Avsnitt
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A deep dive into one of the most important passages in Twilight of Idols. We’ll explore Nietzsche’s critique of our erroneous habits of thought: mistaking the effect for the cause, false causality, creating imaginary causes, creating a doer of the deed, and free will. We explore Nietzsche’s explanation for how these errors take hold of our thought, the psychological need for these errors, and why they persist. Episode art is The Billiard’s Player by William Bastiaan Tholen
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The ninth time that I’ve done this.
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Saknas det avsnitt?
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My friend Quinn and I discuss whether Deleuze is an accurate interpreter of Nietzsche. What are the faults of Deleuze's interpretation, and what are its merits? We discuss the eternal return, the anti-Hegelian attitude of Deleuze, ressentiment and bad conscience, and the Deleuzian understanding of will to power. More broadly, we discuss what it is that makes an interpretation correct, and how there are different mindsets behind the left and right interpretations of Nietzsche.
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Carl Jung contributed to psychoanalysis in an important way, but that contribution to the field is inseparable from his engagement with Nietzsche. Jung derived a wealth of insights from Nietzsche’s work, and his psychological state that deteriorated into madness. Jung’s central hypothesis is that Nietzsche was possessed by an archetype. Such archetypal inflation was the result of a deep imbalance within Nietzsche’s psyche, springing from his rejection of the spiritual.
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Carl Gustave Jung was a student of Freud, but broke from his mentor in a dramatic way. Jung acquired the reputation of being a mystic, and put forward ideas that pushed the boundaries of psychoanalysis. This is a crash course in Jung’s most important ideas: projection, archetypes, and the collective unconscious. In this episode, we go in-depth on the major archetypes that Jung describes. These are subpersonalities that exist in every human unconsciousness, which will manifest insensibly in one’s desires, and find themselves projected by the subject into the external world.
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Weltgeist x The Nietzsche Podcast.
A long-awaited conversation. We discuss: the aesthetics of Schopenhauer v/s Nietzsche, the Schopenhauerian influence on Wagner's music, The Pale Blue Dot, the Eros as discussed in Plato's Symposium, philosophy and art as luxuries of civilization, and what Nietzsche describes as the asceticism of the scientific worldview.
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Daniel Tutt is the author of How to Read Like a Parasite, a new book which warns leftist thinkers about the power and danger of Nietzsche. Daniel has a long history of engaging with Nietzsche’s philosophy, and argues for a pugilistic relationship with him. In his view, the French leftists who utilized Nietzsche’s work sometimes centered Nietzsche to their own detriment. Daniel’s project aims not at canceling Nietzsche, but in reading him with a sober understanding of his political perspective and the ways in which it informs all of his ideas.
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Stephen Hicks is a Canadian-American philosopher, and the author of numerous books, including Understanding Postmodernism, and Nietzsche & the Nazis. As Professor Hicks is a critic of postmodernism, I decided to ask him about Nietzsche's connection to postmodern thought. Is Nietzsche a postmodernist, and to what extent did he influence them? How do we explain the moral differences between Nietzsche and the postmodernists? We also discussed some topics related to objectivism and Ayn Rand. How does Nietzsche's epistemology and ethics differ from that of Ayn Rand? Professor Hicks articulates the case for the foundationalist view, and we finished the conversation by discussing the state of the academy as he sees it, and the future of philosophy.
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Sigmund Freud (1856-1939) said of Nietzsche that he had "more penetrating knowledge of himself than any man who ever lived or was likely to live." In spite of this, Freud always denied that Nietzsche was an influence on his thought, in spite of his multiple references to Nietzsche in his early work. While Freud certainly drew from Nietzsche's ideas, he was an original thinker in his own right, who followed on the same path of inquiry as Nietzsche, but with the tools of empirical research and the within the scientific spirit of psycho-analysis. Freud comes to believe that the driving force of human life is libido, a sexual impulse, and that the stages of psychosexual development determine the health or pathology of one's adult life. Central to his analysis of human psychology is the Oedipus Complex, and his notion that the superego emerges to suppress it. In this episode, we also discuss the Id (Unconsciousness), the faculty of repression, the concept of cathexis, and the meaning of dreams. In spite of the ways in which Freud has been marginalized in recent years, in his work we find an extraordinary thinker who built upon Nietzsche's ideas, and truly managed to change the entire paradigm of psychological thinking.
