote regions of Tibet, Qinghai, Mongolia, and Gansu provinces. As a passionate advocate for eco-friendly tourism, Ben emphasizes principles such as respect for local cultures, providing sustainable economic value to local communities, minimizing visitor impact, and prioritizing biodiversity. We explore Ben's mission to offer travelers life-changing experiences, whether it's gaining a deeper understanding of Buddhist philosophy and material culture, admiring the breathtaking beauty of the Qinghai and Tibetan landscapes, or catching a once-in-a-lifetime glimpse of the elusive snow leopard that calls the Tibetan plateau home.
https://www.elevatedtrips.com/
The Official Elevated Trips Intro Video, Eco-tourism on the Tibetan Plateau
An Interview with Ben Cubbage from Elevated Trips
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This week’s topic is the Forbidden City, and our tour guide once again is Matthew Hu Xinyu, Trustee of the Beijing Cultural Heritage Protection Center (CHP) and founder of the Courtyard Institute. Matthew provides us with updates on recently renovated sections of the Palace Museum previously inaccessible to tourists, such as the Palace of Compassion and Tranquility (Cining Gong 慈宁宫), where the Empress Dowager celebrated her birthdays and worshipped the Buddha, and the living quarters of the imperial concubines located north and west of Longzong Gate. Matthew also gives us a fascinating overview of the complex task of renovating the centuries-old compound and the challenges faced by the Palace Museum in restoring, protecting, and exhibiting the museum’s 1.8 million artifacts.
Palaces, artifacts historical figures mentioned on the podcast:
Hall of Mental Cultivation, Yangxin Dian养心殿
Palace of Established Happiness建福宮Jianfu Gong
jinzhuan金砖 ”metal/gold bricks”
Dr. Shan Jixiang 单霁翔, curator of the Palace Museum from 2012 and 2019
Imperial Fasting Palace Zhai Gong斋宫
“Dwelling in the Fuchun Mountains” Fuchun Shanju Tu 富春山居圖, famous Yuan Dynasty painted by Huang Gongwang (黃公望, 1269-1354). The painting was divided into two pieces after being rescued from a fire. The two sections were later separated, the main section is now housed at the Taipei Palace Museum, and the smaller section, referred to as “The Remaining Mountain,” 剩山圖 Sheng Shan Tu, is part of the Beijing collection.
“Precious Works of the Stone Canal Pavilion” 石渠宝笈 Shiqu Baoji. A vast Qing collection of paintings and calligraphy by emperors and famous artists, divided into categories such as books, paintings, scrolls, and calligraphy.
Hall of Three Rarities Sanxi Tang 三希堂
“Reign behind the curtain” Chuilian tingzheng垂帘听政
Retirement Lodge Juanqin Zhai倦勤斋
Palace of Longevity and Health Shoukang Gong寿康宫
Fragile Cargo: China’s Wartime Race to Save the Treasures of the Forbidden City by Adam Brookes. “The gripping true story of the bold and determined museum curators who saved the priceless treasures of China’s Forbidden City in the years leading up to World War II and beyond.”
“Masters in the Forbidden City” Wo zai Gugong xiu wenwu 我在故宫修文物. State media documentary on the ongoing restoration projects of the Forbidden City. Available on YouTube:
https://www.youtube.com/watch?v=Pw6awYYu_6s
- Visa fler
