Avsnitt
-
In this concluding episode of this season of the podcast, I explore the color violet, the last color of the rainbow. The color purple or violet, occurs rarely in nature and as a result is often seen as having sacred meaning. Purple both calms and stimulates us, being a combination of blue and red. It puts us in the mood for introspection and insight. It fosters creativity by awakening our senses while promoting the quiet necessary to make intuitive, insightful observations - allowing us to get in touch with our more profound thoughts. The songs featured are -
1.Kisi ki muskurahaton par ho nisar (Anari/1959/Shankar Jaikishan/Shailendra/Mukesh)
2.Oh re taal mile nadi ke jal mein (Anokhi Raat/1968/Roshan/Indeevar/Mukesh)
3. Neele gagan ke tale (Hamraaz/1967/Ravi/Sahir/Mahendra Kapoor)
4. Ye kaun chitrakar hai (Boond jo ban gayi moti/1967/Satish Bhatia/Pt Bharat Vyas/Mukesh)
5. Zindagi hai kya (Satyakam/1969/Laxmikant Pyarelal/Kaifi Azmi/Kishore Kumar, Mahendra Kapoor & Mukesh)
6. Sajan re jhoot mat bolo (Teesri Kasam/1967/Shankar Jaikishan/Shailendra/Mukesh)
7, Rahi manwa dukh ki chinta (Dosti/1964/Laxmikant Pyarelal/Majrooh Sultanpuri/Md Rafi)
8. Chalo ek baar phir se (Gumraah/1963/Ravi/Sahir/Mahendra Kapoor)
9. Jaise suraj ki garmi se (Parinay/1974/Jaidev/Pt Ramanand Sharma/Sharma Bandhu)
10. Laga chunari mein daagh (Dil hi to hai/1963/Roshan/Sahir/Manna De)
11. Sansaar se bhaage phirte ho (Chitralekha/1964/Roshan/Sahir/Lata Mangeshkar)
As always, feedback/comments welcome at [email protected]
-
In western cultures, people say “I feel blue” when we’re sad. There is a whole genre of music called the Blues music which focuses on somber and sad themes. The cover art of this episode, is a painting called “Shades of Sadness” by an artiste called Victoria Lucas. She has used only the blue and indigo colours in painting this. Even the dictionary meaning of “blue” means sad or unhappy. This episode explores the different musical shades of sadness. The songs featured are -
1. Aa bhi jaa (Gumraah/1963/Ravi/Sahir/Mahendra Kapoor)
2. Koi saagar dil ko behlaata nahin (Dil diya dard liya/1966/Naushad/Shakeel/Mohd Rafi)
3. Ya dil ki suno duniyawaalon (Anupama/1966/Hemant Kumar/Kaifi Azmi/Hemant Kumar)
4. Sajanwa bairi ho gaye hamaar (Teesri Kasam/1966/Shankar Jaikishan/Shailendra/Mukesh)
5. Jaane kya dhoondti rahti hain ye aankhen mujhmein - (Shola aur Shabnam/1961/Khaiyyam/Kaifi Azmi/Mohd Rafi)
6. Koi humdum na raha (Jhumroo/1961/Kishore Kumar/Majrooh Sultanpuri/Kishore Kumar)
7. Teri duniya se door (Zabak/1961/Chitragupta/Prem Dhawan/Mohd Rafi & Lata Mangeshkar)
8. Yahan main ajnabi hoon (Jab jab phool khile/1965/Kalyanji Anandji/Anand Bakshi/Md Rafi)
9. Humse aaya na gaya (Dekh Kabira Roya/1957/Madan Mohan/Rajendra Krishn/Talat Mahmood)
10. Kasmein vaade pyaar wafaa sab (Upkar/1967/Kalyanji Ananji/Indeevar/Manna De)
11. Mere dushman (Aaye din bahar ke/1966/Laxmikant Pyarelal/Anand Bakshi/Md Rafi)
As always, please share your comments/feedback on [email protected]
-
Saknas det avsnitt?
-
The colour green has a strong association with nature and immediately brings to mind the lush green of grass, trees, hills, and forests. Perhaps because green is so heavily associated with nature, it is often described as a refreshing and tranquil color. It is the sanctuary away from the stresses of modern living, restoring us back to a sense of well being. Green, is restful & soothing. It promotes a love of nature, and a love of family, friends, pets and the home. There’s a sense of togetherness & peace when we are in presence of the color green. Hence, I have chosen green as the colour of love. And that is my theme for today - LOVE. The songs featured are -
Yeh zindagi usi ki hai (Anarkali/1953/C Ramchandra/Rajendra Krishan/Lata Mangeshkar)
Jalte hain jiske liye (Sujata/1959/S D Burman/Majrooh Sultanpuri/Talat Mahmood)
Teri aankhon ke siva (Chirag/1969/Madan Mohan/Majrooh/Md. Rafi)
Hai duniya usi ki (Kashmir Ki Kali/1964/O P Nayyar/S H Bihari/Md Rafi)
Diwana hua baadal (Kashmir ki Kali/1964/O P Nayyar/S H Bihari/Md Rafi & Asha Bhonsle)
Tum jo mil gaye ho (Hanste Zakhm/1973/Madan Mohan/Kaifi Azmi/Md Rafi)
Itna na mujhse tu pyaar badha (Chhaya/1961/Salil Chowdhury/Rajendra Krishan/Talat M. & Lata M.)
