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While Natalie Dormer’s filmography does rock quite a few standout projects and roles, when she first started her journey in screen acting, she quickly recognized the fact that there weren’t enough “three-dimensional, fleshed-out female protagonists." She explained, “You would be sent the script for ‘the girlfriend,’ ‘the wife,’ or ‘the antagonist,’ and the majority was so two-dimensional.” However, that’s changed considerably over the years. “Now when you're scrolling on whatever platform you're watching and seeing the amount of fleshed-out, three-dimensional, anti-heroic female protagonists … it's just night and day.” It’s night and day, indeed. You want some proof? Go check out Dormer’s latest film, The Wasp.
Dormer stars opposite Naomie Harris in the stage-to-screen adaptation as two estranged school friends, Carla and Heather, who reunite and get involved in some rather diabolical events. As Dormer put it, they’re “women who are both capable of profound darkness and profound vulnerability,” a combination that consistently tests your nerves and allegiance all through the film.
With the twisted psychological thriller now playing in theaters, Dormer joined me for a Collider Ladies Night conversation to discuss some influential moments in her career that paved the way to embracing the opportunity to portray such an angry yet vulnerable character in The Wasp.
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I walked away from Fantastic Fest 2023 calling Strange Darling my favorite film of the festival. Had it received a 2023 release date, it would have been one of my top films of the year. Now it’s August 2024 and nothing has changed. I’d be utterly shocked if Strange Darling didn’t land in my Top 10 of 2024, and I’d also be shocked if I didn’t close out the year calling Willa Fitzgerald’s work in the film one of my favorite performances of, not just 2024, but of recent years.
Fitzgerald and Kyle Gallner headline the movie as The Lady and The Demon. It’s a story loaded with brilliantly crafted twists and turns from writer-director JT Mollner and the team, so we’ll keep the plot synopsis simple; the two have a one-night-stand and it kicks off a murder spree.
I’ve been itching to get Fitzgerald on Collider Ladies Night since Strange Darling’s world premiere screening in September 2023, and now the time has finally come. With Strange Darling now playing in theaters, she joined me for a Ladies Night chat which, yes, included some Scream TV Series talk, but also heavily focused on her exquisite work in Strange Darling.
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The entertainment industry has a habit of boxing artists in. Have your Hollywood breakout via a horror movie? I’m willing to bet you’ll see an influx of genre scripts. Make a name for yourself with a particular type of music? The business will come to expect more of the same. But what about a social media superstar eager to pursue more paths and art forms out in Los Angeles? Given the fact that the number of high-profile social media personalities is skyrocketing, we’re bound to see more and more explore other sectors of entertainment. Someone who’s already well on her way while pursuing that path? Loren Gray.
Gray started building her fan base on the music-driven social media app Musical.ly, a following that transitioned over to TikTok when Musical.ly merged into TikTok in 2018. At this point in time, Gray is the 24th most followed TikTok creator with a whopping 53.7 million followers. She also has nearly 24 million followers on Instagram and 3.66 million subscribers on YouTube where she shares vlogs and her own music, much of which is quite successful. While Gray is still very passionate about all of this work, she’s eager to pursue an additional path in entertainment, a path she dubs her first love — acting.
With the high school comedy Incoming starring Mason Thames now available to stream on Netflix, Gray swung by the Collider Ladies Night studio for an interview covering her journey from Musical.ly to professional actor. She ran through some of her earliest acting inspirations, discussed what it was like making the move to Los Angeles as a teenager, and pinpointed the highs and lows of breaking into Hollywood as a social media star eager to build a career as an actor.
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Michelle Monaghan is an all-time favorite. Not only was she one of the very first guests on Collider Ladies Night back in 2019, but she’s also an especially wonderful interview. She speaks of her work with great passion, and also deeply cherishes memories of her most influential scenes partners — and she has many of them. Yes, Vince Vaughn is on that list, but there’s another member of the Bad Monkey ensemble who made an indelible impression on her as well.
Based on Carl Hiaasen’s bestselling novel, the Apple TV+ series Bad Monkey stars Vaughn as Andrew Yancy, a detective who got the boot from the Miami Police Department and sent to the Keys where he’s further demoted to a health inspector. However, when a human arm is fished out of the water in the area, Yancy can’t help himself; he’s got to prove that this individual’s death was no accident, but rather, a murder. Trouble is, he no longer has the resources and support to crack the case, and must sort through a string of unusual personalities to find answers. Complicating matters further for Yancy is Monaghan’s character, Bonnie, a mysterious woman he had an affair with and keeps coming back to.
