Avsnitt
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Can a lifelong discovery writer write faster and embrace structure without losing the magic? Bestselling author Grace Draven wrote 62,000 words in 21 days and says absolutely.
In this episode, Grace shares how the tools and mindset shifts she picked up from The Fiction Writing Made Easy podcast helped her write faster, avoid massive rewrites, and finish one of her strongest books, The Moon Raven—drafting 62,000 words in just 21 days to hit a tight preorder deadline—and why that experience convinced her to join Notes to Novel.
After publishing more than 20 books and hitting the USA Today bestseller list five times, Grace explains why even experienced authors benefit from refining their process, and why structure isn't the creativity killer so many writers fear it is.
Whether you're a proud pantser, a frustrated discovery writer, or someone looking for a faster, more reliable way to finish your novel, this conversation shows what's possible when you pair your natural creative process with the right story structure tools that I teach in Notes to Novel.
Here's what we talk about:
[08:00] Why thinking in scenes instead of chapters completely changed Grace's writing process and helped her write more efficiently without sacrificing creativity.
[12:55] How Grace fast drafted 62,000 words in just 21 days, met a high-pressure preorder deadline, and still delivered a solid book.
[18:41] How structure became a safety net that let Grace write around interruptions and a demanding home life without losing her place (or her creativity).
[23:30] What happened when Grace her antagonist first (before fleshing out her protagonist)—and how this helped raise the stakes and eliminate unnecessary rewrites.
[29:38] How the tools from Notes to Novel gave Grace the confidence to commit to a delivery schedule with her new multi-book publishing deal.
If you've ever worried that outlining will make your writing feel formulaic or that your discovery writing process slows you down, this episode will show you how to write faster and build a process that leaves room for the magic instead of squeezing it out.
🔗 Links mentioned in this episode:
Get on the Notes To Novel Waitlist The Moon Raven by Grace DravenGrace Draven’s WebsiteEp. 182 - Writing Romantasy: How to Balance Fantasy Elements and Romance in Your NovelEp. 224 - The Truth About Writing Faster: It's Not What You Think⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Learn how to outline your novel using the Hero’s Journey—without mistaking this classic framework for a complete story blueprint.
The Hero’s Journey is one of the most widely recognized story frameworks out there. But knowing the twelve stages—like the Ordinary World, the Call to Adventure, the Ordeal, and the Return with the Elixir—isn’t the same as knowing where those stages belong in a full-length novel.
In this episode, I’m walking you through how to outline your novel with the Hero’s Journey framework, including how to divide your word count into acts, break those acts into scenes, and map the twelve stages across a novel-length manuscript.
You’ll also learn what the Hero’s Journey can and can’t do on its own—because while it’s a powerful way to track your protagonist’s external adventure and internal transformation, it’s not a substitute for developing your genre, premise, character, conflict, theme, and stakes.
You'll hear me talk about things like:
[02:40] What the Hero’s Journey is and how to use its three acts and twelve stages as a tool for outlining a novel
[05:15] How to split your word count across the three acts (and the percentage breakdown that tells you how long each one should be).
[07:45] A complete walkthrough of all twelve stages of the Hero's Journey, and the job each stage does for your plot and your character.
[14:00] The death-and-rebirth moment at the center of the Hero's Journey, and why it's one of the most powerful ideas in storytelling.
[17:45] Why your draft loses steam even when all twelve stages are in place, and the foundation that's usually missing underneath them.
And so much more…
If you've been curious about using the Hero's Journey to plan your novel, or if you've tried it before and felt like something was missing, this episode will help you understand both the strengths and limitations of this classic framework.
🔗 Links mentioned in this episode:
Get on The Notes to Novel WaitlistTake Author Success Quiz (FREE)Ep. 30 - Novel Length: How Long Should Your Book Be?Ep. 244 - How to Create Characters Readers Will LoveHow to Outline Your Novel with Save the Cat!The Writer's Journey by Christopher Vogler⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Saknas det avsnitt?
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If your protagonist feels vivid in your head but flat on the page, this episode will help you diagnose what’s missing—and fix the specific piece of character development that will make readers care.
You know your main character. Their backstory, their childhood, the exact way they take their coffee. You could talk about them for an hour. So why do they still feel flat on the page?
When this happens, most writers assume they need to know more—a deeper backstory, more personality details, another character questionnaire. So they add more. Or they go the other way and try to make the character more likeable.
But here's the thing: knowing a lot about your character isn't the same as developing the specific pieces that make them work in a story. And making a character likeable isn't the same as making them compelling. When a protagonist feels flat, the fix usually is more character development—just not the kind most writers reach for.
