Avsnitt
-
Xasan Daahir Ismaaciil (‘Weedhsame’) is a Somali poet currently based in Hargeysa, Somaliland. Mentored by the beloved late poet Maxamed Xaashi Dhamac ‘Gaarriye’, his work includes hundreds of poems and song lyrics on themes including politics, migration and love. He is widely considered one of the most influential poets of his generation. Trained as a mathematician, Weedhsame currently teaches Somali language and literature at the University of Hargeysa and works as a statistician for the Ministry of Education. Some of his work has been translated by the Poetry Translation Centre, and is available here: https://www.poetrytranslation.org/poets/xasan-daahir-weedhsame
Christina Woolner is a Leverhulme Early Career Fellow in the Department of Social Anthropology at Cambridge. Her research broadly explores how forms of popular art and practices of “voicing” are entangled in processes of sociopolitical change, especially in the wake of violence. For the last decade she has been studying the political and affective dynamics of love songs and political poetry in Hargeysa, Somaliland. Her first book, Love Songs in Motion: Voicing Intimacy in Somaliland recently came out with the University of Chicago Press. Information about the book, alongside supplemental audio-visual material, is available on the book’s companion website: www.lovesongs.christinawoolner.com. -
Jonas Tinius is a sociocultural anthropologist, and currently scientific coordinator and post-doctoral researcher in cultural anthropology in the ERC project Minor Universality: Narrative World Productions after Western Universalism based at Saarland University. He completed a PhD in the Department of Social Anthropology at the University of Cambridge, before joining the Centre for Anthropological Research on Museums and Heritage (CARMAH) at Humboldt-Universität zu Berlin. He co-founded the Anthropology & the Arts Network of Anthropologists (EASA) with Roger Sansi. His publications include Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (with Margareta von Oswald, Leuven 2020).
www.jonastinius.com
State of the Arts book: https://www.cambridge.org/it/universitypress/subjects/arts-theatre-culture/drama-and-theatre-general-interest/state-arts-ethnography-german-theatre-and-migration?format=HB
Iza Kavedžija is an Assistant Professor of Medical Anthropology at the University of Cambridge. She is specialising in Japan, with primary research interests in art and creativity, the life course and aging, and health and wellbeing. She is currently leading an AHRC-funded project entitled ‘The Work of Art in Contemporary Japan: Inner and outer worlds of creativity’.
https://worldsofcreativity.socanth.cam.ac.uk/
https://www.socanth.cam.ac.uk/directory/dr-iza-kavedzija
Permissions obtained for the use of all samples featured in this episode. -
Saknas det avsnitt?
-
寂空 (JACK) is a shamisen musician and frontman of the band The Shamisenists. His approach to composition is one of continuous movement across boundaries, inspired by his own travel to different parts of the world. As a result, his music often exhibits a diversity that escapes categorization. Jack performed at the Rugby World Cup official reception at the Yokohama Arena in 2019. In 2022, The Shamisenists were the sole Japanese band to perform at the celebrated MOTOCULTOR festival in France. In 2023 Jack performed at Fuji Rock, the biggest music festival in Japan. He is the recipient of multiple awards and honours, including an Indian Foreign Minister’s Award for his arrangement of the Japanese version of Gandhi’s beloved devotional song.
https://www.instagram.com/shamisenist_jack/
Jack’s words in this episode were translated by Robert Simpkins and narrated by Oscar Wrenn. Oscar is a PhD researcher based at Kobe University in Japan, studying everyday agricultural practice in depopulated rural landscapes.
Robert Simpkins is a social anthropologist and coproducer of the Artery podcasts. His research interests focus upon the intersection of sound, space, creativity, and the production of self.
Permission obtained by Transist Records and the creators of the music for tracks featured in this podcast episode:
LOTUS / The Shamisenists [re:tokyo]
Modernized Flight / The Shamisenists [re:tokyo]
URVIBE_feat. Yokotasax / The Shamisenists [PLAY!]