In celebration of Bad Monkey’s August 14 debut on Apple TV+, Monaghan returned to Ladies Night to dig into her collaboration with Vaughn and a few other past co-stars who heavily contributed to Monaghan’s confidence in her craft and goals for the future.
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There’s no doubt that every single main character in Hazbin Hotel is a fan favorite. They’re all voiced by hugely talented individuals, rock wildly creative designs and personalities, and also well reflect a variety of shockingly relatable ideas and experiences. But, there’s no denying that there might be a little extra love out there for Amir Talai’s Alastor. It’s simply too much fun watching, and often rooting for, such a dangerous character, especially when that character is powered by such a deliciously sinister voice performance.
For those out there who’ve yet to watch Hazbin Hotel Season 1 on Prime Video, what are you waiting for? It rocks an 80% on the Tomatometer and an 87% audience score on Rotten Tomatoes, it was the largest global debut for a new animated series on Prime Video, and trust me when I tell you, once you hear the show’s original music, you’ll be eager to take Hazbin with you everywhere you go. The show comes from the mind of one of the most exciting voices in animation right now — Vivienne Medrano. After developing certain characters, including Alastor, for much of her life, Medrano independently produced a Hazbin Hotel pilot that currently has 112 million views on YouTube. From there, A24 swooped in and teamed with Prime Video to turn the YouTube hit into a full-fledged series. Now, not only is Hazbin Hotel Season 2 in the works, but Prime Video has also ordered Seasons 3 and 4 as well.
The animated musical takes place in Hell where Erika Henningsen’s Charlie Morningstar is determined to help sinners earn forgiveness and gain access to Heaven. How does she go about doing that? By creating a hotel for rehabilitation called the Hazbin Hotel. The trouble is, very few believe in her idea. The hotel has a mere seven residents - Charlie, Vaggie (Stephanie Beatriz), Husk (Keith David), Niffty (Kimiko Glenn), Sir Pentious (Alex Brightman), Angel Dust (Blake Roman) and Talai’s Alastor. But can Alastor be trusted? While he seems loyal to Charlie and her cause, Alastor is an Overlord of Hell who’s in the midst of a power struggle. That begs the question, are his intentions pure or is he scheming behind the scenes?
During his Collider Forces interview, Talai recapped his journey in the industry thus far from his earliest acting inspirations to appearing on popular shows like American Horror Story and Ghosts, and ultimately scoring the role of a lifetime with Hazbin Hotel.
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We did it. We hosted our very first Collider Ladies Night live panel at San Diego Comic-Con 2024, and it went swimmingly in large part thanks to panelists Melissa Barrera, Erika Henningsen, and Katy O’Brian. Not only did the trio come to play when it came to using our comically large die for Dicey Questions, but they also didn’t hold back when dishing out real talk about the reality of being a working actor in film, television and theater.
All three have seen their stars soar especially high in recent years. Barrera has become a certified beloved scream queen via her work in the Scream franchise and Abigail, but she’s also an artist of great range, a skill she shows off big time in the stellar upcoming genre mash-up, Your Monster, which arrives in theaters just in time for Halloween on October 25th. Henningsen is a musical theater powerhouse. After originating the role of Cady Heron in Mean Girls the musical on Broadway, she scored a one-in-a-million opportunity. She voices the lead character in Hazbin Hotel, a series that posted the largest global debut for a new animated series on Prime Video and has amassed a wonderfully rabid fanbase since. Then there’s O’Brian who’s racked up a number of huge credits in a very short period of time. (And there’s no doubt there will be many more to come.) After appearing in the MCU and in the Star Wars series, The Mandalorian, she stars in what’s now one of the biggest box office hits of the year, Twisters.
Clearly there’s a whole lot to celebrate here, but just as important as honoring all of the highs is acknowledging the journey one experienced to get them. During our hour-long Collider Ladies Night panel at San Diego Comic-Con in front of a 4,900-seat crowd, Barrera, Henningsen, and O’Brian took the time to peel back the curtain and offer unparalleled insight into what it takes to build a career as an actor.