And that's what I'm talking about in this episode. The five most common mistakes that make characters feel flat, and the specific pieces to strengthen so your protagonist feels compelling, active, and worth following.
You'll hear me talk about things like:
[01:55] Why a vague story goal is the reason your draft stalls out, and the small shift that makes your protagonist's goal specific enough to write forward with ease.
[05:25] Why your story may have huge, world-ending stakes but still feel like nothing is actually threatening what your protagonist stands to lose.
[09:30] The reason a frictionless protagonist feels thin on the page even when the goal is clear, the plot is moving, and the stakes are personal.
[13:40] Why a protagonist the plot keeps happening to—instead of one whose choices drive what happens next—keeps readers at a distance, and how to put them back in the driver's seat.
[17:05] The simple scene-level test that shows whether your protagonist is filtering the story through a distinct worldview, or just reporting what happened.
If you've got a folder full of drafts that stalled because your characters kept reading thin on the page, this episode will help you see the pattern differently. Once you know which of these five pieces is missing, you can fix it, build a character strong enough to carry the whole story, and finally understand how to make readers care about your characters.
🔗 Links mentioned in this episode:
Get on The Notes to Novel WaitlistTake Author Success Quiz (FREE)Ep. 244 - How to Create Characters Readers Will Love (5 Essential Elements)Ep. 240 - 10 Writing Mistakes That Make Readers Put Down Your NovelEp. How to Reveal Your Character’s Inner Life on the Page⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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If you’ve got a scene that feels flat and you can’t figure out why, this episode will help you diagnose what’s really going on—so you know whether the scene is working, needs strengthening, or may not belong in your story at all.
You know that feeling when a scene just isn’t quite working, but you can’t put your finger on why? The sentences are clean. The dialogue sounds right. Line by line, it reads fine… and yet the scene just sits there.
Here’s the thing: a lot of the time, the problem isn’t your prose. It’s that nothing meaningful changes in the scene—or the change that does happen doesn’t affect the larger story. And once you can see that, the problem becomes much easier to fix.
In this episode, I’m breaking down one of the most common reasons a scene falls flat: the missing or weak value shift. I’ll explain what a value shift is, why every scene needs one, and how to tell the difference between a change that matters to your story and one that simply fills space.
In the episode, you’ll hear me talk about:
[02:25] What a “value shift” actually is, and why a scene without one will feel flat no matter how good the writing is
[04:25] Why a scene can technically have an arc of change and still fall flat
[07:00] The three questions I ask to find the value shift in any scene—and the one that matters most
[00:00] The value shift mistake that quietly muddies your scenes (and the simple fix to get instant clarity)
[15:50] Why a scene packed with action can still feel thin, and what to look for underneath the surface
You’ll walk away with a simple three-question check you can run on any scene to see what changed, why it matters, and where to revise first if the scene still isn’t working.
🔗 Links mentioned in this episode:
Take Author Success Quiz (FREE)Free Guide: How to Write Scenes That WorkEp. 118 - How To Find The Major Dramatic Question Of Your StoryEp. 153 - Scene Analysis: Chapter 5 "Diagon Alley" From Harry Potter and the Sorcerer's Stone⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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What does it look like to go from feeling stuck, overwhelmed, or unsure about your novel…to finally making real progress?
In this episode, I'm sharing five clips from past Notes to Novel students who all came into the program stuck in different ways—overwhelmed by story structure, trapped in research rabbit holes, or sitting on drafts that existed on paper, but still weren't clicking.
And underneath it all was the same frustrating feeling: each writer knew they had a story worth telling; they just couldn't figure out how to get it out of their head and onto the page in a way they felt good about.
You'll hear what shifted for these writers once they stopped piecing things together on their own and started working from a clear, proven framework they could trust.
If you've been second-guessing yourself, rewriting the same chapters, or quietly wondering whether you're capable of finishing your novel, there's a good chance you'll recognize yourself somewhere in this episode.
Here's what we cover:
[03:09] How Sheila (a longtime pantser) went from avoiding structure completely to discovering that outlining actually made drafting feel more creative, not less.
[07:17] How Liz (a perfectionist) realized endless research was keeping her stuck, and the simple "put a pin in it" mindset shift that kept her draft moving forward.
[12:28] Why Hanna's draft started flowing faster once she gave herself permission to write messy scenes instead of trying to get every scene right the first time.