Permission also granted for use of the impromptu shamisen performance recorded during the interview, and featured at the close of the episode. -
Tamaki Ueda, aka Banetoriko, is a Japanese noise music artist who was born in Nara, moved to Los Angeles, and finally established herself in Osaka. Her music, composed with a self-made metal instrument named Banetek, is inspired by yokai, the supernatural creatures from Japanese folklore to whom she has dedicated a great part of her life. Her last album, Yorioto Hogiokuri, which could be translated as “Celebrating and sending off the summoned sound”, came out in 2022.
https://banetoriko.net/
Luca Proietti is a PhD candidate in Japanese Studies at SOAS, University of London. His research interests are related to performing arts, media, and cultural studies, focusing on their relationship with society and culture. He is involved in a research project on Japanese noise music, focusing on its cultural and social engagement and exploring its historical continuity with Japanese traditions. -
Mike Williams is a lifelong Silat martial artist, teacher and performer. He is experienced with Pencak Silat since 1992 and has travelled many times to Malaysia, Sumatra and Java in Indonesia. He developed his expertise in at least 6 styles of Silat from at least 5 distinct lineages, these styles are called Panglipur, Cimande, Sera, Silek Harimau as well as partial training of Harimau Berantai and Cikalong. He is the founder of West Kent Silat Pedepokan in the United Kingdom, to which he occasionally organises seminar visits with his teachers: Jak Othman, Maha Guru De Bordes, Abah Gending Raspuzi, Kang Cecep Rahman and Abah Azis.
Fatema Albastaki holds an International Master's degree in Choreomundus: Dance Knowledge, Practice and Heritage from the University of Clermont Auvergne (UCA), Clermont-Ferrand, France; Norwegian University of Science and Technology (NTNU), Trondheim, Norway; University of Szeged (SZTE), Hungary; University of Roehampton, London (UR), United Kingdom.
She is an independent scholar training in Silat and dance in Paris. She is involved in micro-phenomenological interview training and is a member of the Martial Arts Studies Network. Her current research involves cultural history, anthropology, and the performing arts, focusing on Silat as practiced both in Europe and the global South.
Song: Kidung; Rhythm: Padungdung Kendor. By Kendang Penca from West Java Indonesia.
Performed by: Gending Raspuzi.
Permission granted for use in this episode. -
Asimina Chremos (she/they) is a multidisciplinary artist and dance improviser, with over thirty years of experience in dance-making. Asimina’s practice flows within and between creative ecosystems, including movement improvisation, textile design, and digital art. During the COVID-19 pandemic, Asimina created Quarantine Dance Practice Diaries, expanding on her self-videographic improvisation practice in the 2000s. Alongside her creative practice, Asimina also teaches, guides, and collaborates. Asimina is currently leading the Screenbodies Practicum at Leah Stein Dance Company, which offers an in-depth somatic and artistic exploration of how our bodies can relate and adapt to internet-enabled screens.
https://asiminachremos.space/
https://vimeo.com/asiminachremos
https://www.leahsteindanceco.org/screenbodies
Zihan Xu (she) is a medical and multimodal anthropologist, with an interdisciplinary background in anthropology, psychology, and creative media. Her research broadly focuses on art and improvisation, body movement and mobility, affect and emotion, and health and wellbeing. Zihan is currently pursuing her PhD in social anthropology at the University of Cambridge.
Sound clips included in the episode:
‘Quarantine dance practice diaries,’ 2020, practice diaries by Asimina Chremos
‘Keyboardbody,’ 2023, sound work by Asimina Chremos
‘Speculating through the body,’ 2022, an experimental video essay by Zihan Xu -
Tomoko Hojo is an artist working with the fluidity between sound, music and performance. Recently she has been working on the theme of what makes (women’s) silenced voices audible in history, with a special focus on Japanese women who developed relationships with western countries, such as Yoko Ono and Sadayakko Kawakami. Her works have been exhibited and performed at Tate Modern (London), Issue Project Room (NYC), ZKM (Karlstuhe), Emily Harvey Foundation (NYC), Contemporary Art Center Aomori (Japan), SA))_gallery (Moscow), Scandinavia House (NYC), Kunstquartier Bethanien (Berlin), TOKAS Hongo (Tokyo), IKLECTIK (London), mh PROJECT (NYC / Japan). In 2023, Tomoko published ‘Unfinished Descriptions’ through Yoin press. This exhibition catalogue documents a show based on research on Yoko Ono and her exhibition in 1966 in London.