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The Boys star Karen Fukuhara is a wonderful interview for a number of reasons. She’s a lovely person with a deep passion for her craft who’s got some stellar work to discuss. But, there’s another reason she’s such a treat to chat with. She’s got maximum respect for the press process because she once was a journalist herself — an entertainment journalist, in fact! While she’s clearly veered aware from that sector of the industry, her work in that realm has made a lasting impression so now, not only is she delivering big on screen, but she’s an ace at promoting that work too, so it was a true joy to get to welcome her to Collider Ladies Night in celebration of the Season 4 finale of The Boys.
Fukuhara’s Kimiko has come a long way in the hit Prime Video series. She was introduced in Season 1 as a feral supe who’s especially violent. But fortunately, Tomer Capone’s Frenchie sees more in her, an inner truth that, with some warmth and kindness, could help her emerge from past trauma, find community, and become one of the most valuable components of The Boys in the process. Four seasons later, Kimiko remains a deadly force to be reckoned with, but one with a massive beating heart determined to do whatever it takes to keep her friends safe and make the world a better place by taking down Homelander (Antony Starr) and Vought.
With The Boys Season 4 finale now available to watch on Prime Video, Fukuhara took the time to swing by the Collider Ladies Night studio for a lengthy chat recounting how she went from an aspiring journalist to becoming an actor in one of the hottest shows running right now.
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I hope you’re ready for a one-two punch of horror icons on Collider Ladies Night. Last week we put the spotlight on Mia Goth for the release of MaXXXine, and now we’ve got Longlegs headliner Maika Monroe who is, hands down, one of the most exciting voices in the horror space right now — and has been for a decade.
It Follows completely changed the game for Monroe in 2014. The David Robert Mitchell-written and directed film featured a brilliant concept that was expertly executed, putting the project on the path to becoming a modern horror classic. That wasn’t the only 2014 release Monroe had that earned such high honors. She also starred in Simon Barrett and Adam Wingard’s The Guest, yet another beloved film festival gem that went on to be hailed as top-tier horror by the masses. And Monroe has not stopped excelling in the genre since. She consistently works with directing visionaries with bold and ambitious ideas, ideas that give Monroe opportunities to push boundaries in horror storytelling and challenge herself as an actor in that space. Not only is her latest in that department a big winner in every respect on screen, but the quality of the work seems to be paying off significantly. Longlegs is already setting records for its distributor, Neon, and is poised to take in $14 - $17 million for its debut weekend.
Monroe leads Longlegs as Lee Harker, a new FBI agent who finds herself working on an especially gruesome case. Given her unusually adept perception, FBI veteran Agent Carter (Blair Underwood) recruits Lee to help him track down a serial killer with ties to the occult.
In celebration of Longlegs’ nationwide release, Monroe swung by for a Collider Ladies Night interview to dig into how she carved out the perfect place for herself in Hollywood.
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A lot has changed for Mia Goth since the release of X in March 2022. She’s seen her star skyrocket. After a steady stream of impressive supporting credits in films like The Survivalist, A Cure for Wellness, Suspiria, and more, X finally got Goth her very first lead role in a feature film. Now, thanks to the X franchise, she’s headlined three — X, Pearl and MaXXXine — and the industry’s taken notice. Not only does she have two highly anticipated new projects on the way in Guillermo del Toro’s Frankenstein and the long-awaited Blade film with Mahershala Ali, but she’s essentially living Maxine Minx’s dream. She’s a certified Hollywood star and, finally, everyone knows her name.
In the third, but maybe not final installment of the X trilogy, Goth returns as Maxine Minx. Maxine is the sole survivor of the 1979 farm bloodbath in Texas, and now she’s busy trying to make it in Hollywood in 1985. Maxine has stuck with the adult film industry and found a good deal of success there, but she’s eagerly awaiting her chance to show off her acting chops on the big screen, and she finally gets that chance thanks to director Elizabeth Bender (Elizabeth Debicki) who casts her as the lead in the horror film The Puritan 2. Maxine’s eager to give the project everything she’s got and become a star, but a distraction comes in the form of a serial killer who strikes a little too close to home.
With MaXXXine now playing in theaters nationwide, Goth took the time to return to Collider Ladies Night and discuss how her career and craft have evolved since the making of X and Pearl, and how becoming a mother has changed her approach to the work as well.