[19:15] What Nikki learned from rebuilding her antagonist three times before her protagonist, conflict, and story finally started working together.
[24:24] What changed when Brady reconnected with the deeper reason he wanted to write a novel—and how it silenced his inner imposter for good.
Ready to finish your novel without second-guessing every word, sentence, or scene? Join Sheila, Liz, Hanna, Nikki, Brady, and hundreds of other writers inside Notes to Novel who've discovered that drafting doesn't have to feel hard. You just need the right roadmap.
Get on the waitlist for the next round of Notes to Novel and get my complete, step-by-step framework to turn your ideas into a finished, easy-to-edit first draft you love. The link is below.
🔗 Links mentioned in this episode:
Get on The Notes to Novel WaitlistTake Author Success Quiz (FREE)Ep. 176 - 5 Lessons Learned from Notes to Novel (Season 5)Ep. 208 - 5 Lessons Learned from Notes to Novel (Season 6)Ep. 230 - 5 Lessons Learned from Notes to Novel (Season 7)⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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A book coach who's written 15 novels pulls back the curtain on what's really happening when your messy first draft disappoints you.
Ever finished a chapter, read it back, and realized the words on the page don't match the story in your head? There's a name for that. It's called the “taste gap,” and it often shows up among serious, lifelong readers.
In this episode, I sit down with book coach and publishing strategist Gala Russ (who's written 15 novels) to talk about the taste gap, what a first draft is supposed to look like, and why messy writing is the whole point.
This one's for you if you've studied writing for years but still struggle to finish your first draft. Because the taste gap closes when you practice writing more than researching it.
Here’s what we talk about:
[04:41] Why no number of finished pages ever makes you feel like a real writer, and the loaded questions non-writers often ask that get inside your head.
[13:55] What a real first draft actually looks like behind the scenes and why a scrappy, hodgepodge, messy manuscript is usually a good sign.[19:04] The taste gap explained: why being an avid reader who knows what ‘good’ is can make your own draft feel like the worst thing you've ever read.
[23:52] How to know when a book needs more revision, when it’s okay to walk away, and the sunk cost fallacy trap that keeps writers rewriting forever.
[38:37] Why more craft books won't fix a stuck draft, the hidden blocks keeping writers frozen, and Gala's creative workaround for finding writing time in a busy life.
Here's what I want you to take away from this episode. The fact that you can read a great book, feel moved by it, then look at your own draft and feel like it's not measuring up, that is not a sign you're not meant to be a writer. It's a sign your taste has developed faster than your skills. And skills are built by writing, not by reading one more craft book.
🔗 Links mentioned in this episode:
Gala Russ Website Gala Russ Instagram Take Author Success Quiz (FREE)Sign Up For Notes To Novel⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
Discover why your first draft never matches the book in your head, what a messy draft is actually supposed to look like, and how to close the taste-skill gap by writing more instead of studying more, so you can overcome imposter syndrome and finally finish your draft.
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Most fiction writers are making at least one of these point of view mistakes. Find out which one could be hiding in your draft.
You know that feeling when a scene isn't quite working, but you can't put your finger on why? Your pacing, dialogue, and structure all seem fine. And yet something is still off. Nine times out of ten, the culprit is POV.
In this episode, I'm walking you through the five most common point of view mistakes, what each one looks like on the page, why it pulls readers out of your story, and what to do if a POV mistake is hiding in your draft.
The good news? It has nothing to do with your talent as a writer. I see these mistakes in the strongest of manuscripts. And every single one is fixable.
This is what I talk about:
[02:27] Why head-hopping feels so disorienting to readers, and the simple scene-level rule that instantly creates cleaner, stronger POV.
[07:11] The subtle "omniscience leak" that happens when your POV character knows things they realistically couldn't know in the moment.
[11:42] Why a POV character who only reports action—with no thought, reaction, or internal stakes—leaves readers feeling disconnected.
[17:13] How info-dumping and backstory disguised as thoughts can make scenes feel unnatural instead of emotionally immersive.
[22:00] The subtle voice drift that makes your POV character slowly stop sounding like themselves, and why this is the hardest mistake to catch.
These mistakes are fixable. Every single one. And once you know what to look for, you can write fiction so immersive that readers forget the real world exists until they reach the final page of your book. If that's the kind of story you want to write, this episode is for you.
🔗 Links mentioned in this episode:
Take Author Success Quiz (FREE)Get on the Notes to Novel WaitlistEp. 90 - How to Choose the Best Point of View for Your StoryEp. 94 - How to Reveal Your Character's Inner Life on the PageEp. 210 - 5 Tips To Write Multiple POV Novels Without Confusing Your Readers⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Learn how to write the lead-up and reaction scenes between your key romance plot points so your story flows naturally from meet-cute to HEA without stalling in the middle.
