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In this lively episode, we explore Grand Gallop by Johnnie Vinson, a spirited circus march that adds excitement and energy to any concert program. We break down the key elements, from ensemble dynamics and phrasing to teaching strategies and performance tips. Learn how to make the most of this fun and flexible piece, whether by adding an accelerando for dramatic flair or incorporating creative percussion for a circus-like touch. Perfect for directors seeking to enhance their band's musicality and showcase both woodwind and brass sections, this episode offers expert insights to bring out the best in your ensemble. Listen in and get inspired to make Grand Gallop a highlight of your next performance!
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Welcome to Band BFFs, the go-to podcast for band directors, music educators, and ensemble enthusiasts looking to simplify their repertoire selection and get detailed insights into standout pieces. In this episode, we dive into La Madre de Los Gatos by Brian Beck, a Spanish-style work that captivates audiences with its energetic rhythms, lyrical melodies, and essential percussion elements. Join us as we break down key rehearsal tips, practical teaching strategies, and ensemble-specific nuances to help bring this exciting piece to life. Whether you’re leading a middle school band or a non-varsity high school ensemble, this episode provides everything you need to make this work shine. Get ready to inspire your musicians and engage your audience with this vibrant musical journey!
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In this episode of Band BFFs, we delve into Blue and Green Music by Samuel Hazo, a stunningly textured and beautifully layered piece inspired by Georgia O'Keeffe's famous painting. This slow, evocative work offers rich opportunities for exploring musical colors and artistic expression, blending lush harmonies with delicate percussion. We discuss how to guide your ensemble through its slow tempo, manage intricate breath support, and bring out the emotional depth of the piece. With its many split parts, key changes, and essential percussion—including a crucial synthesizer role—this piece is perfect for a mature ensemble ready to embrace its challenges.
Join us as we uncover the beauty of Blue and Green Music and share tips for making it a memorable performance.
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In this episode of Band BFFs, we explore Synergy March by William Owens, a delightful six-note march perfect for beginner and non-varsity bands. At just one minute long, this piece offers fantastic teaching opportunities with simple rhythms, limited articulations, and plenty of phrasing practice. We'll dive into strategies for developing articulation clarity, guiding students through full-value notes, and ensuring they connect longer phrases. This march also provides a fun chance for students to work on breath control and timing, with an adorable call-and-response section that passes between instrument sections.
Whether you're looking to build musical confidence in a beginner ensemble or add a charming march to your program, Synergy March is a fantastic pick for young bands.
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In this episode of Band BFFs, we dive into Spania, a thrilling Spanish-style march by David Shaffer. With its vibrant rhythms, bold brass, and intricate percussion features, Spania offers young bands an exciting yet accessible challenge. We'll break down the piece’s structure, from its upbeat 4/4 tempo to the essential accents and stylistic nuances that bring this march to life. Discover tips for teaching key sections, managing accidentals, and helping your band balance dynamics for a polished performance.
Whether you're preparing for a festival or just looking for a fun, energetic piece, Spania is a must-have for your concert repertoire!
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In this episode of Band BFFs, the hosts discuss Rippling Watercolors by Brian Balmages, a lyrical and beautiful piece perfect for teaching students pulse, air control, and musical precision. They highlight the importance of percussion, colorful orchestration, and how the slow, rippling phrases challenge ensembles to create a mature, unified sound.
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In this episode of Band BFFs, the hosts break down Elizabethan Dance by Mark Williams, a light and airy piece perfect for young or beginner bands. They highlight its accessible rhythms, flexible instrumentation, and potential for teaching phrasing, balance, and articulation, making it an excellent choice for any developing ensemble.
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In this episode of Band BFFs, hosts discuss the intricate beauty of Appalachian Morning by Robert Sheldon, highlighting its melodic complexity, subtle percussion, and importance in developing soloists. They emphasize the challenges of phrasing, breath control, and ensemble balance, making this piece a great choice for both contest preparation and concert programming.
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In this episode of Band BFFs, we explore three exciting pieces for band directors and musicians, focusing on winter and train-inspired music that Laura and Katie performed at the Texas Bandmasters Association Conference this past July.
Winterscape by Gavin Lendt (Grade 3.5): A fast-paced, dynamic winter-themed piece featuring frequent time signature changes, a split clarinet and trumpet section, and unique percussion hits. It combines nods to holiday classics like We Wish You a Merry Christmas and Carol of the Bells, making it a versatile yet challenging addition to any winter concert.Spirit of Ostenaco by Jay Bocook (Grade 4): Inspired by Native American themes, this piece features rhythmic flute solos, muted trumpet passages, and engaging woodwind and percussion interactions. It captures the essence of Cherokee culture while offering various instrumental colorations and solo moments, ideal for schools looking to explore diverse repertoire.Rail Riffs by Brian Balmages (Grade 4): A fun and dance-inducing piece, this grade 4 selection combines jazz, Latin grooves, and railroad-inspired motifs. With intricate percussion, a fast tempo, and infectious energy, this piece will get both performers and audiences moving. It’s a standout choice for advanced bands looking to showcase technique and style.Tune in for our thoughts on these pieces, tips for teaching them, and insights into the performance experience!