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MaXXXine may be the third film in a downright wild and blood-soaked horror series, but given the fact that the trilogy heavily pays homage to the evolution of cinema, there’s an abundance of very real connections one can make between the state of the industry depicted in these films and where things truly are at present. In fact, there’s one especially prominent one for Primetime Emmy nominee Elizabeth Debicki. In MaXXXine, she plays the only film director willing to take a chance on Mia Goth’s title character. As Debicki explained during our Collider Ladies Night conversation, finding filmmakers who believe in you is of the utmost importance to making it in Hollywood.
After the events of X, MaXXXine follows Maxine Minx to Hollywood in the 80s where she plans to become a star. Maxine is convinced she’s got the talent and determination to make it in the movies, but given her notoriety in the adult film realm, getting her big break has been impossible — until she meets Debicki’s character, Elizabeth Bender. Even though the producers of Elizabeth’s new movie would rather not have Maxine headlining the film, Elizabeth believes in her and insists on giving her the opportunity.
While many might be quick to highlight Baz Luhrmann as the person who took a chance on Debicki and sent her star soaring with The Great Gatsby, Debicki herself insists he’s not the only one. Yes, Luhrmann did give her her first lead role in a feature film, but Debicki insists directors taking a chance on actors never ends. “Yeah, you need to be good at your job, but it's also a real combination of timing and people believing in you enough to give you the job.”
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Getting a breakout role in film and television is the dream for many aspiring actors, but just as important are the projects one chooses to take after that breakout gig. Given the business’ habit of boxing artists into the first thing the world sees them do well, it can be a great challenge to amass a diverse body of work. How does one steer clear of those limitations and carve a path forward with volume and diversity? Perhaps by taking a cue from Kaya Scodelario.
Scodelario’s star began to soar via her work as Effy Stonem in the hit British teen series, Skins. After doing four seasons of the show, Scodelario began to pick up other television and film credits, credits ranging from Hollywood blockbusters like 2010’s Clash of the Titans to Andrea Arnold’s Wuthering Heights, which celebrated its big debut at the 2011 Venice Film Festival before going on to other top tier fests like the Toronto International Film Festival and Sundance.
Over a decade later, Scodelario still enjoys a vast range of work. She headlined the 2019 horror gem Crawl, jumped into a popular game franchise with Resident Evil: Welcome to Raccoon City, and then did the Christmas romantic comedy, This Is Christmas. Yet another vastly different standout credit on her resume? The new Guy Ritchie Netflix series, The Gentlemen, a kinetic crime comedy that's enjoying a good deal of Emmy buzz this season.
Inspired by Ritchie’s 2019 film, The Gentlemen series stars Theo James as Edward Horniman. After his father passes, Eddie inherits the family estate and becomes Duke of Halstead. As if all that isn’t enough to process, Eddie is soon made aware that his father secretly made an arrangement with Bobby Glass’ (Ray Winstone) weed empire. If Eddie continues to let them grow their product below ground on his property, he'll get large sums of money in return, money Eddie needs given the state of the family farm and his brother’s (Daniel Ings) habit of accumulating massive debts with dangerous figures. The person in charge of this weed empire while Bobby is in prison? His daughter, Scodelario’s Susie Glass.
In celebration of The Gentlemen’s successful Season 1 run, Scodelario joined me for an episode of Collider Ladies Night to retrace her steps from breaking out via Skins to starring in an acclaimed Guy Ritchie production.
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Melissa Benoist stepped into the Hollywood spotlight in a big way via Glee. Then she cemented herself as a bonafide star and headliner with Supergirl. Now she continues to broaden her range and her industry skill set by starring in and producing the hugely entertaining political drama, The Girls on the Bus.
Created by Amy Chozick and Julie Plec, The Girls on the Bus is inspired by Chozick's memoir, Chasing Hillary. It follows four female journalists played by Benoist, Carla Gugino, Christina Elmore and Natasha Behnam, who are on the campaign trail with aspiring presidential candidates. They all have vastly different backgrounds and goals, but find themselves supporting one another as they navigate career pressures, personal challenges, and frustrations with flawed presidential hopefuls.