You know what your meet-cute looks like. You know there's a breakup coming. You can already feel the happily ever after. So why does everything in between feel impossible to write?
That's exactly what we're digging into today. I'm joined by Kristina Stanley, CEO of Fictionary and author of the brand new Secrets to Writing Romance, for a masterclass on the lead-up and reaction scenes that hold every romance together.
Kristina breaks down what to write before and after each key plot point, how your external plot does more work than you think, and how to give your characters real agency in the messy middle of Act 2. If you've been winging it between your big scenes and hoping for the best, this one's for you.
What You'll Learn:
[03:57] The 5 key scenes every romance novel is built around and the one non-negotiable rule that sets romance apart from every other genre.
[10:55] Why every key scene needs a lead-up and a reaction, and how those surrounding scenes are where your character's flaw, motivation, and growth actually live.
[21:42] When your meet-cute should actually happen in your romance novel and what the lead-up scene needs to do before your characters ever cross paths.
[29:30] How to give your characters real agency in the Messy Middle of Act 2 (even when your story doesn't have a strong external plot driving it forward).
[38:03] What to do after the climax, why the reaction to the HEA is trickier than it looks, and how epilogues can save you from cutting your ending too short.
And so much more…
Whether you're plotting your first romance novel or you're stuck somewhere in the middle of a draft, wondering why your story isn't clicking, this episode will give you a clear framework for what every scene between your key moments actually needs to do.
🔗 Links mentioned in this episode:
Kristina Stanley's Book | Secrets to Writing RomanceKristina Stanley WebsiteArticle | The 6 Key Scenes Every Romance NeedsTake Author Success Quiz (FREE)⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Learn the five craft secrets to writing young adult fiction that actually feels like YA—so when you sit down to write your own, you know exactly what to aim for.
You know what YA feels like when a book is doing it right. The voice pulls you in. The protagonist's world feels enormous and immediate. You finish the book before you remember to put it down. The hard part is being able to do that yourself—on the page, on purpose.
In this episode, I'm walking you through the five secrets that make YA fiction actually feel like YA—the specific craft moves you can use to write the kind of YA novel you love to read.
After ten years as a developmental editor and book coach—and over 1,000 writers through my Notes to Novel course alone—these five secrets are the patterns I find myself teaching over and over again. They're not vibes or instincts—they're learnable craft skills you can use on purpose in your own writing.
What You'll Learn:
[02:06] What it actually takes to write a YA voice that feels like a teenager living an experience in real time—not an adult character looking back on it with hindsight.[07:11] Why peer relationships—not parents or mentors—are the engine of every YA novel that lands, and how to check whether you've accidentally given your adults too much of the wheel.[10:12] Why YA stakes feel huge even when the events look ordinary—and how to scale the emotional reality on the page to match what your teen protagonist is actually experiencing.[12:57] How to handle the big themes YA is known for—identity, grief, mental health, family—through scenes and character interiority instead of monologues and moralizing.[16:24] Why the best YA protagonists hold two contradictory things at once—and why resolving that contradiction too early in the book is what kills the engine of your story.Whether you're sitting on a YA idea you haven't started yet, or you have a draft that's nearly there but doesn't quite feel right, this episode will give you the craft moves you need to write the kind of YA novel you love to read.
🔗 Links mentioned in this episode:
Join The Notes To Novel Waitlist⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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What if getting stuck on your novel has nothing to do with your story and everything to do with HOW you're seeing it? Story mapping coach Danyel Nicole found that out firsthand.
When Danyel's first draft started to feel off, she got up from her desk one night, grabbed butcher paper and sticky notes, and mapped out her entire story on the wall in her hallway. Within an hour, she could finally see what was working—and what wasn't.
This discovery changed everything about her novel-writing process. And now she helps other writers do the same.
Danyel is a Notes to Novel graduate and founder of Map Your Story Studios, where she helps fiction writers get their stories off the page and onto the wall so they can see the big picture, break through draft paralysis, and write with real momentum.
In this episode, she's breaking down exactly how story mapping works, why it gets writers unstuck, and how you can start today with less than $25 worth of supplies.
What You'll Learn:
[03:00] What story mapping is, and why getting stuck on your novel is almost always a visibility problem, not a story problem.