Pyar hua iqrar hua (Shri 420/1955/Shankar Jaikishan/Shailendra/Manna De & Lata M.)
Tum agar saath dene ka (Hamraaz/1967/Ravi/Sahir Ludhianvi/Mahendra Kapoor)
Jeet hi lenge baazi hum tum (Shola aur Shabnam/1961/Khaiyyam/Kaifi Azmi/Md Rafi & Lata M) - This is also the cover picture for today
As always, feedback/comments welcome at [email protected]
-
In our contemporary human-made world, yellow is the color of happy faces that we send each other on our mobile phones and the color of several wedding ceremonies. In nature it’s the color of sunshine and spring. The color yellow is associated with warmth, happiness, fun, friendship and falling in love. The songs featured in this episode are -
1. Mere Mehboob - Mere Mehboob(1963)
2. Kisi patthar ki moorat se - Hamraaz(1967)
3. Afsana like rahi hoon - Dard(1947)
4. Likhe jo khat tujhe - Kanyadaan(1968)
5. Mana janaab ne - Paying Guest (1957)
6. Main pyar ka rahi hoon - Ek Musafir Ek Haseena(1962)
7. Main sitaaron ka taraana - Chalti ka Naam Gaadi(1958)
8. Achcha ji main hari - Kaala Paani (1958)
9. Tum agar mujhko - Dil Hi To Hai (1962)
10. Aye Gulbadan - Professor (1962)
Please share your feedback/comments on [email protected]
-
In our journey of exploring the themes of bollywood(as the hindi film industry is called) music, we have drawn a simile with the seven colours of the rainbow. Our colour this week is Orange. In colour theory, Orange symbolises energy, vitality, cheer, excitement, adventure &youth. Orange has a degree of youthful impulsiveness to it. The songs this week reflect this colour theme.
1. Suhana safar aur ye mausam haseen - Madhumati, 1958
2. Aaj phir jeene ki tamanna hai - Guide, 1965
3. Mere pairon mein - Sangharsh, 1968
4. Dil karta - Aadmi aur Insaan, 1969
5. Arre bhai nikal ke aa ghar se - New Delhi, 1956
6. Jagega insaan zamaana dekhega - Aadmi aur Insaan, 1969
7. Jawaniyan ye mast mast bin piye - Tumsa nahin dekha, 1957
8. Dum dum diga diga - Chhaliya, 1960
9. Lakhon hain nigah mein - Phir wohi dil laya hoon, 1963
10. Nakhrewaali - New Delhi, 1956
11. Mere samen waali khidki mein - Padosan, 1968
Feedback/Comments welcome at [email protected]
-
There are seven colours in a rainbow and likewise, in my view, there are seven colours of life. Violet, Indigo, Blue, Green, Yellow, Orange & Red. This double episode is about the colour Red. Red is the colour of celebration. Come of think of it, human life itself starts with a celebration. This wonderful land of India celebrates in multifarious ways and our movies reflect this spirit. The featured songs are
1. Hum bhi agar bacche hote - Door ki Awaz(1964)
2. Tum jiyo hazaaron saal - Sujata(1959)
3. Govinda aala re - Bluffmaster (1963)
4. Tan rang lo ji aaja man rang lo - Kohinoor(1960)
5. Matwala jiya dole piya - Mother India(1959)
6. Bole re papihara - Guddi (1971)
7. Reshmi salwar kurta jaali ka - Naya Daur(1957)
8. Mera yaar bana hai dulha - Chaudhwin ka Chaand(1960)
9. Aaj pahli tarikh hai - Pehli Tarikh(1954)
10. Ae dil hai mushkil - C I D(1956)
11. Sar jo tera chakraye - Pyaasa(1957)
12. Jangal mein mir nacha - Madhumati(1958)
-
Bollywood story telling is all about conveying moods - one is happy, sad, at peace with the world, feeling awestruck and so on. And what better device to convey the mood than the hindustani classical ragas set to appropriate rhythmic talas. Whether explicitly so or otherwise, hindustani classical music and bollywood have had a huge connection - especially when it came to music of 1950s and 60s.