As Collider’s Taylor Gates noted in her review, “[Girls on the Bus] handles serious topics, from sexism and racism to abortion and corruption, in a way that feels both raw and palatable while never taking away from the show’s watchability and enjoyability,” and I must agree. Powered by its perfectly assembled core four and their infectious charm, Girls on the Bus quickly earned my investment and heart. Given that, it’ll probably come as no surprise that the show’s cancellation was a massive disappointment. However, that’s not stopping Benoist from celebrating what she and the team achieved.
Benoist took the time to join me for a Collider Ladies Night conversation to recap her road to Girls on the Bus, to discuss her collaboration with her three top-tier co-stars, and to explain why the show’s cancellation will have zero impact on how she looks back on the experience of making it and the final product she and the team produced.
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Eve Best is an acting ace. She’s got loads of impressive screen credits to her name and is a theater legend with two Tony Award nominations, a Drama Desk Award win and a Laurence Olivier Award win as well. Now she’s an absolute force on HBO’s House of the Dragon. It probably goes without saying, she’s always been a dream guest for Collider Ladies Night, but a recent Ladies Night guest skyrocketed Best to being a top priority. While chatting with Jessica Gunning for Baby Reindeer, a performance that appears to have put her on the path to snagging an Emmy nomination, Gunning pinpointed an actor who made a major impression on her during the early days of her career. That actor? Eve Best. Soon after chatting with Gunning, interview opportunities for House of the Dragon Season 2 popped up, and I jumped on it.
Best plays Rhaenys, the Queen Who Never Was, in the Game of Thrones prequel series. Despite having a number of qualities that’d make her an ideal leader, Rhaenys was passed over to succeed King Jaehaerys I for being a woman. She eventually comes to terms with the decision and attempts to serve Westeros valiantly as a dragon rider and as the wife of Lord Corlys Velaryon of Driftmark (Steve Toussaint). Despite Viserys (Paddy Considine) naming Rhaenyra (Emma D’Arcy) his heir, Aegon II (Tom Glynn-Carney) takes the throne, solidifying the stark divide between the Greens, those who support Aegon, and the Blacks, those who continue to back Rhaenyra’s claim. As a member of Team Black, Rhaenys begins Season 2 doing what she can to keep her side safe while strategizing for all-out war.
With House of the Dragon Season 2 kicking off its highly anticipated run on Sunday, June 16, I recently sat down with Best for a Ladies Night conversation to discuss how she’s honed her craft over the years, and Rhaenys’ approach to being a strong leader with war brewing in Westeros.
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Adria Arjona has been showing off her impeccable craft and great range for years now, but Hit Man might be one of her most impressive performances of the bunch. She isn’t playing a femme fatale in the film, rather, she’s playing a woman playing a femme fatale to better suit what she thinks her new beau wants to see in a potential partner — which is exactly what he’s doing to her. It's a mighty complicated concept that demands the most refined screenplay and deft performances.
Glen Powell headlines Richard Linklater’s Hit Man as the title character, in a sense. Powell’s Gary isn’t a hit man, but rather, a “hit man.” He’s a college professor who moonlights for the New Orleans Police Department by posing as a hit man in attempt to catch people trying to off an enemy. It turns out, Gary is quite good at the gig, effortlessly adapting his image to the type of hit man he thinks his target would best respond to. However, one target throws him for a loop — Arjona’s Madison. Madison is struggling with an abusive husband and sees no way out, so tries to hire Gary, posing as Ron, to kill him. Trouble is, Gary winds up falling for Madison, and she winds up falling for him, too — but as Ron.
Hit Man is an utterly delightful and hugely entertaining neo-noir, one that required maximum precision to pull off. Powell isn’t the only one playing a person putting on a persona in the film. So is Arjona. Pulling off such a performance in a way that holds tight to the grounded challenges that put their characters in these positions is no easy task, but Arjona excels tackling the challenge. While Madison was likely a strong character on the page, there's no doubt that Arjona's work is what makes her soar.
How’d Arjona acquire the skill set to genre jump, entertain and craft a deeply human character all at once? That’s exactly what we discussed during our Collider Ladies Night interview in celebration of the release of Hit Man, which is now available to stream on Netflix.
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There’s a multitude of reasons why Hazbin Hotel became Prime Video’s largest global debut for a new animated series. An especially big one, however? That voice cast. Creator Vivienne Medrano and her team hit it big casting every single character in the show, but there’s one in particular that’s a staggeringly perfect match; Erika Henningsenis Charlie Morningstar.