[06:29] What Danyel's wall literally looks like: the color-coded sticky note system she uses to map every act, scene, conflict, and character arc at a glance.
[00:09:24] Exactly what to buy at Target (for $25 or less) to start mapping your story today—plus digital tool options if you'd rather work on a screen.
[14:45] What Danyel found on her wall that saved her from writing a whole section of her draft that would have fallen completely flat.
[17:18] The three sticky notes that give any writer, at any stage, a solid story foundation to start mapping their novel today.
Whether you're staring at a blank page with no idea where to start, three chapters in and losing the throughline, or three hundred pages deep into a draft that keeps going in circles, story mapping meets you exactly where you are.
🔗 Links mentioned in this episode:
Danyel Nicole's Website | Map Your Story StudiosDanyel Nicole's Freebie | Map Your Story GuideDanyel Nicole's Instagram Take Author Success QuizLearn More About Notes To Novel⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Master these 5 worldbuilding techniques to immerse readers in your fictional world without infodumping or overwhelming them.
If you've ever sat down to write a scene and ended up with three paragraphs of explanation before anything actually happens, you're not alone. Most writers don't info dump because they're bad at worldbuilding—they do it because they love the world they've built and want readers to experience every detail of it. But here's the thing: too much explanation too soon is usually what breaks immersion, not what protects it.
In this episode, I'm sharing 5 practical techniques for weaving worldbuilding into your story so readers experience your world naturally—without ever feeling like they're being taught about it. You'll learn how to tell which worldbuilding details have earned their place on the page, how to weave them into the scene instead of stopping the story to explain, how to adjust your approach based on whether your POV character is a native or a visitor to your world, and how to let the scene itself pull worldbuilding into the moment so it never feels forced.
You'll hear me talk about things like:
[02:30] How to tell whether a worldbuilding detail belongs on the page—or back in your notes.
[04:27] How to weave worldbuilding into action, sensory detail, and interiority so it never stops the story cold.
[08:08] Why the answer to "how much should I reveal?" is almost always less than you think, and later than you think.
[10:04] The difference between a character who's new to your world and one who's lived there their whole life—and how each one changes what you can explain naturally.
[12:40] How to use in-scene triggers so every worldbuilding detail feels pulled into the story instead of pushed in by the author.
The world in your head is alive. It has texture, history, and weight. These five techniques will help you bring that onto the page so readers feel it too—without you having to stop the story to explain it.
These techniques are hardest to apply when your story's foundation isn't solid yet. If that's the piece you've been missing, my Notes to Novel course is where to start. Click the link below to learn more and join the waitlist.
🔗 Links mentioned in this episode:
Join The Notes To Novel Waitlist⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Readers don't fall in love with likable characters. They fall in love with characters who want something specific, stand to lose something personal, and can't quite get out of their own way. Here's how to build one.
Think about the last time you truly fell in love with a fictional character. Not just related to them—but actually stayed up past midnight because you needed to know they'd be okay. And then felt that strange grief when the story ended, because it meant leaving them behind.
That kind of love doesn't come from likability. It comes from investment. And those are two very different things. Most writing advice conflates them—which is part of why so many writers end up with characters that feel solid in theory but don't quite connect on the page.
In this episode, I'm breaking down the five elements that create real reader investment—whether you're building your first character from scratch or trying to figure out why a character you already love isn't landing the way you hoped.
You'll hear me talk about things like:
[03:25] Why a vague character goal like "she wants to be loved" isn't actually a goal—and what gives your story a spine instead.
[06:07] The difference between scale and personal stakes, and why raising the external stakes alone will never create the emotional weight you're looking for.
[09:32] What inner conflict actually is, why it's so often missing from character work, and how it turns an interesting character into someone readers can't stop thinking about.
[12:42] Why a character who only has things happen to them is hard to stay invested in—even when those things are terrible—and what agency really looks like on the page.
[15:32] How your character's history shapes everything she notices, assumes, and misreads—and why getting this right is what makes your protagonist feel like the only person who could tell this story.
If you've ever looked at a character you've spent months developing and thought, I know all the right pieces are here, but something still isn't clicking—this episode is for you. Because when all five of these elements are working together, readers don't just follow your character. They grieve when they have to leave them.
That reader is waiting for your character. Notes to Novel is the process that helps you build one she can't stop thinking about. Click the link below to learn more.
🔗 Links mentioned in this episode:
Click Here To Learn More About Notes To Novel⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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What does line editing actually involve, and is your manuscript ready for it? Here's everything you need to know.