@hojotomo [id] https://tomokohojo.net/
Andrea Giolai is an Assistant Professor (in Dutch, an UD) of Ethnography and Performing Arts of Japan at Leiden University. He teaches and conducts research on sound, the body, musical heritage and its reconstructions. His current project on ‘Sonic environmentalism and Japanese intangible heritage’ is funded by the Dutch Research Council (NWO).
https://www.universiteitleiden.nl/en/staffmembers/andrea-giolai -
Lee Ki-Yeon (이기연) is an artist and activist known for her advocacy for democracy during Korea's dictatorship era. In the 1980s, she co-founded Minjung art (민중 미술 people’s art) collective 'Dureong' (두렁) and explored Korean cultural heritages, including mask dances and folktales. Her influence extended into clothing when, in 1984, she initiated the 'Wearing Our Clothes Movement' (우리 옷 입기 운동). This social movement sparked nationwide interest in 'Everyday Hanbok' (생활 한복) — a rendition of Korean sartorial heritage tailored for daily wear. Lee Ki-Yeon believes that a change in attire can catalyse a change in mindset and behaviour. This sentiment is an extension of her earlier cultural movements, which emphasised daily practices that encourage symbiotic living among diverse life forms.
http://jilkyungyee.co.kr/
Kim Yoonha (김윤하) is an anthropologist who is interested in exploring how heritage practices can offer alternative worldmaking. She is currently a pre-doctoral researcher at the interdisciplinary research cluster "Matters of Activity”, Humboldt-Universität zu Berlin and the Centre for Anthropological Research on Museums and Heritage (CARMAH).
Translation by Kim Yoonha with chat GPT, and narration by Descript Overdub. -
Misumi Lancia is a virtual YouTuber (VTuber) idol and metaverse “resident” with developmental disabilities and gender dysphoria. For her, the virtual being Misumi Lancia is a “VRChat existence art,” aiming to escape her physical body by merging with machines and networks.
Website https://www.metamisumi.net/
YouTube: https://youtube.com/@LanciaMisumi
Liudmila Bredikhina is a Ph.D. candidate at Malta University, Department of Gender & Sexualities, Faculty for Social Wellbeing. Since late 2019 she has been researching cute virtual gender practices among Japanese male VTubers using feminine-looking avatars from the perspective of feminist and masculinities studies.
https://malta.academia.edu/LiudmilaBredikhina
Twitter: https://twitter.com/BredikhinaL
Narrator and translation proofreading: SheerPanic. -
Rabab Chamseddine (b.1997, Abidjan, Ivory Coast) is a Lebanese (spoken word) poet and film-maker based in Tyre and Beirut, Lebanon. She is currently completing her master’s in Literature at the American University of Beirut. Her poetry unfolds as an exploration of the bilateral theme of love and loss, and the poetics of meaning-making that emerge between them, in that very space of mourning, in Beirut. Chamseddine began her spoken word poetry journey in 2017 by partaking in poetry nights hosted in the hubs and communal cafes of Beirut, to later become the winner of Beirut Poetry Slam 2018. Her work will be appearing in an anthology entitled We Call to the Eye and the Night: Love Poems by Writers of Arab Descent (Persea Books), edited by Hala Alyan and Zeina Hashem Beck, as of spring 2023.