Hazbin Hotel is largely set in Hell where Henningsen’s Charlie, the daughter of Lucifer (voiced by Jeremy Jordan), is fed up with Heaven’s treatment of the souls in Hell. Due to overpopulation, once a year, an army of angels led by Adam (Alex Brightman) swoop down from Heaven and exterminate as many sinners as possible. In an effort to save her people and give them the second chance she thinks they deserve, Charlie creates the Hazbin Hotel, a place where sinners can be rehabilitated and then ascend to Heaven.
In celebration of Hazbin Hotel Season 1’s epic run on Prime Video, a run that sparked an enormous diehard fanbase and deserves some serious Emmy season love, Henningsen joined me for a Collider Ladies Night chat to revisit her road to Hazbin, to discuss her experience bringing Charlie to screen, and to tease what the future holds for the character.
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While celebrating Hazbin Hotel on Collider Ladies Night, creator Vivienne Medrano said she wouldn’t mind seeing the show run for six seasons, like her favorite show of all time, BoJack Horseman. “My favorite show went to six, so six would be cool!” However, she also noted, “The real answer is as many as they’ll give me, forever — forever and ever because there could always be more.” Given the monumental success of Hazbin Hotel Season 1, I’m a big believer Prime Video and A24 should defer to Medrano on this one, and give her whatever she wants!
Hazbin Hotel is something Medrano’s been working on since middle school. After years of honing the characters, she created an independently made pilot episode, after which A24 swooped in to help turn it into a series that Prime Video distributed in January 2024. Not only did the show premiere to glowing reviews, but it also became Prime Video’s largest global debut for a new animated series. But, perhaps most impressive of all was the fervent fanbase the show quickly amassed. Yes, Medrano and Hazbin already had quite the following via the pilot, which crossed 100 million views on YouTube in February, but the debut of Hazbin Hotel Season 1 on Prime Video undoubtedly increased that following exponentially.
The show puts the spotlight on Charlie Morningstar (voiced by Erika Henningsen), the princess of Hell. Due to overpopulation in Hell, angels swoop down from Heaven once a year to conduct a purge, wiping out as many sinners as possible. Charlie’s had enough of seeing her people perish and strives to change the system via her Hazbin Hotel, a hotel designed to rehabilitate sinners and get them into Heaven. Not only is Hazbin Hotel brimming with curious characters, wildly creative world-building and thematic heft, but it’s also a musical — and every single song on its soundtrack is a true banger.
The competition in the Animated Program category at the Emmys is fierce courtesy of iconic long-running series like The Simpsons and Bob’s Burgers, and new standout programs like X-Men ’97, but given the quality of Hazbin Hotel and the colossal passionate fanbase it's ignited, it deserves to be in the mix.
How exactly does one get from middle school doodles to spearheading an Emmy-worthy animated musical? That’s exactly what I covered with Medrano on her episode of Collider Ladies Night!
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If you’ve seen The Wheel of Time and Fallout, there’s a good chance we had a similar viewing experience. The entire Wheel of Time ensemble is fantastic, but Season 2, which dropped on Prime Video from September 1 to October 6, brought in a new standout character, Renna, the Seanchan sul’dam responsible for making it an especially dark season for Madeleine Madden’s Egwene. As terrible as Renna is, you can’t take your eyes off her, and the credit for that goes to the actor in the role — Hollywood newcomer Xelia Mendes-Jones.
Cut to April 2024. Fallout hits Prime Video and becomes an instant sensation. The majority of the season puts the spotlight on Ella Purnell, Walton Goggins, and Aaron Moten, all of whom give powerhouse performances. With only eight episodes, a bunch of curious locations, a number of key factions to establish, and quite a few complex agendas unfolding, how does an actor with minimal screen time in just two episodes manage to make an impression? Ask Mendes-Jones, because that’s exactly what he does with his character, Dane, a member of the Brotherhood of Steel.
With screen presence like that, there’s no doubt in my mind Mendes-Jones’ star will continue to soar, so he instantly became a top priority guest for Collider Forces.
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We talk about the experience of “breaking out” in Hollywood a lot on Collider Ladies Night. There are many wonderful ways to have that moment in film and television, but Jessica Gunning has seen her star soar in an especially exciting way over the last month courtesy of the popularity of Netflix’s Baby Reindeer.