Line editing is a stage in the revision process that can feel really confusing, especially if you're not sure how it's different from developmental editing, copy editing, or proofreading.
So in today's episode, I brought in two people who know this topic inside and out. Andrea and Michelle are the managing partners of Two Birds Author Services, and they've been editing fiction together since 2018. They've worked with many writers from my own community, and I've seen firsthand how their feedback helps authors not only polish their current manuscript but grow as writers for every book that comes after.
They break down exactly what line editing is, how to know when your manuscript is ready for it, what to look for when you're searching for an editor, and what the process typically looks like from start to finish.
We also get into the most common sentence-level mistakes they see—things like clarity issues, weak word choices, and inconsistent rhythm—and how you can start addressing those in your own writing before you even hire an editor.
Here's what we cover:
[04:30] What line editing actually is, why it's not proofreading, and exactly where it fits in the novel revision process.
[07:07] How to find a line editor who's the right fit for your book and why always requesting a free sample edit before you commit is so important.
[17:05] Worried a line editor will change your voice? Here's how Andrea and Michelle make sure every suggestion stays true to your style.
[21:41] The three most common mistakes line editors catch in fiction manuscripts and how to start fixing them in your own writing.
[28:42] How sentence length and structure control your novel's pacing and why this matters more than most writers realize.
Whether you're getting ready to hand off your manuscript or just curious about what happens at this stage of the process, this episode will give you the clarity and confidence you need.
And if this episode got you thinking about where your manuscript actually stands before it gets to a line editor, my 5-Day Revision Accelerator is the perfect next step.
In just five days, you'll learn how to evaluate your manuscript, identify what's not working at the big-picture level, and walk away with a clear revision plan—so that when you do hand your manuscript off to a line editor, it's actually ready for that level of work. Sign up using the link below.
🔗 Links mentioned in this episode:
Sign Up For The Revision AcceleratorHot Words Checklist Two Birds Author Services Website⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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You finished your first draft. And for a minute, it felt amazing. But then you open your manuscript to revise, and suddenly everything feels unclear.
Where do you start? What do you fix first? And how do you know if anything you're changing is actually making your story better?
And at a certain point, it starts to feel like the problem might be your draft. But most of the time, it's not. It's the way you're approaching revision.
That's why in this episode, I'm walking you through the five most common revision mistakes I see, because chances are, at least one of them will tell you exactly where your revision is going sideways.
You'll hear me talk about things like:
[02:08] Why starting revisions without a clear target leads to endless changes, second-guessing, and a draft that never improves.
[06:52] The subtle mindset shift that separates drafting from revising and why staying in the wrong mode makes your story harder to evaluate.
[09:37] What most writers skip before they start editing, and how this leads to weeks of changes that don't actually fix anything.
[12:06] Why the order you revise matters more than how much time you put in, and the specific sequence that gets your revision on track.
[14:21] The tricky truth about feedback, when it helps, when it hurts, and why getting it too soon can leave you more stuck than before.
If you've been staring at your draft not knowing where to begin, or rewriting the same chapters, second-guessing every revision decision, or feeling like your draft is getting worse instead of better, this episode is for you.
And if you want help figuring out what your story needs and how to approach revision with a clear plan, my 5-Day Revision Accelerator is designed to do exactly that.
In just five days, you'll learn how to evaluate your manuscript, identify what's not working, and create a clear revision plan so you're not stuck second-guessing every change. Sign up using the link below.
🔗 Links mentioned in this episode:
Sign Up For The Revision Accelerator⭐ Follow & Review
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Discover why the answer to hiring a book editor before querying isn’t a simple yes or no—and how to make the right call for your manuscript.
If you've finished your draft and you're thinking about querying literary agents, you've probably seen this advice: don't hire an editor before you query.
And while that's not wrong, it's also not the full picture.
Because the real issue isn't whether you hire an editor. It's whether you're solving the right problem in your manuscript.
In this episode, I'm breaking down what industry professionals actually mean when they give this advice, the different types of editing (and what each one really does), and how to tell whether your story is truly ready to query (or still needs deeper development).
We'll also talk about why so many writers get stuck in revision, what it looks like to revise with a clear plan instead of guessing, and how to tell if you're improving your sentences… or fixing your story.
This is what I talk about:
[00:47] Why the advice around hiring a book editor before querying is often misunderstood, and how it leads writers to focus on the wrong kind of editing.
[02:33] What literary agents are really evaluating when they read your manuscript—and why polished prose can't fix a story that isn't working.
[03:58] The difference between developmental editing, line editing, and copy editing, and why only one of these directly impacts whether your story works.