Find her on Instagram @ rababchamseddine
Rebecca Appleton is a postgraduate researcher in the Department of Social Anthropology at the University of Manchester. She is currently undertaking PhD research about the politics of contemporary women’s poetry in Beirut, Lebanon. The project researches the emerging and evolving performance and politics of women’s poetry in Beirut, focussing on poetry’s capacity to generate alternative spaces for personal, social, political, and gendered expression as the city negotiates crises. -
Emiko Agatsuma is a dancer and a choreographer specializing in Butoh, a dance genre that emerged in Japan in the1960s as a reaction to Western modern dance. Having graduated from Waseda University in Tokyo in 1999, she joined the largest Butoh Company - Dairakudakan founded by Akaji Maro. She had performed in every Dairakudakan production until 2019. She now heads the AGAXART production company for Butoh dancers and artists in Japan. Emiko is a recipient of the prestigious Best Young Artist 2015 Award by the Japan Dance Critics Association and she represented Japan in 2020 at the 39th annual Battery Dance Festival in New York City, USA.
https://agaxart.wixsite.com/agart/home
@emiko.agatsuma
Iza Kavedžija is an Assistant Professor of Medical Anthropology at the University of Cambridge. She is specialising in Japan, with primary research interests in art and creativity, the life course and aging, and health and wellbeing. She is currently leading an AHRC-funded project entitled ‘The Work of Art in Contemporary Japan: Inner and outer worlds of creativity’.
https://www.socanth.cam.ac.uk/directory/dr-iza-kavedzija
Translation and narration by Kaori Yoshikawa. -
Bronagh Lawson is an artist based in Belfast who has written a blog about the vibrant local contemporary visual arts scene for the last ten years. Previously she ran cross-community cross-border development programmes for 13 years. Originally from Portaferry and Strangford, Northern Ireland, she is a Fulbright scholar and graduate of Winchester School of Art. Bronagh is a co-founder of the Hydrangea project, a Belfast-Chicago collaboration which uses contemporary art underpinned with art therapy to act as a healing mechanism. Her book Belfast City of Light: Looking and Listening to Belfast Come with Me is based on her experience as a non-churchgoer attending every church in Belfast for a service.
https://www.lulu.com/shop/bronagh-lawson/belfast-city-of-light/paperback/product-1z7ympqj.html?page=1&pageSize=4
https://iarc.ie/exhibitions/previous-exhibitions/ebb-and-flow-prints-by-bronagh-lawson/
https://us4.campaign-archive.com/home/?u=849f2610883f3b34ac8274556&id=595d763c41
Kayla Rush is an anthropologist of art, music, and performance. She is an assistant lecturer in music at Dundalk Institute of Technology in Dundalk, Ireland. Kayla's previous research examined community arts in contemporary Northern Ireland; her book on this research, The Cracked Art World: Conflict, Austerity, and Community Arts in Northern Ireland, was published in June 2022. Her current research is focused on private, extracurricular, fees-based rock and popular music schools.
https://www.berghahnbooks.com/title/RushCracked
https://doi.org/10.1386/jpme_00054_1 -
Nazli Tabatabai-Khatambakhsh BSc. Hons, MLitt, MA is a practice-based opera doctoral researcher at the Guildhall School of Music and Drama, in London where she also teaches. Her research engages with the opera “Carmen” drawing on the Tehran Opera Company to forecast what new socio-political futures could be dreamt through opera. Her new libretto of “Carmen” in 2025 will coincide with the 150th anniversary of “Carmen’s” premiere in Paris. In this episode, as the librettist, Nazli reflects upon the production of the opera "Paradise Garden" (2021).
Nazli Tabatabai-Khatambakhsh is an experienced transdisciplinary and interdisciplinary artist with a portfolio spanning live and recorded arts, both place based and touring. Currently she is associate director of the Glasgow based Queer Sanctuary Arts with a focus on future artistic planning. She is a member of the Governance Committee for the New York based International Society for the Performing Arts (ISPA), of which she was an Arts Council England Fellow. At the Royal Central School of Speech and Drama she is the Deputy Chair of the inaugural Independent Equity Committee.
