Avsnitt
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Dr. Ibram X. Kendi examines the intersection of music and activism, focusing on the power of collective voices in anti-racism. He shares his journey with racism, distinguishing between non-racist and anti-racist views, and the need for systemic change for future generations. Kendi emphasizes the importance of age-appropriate antiracist education, helping children grow to understand and challenge racism effectively.
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Erica Alexander discusses societal construction and social issues with Yara Allen and Reverend Dr. William J. Barber highlighting the Poor People's Campaign and music’s role in activism. They explore John Lewis’s legacy and Color Farm Media’s mission, calling listeners to action in America’s critical third reconstruction. Through music, storytelling, and representation, they emphasize reshaping narratives, empowering marginalized voices, and inspiring a more equitable future.
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Joan Baez reflects on her activism, early influences, and a pivotal moment in Hanoi. Reverend Dr. William J. Barber II joins to discuss systemic poverty, racism, and mortality within social movements, with Yara Allen performing “The Lonesome Death of Hattie Carroll.” Together, they offer insights on grassroots activism and the unifying role of music, with Baez reflecting on her empathy for Dr. Martin Luther King Jr. and Allen emphasizing the need for songs that bring people together.
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This episode shares personal stories of trauma and healing through music, introducing each band member’s journey and experiences. Highlights include a performance of “His Eye is on the Sparrow,” discussions on music’s comforting power, and reflections on the fusion of secular and sacred music in social movements. Through their dedication to craft, the guests exemplify resilience and the spiritual connection between justice, healing, and music’s transformative power.
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Terrence Blanchard shares his journey through music, reflecting on his spiritual connection to it, his upbringing in New Orleans, and the inspirations from his father. He discusses how Hurricane Katrina shaped his music, his band the eCollective, and his collaboration with Spike Lee to reveal Black American culture and societal issues. Blanchard also touches on John Coltrane’s “Alabama,” his legacy, and upcoming projects, underscoring music’s healing power and its role in addressing social struggles.
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Reverend Barber and Yara Allen discuss how music intertwines with social movements, focusing on the contributions of theomusicology and Repairers of the Breach’s journey, alongside the Moral Mondays initiative. Their conversation highlights personal stories, regional influences, and the unifying power of protest music, showcasing music as a profound medium for addressing social injustices and personal struggles.
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A Breach Repairer's Song, coming December 11th, 2024.