[07:45] The common revision trap writers fall into when they can't identify the real problem in their manuscript and how it leads to endless, unfocused rewriting.
[09:15] The 3 key questions to ask yourself before querying so you can tell whether your manuscript needs more polish—or deeper story development.
If you've been stuck wondering whether to hire a book editor or keep revising on your own, I hope this episode gives you the clarity you need to make a smarter decision.
And if you want help diagnosing what's actually not working in your manuscript, my 5-Day Revision Accelerator is designed to do exactly that.
In just five days, you'll identify your manuscript's biggest problems, prioritize what to fix, and walk away with a clear revision plan—so you can go into querying knowing your story is ready (not just hoping it is).
Sign up using the link below.
🔗 Links mentioned in this episode:
Sign Up For The Revision Accelerator⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Are you revising the same chapters over and over, but nothing you change is actually fixing the problem?
Most writers go straight to the prose when their story isn't working. They tighten sentences, swap out words, and reread the same chapter over and over. And still, something feels off. But most first-draft problems don't occur at the sentence level. They occur at the story level.
In this episode, I share the 10 writing mistakes I see most often in manuscripts. Plus, I’ll give you the diagnostic question for each one so you can pinpoint what's holding your story back and know exactly where to start revising.
Here’s what I talk about:
[01:44] Why some stories start too early and how this common first draft mistake makes readers feel like the real story hasn't begun.
[05:59] The one question every strong story is built around, and how to tell if your manuscript is missing it.
[07:49] Why stories start to feel aimless when the protagonist doesn't have a clear, specific goal driving the action.
[12:10] Why tension collapses when your antagonist is weak or underdeveloped, even when they're present on the page.
[16:23] Why so many novels lose momentum in the middle, and the structural issue that usually causes it.
If you recognize some of these issues in your own manuscript, don't panic. Almost every first draft has a few of these problems. This is a normal part of the writing process.
Revision isn't just about making your sentences prettier; it's about strengthening the foundation of your story so readers can experience the tension, emotion, and meaning you intended. Once you clearly see what's happening in your manuscript, you can start fixing the right things in the right order.
That's exactly what The Revision Accelerator is designed to help you do. In just five days, you'll diagnose what's holding your story back, prioritize what to fix first, and walk away with a clear revision plan without the overwhelm. Click here to join us.
🔗 Links mentioned in this episode:
Sign Up For The Revision Accelerator to diagnose what's actually holding your story back.⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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She wrote her first novel in 15-minute increments—in drive-through lines, at the dance studio, at swim lessons—while raising two kids and walking through one of the hardest seasons of her family's life. And she finished her book.
That's Jackie Henley's (pen name J.J. Henley) story, and I wanted to bring her onto the podcast because I know so many of you feel like life keeps getting in the way of writing your novel. Jackie's story is proof that it doesn't have to.
Jackie is a mom of two, a former teacher, and a long-time Bookstagrammer who spent years reviewing other people's stories before she finally decided to write one of her own. She went through my Notes to Novel program and finished her debut romantic suspense, writing most of it in small pockets of time between school drop-offs, swim lessons, and drive-through lines.
In this episode, she walks us through the whole journey, and I know you're going to find it incredibly inspiring.
Here's what we talk about:
[05:58] How beta reading a friend's novel made Jackie realize she could actually write her own and why seeing a story in its messy state changed her mindset entirely.
[15:14] Why Jackie resisted calling her book a thriller with a romance subplot and the ‘aha’ moment that completely changed her mind on this.
[23:07] How having a scene-by-scene outline made her 15-minute writing sessions low-stress, productive, and effective.
[28:13] What happened when her son stopped sleeping, her writing windows disappeared, and her family was navigating one of the hardest seasons of their lives (and how she kept going anyway).
[38:30] Her honest take on self-publishing vs. traditional publishing, and what shifted her perspective entirely.
If you've been waiting for the right time to write your book, or if life keeps getting in the way and you're not sure you have enough time to actually finish, this one's for you.
🔗 Links mentioned in this episode:
Join The Notes To Novel WaitlistJ.J. Henley / Jackie Henley on Instagram⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Learn how to market your book in a way that aligns with your values, builds genuine reader connections, and feels sustainable instead of draining.
Book Marketing. These two words make most writers want to close their laptops and hide forever. But what if it didn't have to feel that way?
In this episode, I'm joined by award-winning science fiction and fantasy novelist and certified creativity coach Beth Barany to talk about what she calls heart-centered book marketing: A values-driven approach to promoting your story that actually feels aligned with who you are.