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Among Nietzsche's critics, René Girard is perhaps unique. Girard's understanding of human civilization and the origins of human culture is that it is based on ritual, collective violence against a scapegoated individual - and he argues that Nietzsche is one of the only thinkers hitherto who understood this. Nietzsche's famous formula - Dionysus versus the Crucified - is the title of Girard's critical essay on Nietzsche. He does not quibble with Nietzsche's framing of the situation, but rather with Nietzsche's conclusions. While Nietzsche takes up for the side of Dionysus, Girard stands on the side of the Crucified, arguing that Nietzsche was fundamentally wrong to lament the ascendance of Christianity and to yearn for a return to the Dionysian. In the course of Nietzsche's defense of Dionysus, he put forward moral theories that were "untenable", and become increasingly "inhuman". Among the many commenters of Nietzsche, both disciples and critics, it is rare to find a figure like Girard, who recognizes Nietzsche's brilliance, but totally condemns his legacy. Join me today to learn about the life of Rene Girard, his theories of mimetic desire and scapegoating, and the impassioned case he puts forward for The Crucified.
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Today we examine an 1875 Fragment, entitled "Science and Wisdom in Battle". Not only does this fragment contain one of my favorite quotations of Nietzsche's, it represents his continual grappling with the meaning of Ancient Greek culture. In particular, we discuss the importance of "relations of tension" in Nietzsche's earlier work: art versus science, culture versus the state, history versus forgetting, and of course, science and wisdom. Both are drives to knowledge, and the tension between them created philosophy in the tragic age of the Hellenes. Science is characterized by logical, objective, specialized knowledge, whereas Wisdom is defined by Nietzsche as a tendency for illogical generalization, leaping to one's ultimate goal, and an artistic desire to reflect the world in one's own mirror.
Episode art: Sofia & Athena
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In this episode, we continue our discussion of the Pre-Platonics, and cover the ideas of Parmenides, Anaxagoras, Empedocles, and Democritus. The episode begins with a brief recap of the previous philosophers and the dialogue up to this point. After considering the remaining Pre-Platonics, I have some brief concluding remarks in which I attempt to make sense of the entire picture as Nietzsche lays it out in this unfinished essay.
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Philosophy in the Tragic Age of the Greeks is one of the more obscure texts in Friedrich Nietzsche’s corpus. There are many good reasons for this: it is unfinished, and ends abruptly; it was never published; and it concerns subject matter that is not as immediately accessible as Nietzsche’s more popular writings. You will not find his major concepts in this work – such as the will to power, or the critique of metaphysics - except insofar as those
ideas appear in the background, inchoate, unnamed… not yet fully formed. In Nietzsche’s interpretation of the Pre-Platonic philosophers of Ancient Greece, we find the starting place for his later philosophical career. The inspiration for many of those great ideas, can arguably be found in his exegesis of these extraordinary figures from the Hellenic world, from the 6th to the 4th century BC.
In today's episode, I'll introduce the text, then we'll cover the first three figures who I've classed as "the first cosmologists": Thales, Anaximander, and Heraclitus. While I'm mostly sticking to the text of the essay, I fill in some details using Nietzsche's lectures on the Pre-Platonics, on which this essay was based.
Episode art: photo of the Temple of Poseidon -
I answered questions from the Patrons. Enjoy!
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Nietzsche said of this work that it was “the best German book”. For the last nine years of Johann Wolfgang von Goethe’s life, Johann Peter Eckermann journaled about their conversations together. Goethe was a celebrity at the time, and destined to be remembered as perhaps the greatest writer of the German language, certainly of the 19th century. Eckermann, on the other hand, was a farmboy with a talent for copying - whether it was the artwork of Ramberg or the poetic style of Korner. When he met Goethe, who was in his seventies at the time, the young Eckermann looked up to him as the greatest of poets, and wanted nothing more than to record all of his wonderful memories with Goethe. In this work we find no narrative arc or rigorous structure, but simply a series of thoughts and feelings. It is a portrait of Goethe rather than a story about him, and offers a fascinating view into a different time and place.
