Avsnitt

  • The story of two journalists who investigated an unsolved mass murder in Northern Ireland.Six men were shot dead by Loyalist paramilitaries in the Height’s Bar, Loughinisland on the 18th June 1994.

    No-one has ever been charged or convicted.

    Episode 8 – Who Watches the Watchmen

    As the dust settles on a historic judgement by the Investigatory Powers Tribunal – Barry and Trevor say their fight is not yet over, demanding a full public inquiry to reveal the full extent of surveillance.

    Can a wide-ranging review of surveillance powers commissioned by the Chief Constable of the PSNI provide answers - and can a balance between national security legislation and the need for transparency ever truly be achieved?

    A BBC Northern Ireland Production

  • The story of two journalists who investigated an unsolved mass murder in Northern Ireland.Six men were shot dead by Loyalist paramilitaries in the Height’s Bar, Loughinisland on the 18th June 1994. No-one has ever been charged or convicted.

    Episode 7 – Full Disclosure

    Barry and Trevor prepare for a rare public hearing of the Investigatory Powers Tribunal – but last minute disclosures from police forces across the U.K bring repeated adjournments – and raise serious questions about how wide the net of surveillance against journalists has been cast.

    A BBC Northern Ireland production

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  • When the High Court finds the warrants were unlawful, the police investigation comes to an end. But Barry is concerned that he may have been placed under surveillance and he approaches the only court in the UK which can tell him if that’s true.

    The Investigatory Powers Tribunal has the power to find out if he was spied on unlawfully, but rarely find in favour of claimants. Years pass with no response – then, an unexpected revelation. One that will have far-reaching consequences for journalists and multiple police forces.

  • Released on bail, Barry McCaffrey and Trevor Birney begin a legal fight to challenge the legality of the warrants. Central to their case is the question of what the judge who granted the warrants was - and wasn’t - told by police.

    The judgment will be viewed as a landmark ruling on the rights of journalists to protect sources; were the warrants unlawful?

    A BBC Northern Ireland production

  • The story of two journalists who investigated an unsolved mass murder in Northern Ireland.

    Six men were shot dead by Loyalist paramilitaries in the Height’s Bar, Loughinisland on the 18th June 1994. No-one has ever been charged or convicted.

    Episode 4 – Operation Yurta

    On the day of the film’s Belfast premiere, police announce a new investigation – into the suspected theft of sensitive documents from the Police Ombudsman of Northern Ireland.

    Barry McCaffrey and Trevor Birney are arrested nine months later and their homes and offices are searched.

    While they are questioned about four offences - theft, handling stolen goods, unlawfully disclosing personal data and offences under the Official Secrets Act - their legal teams must make an urgent decision.

    Readings by

    Ian DavidsonSteven CalvertAoibheann McCannAntoinette Morelli

    A BBC Northern Ireland production

  • The story of two journalists who investigated an unsolved mass murder in Northern Ireland.Six men were shot dead by Loyalist paramilitaries in the Height’s Bar, Loughinisland on the 18th June 1994. No-one has ever been charged or convicted.

    Episode 3 – No Stone Unturned

    While a second Ombudsman investigation gets underway, journalists Barry McCaffrey and Trevor Birney start work on a new documentary about the Loughinisland massacre.

    When the Ombudsman’s report finds elements of the police prevented a proper investigation to protect informants, Barry uses the leaked documents to unlock the identities of chief suspects – but should they name them in the film?

    Readings by:Steven CalvertAoibheann McCannAntoinette MorelliBrian Kernohan

    A BBC Northern Ireland production

  • The story of two journalists who investigated an unsolved mass murder in Northern Ireland.Six men were shot dead by Loyalist paramilitaries in the Height’s Bar, Loughinisland on the 18th June 1994. No one has ever been charged or convicted.

    Episode 1 – Early One Morning

    Investigative journalist Barry McCaffrey has slept in and he’s late for work. When his doorbell rings at 7am, Barry wonders if the day he’s been dreading has finally arrived – are his worst fears about to come true?

    A BBC Northern Ireland Production

  • The story of two journalists who investigated an unsolved mass murder in Northern Ireland.Six men were shot dead by Loyalist paramilitaries in Loughinisland on the 18th June 1994. No one has ever been charged or convicted.

    Episode 2 – Six Men Dead

    Barry recounts the tragic events of 18th June, when a ruthless UVF gang open fire indiscriminately in the Height’s Bar – killing six men, and seriously wounding five others.When ten years pass without any charges or convictions – the families of the victims demand action.

    A report into the police investigation finds serious failings, but no evidence the police tried to protect the gang from prosecution.

    Then - Barry receives a leaked secret document in the post from an anonymous sender.

    A BBC Northern Ireland Production

  • A hush-hush factory opening. No photographs allowed. A story of cover-ups, corporate espionage, fightbacks – and death ...

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • An unmarked grave – and missing documents. What do the authorities know?

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • A secretive place – but some are talking. And a dying woman decides to tell her story. Will anyone get to listen?

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • Strikes, panic, stock market shares in freefall. Corporate espionage has some very odd results.

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • A woman types an anonymous letter. She’ll never know - but it will trigger a battle from red brick England, to the skyscrapers of Manhattan.

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • Strange packages arriving from the US - and a terrible death prompts a woman to take action for her family.

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • The teams prepare for court battle but are finding it tough – until the phone rings.

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • Casually scanning through old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” What, she wonders, is this factory making?

    Then another line takes her down a rabbit hole from which she will not emerge for eight months.

    All workers “will have to sign an oath of secrecy.”

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance – it can cause cancer.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public.

    This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth in order to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • Into the present – and people are still dying…

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • A new campaign - and a return to that small town story where it all began.

    In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.”

    The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory.

    “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.”

    What, she wonders, is this factory making?

    Ophelia doesn’t know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London.

    It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage.

    The product, of course, is asbestos. You may think you know the story – it’s a dangerous substance.

    But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when.

    She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England.

    It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet.

    Presenter/ Producer: Ophelia ByrneStudio Engineer: Gary BawdenExecutive Editor: Andy Martin

  • Doctor John Bodkin Adams enters the frame. A Northern Irish doctor with a foreboding personality, and big aspirations to go with it. Life in Eastbourne as a GP is sweet, but when the unexpected death of patient ‘Bobbie Hullett’ sparks a mysterious phone call to police, everything changes. What has been happening behind closed doors of Dr Adams’ visits? Presented by Vinny Hurrell. Produced, edited and mixed by Vinny Hurrell. The Executive Editor is Andy MartinA BBC Northern Ireland Production

  • Death, death and more death. A high profile arrest shines a spotlight on some surprising goings on among Eastbourne patients. Brash and determined ‘Detective Superintendent Herbert Hannam’ is assigned to the case. Hannam is consumed by the investigation with his complete focus locked into uncovering what he can, about Dr Adams. But will he get more than he bargained for? Heroin, morphine, barbiturates. Lashings of drugs, readily consumed by elderly rich patients. Details of the treatment and death of many well-to-do Eastbourne patients, come to light. Presented by Vinny Hurrell. Produced, edited and mixed by Vinny Hurrell. The Executive Editor is Andy MartinA BBC Northern Ireland Production