We break down how to market your book without feeling salesy, how to identify the core values behind your writing, and how to build meaningful reader relationships that energize you rather than drain you.
Here’s what we cover:
[04:35] What heart-centered book marketing actually means and how it differs from the traditional advice you'll find everywhere online.
[07:57] Why chasing other people's book marketing strategies leads to burnout, and a key question to ask yourself before adopting any tactic.
[11:01] How to uncover your core values as a writer and why your novel characters can actually help you do it.
[15:47] A real example of how Beth uses her values to choose her book marketing platforms, including a creative Reddit strategy she's currently exploring.
[22:18] Why you should ditch the "buy my book" approach and use your story's tropes to invite the right readers in instead.
[24:36] Why fangirling authors you love is the easiest free marketing strategy and how it can lead to real collaborations and unexpected opportunities.
Whether you're pre-launch, mid-series, or just exhausted by marketing advice that doesn't feel like you, this episode will give you a refreshing, permission-giving framework to promote your book in a way that's sustainable, authentic, and actually kind of fun.
🔗 Links mentioned in this episode:
Beth Barany WebsiteTrust Your Creative Heart Roadmap Workbook Beth Barany Instagram Beth Barany Podcast⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast
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You wrote a prologue for your novel. But now you're wondering if you really need it. Here are three honest signs your story might actually be stronger without one.
Writing a prologue feels like the right move until you're three drafts in and still not sure if it's actually helping your story or just sitting there, taking up space at the front of your book. And the tricky part is that it's not always easy to tell. Because sometimes the prologue isn't the problem. And sometimes it really is.
That's exactly what we're digging into in today's episode: I'm walking you through three signs that your prologue might not be doing what you think it is (and what to do instead) so your opening still grabs readers and pulls them straight into your story.
You'll hear me talk about things like:
[02:59] How prologues that deliver backstory or world-building can weaken your opening scene—and what readers actually need instead.
[06:10] Why a flash-forward prologue can release tension before it has time to build (and how to tell if your plot twist is losing impact).
[09:31] The subtle way a prologue can mask a weak first chapter—especially if your story starts too early.
[11:17] A simple reading test to determine whether your prologue is structurally necessary—or just informational.
[14:33] What it really means for a prologue to “earn its place” in your novel—and the mindset shift that makes the decision easier.
If you've been going back and forth on your prologue, this episode will give you the clarity to finally make the call. Because when your opening is working (like really working), you'll feel it. And so will your readers.
🔗 Links mentioned in this episode:
Ep. #215 - How to Write a Prologue Readers Won't Skip (& When to Start at Chapter One Instead)Ep. #190 - Novel Editing: 10 Steps to Editing Your First DraftTake the Author Success Quiz⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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Is AI here to replace novelists, steal ideas, or ruin copyright forever? Let’s separate fear from facts.
AI and creative writing are among the most debated topics in the publishing industry right now. Some writers are excited, while others are feeling cautious. And many are wondering what's actually true about AI, copyright law, idea theft, and querying agents.
In this episode, I sit down with award-winning novelist and technologist Ana Del Valle to unpack what AI really means for fiction writers. Ana is the founder of the AI Creative Writing Academy and host of The Novelist Studio podcast, bringing both tech expertise and creative insight to this conversation.
Here’s what we cover:
[02:54] How Ana’s background in tech and fiction collided when ChatGPT launched, and why she believes we're entering a new golden era of literature.
[05:56] The crucial difference between AI Assist and AI Generation, and why this distinction protects your voice, ownership, and copyright.
[11:55] The truth about whether ChatGPT can steal your story ideas, plus what those scary AI lawsuits actually mean for writers.
[14:38] How U.S. copyright law handles AI-created work, and why heavily editing AI-generated drafts can put writers in murky territory.
[21:01] Whether you need to disclose AI use when querying agents, and how traditional publishing is already integrating AI behind the scenes.
Whether you're AI-curious or AI-cautious, this episode will give you the clarity you need to make informed decisions about using AI in your writing process.
Tune in now.
🔗 Links mentioned in this episode:
Ana Del Valle WebsiteChatGPT for creative writers e-bookAna del Valle YouTube Channel⭐ Follow & Review
If you loved this episode, please take a moment to follow the show and leave a review on Apple Podcasts! Your review will help other writers find this podcast and get the insights they need to finish their books. Thanks for tuning in to The Fiction Writing Made Easy Podcast! See you next week!
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