Based on his own personal experience which he adapted into an award-winning Edinburgh Fringe one-man play, the Richard Gadd-created series stars Gunning as Martha, Donny Dunn’s (Gadd) stalker. What Donny thinks is just a simple act of kindness, offering Martha a free cup of tea on a tough day, winds up being a life-changing exchange as she wedges her way into just about every part of his life. Not only does the relationship turn Donny’s day-to-day on its head, but the experience also challenges him to address some long-buried trauma.
Baby Reindeer isn’t some massive production with a significant monthslong promotional campaign behind it. It’s something that caught on in a big way, seemingly out of the blue, simply because it’s an exquisitely crafted and incredibly well-acted piece. While Gunning isn’t new to the industry by any means, the success of Baby Reindeer has instantly turned her into a highly recognizable name, one earning a good deal of Emmy buzz at the moment, and it’s inspiring many to check out her other credits, films like 2014’s Pride and the ongoing Prime Video series, The Outlaws.
In celebration of this extremely well-deserved game-changing moment, I welcomed Gunning to Collider Ladies Night to revisit her road to Baby Reindeer, to break down the nuances of Martha, and to discuss what it’s like becoming a bonafide Emmy contender.
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No role is easy, but at just 22-years-old, Freya Allan has already had to do a considerable amount of heavy lifting playing characters in dire situations with the weight of the world on their shoulders. After comparing the pressure The Witcher’s Ciri is under to the challenges her Kingdom of the Planet of the Apes character, Mae, faces in the film, Allan laughed and said, “Clearly they look at me and go, 'Yeah, she’s got a lot going on. She’ll do the job.’” Allan may have been humble about it, but roles like Ciri and Mae could never soar without an actor capable of capturing and giving an audience access to their complex internal worlds.
In Kingdom of the Planet of the Apes, Allan’s Mae finds herself forming an unexpected bond with Owen Teague’s ape character, Noa. It’s hundreds of years after the events of War for the Planet of the Apes. Apes are now the dominant species while humankind struggles to find safety. Given Noa’s grown up in the confines of his village and knows little of the outside world, he’s shocked when he encounters Mae and she isn’t some feral creature, but rather, a brave being of intelligence with wants and a drive that isn’t so different from his own.
With Kingdom of the Planet of the Apes arriving in theaters nationwide on May 10th, I got the chance to have a Collider Ladies Night conversation with Allan to recap her journey in the industry thus far, and to dig into her experience finding Mae and conveying her complicated contributions to paving the way to a brighter future for humankind.
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Welcome to a very special edition of Collider Ladies Night. Not only does this episode feature a personal favorite, but that favorite just became the first Ladies Night third-timer — Melissa Barrera. It was immediately evident that Barrera is an ideal Ladies Night guest during our first chat in January 2022 for Scream, one brimming with enthusiasm and passion for her craft, and for the art of filmmaking in general. That became even more undeniable after connecting at the 2022 Toronto International Film Festival for Carmen’s world premiere, and then again in March 2023 for a second Ladies Night in celebration of the release of Scream VI.
One of the greatest joys of having two Ladies Night conversations a mere year apart with Barrera? Seeing how much she manages to accomplish in that short span, and hearing about how deeply she considers those experiences and how that impacts her goals and perspective on the industry going forward. At that point, making the independent feature, Your Monster, which just premiered at the 2024 Sundance Film Festival, heavily influenced her priorities for herself in filmmaking. In March 2023 she explained, “I had a mentality of like, I need to do something big to make a splash and to make a name for myself so that I can green light projects.” However, after working on Your Monster and also The Collaboration, that switched to, “I just want to do projects that speak to my soul and that stretch me.”
Perspective shifts happen often, and should. What good are our experiences if we don’t grow and learn from them? Barrera, however, powered through a rather seismic one since our last Collider Ladies Night interview after she was shockingly fired from Scream 7 due to social media posts regarding the humanitarian crisis in Gaza. During this new Ladies Night interview, Barrera detailed how that and other recent experiences in Hollywood have heavily impacted her understanding of what she’s here to do. From there we lean into yet another new release that solidifies Barrera as a horror genre powerhouse, and bonafide movie star, her latest collaboration with Radio Silence, Abigail.
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- Visa fler