The songs covered in this episode are -
1. Poochho na kaise maine rayn bitayi - Meri soorat, teri aankhen (1963)
2. Woh shaam, kuchh ajeeb thi - Khamoshi(1969)
3. Phir kahin koi phool khila - Anubhav(1971)
4. Kahin deep jale kahin dil - Bees saal baad(1962)
5. Tere sur aur mere geet - Goonj uthi shehnai(1959)
-
In this double episode, we will examine the fascinating relationship between Bollywood and jazz music and the magnificent contributions made to this end specially by musicians from Goa - Chic Chocolate(featured on the photograph), Sebastian D'Souza, Frank Fernand and Anthony Gonsalves. How India's freedom movement inspired leading African-American jazz musicians to come to India and contributed to the evolution of an Indo-jazz sound drawing upon the fascinating synergies between Indian classical music, folk music and global jazz music. The songs featured in this episode are -
1. Jaata kahaan hai deewane - CID (1956)
2. Eena meena deeka - Asha(1957)
3. Shola jo bhadke - Albela(1951)
4. Sunday ke sunday - Shehnai (1947)
5. Ek ladki bheegi bhaagi see - Chalti ka naam gaadi (1958)
6. Mera naam chin chin chu - Howrah Bridge(1958)
7. Aajkal tere mere - Brahmchari (1968)
8. O meri baby doll - Ek phool chaar kaante (1960)
9. Kehne ki nahin baat magar - Pyar kiye jaa (1966)
10. Aao twist karein - Bhoot Bangla (1965)
11. Itna na mujhse tu pyaar badha - Chhaya (1961)
-
Folk music is the primal music created by humans - to celebrate, live & love life - in all its manifestations. Bollywood has drawn huge inspiration from folk music traditions over the years and the attempt continues to today. The orchestration may change but the underlying rhythms remain unmistakably folk. This episode is an attempt to identify some of these influences on Bollywood music. The songs featured are -
1. Arre ja re hat natkhat - Navrang(1959)
2. Main to bhool chai babul ka des - Saraswati Chandra (1968)
3. Daiya re daiya chadh gaya paapi bichchua - Madhumati (1958)
4. Chalat musafir - Teesri Kasam(1966)
5. Nain lad jaihen - Ganga Jamna (1961)
6. Yeh desh hai veer jawano ka - Naya Daur (1957)
Suggestions/comments - please write to [email protected]
-
Qawwalis are a vibrant indigenous musical form of Indian subcontinent which has over the years been adapted to multiple themes within Bollywood music, showcasing great versatility and creativity on part of our composers, lyricists and singers. The Qawwalis featured in this episode of the podcast are -
1. Na to karvan ki talash hai - Barsaat ki ek raat (1960)
2. Ye maana meri jaan - Hanste zakhm(1973)
3. Teri mehfil mein kismat aajma kar - Mughal-e-azam(1960)
4. Phir tumhari yaad aayi - Rustom Sohrab(1964)
5. Hamein to loot liya - Al Hilaal(1958)
-
When one talks of ghazals in hindi film music, two names that will always stand out are those of Lata Mangeshkar & Madan Mohan and the music they produced together. There is a timelessness, an almost divine beauty and soulfulness in Madan Mohan Sb's music, the poetry of some of our best lyricists, and in the renditions of those songs by Lataji. The songs featured in this episode are -
1. Yun hasraton ke daagh - Adalat (1958)
2. Aapki nazaron ne samjha - Anpadh (1962)
4. Naghma-o-sher ki saugat kise pesh karoon - Gazal (1964)
4. Lag ja gale se - Woh Kaun Thi(1964)
5. Ham hain mata-e-koocha-o-bazar ki tarah - Dastak(1970)
6. Rasme ulfat ko nibhayein to nibhayein kaise - Dil ki raahen(1973)
7. Jaane kyun, yaadon ka mausam hai - Veer Zaara(2004)
You can send feedback on this episode to [email protected]
-
Amongst traditional music styles which evolved in India, Ghazals are right up there as a unique combination of poetry and melody; which could give expressions to myriad emotions. In the hands of accomplished poets like Sahir Ludhianvi, Shakil Badayuni, Kaifi Azmi; virtuoso music composers like Naushad, Madan Mohan, Ravi & Roshan; and supremely talented singers like Mohd Rafi and Talat Mahmood(featured in the photograph); Ghazal reached amazing heights in the 50s and 60s Bollywood music. This episode attempts to take a small step towards appreciation of this genre. The featured ghazals are -
1. Main zindagi ka saath nibhaata chala gaya - Hum Dono(1961)
2. Na kisi ki ankh ka noor hoon - Lal Qila(1960)
3. Naseeb mein jiske jo likha tha - Do Badan(1966)
4. Phir wohi shaam - Jahan Ara (1964)
5. Main yeh sochkar - Haqeeqat (1964)
-
In the 1950s, Lata Mangeshkar was the name to reckon with amongst female playback singers but her sister, Asha Bhonsle, had to take the arduous and long road to success. This episode is the story of Asha Bhonsle and her search for a musical identity through the 50s and 60s. The partnerships that she struck with music directors like O P Nayyar & S D Burman and with Film maker B R Chopra, have given us some memorable music. Its a story of talent, grit and sheer hard work. This is a double episode, featuring 10 songs.