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In the tradition of the great theistic philosophers, Baruch Spinoza presents us with a metaphysical vision of the cosmos, as ordered by God. But in sharp contrast with thinkers such as Pascal, Spinoza's arguments for God are crafted with an attempt of logical precision. In fact, Spinoza structures his arguments as geometric proofs, and considers the only serious philosophy to be a truly mathematized philosophy. In his Ethics, Spinoza gives us a comprehensive system that describes God, Nature, everything.
Nietzsche says of Spinoza, "I have a precursor! And what a precursor!" While he was critical of Spinoza, Nietzsche acknowledged the ideas of Spinoza as profoundly influential on his thought. And yet, Spinoza's work remains famously difficult. Where he fits in to the Western philosophical canon is not readily apparent. Rarely is he portrayed as a great opponent of any one philosopher or school, and it seems that he lacks true antipodes. He is grouped among the three great rationalists, along with Descartes and Leibniz - even though these three come to radically different metaphysical conclusions, and bear little resemblance to one another aside from this one classification of their epistemological stance. And since Spinoza's philosophy is so voluminous, its ideas interrelated and comprehensive, approaching Spinoza and having some idea of where he stands within the discourse is difficult for the average reader. In this episode, we'll consider Spinoza's life and work, and then consider the ways in which his life parallels Nietzsche, and the ways in which his life influenced Nietzsche.
Episode Art: Samuel Hirszenberg - Excommunicated Spinoza -
Important announcement.
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Pascal and Nietzsche are two names of monumental importance in the Western philosophical tradition, but rarely are their names mentioned together. At a glance, there is a wide gulf that separates the two, and seems to place them at irreconcilable odds. Pascal was a devout Christian, whose philosophical works concern the Christian faith: his most famous argument is the wager, which is a kind of apologetic device for bringing people into the faith. Nietzsche, on the other hand, carries out a philosophical project which is anti-Christian. He says he has no taste for faith in God, and that this faith is an indelicacy among thinkers.
Today, we will examine Pascal's life, and the basics of his philosophy. Then, we will compare these two malcontents of the Enlightenment. Both question the supremacy of human reason, and offer an alternative to the materialistic concerns of a secular society. Both were men afflicted with ill health, and who struggled with mental illness. But they come to completely contrasting views in their assessment of life. In spite of this, there are ways in which Pascal's influence may have lasting importance for understanding Nietzsche. In Daybreak, Pascal is a stand-in for Christian hatred of mankind, who may have shaped Nietzsche's psychological analysis of Christianity. And in the eternal recurrence, we arguably find a variation on Pascal's Wager. While Pascal urges us to bet on God, Nietzsche's invitation is to bet on the world.
“The Only Logical Christian”: Nietzsche’s Critique of Pascal by Brendan Donnellan, available on JSTOR: https://www.jstor.org/stable/10.5149/9781469656557_oflaherty.12?seq=10 -
Nietzsche listed Michel de Montaigne (1533-1592) among the best French writers of the Renaissance, and called him a link to classical antiquity. The personal seal of Montaigne read, “What do I know?” For Montaigne, doubting was no less pleasing than knowing, and he exemplified the philosopher’s proclivity to inquire about every proposition. In his work we find the forerunner of not only skepticism, but Descartes’ methodology of doubt and empiricist bent of Bacon. He is the inventor of the essay, a man who called his own mind “wandering and diverse”, and who wrote candidly about life, ethics, and the classics. He is a man of contradictions, who disparaged book-learning but whose works are abundant with quotations. In this episode, we’ll consider his essays, Of the Education of Children, Defense of Raymond Sebond, Of Friendship, and That Philosophy is to Learn to Die, as well as take a brief peek into a handful of others. Join me in exploring the man Saint-Beauve called, “the wisest Frenchman who ever lived.”
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Devin Goure is a scholar with a background in philosophy, an interest in psychology, mental health & neurodivergence. He holds a PhD in political theory. He's known as Left Nietzschean on X/Twitter: https://twitter.com/DevinGoure
You can find Devin's substack here: https://devingour.substack.com/
In this conversation, Devin and I discuss the meaning of leftism in modernity. I asked him a number of questions concerning how the ideas of Nietzsche can be used for the left. How does Nietzsche compliment a Marxist philosophy? Where does Nietzsche conflict with Marx? Or with Hegel? How can we square an anarchist reading of Nietzsche? And what are the errors in interpretation of figures like B.A.P.? - Visa fler