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In this episode of the Band BFS Podcast, the hosts discuss four medium-difficulty band pieces (grades 2 to 3) featured in the Texas Bandmasters Association (TBA) Music Reading Clinic. The pieces include:
Echoes of Time by Sean O'Loughlin: This piece, in concert E-flat and marked as a grade 2.5, has an echoing effect with different instruments responding to each other. It’s heavily inspired by John Williams’ music, with an adventurous feel similar to Indiana Jones. The piece balances woodwinds and brass, making it suitable for sub-non-varsity or varsity middle school bands.Always by Joshua Hobbs: A lyrical, emotional piece marked as grade 2.5. It is slow and sustained, featuring a beautiful alto saxophone solo. It offers a great opportunity to teach young bands lyrical phrasing and balance, making it ideal for younger high school or older middle school bands.Apex Predator by Michael Oare: A grade 2 piece featuring mixed meter and exciting percussion parts. It represents the theme of a predator hunting its prey, starting mysteriously and building intensity through rhythmic patterns. It's well-suited for middle school top bands or non-varsity high school bands due to its dramatic, cinematic quality.Wind Power by Robert Buckley: The most challenging piece, rated grade 3, is a fast-paced, wind-themed composition requiring strong technique and endurance from players. It has complex ostinatos and dynamic variations, making it a great fit for high school bands with advanced abilities, particularly for a spring concert. -
In this episode of Band BFFs, we focus on easier marches, including Andalucia by Victor Lopez and Infinity March by James Curnow. We discuss the intricacies of both easy marches, including key changes, rhythm, and percussion needs. We offer tips on how to bring out the best in your ensemble. Tune in for insights on how to tackle these pieces and elevate your band's performance!
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In this episode of Band BFFs, we dive into "Great Beginnings" by Michael Kamuf, a fantastic piece for young bands. We explore its simple rhythms, minimal percussion needs, and accessible flex band arrangement, making it perfect for teaching fundamentals to beginners. Plus, we discuss key teaching opportunities within the piece, from articulation and dynamics, to proper phrasing and ensemble balance.
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In this special episode of Band BFFs, Katie and Laura discuss their top picks from the Texas Bandmasters Association Clinic, featuring newly published grade 1 and 1.5 pieces. They dive into their performances of five standout works: Antz by Carol Brittin Chambers, Courageous Spirit by Michael Kamuf, Whispers in the Wind by Robert Sheldon, March of the Hobgoblins by Randall Standridge, and Skedaddle by Timothy Loest. The episode highlights the educational value and unique features of each piece, offering insights for band directors looking to enrich their repertoire.
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In this episode of Band BFFs, we conclude our winter concert series with three challenging pieces: "Ukrainian Bell Carol" arranged by Richard Saucedo, "Jingle Bells" arranged by Jay Dawson, and "Toboggan" by JaRod Hall. Each piece offers unique challenges and festive energy, perfect for advanced bands looking to showcase their skills. Join us as we explore the intricacies and excitement of these winter concert favorites!
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In this episode of Band BFFs, we continue our winter concert series with three medium to medium difficult pieces including "Frosty's Caribbean Holiday" arranged by Ralph Ford, "Hip Hop All the Way" also by Ralph Ford, and "To All a Good Night" arranged by Michael Story and Robert W. Smith. Each piece brings unique styles and challenges, from Caribbean rhythms to hip hop beats, and festive encores. Join us for tips on selecting and performing these engaging pieces for your band's winter concert!
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In this episode of Band BFFs, we continue our winter concert series with medium easy to medium pieces. We review "Bell Carol Rock" by Ryan Fraley, "Santa the Barbarian" by Randall Standridge, "Santa on Parade" by Jean Milford, and "Secret Agent Sugar Plum" arranged by Scott Watson, providing insights into their musical features and performance tips. Tune in to discover engaging selections for your upcoming winter concert!
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In this episode of Band BFFs, we kick off our series on winter concert music programs with easier pieces for your band. We review "Holiday Rock" by Chris Bernotas, "Diary of a Grumpy Elf" by Timothy Loest, and "African Bell Carol" arranged by Robert W. Smith. We provide detailed insights into their suitability for Beginner, Sub Non Varsity or Non Varsity band levels, as well as performance tips. Join us as we help simplify your music selection for the Winter Concert programs!
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In the Season 1 Finale, the Band BFFs "round up" the season with Big Sky Round-Up by Robert Sheldon, a vibrant western-themed piece perfect for younger bands with some challenging elements. They discuss the key changes and emphasize the need for strong trumpet and snare drum players. The hosts break down the sections of the piece, providing insights on articulation, balance, and tuning, especially for higher notes. They also offer practical tips for managing key changes, marking parts, and ensuring confident performances from each section.
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In the final episode of the Band BFFs fall concert series, hosts Laura and Katie delve into more challenging pieces for your fall program. They explore Zombie Dreams by Roland Barrett, Cave You Fear by Michael Markowski, and Music for a Darkened Theater by Danny Elfman, arranged by Michael Brown. Each piece offers intricate key changes, tempo shifts, and diverse styles that provide excellent teaching opportunities and a rich performance experience. The hosts guide you through these complex works, highlighting key sections, techniques, and tips to help your ensemble master these pieces and deliver a captivating fall concert.
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In this episode of Band BFFs, hosts Laura and Katie continue their fall concert series, exploring medium to medium-difficult pieces. They dive into Dark Ride by Randall Standridge, Coffin Races by Jason Nitsch, and Zombie Tango by James Meredith. The hosts provide an in-depth analysis of each piece, discussing key elements, performance tips, and effective teaching strategies to help band directors bring out the best in their ensembles. This episode is packed with practical advice on balancing, articulation, and engaging students through dynamic, programmatic music. Perfect for directors seeking to enhance their fall concert repertoire!
- Visa fler