-
Shammi Sb's breakthrough on bollywood scene upturned many unsaid assumptions about the bollywood hero's persona and it was one person's vision which made it a reality - Subodh Mukherjee, the legendary producer and director. Tumsa Nahin Dekha, their first collaboration, together with the director, Nasir Hussain, heralded not merely a new star, but a new era in film making and music making. And yet, it was also almost a black swan event. In our fascinating study of evolution of bollywood music, this is probably the only chapter where several music directors created a sound to match the actor's on-screen persona and the filmmaker's vision behind it. In this episode, the songs are -
1. Tumsa nahin dekha - Tumsa Nahin Dekha(1957)
2. Ehsaan tera höga mujh par - Junglee (1961)
3. Tumne mujhe dekha - Teesri Manzil (1966)
4. Ye chaand sa roshan chehra - Kashmir ki Kali (1964)
5. Aasmaan se aaya farishta - An Evening in Paris (1967)
-
Navketan is a production house set up by brothers Chetan, Vijay & Dev Anand, in the 1950s, well known for its very distinctive urban style. The music of Navketan gave its movies a huge push ahead under the able stewardship of Music Director S D Burman and his famous partnerships with lyricists Sahir Ludhianvi, Shailendra, Majrooh and Hasrat Jaipuri. This episode attempts to give a flavour of Navketan's music. The songs included are -
1. Dukhi man mere - Funtoosh (1956)
2. Yeh Raat yeh chandni pair kahaan - Jaal(1952)
3. Na hum hamein jaano - Baat ek raat ki (1962)
4. Dil ka bhanwar kare aukar - Tere ghar ke saamne(1963)
5. Din dhal jaaye - Guide (1965)
-
Two of India's legendary film makers, Mehboob Khan who made Mother India amongst several other brilliant movies and K Asif, the film maker who will forever be known for making Mughal-e-Azam - collaborated with Music Composer Naushad to create some stirring music. In this episode, we will hear stories of these collaborations and the lengths to which film makers go to get the exact sound that they want in their movies. The songs featured in this episode are -
1. Tu kahe agar - Andaz
2. Maan mera ahsaan - Aan
3. Dukh bhare din beete re bhaiya - Mother India
4. More panghat par - Mughal-e-Azam
5. Pyar kiya to darna kya - Mughal-e-Azam
-
Thus far we have spoken about individual elements of what comprises a song - the filmmaker, the composer, the lyricist, the singer. Now we will put it together to see how the creation of music happens and the first example we take is of India's greatest showman, Raj Kapoor. Raj Sahab and his team of Shankar-Jaikishan, Shailendra, Hasrat Jaipuri and Mukesh put together some memorable music. This episode showcases some of these songs.
1. Hum tujhse mohabbat karke sanam
2. Ramaiya vastavaiya
3. Bol radha bol
4. Dost dost na raha
5. Mera naam joker - Jaane kahan and Jeena yahan -
Continuing about lyricists who breathe life into songs, this episode talks about a few of my favourite songs about life, hope & mysticism. The songs in this episode are -
1. Mausam beeta jaaye - Do Bigha Zameen
2. Aasman pe hai khuda - Phir Subah Hogi
3. Kisi ki muskurahaton par - Anari
4. Jaanewaalon zara - Dosti
5. Aa chal ke tujhe - Door Gagan ki Chhaon Mein
We will talk about Shailendra, Sahir, Majrooh and Kishore Kumar and some memories from these songs.
-
What does independence mean? How did some of our lyricists express this emotion in early days of Indian cinema. This episode is a dedication to these songwriters. People like Shailendra, Kavi Pradeep, Sahir, Kaifi Azmi, Prem Dhawan - the songs they wrote to give voice to the feeling of being a part of independent India. On this independence day, it is worthwhile to refresh some of these memories.
-
The year was 1949, full of many firsts for Indian cinema. And amongst other happenings, it heralded the arrival of Lata Mangeshkar to the scene. Starting in 1949, she gave Hindi cinema some of its most popular songs and memorable songs ever - be it classical, ghazals, bhajans or even western. Bollywood music was never the same again.
- Visa fler