Twitter: @Nazli_Tabatabai
Anonymous Anthropologist
By anonymising herself, she hopes to highlight that artists are constantly asked to do things for free. As anthropologists are keen to collaborate with artists (sometimes for free), she hopes her small act could highlight the issue and help fellow anthropologists reflect on the ‘friendship’ convention in Social Anthropology.
More info: http://www.payingartists.org.uk/ -
Jesús Guevara Rico is an artist and art conservator, originally from San José Tateposco in the state of Jalisco, Mexico. He trained at the prestigious Western School of Conservation and Restoration (Escuela de Conservación y Restauración de Occidente) in Guadalajara. Now based in Oaxaca City, Jesús works on and oversees the conservation and restoration of colonial heritage throughout the state, especially religious paintings, frescos, and carvings. Novohispano art also provides inspiration for the content, materials, and techniques of Jesús’s oil paintings, murals, and tattoos.
Find him on Twitter @JesusGuevaraRi3
Alanna Cant is an anthropologist in the Department of Archaeology at the University of Reading. Her work is about aesthetics, identity, material culture, and religion within the ‘economies of culture’ of Mexico and the United Kingdom. Her book The Value of Aesthetics: Oaxacan woodcarvers in global economies of culture was published in 2019 by the University of Texas Press.
https://www.reading.ac.uk/archaeology/staff/alanna-cant
https://www.alannacant.com/
Voice credit: Alfredo Narváez -
Tuguldur Yondonjamts (b.1977, Ulaanbaatar, Mongolia) lives and works in Ulaanbaatar and in New York. His work is very much dependent on research and careful analysis of certain environments and materials, often responding to the nomadic culture of Central Asia and the issues affecting Mongolia’s society and economic development. By using investigational logic, he is able to create large scale drawings and diagrams, representing imagined journeys. His work is widely exhibited in Mongolia, the US and internationally.
https://tugulduryondonjamts.com/
tuguldur_yondonjamts_
Hermione Spriggs is an artist and anthropologist based between London and Yorkshire. She is currently undertaking practice-based PhD research with an ethnographic focus on trapping and pest control in North Yorkshire. Her edited volume Five Heads: Art, Anthropology and Mongol-Futurism (2018) is published by Sternberg Press.
https://hermione-spriggs.com
hermione.spriggs -
Mzuzile Mduduzi Xakaza works as Director of the Durban Art Gallery and also paints and draws on a part-time basis. He has participated in numerous group and solo exhibitions in South Africa and abroad since the early 1990s. His art is inspired mainly by the love and appreciation of his social and physical environment (landscape) as well as social issues that are subtly evoked by such a theme. However, there is always something enigmatic about some of the creative ideas that flow into his mind whilst creating - something that seems to defy definition of any sort.
https://asai.co.za/artist/mduduzi-xakaza/
**
Jeannine-Madeleine Fischer is a cultural anthropologist at the University of Konstanz and is currently researching aesthetic activism in South Africa. She is part of the interdisciplinary research group "Traveling Forms".
https://www.uni-konstanz.de/en/research/research-institutions/nomis-research-project-traveling-forms/research-fields/activism-as-a-mobile-aesthetic-form/ -
Maree Clarke is a Mutti Mutti/Wemba Wemba/Boonwurrung/Yorta Yorta artist, from Mildura in northwest Victoria, Australia, now living and working in Naarm (Melbourne). With over 30 years experience as an artist, Clarke’s work focuses on new ways of telling old/ongoing stories through art-making, much of which occurs in her backyard.
https://www.ngv.vic.gov.au/exhibition/maree-clarke/
https://vivienandersongallery.com/artists/maree-clarke/
Fran Edmonds is an interdisciplinary scholar who has worked extensively with Aboriginal artists, community organisations and galleries, libraries, archives and museums (GLAMs) for almost 30 years. Her work supports First Nations people to reclaim their stories from the ‘archives’.
https://blogs.unimelb.edu.au/livingarchiveofaboriginalart/
https://omeka.cloud.unimelb.edu.au/livingarchivenaidoc/blog
https://www.facebook.com/LivingArchiveofAboriginalArtandKnowledge/
